Biography

Hardcover. Boston, The Boston Music Co., 1st, 1913, Book: Very Good, Dust Jacket: None, Hardcover, brown woven cloth with publisher's printed paper labels on spine and front cover. 247 pages, b&w photographs. Biography of an American composer with a strong family life. MOSTLY TOLD BY Nevin and his wife throughout. Nevin, 1862-1901, born in Edgewerth Pennsylvania; debut as pianist, Pittsburgh (Dec. 10, 1886); excelled in lyrical music, composing 70 songs, published in Sketch Book (1888), Water Scenes (1891), In Arcady (1892), May in Tuscany (1896), A Day in Venice (1898). INSCRIBED BY HIS WIFE on the title page with her calling card laid in. Clean, bight copy.

Hardcover. NY, Pantheon, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn, chipped dust jacket. This is the first detailed and balanced biography of one of the most controversial literary figures of the twentieth century. It includes much material - poetry, prose, and letters - which has not previously been published. Ezra Pound, an American who left home for Venice and London at the age of twenty-three, was a leading member of "the modern movement," a friend and helper of Joyce, Eliot, Yeats, and Hemingway, and an early supporter of Lawrence and Frost. Clean copy.

Hardcover. UK, Routledge/Thoemmes, reprint, 1992, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on spine, 260 pages, b&w illustrations. A reprint of the 1949 edition with a new introduction by David Berman. Clean, bright copy.

Hardcover. Boston, Kluwer Academic Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 408 pages. The only biographical account of More by one of his contemporaries. Ward's almost hagiographical tone is testimony to the high regard in which More was held by his admirers. This account testifies to the continuing impact of More's ideas in the enlightenment. This volume prints the only modern edition of Ward's biography printed in 1710 together with the manuscript account of More's writings published here for the first time. Clean copy.

Hardcover. Bristol UK, Thoemmes, reprint , 1999, Book: Very Good, Dust Jacket: None, Hardcover, bright blue cloth with gilt lettering on spine, 488 pages. VOLUME 1 ONLY of a two volume set. Originally published in 1876. Name on front fly leaf, light pencil marking to about 25 pages.

Softcover. NY, Macmillan, reprint, 1963, Book: Good, Dust Jacket: None, Softcover, 674 pages, b&w illustrations. According to Keynes' biographer, "Keynes' contributions to the theory of economics tended to be closely related to his practical proposals, and these in turn were also influenced by his general philosophy. An understanding of the background of his thought is indispensable for a correct interpretation of his conclusions. Furthermore, I venture to think that those who come after will be interested in Keynes, not only on account of his teachings and influence, but also for what he was in himself. If I am right in supposing that he was one of the greatest Englishmen of his age, then it is expedient that an attempt should be made to bring together all the varied aspects of his character and interests into a single biography." Light shelfwear.

Hardcover. NY, Oxford University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 512 pages. The second volume in this masterful biography finds Hughes rooting himself in Harlem, receiving stimulation from his rich cultural surroundings. Here he rethought his view of art and radicalism, and cultivated relationships with younger, more militant writers such as Richard Wright, Ralph Ellison, James Baldwin, and Amiri Bakara. Illustrated with black & white photographs, a few by Roy DeCarava with whom Hughes published "The Sweet Flypaper of Life" and a portrait by Henri Cartier-Bresson. Clean copy.

Hardcover. Westport CT, Greenwood Press, 1st Revised, 1991, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering, 402 pages, b&w frontis. portrait. Bright, clean copy.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 29 pages. A facsimile reprint of a pamphlet published in 1727. The subject was a friend of Samuel Johnson who was pardoned after being sentenced to death for a murder in a coffeehouse altercation. The pamphlet, published anonymously, was a defense of Savage based on his character. Clean copy.

Hardcover. Philadelphia , Hogan and Thompson, reprint, 1836, Book: Good, Dust Jacket: None, Hardcover, leather bound, 285 pages with index. Front fly leaf gone, book opens to title page. Hinges cracked, rear cover barely holding on. No markings.

Hardcover. London, Taylor and Francis, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped with gilt decoration and lettering. 332 pages, b&w illustraions. "Few names in the history of science are better known than that of the Honourable Robert Boyle, F.R.S., (1627-1691). His chemical and physical researches, his association with the early history of the Royal Society, and his influence on the development of scientific thought in the seventeenth century have been the subject of many general and specialized studies. Dr. Maddison's 'Life' is based on a close study of the Boyle papers and includes much new material. Its purpose is essentially to record the facts of Boyle's life and to serve as a guide to the numerous and varied, primary and secondary sources which are available for a study of his many scientific and other activities." Clean copy, no dust jacket.

Hardcover. Bristol UK, Thoemmes Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 310 pages. A facsimile reprint of the 1911 edition. One of 9 volumes in More's collected works. Includes Parts One and Two. Name on front fly leaf otherwise a clean, bright copy.

Hardcover. Middletown CT, CT: E. & H. Clark, 1st, 1823, Book: Good, Dust Jacket: None, Hardcover, original leather binding with modest wear, 417 pages. Frontispiece portrait with tissue guard. Red leather label with gilt title. Solid binding, mild foxing to pages.

Hardcover. Charlottesville VA, University of Virginia Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 476 pages, b&w illustrations. Rollyson has drawn on an unprecedented amount of material to present the richest rendering of Faulkner yet published. In addition to his own extensive interviews, Rollyson consults the complete and never fully shared research of pioneering Faulkner biographer Joseph Blotner, who discarded from his authorized biography substantial findings in order to protect the Faulkner family. Rollyson also had unrivaled access to the work of Carvel Collins, whose decades-long inquiry produced one of the greatest troves of primary source material in American letters. This first volume follows Faulkner from his formative years through his introduction to Hollywood. Rollyson sheds light on Faulkner's unpromising, even bewildering youth, including a gift for tall tales that blossomed into the greatest of literary creativity. He provides the fullest portrait yet of Faulkner's family life, in particular his enigmatic marriage, and offers invaluable new insight into the ways in which Faulkner's long career as a screenwriter influenced his iconic novels. Clean copy.

Hardcover. Bristol UK, Thoemmes Press, reprint, 1995, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on the spine, 535 pages. This work contains Shaftesbury's philosophical notebooks from 1698 to 1712. It includes reflections on such topics as the natural affections, good and evil, God, self, the passions, pleasure and pain, nature, life, and philosophy, as well as a brief Life of the 3rd Earl of Shaftesbury, by his son. A reprint of the 1900 edition. Name on front fly leaf, otherwise clean.

Hardcover. NY, Knopf, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 557 pages, b&w and color illustrations. In this brilliant second and final volume of the definitive biography of Lucian Freud--one of the most influential, enigmatic and secretive artists of the twentieth century--William Feaver, the noted art critic, draws on years of daily conversations with Freud, on his private papers and letters and on interviews with his friends and family to explore the intimate life of Freud, from age forty-five to his death in 2011 at the age of eighty-nine. The final forty years of Freud's life were a period of increasing recognition and fame, and of prodigious output. He was obsessed with his art, and with the idea of producing paintings that "astonish, disturb, seduce, convince." He was equally energetic and ambitious in his private life. This book opens with his dramatic affair with Jacquetta Eliot, which led to some of his most intimate portraits and to the start of two important, lifelong friendships, with Jane Willoughby and Susanna Chancellor. Freud talks about his art at all stages, how it changed in the seventies and his first retrospective in London in 1974. Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life--"my work is purely autobiographical"--and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic.Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life--"my work is purely autobiographical"--and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic.Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, W. W. Norton & Company, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. From the Pulitzer Prize-winning biographer John Matteson, an account of the "Susan Sontag" of nineteenth-century America.A brilliant writer and a fiery social critic, Margaret Fuller (1810-1850) was perhaps the most famous American woman of her generation. Outspoken and quick-witted, idealistic and adventurous, she became the leading female figure in the transcendentalist movement, wrote a celebrated column of literary and social commentary for Horace Greeley's newspaper, and served as the first foreign correspondent for an American newspaper. While living in Europe she fell in love with an Italian nobleman, with whom she became pregnant out of wedlock. In 1848 she joined the fight for Italian independence and, the following year, reported on the struggle while nursing the wounded within range of enemy cannons. Amid all these strivings and achievements, she authored the first great work of American feminism: Woman in the Nineteenth Century. Despite her brilliance, however, Fuller suffered from self-doubt and was plagued by ill health. John Matteson captures Fuller's longing to become ever better, reflected by the changing lives she led. 28 black-and-white illustrations. Smallbump to top corner otherwise like new.

Hardcover. Charlestown MA, Printed and Sold By Samuel Etheridge, Revised Ed., 1810, Book: Very Good, Hardcovers, two volumes complete, 432 and 448 pages. bound in 3/4 calf, with red leather spine labels intact, bindings tight. New corrected edition. A collection of biographical studies on the life of important poets in the cannon of English literature, including: Cowley, Milton, Blackmore, Granville, Somerville, Thomson, Mallet, and Lyttelton. Written by Samuel Johnson, an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor, and lexicographer. With the original advertisement to the first edition. originally published in 1779-81. Light edgewear to covers, mild water stain to first 4 pages of Vol. 2, otherwise clean, mild foxing, very good set overall.

Hardcover. NY, HarperCollins, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY PROSE on the title page. In a brilliant, wry, and provocative book, National Book Award finalist Francine Prose explores the complex relationship between the artist and his muse. In so doing, she illuminates with great sensitivity and intelligence the elusive emotional wellsprings of the creative process. Clean copy.

Hardcover. NY, Farrar, Straus and Giroux, 2nd pr, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 312 pages, color and b&w illustrations. A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss, who, from the early years, was a member of the group that shifted the center of the art world from Paris to New York. Schloss was born in Germany and moved to New York City during World War II. She became part of a thriving community of artists and intellectuals that included Elaine and Willem de Kooning, Larry Rivers, John Cage, and Frank O'Hara. She married the photographer and filmmaker Rudy Burckhardt. She was both a working artist and an incisive critic, and was a candid and gimlet-eyed witness of the close-knit community that was redefining the world of art. In Italy she spent time with Giorgio Morandi, Cy Twombly, Meret Oppenheim, and Francesca Woodman. Remainder dot to top edge otherwise clean.

Softcover. Cambridge, Komatik Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, oblong format. In 1917, while still in art school, Edward Shenton joined Company B, 103rd Engineers of the Pennsylvania National Guard. He stocked up on art materials, including many canvas-bound sketchbooks and a watercolor set, and went off to train and fight. Much of the war he witnessed made their way into his sketchbooks. When Ed returned home, no one wanted to hear about the war, much less see images of the horrors of battle. He went back to art school and his sketches were put away and forgotten. He had a brilliant career as an illustrator. His drawings graced the cover of Scribner's Magazine for ten years and embellished books by, among others, Hemingway, Fitzgerald and Thomas Wolf.Edward Shenton had a long career as an outstanding illustrator, author, and teacher and, after a very full life, died at the age of eighty-two. Nine decades after they were put away, his son came across Ed's sketchbooks and he and I decided that they, along with his father's wartime story, had to be shared with the world.

Hardcover. NY, New York University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 267 pages. A compelling true story of how a maid's daughter moves from a girlhood of rage and resentment to a level of empowerment, as a grown woman. Clean copy.