Art Exhibition

Hardcover. New York, Hudson Hills Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 168 pages, 75 color plates. Hardcover. To accompany exhibit at Albright-Knox Gallery in Buffalo, NY. Dust jacket front flap price clipped. Color illustrations throughout. In great shape, clean inside and out.

Hardcover. New York, NY, Collins Design, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 205 pages. Hardcover with dust jacket. Minor yellowing to dust jacket edges. Minor soiling to dust jacket rear and top edge of front. An otherwise clean, unmarked copy with only minor wear to dust jacket edges. Match Prints is a visual and editorial dialogue between two renowned photographers of music and film celebrities, Jim Marshall and Timothy White. Marshall, one of the foremost photographers of the rock music scene in the 1960s and 1970s, shot some of the most iconic images of the era, including Jimi Hendrix burning his guitar at Woodstock; White, one of the most in-demand music and Hollywood photographers working today, has built an equally impressive portfolio of photos in his 20 year career. Match Prints features images from the worlds of film and music, compares the work of the two photographers, and provides first-hand behind-the-scenes anecdotes. With an introduction by renowned music writer Anthony DeCurtis.

Softcover. Wasgington DC, International Arts & Artists, 1sy, 2005, Book: Very Good, Softcover in a bright dust jacket, 75 pages. Color illustrations. Clean copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 289 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Klein surveys the history of Matisse's portraits and their sitters, with attention to the details of the financial transaction or other agreement that caused the painting to be made. An analysis of Matisse's self-portraits is also provided. Klein works chronologically, detailing the artist's developing style, but remains attached to his biography as well, with many quotes about Matisse or his works from contemporary sources. This volume is well illustrated with b&w and color plates.

Hardcover. London, Royal Academy of Arts, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 214 pages illustrated in color. "Matisse's relationship with the textiles that surrounded him from his earliest days is revealed here for the first time - the authors examine the ways in which Matisse used what he called his 'working library' of textiles to furnish, order and compose some of the twentieth century's most pioneering works of art". Exhibition catalog for a show at Le Cateau-Cambresis, France; London and New York, October 2004 to September 2005. Clean copy.

Softcover. Milwaukee WI, Haggerty Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrated in color. Essays by Octavio Paz, Andre Breton and Sabine Eckman. Like new.

Softcover. Milwaukee WI, Haggerty Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrated in color. Essays by Octavio Paz, Andre Breton and Sabine Eckman. Like new.

Softcover. NY, Guggenheim Museum, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, color illustrated wraps, unpaginated, richly illustrated in mostly color. Published on the occasion of the exhibition Matthew Barney: The Cremaster Cycle. Never opened, still in original shrink wrap. First published in February 2002, concludes Matthew Barney's CREMASTER cycle that consists of five films. He began working on the cycle in 1994. The individual parts, however, were not produced in chronological order. Each of the five films is accompanied by a publication; this volume was uniquely designed as an artist's book by Matthew Barney and contains a multitude of photographs and film stills from Cremaster 3.

Softcover. Oklahoma City, Oklahoma Museum of Art, 1st, 1981, Book: Good, Dust Jacket: None, Softcover, 21 pages plus 44 b&w and color plates. Rubbing, creases to wrappers. Slightly wrinkled near spine. Previous price sticker on back cover. Else a clean, tight copy.

Softcover. Williamstown, MA, Prestel & Williams College Museum of Art, 1st, 1990, Book: Near Fine, Dust Jacket: None, Exhibition catalog. 193 pages, illustrated throughout numerous illustrations in b&w and 139 plates in full color. Pictorial stiff wrappers. Minor edgewear to covers, else like new.

Hardcover. US, Harry N. Abrams, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 224 pages. Like new in publisher's shrink-wrap. The preeminent children's book artist of the twentieth century, Maurice Sendak and his sixty-year career are celebrated in this full-color catalog of more than two hundred images being exhibited at the Society of Illustrators in New York City from June 11-August 17, 2013. Accompanied by twelve essays by such noted scholars and historians as Leonard S. Marcus, Iona Opie, Steven Heller, and Paul O. Zelinsky, Maurice Sendak: A Celebration of the Artist and His Work showcases the collection of Justin G. Schiller and Dennis M. V. David, prominent authorities on Sendak's artwork, and is a deeply personal and thoughtful tribute to a seminal artist whose singular vision has captured the imaginations of countless children and grown-ups throughout the world.

Softcover. Munich, Germany, Saint Louis Art Museum, 1st, 1984, Book: Near Fine, Dust Jacket: None, Softcover exhibition catalog, 482 pages, many illustrations, over 100 in color. Extensive survey of paintings, drawings, watercolors and prints. Includes biography, bibliography and the index of names and paintings. Published on the occasion of the exhibition from the Haus der Kunst, Munich February 25-April 23, 1984 which moved on to St. Louis and Los Angeles. Clean. bright copy.

Hardcover. Berlin, Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover. 352 pages, 200 color plates. Paintings, drawings, and sculpture from every stage of the artist's career are included in the exhibition catalogue. Like new in publisher's shrink-wrap.

Hardcover. Australia, T & G Publishing, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 296 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout. Max Pam is one of Australia's most important contemporary photographers. His success is based on a body of provocative and compellingly intimate images of people from all over the world. This substantial publication with notes gives an emotional, sometimes lyrical, provocative, always intimate portrait of the artist as much as the people and places he has witnessed.

Softcover. Springfield MA, The George Walker Vincent Smith Art Museum, 1st, 1966, Book: Very Good, Dust Jacket: None, Softcover, 40 pages. 11 sepia tone plates. Catalog lists and describes 125 works in the exhibition by Parrish. Chronology. Introduction by Donald Reichert, essay extracted from an article by Coy L. Ludwig which appeared in the Art Journal, Winter 1965-66. Published to accompany the exhibition held in Springfield, MA , January 23-March 20.

Softcover. Springfield, MA, The George Walter Vincent Smith Art Museum, 1st, 1966, Book: Very Good, Dust Jacket: None, Exhibition catalog. 38 pages including bibliography and chronology. Six sepia plates. Beige stiff wrappers. Light wear to edges and covers, else a very nice, clean copy.

Hardcover. NY, Pace Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover. Square quarto, in gray card stock covers stamped in silver and black, 87 pages, color illustrations. Issued in conjunction with several 2013 exhibitions of unique map-based art created by American artist Maya Lin. With essays by Robert Storr and William Fox. Clean copy.

Softcover. NY, Paula Cooper Gallery, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, wire binding, 50 pages. Color illustrations. Scarce. Meg Webster is an American artist from San Francisco working primarily in sculpture and installation art. While her works span multiple media, she is most well known for her artworks that feature natural elements.

Softcover. Cambridge MA, Harvard Art Museums, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Mel Bochner (b. 1940) is considered a pioneer of the Post-Minimal and Conceptual art movements. Perhaps best known for his paintings, sculptures, and drawings, Bochner became deeply involved with photography in the mid- to late 1960s, although most of these works have only recently been exhibited. This significant book provides the first critical look at a virtually unknown body of Bochner's extremely varied photographs dating from 1966-1969. Some 75 of his photographs are presented, many in color and most published for the first time. Also included are a number of Bochner's drawings that directly informed his photographic works. Scott Rothkopf explores the crucial role of photography in Bochner's artistic development as well as key issues in the relation of photography to Minimal and Conceptual art.

Softcover. Hartford CT, Trinity College, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, stapled wraps, 12 pages with color, b&w plates. Essay by Kate Linker. Clean copy.

Softcover. Philadelphia, Pennsylvania Academy of the Fine Arts, 1st, 1922, Book: Very Good, Dust Jacket: None, Softcover, 181 pages, b&w illustrations. Rubbing, chipping to wrappers and edges. Wrinkling on spine. Else a clean, tight copy.

Hardcover. Milan, Silvana Editoriale, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Iraqi-American artist Michael Rakowitz's (b. 1973, USA) first major European survey presents a sequence of installations drawing on architecture, cultural artifacts and cuisine to tell stories of social ritual, conflict and loss. It encompasses work considering the citizen visionaries of post Soviet Hungary, Middle Eastern Beatles fans and the stonecarvers of Afghanistan, with Rakowitz's casts of players and objects revealing the legacy of colonization, modernism and globalism. The artist's life-size replica of the gigantic lamassu, one of two monumental winged bulls that once guarded the gates of Nineveh in Iraq, currently features on Trafalgar Square's Fourth Plinth. This recreation of an ancient mythological creature is made from everyday date syrup cans and is part of an epic endeavour to recreate all 7,000 objects looted from the Iraq Museum in 2003, as well as those destroyed more recently at archaeological sites like Nimrud, also presented here. Text in English and Italian. Short closed tear to dj corner. otherwise like new. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Whitney Museum of American Art/Steidl, 1st, 2002, Book: Very Good, Dust Jacket: None, Flexible boards, 264 pages. B/w and color illustrations throughout. Published to accompany exhibition at Whitney Museum of American Art in New York. Super clean. By repeatedly re-photographing her images, transferring them from video to film and back again, and manipulating them digitally, Michal Rovner creates photographic and video imagery that abstract familiar subjects like houses, animals, and people into ambiguous and iconic forms. Working with representation but against the traditions of narrative and documentary purpose, her artworks imply a tentative universe, one that is paradoxically peaceful and unsettled, vivid and shrouded, and completely counter-factual. If the changing nature of art has resulted in a general blurring of boundaries--between painting and photography, reality and memory, presence and absence--Rovner mines this haziness, refuses to respect borders, and exists completely in The Space Between.

Softcover. Hanover NH, Dartmouth College, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 24 pages illustrated with color and b&w photos. An overview of recent projects, both small scale and large architectural commissions. Clean, bright copy.