Softcover. Beverly MA, Rockport, 1st, 2012, Book: Very Good, Dust Jacket: None, Flexibound, 312 pages, profusely illustrated in color. Brand Bible is a comprehensive resource on brand design fundamentals. It looks at the influences of modern design going back through time, delivering a short anatomical overview and examines brand treatments and movements in design. You'll learn the steps necessary to develop a successful brand system from defining the brand attributes and assessing the competition, to working with materials and vendors, and all the steps in between. The author, who is the president of the design group at Sterling Brands, has overseen the design/redesign of major brands including Pepsi, Burger King, Tropicana, Kleenex, and many more. Clean, bright copy.
Hardcover. London, Frances Lincoln, 1st, 2011, Book: Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 255 pages, illustrated in color and b&w. Brenda Colvin (1897-1981) ranks with Sylvia Crowe and Geoffrey Jellicoe as a pioneer of twentieth-century landscape design in Britain. This first full account of her life and work demonstrates her importance. Early in her career Colvin visited the USA to see the new civic landscaping projects, especially the parkways. In England she transformed the landscapes of power stations, reservoirs, industrial sites, new towns and national parks and worked on private gardens. Her simple planting style and her ecological approach had enormous influence. NOTE: There is a very mild ripple/wave throughout the pages, otherwise a clean, bright copy. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Assouline, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 190 pages, color plates. Step inside the fabulous lives of 40 architects, artists, designers, and writers to discover why they embody everything London is known for: wit, cutting-edge style, and glamour. Along with elegant photographs by Vanity Fair photographer Jonathan Becker are intimate anecdotes written by the people who know these bright young things best. In a bright, unclipped dust jacket.
Softcover. N. P., Privately Printed, 1st, 1965, Book: Very Good, Dust Jacket: None, Softcover in stapled wrappers, 25 pages. 1/750 copies. Minor wear to covers, else a lovely little pamphlet in excellent shape. An address given to the Friends of the Brown University Libraries.
Hardcover. NY, Stewart, Tabori and Chang, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 271 pages, illustrated throughout in color. Folio. Clean, unmarked copy with only minor wear to dust jacket. You learn from people with great taste, says Bunny Williams. She should know. As a novice, Williams worked for legendary decorators Sister Parish and Albert Hadley, absorbing everything she could of their peerless design sense. Striking out on her own, she rose to the top rank of the interior design profession, where she has stylishly remained for the last 30 years. Now, it's our turn to learn from her. Part memoir and part how-to manual, Bunny Williams' Point of View showcases many of the drop-dead chic but always cozily comfortable residences whose interiors Williams has designed during her astounding career. Due to size and weight, DOMESTIC SHIPPING ONLY.
Softcover. London, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover with color dust jacket., 181 pages, color and b&w illustrations. Text, art and photographs by Chaimowicz, Marc Camille Chaimowicz is a London-based contemporary artist whose works are in the Museum of Modern Art, Tate Modern, and Victoria and Albert Museum collections. His cross-disciplinary work in painting, drawing, collage, sculpture, installation, furniture, lighting, ceramics, textiles, and wallpaper challenges the categorical divisions between art and design. Clean, bright copy.
Hardcover. Sausalito CA, Windgate Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 172 pages illustrated in color. These beautiful and colorful promotional materials were designed to attract tourists and home seekers to the Golden State. Produced by the thousands, these now rare publications touted California as a land of perpetual spring and boundless opportunity. Many of the posters in this book are part of a special collection held at the California State Library. Clean copy.
Softcover. Milano, La Bibliofila, 1st, 1962, Book: Very Good, Dust Jacket: None, Softcover, limited to 2,000 numbered copies, this is number 93, printed on Fabriano paper. 8vo. 9 3/4 x 6 3/4 inches. 175 pages. Double-page title page with elaborate calligraphic borders, illustrated throughout; text clean, unmarked. Illustrated wrappers; binding square and tight, very minor shelf wear; very light foxing on page block. This is a catalog of 72 calligraphy books listed chronologically and divided by nationality assembled by Carla C. Marzoli. Catalogued and Described with upwards of 210 illustrations and an Introduction by Stanley Morison. An invaluable resource for both the collector and the book seller. Clean copy.
Hardcover. NY, Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Color illustrated. Brilliantly illustrates the interior designs of an internationally acclaimed British designer, featuring her use of vibrant colors, silky textiles, dramatic gilding, and untraditional combinations to create expressive rooms that are each a work of art.
Hardcover. New Haven CT, Yale University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Like new in publisher's shrink-wrap. Widely known for his vibrant paintings that employ a variety of styles--including abstraction, figuration, pop, and cartoon--Carroll Dunham (b. 1949) is also one of the most prolific printmakers of his generation. An integral part of his artistic process, Dunham's prints combine the spontaneity and drama of his paintings with the careful premeditation demanded of the medium. His imagery--which shares the wickedly cartoony semi-abstractions of his paintings--is transformed, refined, and often intensified in his graphic work.Carroll Dunham Prints documents the artist's entire print archive--which includes nearly 300 lithographs, etchings, drypoints, linocuts, wood engravings, screenprints, digital prints, and most recently, monotypes--the majority of which have never before been published. The authors examine the significance of printmaking to Dunham's overall oeuvre, his innate sensitivity toward the systematic materials and procedures of printmaking, his inventive approach to this process, and the evolution of his imagery. It also features an insightful essay by Dunham that discusses his journey as a printmaker and his discoveries of the medium.
Softcover. UK, Haynes & Co., 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Glorious tribute to a period of exuberance when record companies seemed obsessed with putting motor cars on the sleeves of their discs. Sometimes the results were high art, sometimes they were the lowest of low-brow kitsch, but above all they were innocent if slightly tacky fun. Color throughout.
Softcover. West Plains MO, Bruce Hershenson , 1st, 1997, Book: Good, Dust Jacket: None, Softcover, pictorial wraps, 96 pages in color. Everyone has their own favorite film genre (animation, action and adventure, science fiction, etc.). Next to crime/film noir films, animation is mine. The beautiful thing about this book is the unexpected. Rather than delve into the standard Disney fare (which is included in great detail nevertheless), this book includes artwork from posters from "lesser seen or only mildly popular" titles. Besides Disney, everything from Fleischer to Avery is represented, works of art that can only be bought for thousands of dollars today at many of America's high echelon auction houses. If you are the least bit interested in the jaw-dropping beauty of what has become a lost art -- the exercise of drawing images associated with the advertising of a Hollywood film -- this is the book to have. NOTE: while a clean, bright copy, the glued binding is poor and several pages are loose.
Hardcover. London, Thames & Hudson, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 207 Pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Slight curling along top dust jacket edge. Very light scratches across front dust jacket. Otherwise tight copy. Black and white and color photographs throughout.
Hardcover. NY, Assouline, reprint, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Exploring the career of designer Charles James, this work looks at the way in which he revolutionized the fashions of the 1940s and 1950s with his designs, and above all his sculpted dresses.
Softcover. NY, Rizzoli, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, large oblong format, 304 pages. Described as "the closest thing to a rock star" in graphic design today (USA Today), Chip Kidd is universally recognized as an American master of contemporary book design. At the forefront of a revolution in publishing, Kidd's iconic covers, with their inventive marriage of type and found images, have influenced an entire generation of design practitioners in many fields.Chip Kidd: Book One collects all of his book covers and designs for the first time, as well as hundreds of developmental sketches and concepts-annotated by Kidd and by many of the best-selling authors he's worked with over the years. The result is an important contribution to the design canon today as well as a visually dazzling (and often hilarious) insider's look at the design and publishing process.The book also showcases Kidd's work with comics and graphic novels, including his collaborations with leading artists and writers in the field. Featured are projects for DC Comics, including Batman and Superman, as well as Kidd's award-winning exploration of the art of Charles M. Schulz. Chip Kidd: Book One is sure to enthrall design aficionados, book lovers, pop-culture fanatics, comics fans, and design students. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. New Haven CT, Yale University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. Discusses the life and work of Chip Kidd, who is known for designing engaging and one-of-a-kind book jackets for authors that include Cormac McCarthy and Michael Crichton.
Softcover. New Haven CT, Yale University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, 112 pages, softcover. Profusely illustrated in color. Chip Kidd is renowned and revered as a maverick graphic designer. Specifically, Kidd's book jacket designs for such major New York publishers as Alfred A. Knopf are among the most significant and innovative of our time. This richly illustrated book -- the first critical selection of Kidd's design work -- looks closely at this contemporary visual pioneer.
Softcover. New York, Skyhorse Publishing, 1st, 2016, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. Very clean, unmarked copy with only minor edgewear. In this book, shoe enthusiast Hal Peterson takes an in-depth look at the history, significance, and magic of "Chucks." Originally a rubber shoe company, Converse rolled out the canvas All Star in 1917, nicknamed "Chucks" for the basketball hall-of-famer, Charles "Chuck" Taylor, who was a lifelong promoter. Color photographs throughout.
Hardcover. New York , Norton , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 190 pages, illustrated in color and b&w. Cipe Pineles was art director for leading fashion magazines between 1930 and 1960. Tracing Pineles's career from young immigrant to "ranking" female in the design world, Martha Scotford chronicles a time when few women were involved in design and assesses Cipe's brilliant contributions to graphic design and magazine design in particular.
Hardcover. US, Collins & Brown, 1st, 2012, Book: Very Good, Dust Jacket: None, 191 pages, illustrated throughout in color. Clean, tight copy. The dynamic 1970s saw the optimistic ideals of the previous decade achieving mainstream acceptance even as a conservative backlash took shape. Little wonder this turbulent time was reflected in its diverse music--and in iconic album covers that came to symbolize an era. Classic Album Covers of the 1970s is a visual journey through more than 200 of the very best, from psychedelia-influenced artwork to punk anti-design, from Pink Floyd, Led Zeppelin, and David Bowie, to Patti Smith, The Ramones, and the Sex Pistols.
Hardcover. US, Collins & Brown, 1st, 2012, Book: Very Good, Dust Jacket: None, 191 pages, illustrated throughout in color. Clean, tight copy. The dynamic 1970s saw the optimistic ideals of the previous decade achieving mainstream acceptance even as a conservative backlash took shape. Little wonder this turbulent time was reflected in its diverse music--and in iconic album covers that came to symbolize an era. Classic Album Covers of the 1970s is a visual journey through more than 200 of the very best, from psychedelia-influenced artwork to punk anti-design, from Pink Floyd, Led Zeppelin, and David Bowie, to Patti Smith, The Ramones, and the Sex Pistols.
Softcover. New York , Princeton Architectural Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 200 pages, illustrated throughout in color. A collection of the legendary graphic designer's best work over 40 years. Foreword by Milton Glaser. Like new.
Hardcover. NY, Metro Books, 1st, 2012, Hardcover, 256 pages. Rock on, with more than 500 classic music posters--many unseen for years! Organized chronologically from the 1950s to the present, this gallery of images from the very best illustrators in the genre captures the interplay of music and art, revealing how both evolved over the years. From gritty bar bands to the superstars, from the Fillmore to CBGBs, this is a remarkable visual journey. Includes interviews with key artists such as Stanley Mouse and Alton Kelley of Family Dog; Michael English and Nigel Waymouth of Hapshash and the Coloured Coat; Roger Dean; Dave Little; and Emek. The posters capture the most famous names in music, from R&B to classic rock, metal, punk and rap, including: Muddy Waters, the Beatles, the Rolling Stones, James Brown, the Who, Led Zeppelin, the Grateful Dead, Bowie, the Clash, the Sex Pistols, Springsteen, Pearl Jam, and more--plus cult favorites.. Features on significant music promoters and venues, including Chet Helms, Bill Graham, and CBGBs. Showcases a diverse range of design styles, from letterpress and DIY punk to the rise of computer graphics and the retro illustrations of the modern era.
Hardcover. New Haven, CT, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 528 pages, b&w and color photographs throughout. A very clean, tight copy in great condition. This book is the first comprehensive account of Gabo's life, career, and artistic theory and practice. Martin Hammer and Christina Lodder explore in detail the evolution of the artist's work and his aesthetic concerns, creative processes, assimilation of such new materials as plastic, and approach to public sculpture. Drawing on Gabo's extensive and largely unpublished archives of letters, diaries, notebooks, models, and sketchbooks, they discuss the sculptor's work in the context of his relations with other avant-garde artists, architects, and critics, including his brother Antoine Pevsner.