Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-Century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book. DOMESTIC SHIPPING ONLY.

Softcover. New Haven CT, Yale University Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, stiff card wrappers firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book.

Softcover. New Haven, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Large softcover, 287 pages, b&w and color illustrations throughout. A very clean, tight copy. Published on the occasion of the exhibition at the Frances Lehman Loeb Art Centre, New York. Illustrated card covers with long inside flaps, minimal wear. An exhaustive compilation of the best graphic work of Steinberg covering his life in advertising, graphic design and fine arts.

Hardcover. New York, Rizzoli International Publications, 1st, 1996, Book: Very Good, Dust Jacket: Good, 202 pages. Hardcover with dust jacket. Extensive color photographs throughout. Introduction by Liz Smith. Related articles laid-in. Light shelf wear to dust jacket, otherwise clean, tight copy. With former New York Times fashion editor Morris, fashion designer Scaasi looks back over his glittering career. Born Arnold Isaacs, the son of a Montreal fur merchant, he first made his mark in 1955 when, at the age of 20, he revolutionized the American fashion industry with luxurious imported fabrics and dramatic designs featuring almond-shaped coats and split-level jackets. Changing his name to Scaasi (Isaacs spelled backwards), he quickly rose to fame, first with ready-to-wear creations and later with extravagant couture for women willing to spend $6000 -$20,000 for a dress-stars such as Joan Crawford, Barbra Streisand and Elizabeth Taylor; socialites Charlotte Ford, Blaine Trump and Brooke Astor. First ladies from Mamie Eisenhower to Barbara Bush have been dressed by him. Replete with 100 color photographs of models and celebrities wearing the designer's exuberant clothes, this lavish book, which includes brief descriptions of Scaasi's working methods and accounts of his friendships with his affluent clients, provides a tantalizing glimpse of the world of high fashion.

Hardcover. Boston, MFA Publications , 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages in color and b&w Barbra Streisand, Natalie Wood, Arlene Francis, Diahann Carroll, Joan Rivers, Mamie Eisenhower, Barbara Bush, Louise Nevelson... What these women have in common is that all were dressed by Scaasi. From his meteoric rise on Seventh Avenue in the late 1950s through his heyday in the boom decade of the 1980s, Arnold Scaasi has remained one of the most distinctive and successful designers in American fashion. With his signature combination of elegance, flamboyance, surprising colors and fabrics, and finely honed craftsmanship, Scaasi is both a bold American original and a couturier in the grand European tradition. Arnold Scaasi: American Couturier presents the best of Scaasi's fashions in a handsomely packaged, fluidly organized volume. Alongside sumptuous portraits of more than three dozen outfits, the book features numerous period photographs; sketches, notes and clippings from Scaasi's personal archives, most of them never before published; and interviews with Scaasi's famous clients, such as Joan Rivers, Mary Tyler Moore and Diahann Carroll, conducted specifically for this volume. A feast for fashion watchers and design aficionados alike, American Couturier contains all the glamour and thrill that for decades have been synonymous with the Scaasi label. Clean copy. Still in publisher's shrinkwrap.

Hardcover. London, Phaidon Press, 1st, 2003, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 272 pages. Color illustrations throughout, very clean and tight copy. American adman and image-maker George Lois (b. 1931) was a leader of the Creative Revolution of the 1960s and is the mind behind an astonishing array of branding campaigns and unforgettable magazine covers during his fifty-year career. Illustrated with the original ads and images, $ellebrity presents the stories behind the ads, explaining how each ad was conceived and produced, and the unexpected pitfalls, scuffles, and friendships that ensued.

Hardcover. Valby, Borgens Forlag, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover in a bright, unclipped dust jacket. Text in Danish and English. Illustrated in full color. Clean, tight copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Sex, Rock 'N' Roll, & Optical Illusions is Victor Moscoso's first major, career-spanning retrospective, from his earliest poster work in 1966 to his most recent graphic experimentation. Optical Illusions contains his best posters that advertised bands playing in San Francisco's famous dance ballrooms of the time - the Avalon, the Matrix, and the Fillmore - as well as many of his Zap Comix contributions, and his solo comix work, many in Moscoso's signature color. This wide-ranging career retrospective - Moscoso's famous technique employing "vibrating colors" that he pioneered in his posters is impeccably reproduced with as much fidelity to the original as modern printing can achieve, his black-and-white and full color comix work is collected here for the first time - is an intense, vibrant, and revelatory experience. Introductions by Steve Heller and Milton Glaser.

Schiffer Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 272 pages illustrated in color. Explore fashion history with legs at center stage--from the dawn of civilization through current-day trends. This book examines society's role in moving hemlines and in shaping "legcentric" traditions throughout history. What has changed or stayed the same in the course of fashion eras? How have legs appeared in dance, sport, performance, pageantry, and conventional or outre outfits? Find out how athletics, depictions in literature and art, and motifs in advertising and films reflect our changing times. Discover the styles, attitudes, customs, sex appeal, socially acceptable postures and walks, and more in this comprehensive view of leg fashions through the ages. Enjoy fashions from the waist down through 319 striking images explained in their historical context.

Hardcover. Petaluma CA, Cameron Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover with wrap-around band. 224 pages in color. The first treatment of his extraordinary domain that is not an authorized product of his studio. From clothing and advertising to the world of fine art, the reach of this "street artist" extends to all aspects of society; yet given his great success, he is also the target of critics and detractors. He has challenged conventions, formulas, paradigms, and traditional borders that make many uncomfortable, spurring consistent debate over the legitimacy of his artwork, the authenticity of his background, and the ethics of his design processes. By reflecting on the many layers of being an antimodern artist, we learn much about both the current state of the art world and Fairey's influence on it. Featuring a wide variety of remarkable color photographs and a Foreword by Robbie Conal, Shepard Fairey Inc. gives us a fresh, objective understanding of the work of this astonishing artist.

Softcover. US, Pepin Press, 1st, 2012, Book: Very Good, Dust Jacket: None, 287 pages, illustrated throughout in color. Text in French, German and English. Clean, unmarked copy with only minor wear to wrappers. SHOE LUST contains a stunning collection of the best and most extraordinary modern shoe designs. Included are profiles and interviews with cutting-edge designers from all over the world.

Hardcover. Cologne GR, Taschen, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages, illustrated in color and b&w. An extensive collection of hand-illustrated shop window designs from 1938 to 1950. These spectacular, often grandiose plans for grocery stores, shoe shops, beauty salons, bakeries, and more are reminders of a time when stores were sacred shrines for the congregation of American shoppers - impressive and even slightly intimidating, just like the future itself.

Hardcover. US, Print, 2nd, 2016, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. Powerhouse Factories takes you beyond album covers to teach you all about the art that drives today's biggest shows and festivals. Show Posters offers a visual timeline of the big players in the music industry, from The Black Keys and Passion Pit to Phantogram and Real Estate, as well as the posters that launched their shows--and the designers' careers. Show Posters features step-by-step instructions to guide you through screen printing, hand lettering, and yes, even Xeroxing your way to recreating iconic, kickass posters. The high-energy rock-and-roll artists of Powerhouse Factories will coach you on how to hook up with bands, managers, and promoters, and create an original, limited poster for one of their shows.

Softcover. Switzerland, Parkett Verlag, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Heavy paper covers in a bright color dust jacket. 209 pages, color and b&w illustrations, bilingual text - German and English. Sigmar Polke (born 1941) recently completed a series of 12 windows for the Grossmunster cathedral in Zurich, setting new standards for the mutual relationship between art and church. One group of seven Romanesque windows shows luminous mosaics of thinly sliced agate, some of it artificially colored, to produce pulsating blocks of back-lit color. Says Marina Warner, "The interior of rocks opens not only on unexpected colors... on once imprisoned now scintillating rays and gleams, but it also tunnels into the past, into the distant past of geological and cosmological millennia." For the remaining five windows, Polke designed images of figures from the Old Testament, based on medieval illuminations, which have themselves undergone transformation in the course of their long journey through time. Polke's figures now appear as radiantly contemporary icons created in colored glass, using a variety of traditional and customized techniques devised especially for this project. Minor wear to dj, lacks blue wrap-around band with title, clean copy.

Hardcover. US, Farameh, 1st, 2011, Book: Very Good, Dust Jacket: None, 496 pages. Like new in publisher's shrink-wrap. Slipcased. "SKULL STYLE is a beautifully designed book presents not only one of the most ancient symbols used in the history of mankind but how it is utilized in the most surprising and modern way today. Formerly an emblem of evil and mortality, the skull has been transformed into an avant-garde design element used in the most cutting-edge art, chic interiors and vanguard style of the moment. Whether embellished on costly T-shirts, woven on limited edition chairs, and even encrusted with diamonds sold at an art auction for $100 million, the skull is no longer just a daunting memento of our frail mortality but a contemporary figure of fashion. This 500-page book shows how this once morbid trinket of death has been reinvented into the much-desired decoration by the trendsetters of tomorrow. Glow-in-the dark cover art designed by Lucien Pellat-Finet."

Hardcover. New York, Assouline, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 349 pages, color illustrations throughout. DVD included. Representing Jean-Paul Goude's life and work from the late 1960s up to the present, the book spans Goude's years at Esquire; his revolutionary work with Grace Jones, his videos for MTV and for Azzedine Alaia; his advertising work for Chanel, and more. With text and images by Goude himself, So Far So Goude is the definitive book on the work of an extraordinarily innovative, talented and unorthodox man. With more than 350 illustrations in full color, this book is a fascinating reference for anyone interested in fashion illustration, photography, and all other avenues of commercial design and advertising.

Hardcover. London, Lund Humphries, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages, b&w and some color illustrations. Dust jacket bright, unclipped.

Hardcover. NY, Rizzoli, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. A love letter to the cinema from the House of Dior, featuring legendary screen actresses in signature Dior. Embraced by Hollywood and the iconic women who are its stars, the fashions of Christian Dior have been worn by the likes of Marlene Dietrich in Stage Fright, Lauren Bacall in How to Marry a Millionaire, Ava Gardner, Marilyn Monroe, Sophia Loren, Elizabeth Taylor and, more recently, Charlize Theron, Penelope Cruz, and Nicole Kidman. Well before the successes that were to propel Dior to the forefront of the fashion world, the master couturier put his talent to work as a costume designer for the cinema, collaborating with renowned filmmakers and creating timeless ensembles for legendary actresses. Following the untimely death of the designer, the House of Dior's involvement with the cinema continued, from 1958 to the present, with more than fifty films featuring the stars of the silver screen dressed in signature Dior. Combining fashion photography and rarely seen and never before published behind-the-scenes photographs, this gorgeously produced volume showcases Dior's creations for film and the movie stars who brought them to life, and is a must for those who aspire to high style.

NY, Abbeville Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright unclipped dust jacket. A one-of-a-kind collection of movie posters spanning fifty years, from silent films to Cinemascope For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick's collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962.In a moving introduction, Resnick relates how his love of vintage movie art translated into a career as a collector and the founder of the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick's firsthand account offers entertaining anecdotes about how he managed to acquire such stellar film artwork, as well as historical information about the stars and films shown on the pieces he collected. Guiding the reader through the best posters and stills of his collection, Resnick provides a tour of cinematic history, starting in the silent film era and continuing up to Breakfast at Tiffany's (1961). By showcasing several posters for each performer--such as Lillian Gish, the Marx Brothers, Marilyn Monroe, John Barrymore, and Audrey Hepburn--Resnick offers a unique method of charting the evolution of each movie star's career. Still like new in publisher's shrinkwrap. NOTE: Due to size and weight DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abbeville Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright unclipped dust jacket. A one-of-a-kind collection of movie posters spanning fifty years, from silent films to Cinemascope For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick's collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962.In a moving introduction, Resnick relates how his love of vintage movie art translated into a career as a collector and the founder of the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick's firsthand account offers entertaining anecdotes about how he managed to acquire such stellar film artwork, as well as historical information about the stars and films shown on the pieces he collected. Guiding the reader through the best posters and stills of his collection, Resnick provides a tour of cinematic history, starting in the silent film era and continuing up to Breakfast at Tiffany's (1961). By showcasing several posters for each performer--such as Lillian Gish, the Marx Brothers, Marilyn Monroe, John Barrymore, and Audrey Hepburn--Resnick offers a unique method of charting the evolution of each movie star's career. Still like new in publisher's shrinkwrap. NOTE: Due to size and weight DOMESTIC SHIPPING ONLY.

Softcover. Santa Monica, The Lapis Press, First Edition, 1987, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with french flaps & light wear to edges. Previous owner's signature to front flyleaf. Pen marking to several pages in commentary sections. Poetry is clean & unmarked throughout. Black printed illustrations.

Softcover. New York , Museum of Modern Art , 1st, 1997, Book: Very Good, Dust Jacket: None, 96 pages, illustrated in color and b&w. Softcover exhibition catalog. The Stenberg brothers, like their contemporaries Aleksandr Rodchenko and El Lissitzky, were artists of immensely varied interests and eclectic skills. They were sculptors, architects, and stage and costume designers, and were enamored of the film and montage theories developed in the suddenly burgeoning Soviet film industry. As seen in this book's superb color plates, they brought to film poster design an extraordinary compositional dynamism, originality, and contrast of scale, employing many of the artistic conventions of the Constructivist movement to great effect.

Softcover. London, Booth-Clibborn Editions, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, a collection of sticker art reproduced in color. Color illustrated wrappers. Today's stickers are the new flyers, a major means of street-based communications, and are used by the hippest advertising agencies and the most underground messengers alike. This is the first book to cover this latest street-art phenomenon, and features truly international coverage of the sticker scene.

Hardcover. NY, Harper Design, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 176 pages illustrated in color. Caroline Cox presents the various incarnations of the stiletto since its invention as a fantasy shoe brought to life by the flair and skill of shoemakers Vivier, Perugia, Ferragamo, and Jourdan in the early 1950s. Assertively modern, stilettos released women from the utilitarian wartime fashion of the 1940s, offering streamlined sophistication and glamour to women the world over. As the decade progressed the heel became saucier and higher, worn by starlets like Marilyn Monroe and Jayne Mansfield. By the end of the 1950s the heel was being worn by "bad girls" and had become a weapon of female power. The 1970s took the stiletto's associations with sex and death and turned it into a fetish object, eulogized by artists Allen Jones and Eric Stanton. 1980s power dressers brought the stiletto back into the fashion arena, and today heels designed by Manolo Blahnik, Christian Louboutin, Jimmy Choo, and Gina are the badge of celebrity status and fashion savvy. Mild wear to dust jacket, clean copy.

Hardcover. New York, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, like new in publishers shrinkwrap. The book features images by a who's who of legendary photographers: Anton Corbijn, Patrick Demarchelier, Steven Klein, Annie Leibovitz, Helmut Newton, Irving Penn, Mario Testino, Tim Walker, and Bruce Weber. The book includes a foreword by Anna Wintour and is punctuated with Posnick's personal memories and irreverence.

Hardcover. New York , Abrams, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. Illustrated in color throughout. A survey of the many murals in the (now rapidly gentrifying) Mission District, the barrio Latino of San Francisco, combining elements of Mexican mural painting, surrealism, pop art, urban punk, and graffiti.

Hardcover. Croydon UK, Fonthill Media, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages. You might be surprised to learn that many of the consumer brands and products we enjoy today exist because of streetcar advertising. The Industrial Revolution of the early 1900's and a massive consumer audience riding over 50,000 streetcars in nearly 3,000 cities and towns in every state of the union provided a great opportunity for Barron Collier, a native of Memphis, Tennessee. He simply used streetcar advertising to bring these two forces together and created the largest streetcar advertising empire in the world. By age twenty-six, he was a millionaire and at one time had business offices in 70 cities with business interests in more than a thousand cities. Most of these advertising cards have remarkable color graphics; over 250 of them are included in this book for your viewing pleasure. While streetcar advertising is definitely not a major advertising medium today, the advertising community might be surprised to learn that the basic principles of consumer advertising have not changed that much in the last one hundred years. Investors might do well to review this book to see which companies are still producing these popular products and brands as they represent some of the most successful businesses in America today.

Hardcover. New York , Mark Batty Publisher, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 286 pages, a comprehensive and inspirational guide to editorial design packed with contemporary examples of sophisticated and effective solutions for virtually any design challenge. Moser's thorough understanding of the process, combined with intriguing juxtapositions of layouts, no-nonsense comments and original insight make for an entertaining and useful book. Chapters range from Grid Systems and Formats to Covers, Logos and Inside Pages, Types of Page and Themes, even a section on the design of magazine spines-illustrated with over 1500 examples from publications around the world, and drawn from the author's personal collection of over one million magazines! A great reference book for all graphic designers, art directors and editorial writers.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, auction catalogue with beautiful pictures of posters in color. An exceptional copy in the original title-blocked cloth.

Softcover. Seattle, Fantagraphics Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 180 pages. The Sweetly Diabolic Art features paintings, drawings, and sketches from the 1940s through the 1990s, most never previously published or exhibited, as well as more artifacts from Flora's 1940s tenure in the Columbia Records art department and rare newspaper and magazine illustrations spanning several decades. Sweetly Diabolic is also the first printing of an abandoned children's book concept, The X-Ray Eyes of Wallingford Hume. Equally fascinating are original, never-before-published roughs and rejected images from Flora's 1950s and '60s children's books and a gallery of pen and pencil sketches from the 1940s. Sweetly Diabolic also collects, for the first time rarely seen cartoon-science illustrations: the images are augmented by personal vignettes, mementos from the family archives, and a 1984 interview with award-winning graphic designer Robert M. Jones, who offers priceless insights.

Softcover. NY, Picador/Farrar Straus Giroux, 1st US, 2022, Book: Very Good, Dust Jacket: None, Softcover, 398 pages, Illustrated in color and b&w. In 1922, Cyril Power, a fifty-year-old architect, left his family to work with the twenty-four-year-old Sybil Andrews. They would be together for twenty years. Both became famous for their dynamic, modernist linocuts-streamlined, full of movement and brilliant color, summing up the hectic interwar years. Yet at the same time, they looked back to medieval myths and early music, to country ways that were disappearing from sight. Jenny Uglow's Sybil & Cyril: Cutting Through Time traces their struggles and triumphs, conflicts and dreams, following them from Suffolk to London, from the New Forest to Vancouver Island. This is a world of futurists, surrealists, and pioneering abstraction, but also of the buzz of the new, of machines and speed, of shops and sport and dance, shining against the threat of depression and looming shadows of war. Remainder dot to top edge otherwise like new.

Softcover. London, England, Phaidon Press, Reprint, 2000, Book: Very Good, Dust Jacket: None, 524 pages. Softcover, French flaps. Color and b/w illustrations throughout. Wrapper very good, has a few scratches on spine (see image), otherwise great. Pages and edges clean and bright. Binding tight. In beautiful condition. A comprehensive monograph of Ando's work, this book examines over one hundred buildings and projects designed between 1969-94.

Hardcover. Mexico, Fundacion Olga y Rufino Tamayo, Reprint, 2002, Book: Very Good, Dust Jacket: Very Good, 150 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Book text in Spanish. Former price tag residue on back of dust jacket. Color illustrations throughout.

Hardcover. New Haven CT, Yale University Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 260 pages, in a bright, unclipped dust jacket. A riveting and superbly illustrated account of the enigmatic House Beautiful editor's profound influence on mid-century American taste From 1941 to 1964, House Beautiful magazine's crusading editor-in-chief Elizabeth Gordon introduced and promoted her vision of "good design" and "better living" to an extensive middle-class American readership. Her innovative magazine-sponsored initiatives, including House Beautiful's Pace Setter House Program and the Climate Control Project, popularized a "livable" and decidedly American version of postwar modern architecture. Gordon's devotion to what she called the American Style attracted the attention of Frank Lloyd Wright, who became her ally and collaborator. Gordon's editorial programs reshaped ideas about American living and, by extension, what consumers bought, what designers made, and what manufacturers brought to market. This incisive assessment of Gordon's influence as an editor, critic, and arbiter of domestic taste reflects more broadly on the cultures of consumption and identity in postwar America. Nearly 200 images are featured, including work by Ezra Stoller, Maynard Parker, and Julius Shulman. This important book champions an often-neglected source--the consumer magazine--as a key tool for deepening our understanding of mid-century architecture and design.

Hardcover. Glitterati , 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 228 pages. What do Elmer's Glue, Krylon Spray Paint, and Reese's Peanut Butter Cups have in common? The designer Ted Eron, of course. You may not know his name, but you know Ted Eron. Although he remains largely unknown in the public consciousness, Eron played an integral role in defining the aesthetics of everyday goods and household staples in the 1950s and '60s. In Ted Eron Designed That, Joseph Eron and Elizabeth Eron Roth - Ted's children - chronicle the life and art of their father through a nostalgic tour of the iconic graphic designs that have shaped and revolutionised twentieth-century visual culture. From his humble beginnings painting signs in the basement of a market while attending Cooper Union, to the Eron & Eron Industrial Design years during World War II and beyond, Ted Eron Designed That pays a long overdue tribute to the man behind the iconic designs. Still in publisher's shrink wrap.

Hardcover. Glitterati , 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 228 pages. What do Elmer's Glue, Krylon Spray Paint, and Reese's Peanut Butter Cups have in common? The designer Ted Eron, of course. You may not know his name, but you know Ted Eron. Although he remains largely unknown in the public consciousness, Eron played an integral role in defining the aesthetics of everyday goods and household staples in the 1950s and '60s. In Ted Eron Designed That, Joseph Eron and Elizabeth Eron Roth - Ted's children - chronicle the life and art of their father through a nostalgic tour of the iconic graphic designs that have shaped and revolutionised twentieth-century visual culture. From his humble beginnings painting signs in the basement of a market while attending Cooper Union, to the Eron & Eron Industrial Design years during World War II and beyond, Ted Eron Designed That pays a long overdue tribute to the man behind the iconic designs. Still in publisher's shrink wrap.

Hardcover. San Francisco, Chronicle Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 344 pages. Includes the following essays: Painted and Block-Printed Cloths, Cloths Decorated with Gold & Silver Leaf / Roller-Printed Cloths, Tie-Dyed Cloths / Woven Cloths & Embroideries / History of Indian Textiles, by Zahid Sardar / etc. Color illustrations throughout. Foreword and afterword by Kokyo Hatanaka; Clean, bright copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Watson Guptill, 1st, 1975, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth. Shows award winning posters, promotional material, newspaper advertising, packaging, magazine and television advertising, illustrations, book covers, and editorial art. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

NY, The Art Directors Club, 1st, 1979, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, no dust jacket issued. 540 pages with 1002 examples of award-winning graphic art. Clean copy. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

NY, ADC Publications, 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Bright, clean copy. Profusely illustrated in b&w and color. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

NY, Roto Vision for the Art Directors Club, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 568 pages, colour & b/w illustrations. Cover & section designs by Kit Hinrichs. Hall of Fame features on Rudolph de Harak & Raymond Loewy. Includes work by David Carson, Tocani, Massimo Vignelli, Michael Bierut, Seymour Chwast, Pushpin, Woody Pirtle, Paula Scher, Stefan Sagmeister, April Greiman, Milton Glaser, Trickett & Webb, Ivan Chermayeff, Andy Warhol, Irving Penn, Henry Wolf, Tibor Kalman, Chip Kidd, Art Spiegelman, Joe Pytka, Adrian Lyne, David Bailey, David Lynch, John Rushworth, David Hillman, Alan Fletcher, Marcello Minale, Bruce Duckworth, Mary Lewis, Derek Birdsall, Mervyn Kurlansky, among others. Clean.

Softcover. NY, Princeton Architectural Press, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, illustrated in three colors throughout. Clean copy.

Hardcover. NY, Pantheon, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 108 pages in color. With all his literary accolades and awards, it's easy to forget Ware (Jimmy Corrigan) is one of the warmest, funniest cartoonists in America. The Acme Novelty Library collects a few issues of Ware's comic book series by the same name and adds plenty of new pages and visual delights. It is, like all of his work, an utterly immersive experience. You're not just reading his comics, you're inhabiting his world: from fake ads to diagrams for paper models to a lengthy and very funny fictional history of the Acme Novelty Company. These strips combine complex and beautiful visuals with the humor of hapless, often sad characters in ridiculous predicaments. "Rusty Brown", a series of strips based around an obsessive collector who will be the subject of Ware's next graphic novel, is particularly strong. These comics showcase Ware's unusual sensitivity towards his characters, building an incisive, multi-dimensional portrait of Brown and his friend Chalky White. On top of all of these riches there is Ware's own personal "history of art" in cartoon form, and a multi-page story about a naked superhero. Combining surreal humor, cutting satire, stunning visuals, and empathic characters, Ware's latest is a wondrous journey into the universe of a master cartoonist in peak form.

Hardcover. NY, Pantheon, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 108 pages in color. With all his literary accolades and awards, it's easy to forget Ware (Jimmy Corrigan) is one of the warmest, funniest cartoonists in America. The Acme Novelty Library collects a few issues of Ware's comic book series by the same name and adds plenty of new pages and visual delights. It is, like all of his work, an utterly immersive experience. You're not just reading his comics, you're inhabiting his world: from fake ads to diagrams for paper models to a lengthy and very funny fictional history of the Acme Novelty Company. These strips combine complex and beautiful visuals with the humor of hapless, often sad characters in ridiculous predicaments. "Rusty Brown", a series of strips based around an obsessive collector who will be the subject of Ware's next graphic novel, is particularly strong. These comics showcase Ware's unusual sensitivity towards his characters, building an incisive, multi-dimensional portrait of Brown and his friend Chalky White. On top of all of these riches there is Ware's own personal "history of art" in cartoon form, and a multi-page story about a naked superhero. Combining surreal humor, cutting satire, stunning visuals, and empathic characters, Ware's latest is a wondrous journey into the universe of a master cartoonist in peak form.

Softcover. Philadelphia, Philadelphia Museum of Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover in bright pictorial wrappers, 212 pages. With a catalogue of selected buildings and a checklist of the architecture and projects of Frank Furness. Illustrated with b&w photos and plans. Small ink notation on title apge otherwise clean.

Hardcover. New York, Universe Publishing, 2nd printing, 2009, Book: Very Good, Dust Jacket: None, Non paginated. Hardcover. Six pages of pop-ups in excellent condition, each page has several smaller pop-ups laid in. Bright cover boards & bright illustrations throughout by illustrator, Anton Radevsky. A magnificent journey through the history of architecture. Featuring amazing three-dimensional replications of famous buildings from ancient to modern times, The Architecture Pop-Up Book showcases artwork, photographs, pop-ups, and detailed text of the ancient Egyptian pyramids; the great constructions of Greece and Rome, such as the Parthenon and the Colosseum; majestic Asian wonders, including the Taj Mahal; Gothic and Neoclassical masterpieces, such as Notre Dame and the Florence Duomo; and the work of such important modern architects as Gaudi, Frank Lloyd Wright, and Frank Gehry. From a brilliantly elaborate Gothic cathedral nave to a telescoping Chrysler Building skyscraper, the talent and imagination of architects and builders from all eras and from all over the world are displayed and compared here.Clean, unmarked & tight copy.

Softcover. UK, Wallflower, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. John Box had one of the most productive design careers in British cinema, winning a record four Academy Awards and four BAFTAs. He shot to fame with Lawrence of Arabia (1962)., and directors ranging from David Lean and Carol Reed to Michael Mann and Norman Jewison have all valued his ability to bring "a vocabulary of life" to the challenges of each film. Whether he was recreating 1930s China in The Inn of the Sixth Happiness (1958), recapturing revolutionary Russia in Dr Zhivago (1965), projecting the future in Rollerball (1975), or imaging a mythic past in First Knight (1995), Box shaped screen worlds across five decades, helping to establish the traditions of British production design that are still followed today. Based on interviews with John Box and the full co-operation of many of his key collaborators, this lavish, 4-color book shares Box's solutions to design problems and provides unique insight into the production designer's collaborative role in the business of filmmaking.

Hardcover. Chicago, University of Chicago Press, 1st, 2016, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. This stunning book charts the rich history of the blues, through the dazzling array of posters, album covers, and advertisements that have shaped its identity over the past hundred years. The blues have been one of the most ubiquitous but diverse elements of American popular music at large, and the visual art associated with this unique sound has been just as varied and dynamic. There is no better guide to this fascinating graphical world than Bill Dahl--a longtime music journalist and historian who has written liner notes for countless reissues of classic blues, soul, R&B, and rock albums. With his deep knowledge and incisive commentary--complementing more than three hundred and fifty lavishly reproduced images--the history of the blues comes musically and visually to life.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2024, Hardcover in a bright dust jacket, 256 pages illustrated in color. An exploration of late nineteenth-century American literary posters. a vibrant genre at the vanguard of modern commercial art and graphic design spurred by innovations in printing technology, the modern poster emerged in the 1890s as a popular form of visual culture in the United States. Created by some of the best-known illustrators and graphic designers of the period including Will H. Bradley, Florence Lundborg, Edward Penfield, and Ethel Reed these advertisements for books and high-tone periodicals such as Harper's and Lippincott's went beyond the realm of commercial art, incorporating bold, stylized imagery and striking typography. This book, based on the renowned Leonard A. Lauder Collection, explores the craze for literary posters, which became sought after collectibles even in their day. It offers new scholarly perspectives that address the aesthetic sophistication and modernity of the literary poster; the impact of early experiments in the field of advertising psychology; the expanded opportunities for women artists, who played an important role in advancing the so-called poster style; and the printmaking techniques that artists employed in this novel art form. A lively survey of a little-known but highly influential period in graphic design,

Hardcover. NY, H. Bittner and Company, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, blue buckram stamped with gilt code of arms and lettering on spine. Limited to 1000 copies. A study of an artistic family who created theatrical designs dating from the 1680s to the 1780s under eight names. Illustrated with 53 plates. Small review slip tipped on front fly leaf. Some darkening to covers and spine, internally clean and bright. No dust jacket.