Hardcover. Boston, Houghton, Mifflin & Co. , 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers stamped in red, 226 pages A collection of 12 stories from different countries, illustrated by Harold Cue from drawings by Jenny Nystrom. Clean, bright copy.
Hardcover. NY, Harper & Brothers, reprint, 1877, Book: Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on cover and spine, 194 pages plus publisher's ads in rear. Illustrated with b&w line plates by Swain. Binding a bit worn. An attractive later printing of the popular English novelist's 1874 bestseller. Previous owner's name on blank pelim page.
Hardcover. NY, JellyBean Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards. illustrated in rich color throughout by Charles Santore.
Hardcover. Copenhagen, Jespersen & Pio, 1961, Book: Good, Dust Jacket: Good, Hardcover in a bright dust jacket with light wear, closed tear. 125 pages, color illustrations by Axel Mathiesen. No markings.
Hardcover. NY, Harry N. Abrams, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A collection of fairy folklore and folk tales, bibliography, glossary. Color illustrations by Arthur Rackham, Richard Doyle, Edmund Dulac, William Blake, and George Cruikshank. Glossy illustrated boards. Clean copy.
Hardcover. NY, Houghton Mifflin Harcourt, reprint, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 224 pages. Few stories are as widely read and as universally cherished by children and adults alike as The Little Prince. This special edition of Antoine de Saint-Exupery's world-famous classic marks its seventy-fifth anniversary in print. Featuring a beautiful new cover and a special look at its history and making including a biography of Saint-Exupery, sketches, photos, and reviews from the first edition. Clean copy.
Hardcover. London, William Heinemann, 1st UK, 1944, Book: Very Good, Dust Jacket: None, Hardcover, peach-color cloth stamped with a red and blue illustration of the little prince being lifted by his bird kite. This is the First UK Edition, so stated on the copyright page. The US edition was published the year before in 1943. 89 pages illustrated in color by the author. Light fading to red lettering on spine, clean copy.
Hardcover. NY, Viking Press, 1st , 1950, Book: Very Good, Dust Jacket: None, SIGNED BY RUTH SAWYER on half-title page. Hardbound, 108 pages. Illustrated by Jay Hyde Barnum in color and b&w. Previous owner's signature and stamp front fly leaf. Illustrated endpapers. Tan cloth cover, no dust jacket. Pink top edge.
Hardcover. NY, Harcourt Brace & World, BC Ed., nd, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 32 pages illustrated in 3-colors by William Lipkind and Nicholas Mordbinoff. NOT ex-library. Weekly Reader edition. Clean, bright copy.
Hardcover. NY, G. P. Putnam's Sons, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 64 pages. Yarbrough weaves a beautiful story in picture-book format about the role of music in the lives of Africans and shows how it was transformed on American and Caribbean soil. The tale revolves around a "Roots of Rhythm and Blues" concert attended by a sister and brother and their parents, great grandmother, and elderly neighbor. At the park, the father tells his children about slavery and the "culture baggage" the slaves carried with them from Africa. With a compelling delivery that echoes the rhythmic chanting of the griot, the man speaks about concepts such as spirit power and the tree of life that at first are hard for his young son to grasp. The performance begins with a song of praise for the strength and endurance of a transplanted people. By the end, the youngsters understand more about their heritage and the role spirituals played and continue to play in it. Geter's pencil-and-charcoal illustrations are richly imaginative, evoking images of Africa, slavery, roots, and soaring trees. Clean copy.
Hardcover. Milwaukee, Bruce Publishing, 1st, 1956, Book: Good, Dust Jacket: None, Pictorial boards. Color illustrations by Evans. Cardboard edges worn. The story of Mexican wood carver who creates a wooden Christ Child for the village church. Minor wear to spine.
Hardcover. New York, Harper & Row, 1st US, 1966, Book: Very Good, Dust Jacket: None, Cloth spine with pictorial boards. Black & white illustrations by Paul Flora. Light edgewear, chipping and soil to covers. No dust jacket.
Hardcover. Boston, David R. Godine, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This is the story of one of the last remaining phone booths in New York City, the Phone Booth on the corner of West End Avenue and 100th Street. Everyone used it from ballerinas and girl scouts, zookeepers and birthday clowns, to cellists and even secret agents! The Phone Booth was so beloved that people would sometimes wait in line to use it. Kept clean and polished, the Phone Booth was proud and happy...until the day a businessman strode by and shouted into a shiny silver object, "I'll be there in ten minutes!" Soon everyone was talking into these shiny silver things, and the Phone Booth stood alone and empty, unused and dejected. Clean copy
Hardcover. NY, Doubleday, Doran & Co, 1st, 1934, Book: Very Good, Dust Jacket: Very Good, Hardcover, pictorial boards with a red cloth spine. Original unclipped color and gilt pictorial dust jacket ($1.75). Illustrated in color, gilt, and black-and-white throughout by the D'Aulaires, with color pictorial endpapers and color and gilt pictorial title page. 32 pages. The Protestant Edition. Name on inside front cover, otherwise clean.
Hardcover. NY, Books of Wonder, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages. In this 1917 addition to the Oz series, L. Frank Baum delights readers of all ages with a spellbinding mystery that involves nearly every one of the amazing cast of characters that populate America's favorite fairyland. This handsome new edition--featuring all twelve of Oz artist John R. Neill's beautiful color plates and nearly one hundred black-and-white drawings--is the perfect way to join Dorothy and her friends on this exciting journey through the endlessly intriguing Land of Oz. Afterword by Peter Glassman.
Hardcover. Chicago, Follett Publishing Co., 1st thus, 1968, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. First edition thus, with new color illustrations by Joseph Low. Originally published in 1940 by Harper and Brothers. Ex-lib but only sign is residue to front endpapers, otherwise clean.
Hardcover. NY, William Morrow , 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket with light edgewear. Thirty full-color reproductions of paintings by a world-famous artist provide the basis for an allegory of love involving the quest of the white tiger for the tigress of his dreams. Clean copy.
Hardcover. NY, Macmillan, 1st, 1979, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 64 pages illustrated in color by Glen Rounds. A comical tale of unlucky Felix and his continuing catastrophes. Clean, no dust jacket issued.
Hardcover. NY, Parents Magazine Press, 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 36 pages with color art by Ati Forberg. Clean copy.
Hardcover. London, Frederick Warne & Co., reprint, Book: Fair, Dust Jacket: None, Hardcover, oblong format. Unpaginated. Illustrated boards, green cloth spine. Extensively illustrated in color and black and white by F. D. Bedford. Covers worn with mild soiling, tan stain to rear cover, edgewear. Reprint of a story which first appeared in "Holiday Romance" in 1868. This is the extraordinary story of a very nearly ordinary princess named Alicia. Given a magic fish-bone by a good fairy, Alicia can have whatever she wishes--provided she wishes for it at the right time. But it's never clear when the right time is, and sometimes the best magic is no magic at all.