art Design

Hardcover. NY, Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Before there was Martha Stewart, there was Russel Wright (1904-1976), the great mid-century modern American designer who pioneered the concept of "easier living" for the middle class, a uniquely American lifestyle that was gracious but contemporary and informal. Yet despite Wright's enormous influence, there has been no major survey of his work until now. This handsome volume-which accompanies an exhibition at Cooper-Hewitt, National Design Museum in New York City-showcases more than 125 of Wright's best designs for inexpensive, mass-produced dinnerware, textiles, and furniture. As the flurry of Wright auction activity on Ebay shows, there is a thriving collectors' market for his designs. 125 illustrations, 65 in full color, 176 pages, 71/2 x 10".

Hardcover. St. Petersburg, Palace Editions, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages. Color illustrations. Examples by Vasily Elkin 1897-1991; Piotr Galadzhev 1900-1971; Valentina Kulagina 1902-1987; Solomon Telingater 1903-1969; Victor Koretsky 1909-1998; Anatol Brusilovsky b. 1932. Clean copy.

Hardcover. London, VIVAYS, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. "This volume, based on rarely seen Russian archives, traces the history of the silent film poster in Russia, starting with a poster designed by Paul Assaturov ("Stenka Razin", 1908) in the style of ancient naive Russian imagery to the latest advertise- ment for a silent movie by Yuri Pimenov from 1934. Full-page reproductions of 161 Russian silent film posters are presented here in chronological order - from the very beginning of the 20th century until the 1930s.

Hardcover. Chicago, University of Chicago Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 284 pages. In Rustic Cubism, Bruce Adams tells the fascinating story of Moly-Sabata, an art colony founded in the Rhone Valley during the height of French modernism by Cubist pioneer Albert Gleizes. Following his social and spiritual agenda of earthly labor and a Celtic-medievalist view of Christianity, Gleizes' disciples worked to fuse Cubism with a revival of ancient agrarian, artisanal traditions. The most important and committed member of this experimental commune was ceramicist Anne Dangar (1885-1951). Generously illustrated with photographs of the art and social milieu of the period, this captivating and original narrative makes a considerable contribution to our understanding of French modernism and early twentieth-century cultural politics as well as of the life of a most talented and intriguing female artist.

Softcover. Santa Barbara CA, UCSB Art Museum, 2nd pr., 1979, Book: Very Good, Dust Jacket: None, Softcover, 105 pages illustrated with b&w photos and architectural drawings. Clean, crisp copy of this exhibition catalog.

Softcover. Saratoga Springs NY, Lyrical Ballad Book Store, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 183 pages. Conceiving of the City of Saratoga Springs as a museum in which the exteriors of buildings are the works of art, many key examples of architecture are carefully placed within the context of local and national history and of architectural style. Illustrated with many black and white photos. Clean copy

Hardcover. London, Laurence King, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 428 pages. This is the first book to be published on one of the greatest American designers of the 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man With The Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick s Spartacus in the early 1960s to Martin Scorsese s Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century.

Softcover. New Haven CT, Yale University Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, stiff card wrappers firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-Century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book. DOMESTIC SHIPPING ONLY.

Softcover. New Haven, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Large softcover, 287 pages, b&w and color illustrations throughout. A very clean, tight copy. Published on the occasion of the exhibition at the Frances Lehman Loeb Art Centre, New York. Illustrated card covers with long inside flaps, minimal wear. An exhaustive compilation of the best graphic work of Steinberg covering his life in advertising, graphic design and fine arts.

Hardcover. New York, Rizzoli International Publications, 1st, 1996, Book: Very Good, Dust Jacket: Good, 202 pages. Hardcover with dust jacket. Extensive color photographs throughout. Introduction by Liz Smith. Related articles laid-in. Light shelf wear to dust jacket, otherwise clean, tight copy. With former New York Times fashion editor Morris, fashion designer Scaasi looks back over his glittering career. Born Arnold Isaacs, the son of a Montreal fur merchant, he first made his mark in 1955 when, at the age of 20, he revolutionized the American fashion industry with luxurious imported fabrics and dramatic designs featuring almond-shaped coats and split-level jackets. Changing his name to Scaasi (Isaacs spelled backwards), he quickly rose to fame, first with ready-to-wear creations and later with extravagant couture for women willing to spend $6000 -$20,000 for a dress-stars such as Joan Crawford, Barbra Streisand and Elizabeth Taylor; socialites Charlotte Ford, Blaine Trump and Brooke Astor. First ladies from Mamie Eisenhower to Barbara Bush have been dressed by him. Replete with 100 color photographs of models and celebrities wearing the designer's exuberant clothes, this lavish book, which includes brief descriptions of Scaasi's working methods and accounts of his friendships with his affluent clients, provides a tantalizing glimpse of the world of high fashion.

Hardcover. Boston, MFA Publications , 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages in color and b&w Barbra Streisand, Natalie Wood, Arlene Francis, Diahann Carroll, Joan Rivers, Mamie Eisenhower, Barbara Bush, Louise Nevelson... What these women have in common is that all were dressed by Scaasi. From his meteoric rise on Seventh Avenue in the late 1950s through his heyday in the boom decade of the 1980s, Arnold Scaasi has remained one of the most distinctive and successful designers in American fashion. With his signature combination of elegance, flamboyance, surprising colors and fabrics, and finely honed craftsmanship, Scaasi is both a bold American original and a couturier in the grand European tradition. Arnold Scaasi: American Couturier presents the best of Scaasi's fashions in a handsomely packaged, fluidly organized volume. Alongside sumptuous portraits of more than three dozen outfits, the book features numerous period photographs; sketches, notes and clippings from Scaasi's personal archives, most of them never before published; and interviews with Scaasi's famous clients, such as Joan Rivers, Mary Tyler Moore and Diahann Carroll, conducted specifically for this volume. A feast for fashion watchers and design aficionados alike, American Couturier contains all the glamour and thrill that for decades have been synonymous with the Scaasi label. Clean copy. Still in publisher's shrinkwrap.

Softcover. Flammarion, 1st, 1995, Book: Very Good, Softcover, 223 pages, illustrated in color and b&w. Tracing the origins of Americanism back to the late nineteenth century, Scenes of the World to Come focuses on the European discovery of the American city--with its grand hotels, skyscrapers, and massive industrial plants, its new-found sense of efficiency and mobility, and its infatuation with domestic appliances and mechanization. The book analyzes the global structures and thematic strategies according to which American architectural forms and urban models migrated to Europe, bringing the promise of a new architecture and, along with it, the threat of a dissolution of European identity. Clean copy.

Hardcover. London, Phaidon Press, 1st, 2003, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 272 pages. Color illustrations throughout, very clean and tight copy. American adman and image-maker George Lois (b. 1931) was a leader of the Creative Revolution of the 1960s and is the mind behind an astonishing array of branding campaigns and unforgettable magazine covers during his fifty-year career. Illustrated with the original ads and images, $ellebrity presents the stories behind the ads, explaining how each ad was conceived and produced, and the unexpected pitfalls, scuffles, and friendships that ensued.

Hardcover. Valby, Borgens Forlag, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover in a bright, unclipped dust jacket. Text in Danish and English. Illustrated in full color. Clean, tight copy.

Hardcover. Taschen, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 332 pages. Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a showplace for exhibitions of modern and contemporary artists ranging from Matthew Barney to Dan Flavin, Ellsworth Kelley, Louise Bourgeois or Rachel Whiteread. It is the only public modern and contemporary art gallery in central London, which maintains free admission and is open seven days a week.The pavilions are the work of international architects or design teams who at the time of the Serpentine's invitation have not completed a building in England. A maximum of six months from invitation to completion is allotted. The only architecture program of its type in the world, the Serpentine Gallery Pavilions attract up to 250,000 visitors each summer. The architect Richard Rogers has stated, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. Seattle, Fantagraphics Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Sex, Rock 'N' Roll, & Optical Illusions is Victor Moscoso's first major, career-spanning retrospective, from his earliest poster work in 1966 to his most recent graphic experimentation. Optical Illusions contains his best posters that advertised bands playing in San Francisco's famous dance ballrooms of the time - the Avalon, the Matrix, and the Fillmore - as well as many of his Zap Comix contributions, and his solo comix work, many in Moscoso's signature color. This wide-ranging career retrospective - Moscoso's famous technique employing "vibrating colors" that he pioneered in his posters is impeccably reproduced with as much fidelity to the original as modern printing can achieve, his black-and-white and full color comix work is collected here for the first time - is an intense, vibrant, and revelatory experience. Introductions by Steve Heller and Milton Glaser.

Schiffer Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 272 pages illustrated in color. Explore fashion history with legs at center stage--from the dawn of civilization through current-day trends. This book examines society's role in moving hemlines and in shaping "legcentric" traditions throughout history. What has changed or stayed the same in the course of fashion eras? How have legs appeared in dance, sport, performance, pageantry, and conventional or outre outfits? Find out how athletics, depictions in literature and art, and motifs in advertising and films reflect our changing times. Discover the styles, attitudes, customs, sex appeal, socially acceptable postures and walks, and more in this comprehensive view of leg fashions through the ages. Enjoy fashions from the waist down through 319 striking images explained in their historical context.

Hardcover. Petaluma CA, Cameron Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover with wrap-around band. 224 pages in color. The first treatment of his extraordinary domain that is not an authorized product of his studio. From clothing and advertising to the world of fine art, the reach of this "street artist" extends to all aspects of society; yet given his great success, he is also the target of critics and detractors. He has challenged conventions, formulas, paradigms, and traditional borders that make many uncomfortable, spurring consistent debate over the legitimacy of his artwork, the authenticity of his background, and the ethics of his design processes. By reflecting on the many layers of being an antimodern artist, we learn much about both the current state of the art world and Fairey's influence on it. Featuring a wide variety of remarkable color photographs and a Foreword by Robbie Conal, Shepard Fairey Inc. gives us a fresh, objective understanding of the work of this astonishing artist.

Softcover. US, Pepin Press, 1st, 2012, Book: Very Good, Dust Jacket: None, 287 pages, illustrated throughout in color. Text in French, German and English. Clean, unmarked copy with only minor wear to wrappers. SHOE LUST contains a stunning collection of the best and most extraordinary modern shoe designs. Included are profiles and interviews with cutting-edge designers from all over the world.

Hardcover. Cologne GR, Taschen, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages, illustrated in color and b&w. An extensive collection of hand-illustrated shop window designs from 1938 to 1950. These spectacular, often grandiose plans for grocery stores, shoe shops, beauty salons, bakeries, and more are reminders of a time when stores were sacred shrines for the congregation of American shoppers - impressive and even slightly intimidating, just like the future itself.

Softcover. Switzerland, Parkett Verlag, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Heavy paper covers in a bright color dust jacket. 209 pages, color and b&w illustrations, bilingual text - German and English. Sigmar Polke (born 1941) recently completed a series of 12 windows for the Grossmunster cathedral in Zurich, setting new standards for the mutual relationship between art and church. One group of seven Romanesque windows shows luminous mosaics of thinly sliced agate, some of it artificially colored, to produce pulsating blocks of back-lit color. Says Marina Warner, "The interior of rocks opens not only on unexpected colors... on once imprisoned now scintillating rays and gleams, but it also tunnels into the past, into the distant past of geological and cosmological millennia." For the remaining five windows, Polke designed images of figures from the Old Testament, based on medieval illuminations, which have themselves undergone transformation in the course of their long journey through time. Polke's figures now appear as radiantly contemporary icons created in colored glass, using a variety of traditional and customized techniques devised especially for this project. Minor wear to dj, lacks blue wrap-around band with title, clean copy.

Hardcover. Hoboken NJ, John Wiley & Sons, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, 210 pages illustrated in color and b&w. Utilizing a cross-disciplinary approach that makes the information relevant to architects, interior designers, landscape architects, graphic designers, and industrial engineers alike, this book arms you with the skills needed to apply a standard, proven design process to large and small projects in an efficient and systematic manner. Clean copy.

Hardcover. New York, Assouline, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 349 pages, color illustrations throughout. DVD included. Representing Jean-Paul Goude's life and work from the late 1960s up to the present, the book spans Goude's years at Esquire; his revolutionary work with Grace Jones, his videos for MTV and for Azzedine Alaia; his advertising work for Chanel, and more. With text and images by Goude himself, So Far So Goude is the definitive book on the work of an extraordinarily innovative, talented and unorthodox man. With more than 350 illustrations in full color, this book is a fascinating reference for anyone interested in fashion illustration, photography, and all other avenues of commercial design and advertising.