Biography

Hardcover. NY, Clarkson Potter, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 223 pages in b&w. In honor of the magazine's 100th birthday, this celebratory collection captures the brilliantly quirky personalities behind some of The New Yorker's most iconic cartoons. Filled with striking portraits by world-renowned photographer Alen MacWeeney, captivating profiles by long-time New Yorker contributor Michael Maslin, and a sampling of each artist's work, these pages offer an exclusive peek inside the creative brains of over fifty prominent cartoonists, both seasoned and newly minted. From legends like Roz Chast and Jack Ziegler to contemporaries like Liana Finck and Jeremy Nguyen, this landmark volume is a beautiful homage to the artists who have long brought joy, humor, and satire to our lives. Clean copy.

Hardcover. New York, NYU Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 387 pages. Minor wear to dust jacket. Else very good.

Hardcover. London, Secker and Warburg, 1st thus, 1949, Book: Very Good, Dust Jacket: None, Hardcover, 408 pages, orange cloth with gilt lettering on spine. B&w plates including frontispiece, spine sunned, ownership signature, otherwise clean.

Hardcover. Atria Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 230 pages with color and b&w illustrations. A portrait of the celebrated movie actress, as presented by her son, recounts her most noted performances, her work as a goodwill ambassador for UNICEF, and her role as a dedicated wife and mother, in a tribute complemented by previously unpublished photographs and Hepburn's own paintings. NOTE: A light musty odor.

Hardcover. New York, Skira Rizzoli, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Remainder mark on bottom of the text block. Clean, unmarked copy with only minor wear to dust jacket. Large black & white and color photographs throughout. Tight copy. Many portraits ranging throughout Audrey's life.

Softcover. Berkeley CA, University of California Press, 1st pbk., 1969, Book: Very Good, Dust Jacket: None, Softcover, 463 pages. This classic biography has established itself as the standard account of Saint Augustine's life and teaching. The remarkable discovery recently of a considerable number of letters and sermons by Augustine has thrown fresh light on the first and last decades of his experience as a bishop. These circumstantial texts have led Peter Brown to reconsider some of his judgments on Augustine, both as the author of the Confessions and as the elderly bishop preaching and writing in the last years of Roman rule in North Africa. Clean copy.

Hardcover. Somogy Editions D'Art , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Still in publisher's shrinkwrap. Full color exhibition catalogue of the new retrospective exhibition of Saint-Gaudens' work, the first in Europe since 1900. Venues include the Muse des Augustins, in Toulouse (February 2-May 30, 1999), and the Muse national de la Cooperation Franco-Americaine, at Blrencourt (June 26-October 18, 1999). The artwork covers Saint-Gaudens' entire career, from the cameos done during his youth, to sophisticated portrait reliefs, public monuments and coins. The essays contribute new scholarship on the sculptor's career and art, including his decorative art designs for Tiffany's, personalized pencil caricatures for friends, and the development of the monument to Charles Stewart Parnell in Dublin, the last public monument Saint-Gaudens saw to completion.

Hardcover. NY, Charles Scribner's Sons , 1st, 1899, Book: Very Good, Dust Jacket: None, Hardcover. 199 pages. Biographical notes by Douglas Taylor. the subject was an American actress, friend of Fanny Kemble, Edwin Booth, Edwin Forrest (all 3 pictured in the book) and many others. Illustrations, hardcover bound in coarse tan cloth with mounted leather spine label. Previous owner's bookplate, inscription on front endpapers, otherwise clean.

Softcover. New York, Multiples Inc & Lois and Michael K. Torf , 1st, 1980, Book: Very Good, Dust Jacket: None, 126 pages, paperback. Hundreds of b&w photographs documenting the personal belongings in LeWitt's living and working space in New York City in 1980. Fascinating look into the private life of one of the pioneers of minimal and conceptual art. Age toning to spine. Light rubbing, slight soiling, and mild age toning to wraps. Unmarked. Very scarce. A tight copy.

Softcover. Wesleyan University Press, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 166 pages. This book, first published in Italy in 1988 as Autoritratto di gruppo, documents the intricate web of individual and communal experiences in the political movements of the '60s. Luisa Passerini, internationally known for her work in memory, oral history, and their intersections with social movements, sets out to rescue the "forgotten memory" of her generation and to give it literary status. The year 1968 is symbolic in Italy of a whole decade of struggles by students, women, workers, intellectuals, and technicians. Framed and illuminated by sessions of psychoanalysis, this absorbing narrative weaves episodes of Passerini's autobiography - including her involvement in the 1968 uprisings - oral histories of other participants, and Passerini's sociological observations. It raises critical questions about how we reconstruct the past and vividly illustrates the forces that shaped a generation. Clean copy.

Hardcover. Wilmington, DE, Scholarly Resources Inc., 1st, 1984, Book: Very Good, Dust Jacket: Very Good, 298 pages. Hardcover. Dust jacket unclipped. Cover boards bound in blue, gilt title on spine and front cover. Dust jacket has a touch of agewear, A little foxing on top edge. Clean inside, binding tight, in great shape.

Hardcover. New York, Century Co., 1st, 1890, Book: Very Good, Dust Jacket: None, 501 pages. Hardcover. AUTHORS SIGNED INSCRIPTION PASTED ON TITLE PAGE. 3/4 Leather marbled sections, raised bands on spine. Gilt titles and highlights. Marbled endpapers. Gilt top edge. Light rubbing to cover edges. Clean, tight copy.

Hardcover. Berkeley CA, University of California Press, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 736 pages. The year 2010 marked the 100th anniversary of Mark Twain's death. In celebration of this important milestone, Twain's uncensored autobiography is available in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsupressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Volume 1 ONLY ( of a planned 3 volume set). Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. London, Scholartis Press, limited, 1929, Book: Good, Dust Jacket: None, Limited edition, 1 of 1,000. 313 pages. Orange cloth covers w/ fraying to spine. Small stain on rear cover. Foxing to pages and edges. Previous owner's signature on front fly leaf.

Hardcover. NY, Abrams, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, 352 pages. Richard Avedon was one of the most sought-after and influential advertising photographers in America from the 1940s to the beginning of the 21st century, creating work that exemplified Madison Avenue at the height of its influence in world culture. Working with a talented cadre of models, copy writers, and art directors, Avedon made images that enticed consumers to embrace the new, especially in the areas of fashion and beauty, with campaigns for Revlon, Chanel, Calvin Klein, Dior, and Versace, among many others. Avedon Advertising tells this story, reproducing memorable ads that range from the buoyant 1940s and 1950s, when post-war prosperity opened up new experiences to consumers; through the explosive '60s; and into the era defined by celebrity culture and global brand awareness.

Hardcover. New York, Spiegel & Grau, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 720 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Black and white images throughout. A tight copy.

Hardcover. New York, Spiegel & Grau, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 720 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Black and white images throughout. A tight copy.

Softcover. NY, Bellevue Literary Press, 1st, 2007, Softcover, 236 pages. Without awkwardness we would not know grace, stability, or balance. Yet no one before Mary Cappello has turned such a penetrating gaze on this misunderstood condition. Fearlessly exploring the ambiguous borders of identity, she mines her own life journeys from Russia to Italy to the far corners of her heart and the depths of a literary or cinematic text to decipher the powerful messages that awkwardness can transmit. Clean copy.

Hardcover. New York, Ticknor & Fields, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 282 pages, illustrated throughout with vintage b&w photos, documenting the Yankee star's career. Small nick to dust jacket along fore-edge, light edgewear, otherwise very good.

Hardcover. NY, William Sloane Associates, 1st, 1947, Book: Very Good, Dust Jacket: Very Good, Hardcover, 315 pages, b&w illustrations by Mauldin. In a lightly worn dust jacket, stated First Printing on copyright page. Clean. The famous cartoon/journalist's take on post-war life for ex-GIs.

Hardcover. Boston, Houghton Mifflin , 1st, 1930, Book: Very Good, Dust Jacket: None, 356 pages, 27 b&w illustrations, index. Black cloth spine over blue boards, spine label. SIGNED BY BEAUX on the title page and dated June 1st 1931. Scarce thus.

Hardcover. New York , Nan A. Talese, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, SIGNED BY FEIFFER on title page. Hardcover, 431 pages, b&w photographs and drawings by author. The legendary cartoonist's candid, self-deprecating, and beautifully written memoir describes his childhood in the Bronx, evolution from "smart-ass kid into an enraged satirist" (with inspiration from a stint in the Army) and his later successes as a pioneer of the graphic novel and a collaborator with the likes of film greats Robert Altman, Mike Nichols and Jack Nicholson. SIGNED by Feiffer on title page.

Hardcover. NY, Nan A. Talese, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 440 pages, in a bright, unclipped dust jacket. The legendary cartoonist's candid, self-deprecating, and beautifully written memoir describes his childhood in the Bronx, evolution from "smart-ass kid into an enraged satirist" (with inspiration from a stint in the Army) and his later successes as a pioneer of the graphic novel and a collaborator with the likes of film greats Robert Altman, Mike Nichols and Jack Nicholson. SIGNED by Feiffer on title page.

Hardcover. NY, Crown, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 368 pages. In an extraordinarily candid and revealing memoir, Fischl discusses the impact of his dysfunctional family on his art--his mother, an imaginative and tragic woman, was an alcoholic who ultimately took her own life. Following his years as a student at Cal Arts and teaching in Nova Scotia, he describes his early years in New York with the artist April Gornik, just as Wall Street money begins to encroach on the old gallery system and change the economics of the art world. Fischl rebelled against the conceptual and minimalist art that was in fashion at the time to paint compelling portraits of everyday people that captured the unspoken tensions in their lives. Still in his thirties, Eric became the subject of a major Vanity Fair interview, his canvases sold for as much as a million dollars, and The Whitney Museum mounted a major retrospective of his paintings. Bad Boy follows Fischl's maturation both as an artist and sculptor, and his inevitable fall from grace as a new generation of artists takes center stage, and he is forced to grapple with his legacy and place among museums and collectors. Beautifully written, and as courageously revealing as his most provocative paintings, Bad Boy takes the reader on a roller coaster ride through the passion and politics of the art world as it has rarely been seen before.