biography

Hardcover. Schirmer Reference, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 271 pages. The last decade of Mozart's short but amazingly prolific career counts as one of the most remarkable periods--truly golden years--in the history of Western music. Richly illustrated with contemporary paintings and engravings and authoritatively written, this book provides a vivid account of the composer's life in the European music capital, Vienna, from 1781 to 1791. Clean copy.

Hardcover. New York, G. P. Putnam's Sons, First Edition, 2014, Book: Very Good, Dust Jacket: Very Good, 241 pages. Hardcover. Full color & bw illustrations throughout. Dust jacket in very good condition. Clean, unmarked copy.

Hardcover. NY, Farrar Straus Giroux, 1st US, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 598 pages, b&w and color illustrations. In 1827 the young Edward Lear (1812-1888) began to draw 'for bread and cheese'; later he became a renowned wildlife and landscape artist and, later still, the author of the famous limericks and songs. Reproducing many of his paintings and drawings, Jenny Uglow's critically acclaimed biography describes Lear the artist, traveler, writer of nonsense verse and self-appointed exile, and aims to discover 'how the layers are laid down, how they overlap and twist like strata' in a strange contradictory life of art and nonsense. Clean copy.

Hardcover. New York, Pantheon Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 211 pages. Hardcover with dust jacket. SIGNED BY AUTHOR ON TITLE PAGE. Clean, tight copy.

Hardcover. Boston, Gambit, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth with blue and gilt stamping, 461 pages. This biography disclosed for the first time one of the strangest love stories of the Victorian age, as recorded one of the most remarkable private diaries of the 19th century. During his lifetime Munby was known as a versifier of small but distinctive talents, a barrister concerned primarily with ecclesiastical affairs, and a fashionable bachelor about town. At his death in 1910, Munby bequeathed to Trinity College, Cambridge three deed boxes full of diaries and personal documents. It is largely on the contents of these boxes that this biography is based. For Munby had a lifelong obsession with the whole sub world of female manual workers - colliery women, fishergirls, milkwomen, acrobats- women whose company he furtively pursued, whose photographs he avidly collected, and one of whom, a char woman called Hannah, he secretly married & kept as his unacknowledged wife for a quarter of a century. Clean copy.

Hardcover. London , Royal Academy of Arts, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover. 206 pages. Contains color illustrations of Edvard Munch's artwork. Dust jacket with small bump to rear corner. Otherwise very good.

Paperback. East Middlebury, VT, Amandla Publishing , 1st, 2003, Book: Very Good, Dust Jacket: None, 165 pages. SIGNED BY AUTHOR. Photographic cover by Fred Cray.

Hardcover. NY, Dodd Mead, reprint, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt ship stamped on cover in upper left-hand corner, gilt title on spine. 338 pages with 13 full page illustrations, 7 text illustrations, 4 text maps & 7 attractive color maps, some folding. Ex-library with bookplate on front fly leaf, lettered number on spine, otherwise a tight, bright copy.

Hardcover. NY, Freundlich Books, reprint, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 795 pages, b&w photographs. Light edge wear to dust jacket. Foxing to top edge. Else a clean, tight copy. 'A work of immense historical proportions - a biography of America's first and possibly greatest broadcast journalist.' Notes on primary manuscript sources, index, bibliography. The definitive biography of broadcast journalist Edward R. Murrow based on in-depth interviews and ten years of archival research, including declassified goverment documents and private files.

Hardcover. NY, The America Press, 1st, 1932, Book: Good, Dust Jacket: None, Hardcover, 180 pages, blue cloth with gilt lettering. Scores of glossy B&W photographs from the air and ground. Maps of Alaska on both sets of end papers with airplane and dog team routes. First edition of this Jesuit priest's 1600 mile expedition memoir about mushing down the Yukon River, visiting Jesuit Missions, and into the erupting Aniackchak Crater. Accounts first published in The Saturday Evening Post. This is an ex-library copy with stamping and residue to endpapers, but clean and tight inside.

Softcover. NY, Bloomsbury, reprint, 2010, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 509 pages, b&w illustrations. In 1945, disguised in German greatcoat and helmet, Mussolini attempted to escape from the advancing Allied armies. Unfortunately for him, the convoy of which he was part was stopped by partisans and his features, made so familiar by Fascist propaganda, gave him away. Within 24 hours he was executed by his captors, joining those he sent early to their graves as an outcome of his tyranny, at least one million people. Bosworth's Mussolini allows us to come closer than ever before to an appreciation of the life and actions of the man and of the political world and society within which he operated. With extraordinary skill and vividness, drawing on a huge range of sources, this biography paints a picture of brutality and failure, yet one tempered with an understanding of Mussolini as a human being, not so different from many of his contemporaries. Clean copy.

Hardcover. Westport CT, Meckler Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. 253 pages, b&w photos. An autobiographical account of his 50-year career in baseball, from his first game as a rookie in the minors to his final game as a manager in the majors. MacPhail discusses his experiences as a player, coach, and manager, as well as his views on the game and his interactions with other players and coaches.

Hardcover. NY, Charles Scribner's Sons, 2nd pr., 1921, Book: Very Good, Dust Jacket: None, Hardcover, blue color with gilt stamping. 365 pages, frontispiece portrait and sixteen photographs. Clean copy.

Hardcover. NY, Viking Press, 1st US, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, unclipped dust jacket, 266 pages. Stanislaus Joyce was more than his brother's keeper. He was at various times his brother's co-dependent, touchstone, conscience, and biggest fan. The two shared the same genius, the same childhood influences, and had the same literary instinct, but in Stanislaus it was channeled into sober academic pursuit, while in James it evolved into gaiety, wild whimsy, and at times sodden despair. Covering the first twenty-two years of James Joyce's life in Dublin and Trieste, My Brother's Keeper is a window onto the drama that was his youth. Thanks to Stanislaus's superb memory and sure hand, here we find the Dublin of the streets, neighbors, churches, and unforgettable eccentrics.

Hardcover. NY, Knopf, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INITIALED BY ELLROY on blank prelim page. In 1958 Jean Ellroy was murdered, her body dumped on a roadway in a seedy L.A. suburb. Her killer was never found, and the police dismissed her as a casualty of a cheap Saturday night. James Ellroy was ten when his mother died, and he spent the next thirty-six years running from her ghost and attempting to exorcize it through crime fiction. In 1994, Ellroy quit running. He went back to L.A., to find out the truth about his mother - and himself. In MY DARK PLACES, our most uncompromising crime writer - author of AMERICAN TABLOID and WHITE JAZZ - tells what happened when he teamed up with a brilliant homicide cop to investigate a murder that everyone else had forgotten - and to reclaim the mother he had despised, desired, but never dared to love. What ensues is an epic of loss, fixation, and redemption, a memoir that is also a history of the American way of violence.

Hardcover. New Haven, Yale University Press, 1st , 2013, Book: Very Good, Dust Jacket: Very Good, 95 pages. Hardcover with dust jacket. Color and b&w illustrations throughout. Clean, unmarked copy with only minor wear to dust jacket. "Edward Hopper (1882-1967), long recognized as the premier 20th-century American realist painter, was famously introverted and reclusive. He rarely spoke about his personal life, and his close friends were few and love interests fewer. Until now, there have been only two known romantic pursuits prior to Hopper's marriage to Josephine Nivison in 1924: a brief relationship in Paris with an English girl in 1906-7 and another spanning several years with an older French woman beginning in New York in 1915. The discovery of fifty-eight previously unknown letters and one note from Alta Hilsdale (1884-1948) to Hopper brings to light a previously unknown romantic relationship. Hilsdale, who was from Minnesota and spent time in New York and Paris, sent letters to Hopper at various home and studio addresses during the course of ten years. Reverend Arthayer Sanborn, a close friend of Edward and Josephine Hopper, discovered the letters in Hopper's childhood home in Nyack, New York, after the artist's death. Fewer than ten people have had the opportunity to read these letters, and they are published in their entirety for the first time."

Hardcover. London, Patrick Hardy, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 48 pages Illustrated with Ardizzone Christmas Cards in black/brown/blue & white. Very nice, clean condition. Hardbound, dust jacket.

Softcover. Somerville MA, Cervena Barva Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 284 pages, b&w illustrations. INSCRIBED BY AUTHOR on the title page. Clean copy.

Hardcover. Ithaca NY, Cornell University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 336 pages. This single-volume selection of the letters of Margaret Fuller affords a unique opportunity for renewed acquaintance with a great American thinker of the Transcendentalist circle. The letters represent Fuller at all stages of her life and career, and show her engaged as literary critic, as translator and as champion of German literature and thought, as teacher, as travel writer, as literary editor, as journalist, as feminist, as revolutionary, as wife and mother. My Heart Is a Large Kingdom, unlike previous collections, includes only letters transcribed from Fuller's manuscripts and does not reproduce correspondence known only from printed sources and copies in hands other than Fuller's. Among the recipients of the letters in this generous selection are such literary and cultural figures as Bronson Alcott, Elizabeth Barrett Browning, Arthur Hugh Clough, Ralph Waldo Emerson, Giuseppe Mazzini, Giovanni Angelo Ossoli (Fuller's husband), George Ripley, and Henry David Thoreau. Taken together, the letters serve as a chronicle of Fuller's lifetime and provide glimpses into her thoughts and feelings during the years of the "Conversations," Dial, and the revolution in Rome. Clean copy.

Hardcover. London, The Cresset Press, 1st UK, 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages. 3rd volume of the autobiography of this celebrated thinker and writer on philosophical and metaphysical matters. The greater part deals with the period he spent in England, in Oxford, Cambridge and elsewhere, and his circle of brilliant friends and acquaintances.

Softcover. NY, Vintage, reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, 256 pages, b&w photos. Clean copy. A provocative memoir from Luis Bunuel, the Academy Award winning creator of some of modern cinema's most important films, from Un Chien Andalou to The Discreet Charm of the Bourgeoisie.Luis Bunuel's films have the power to shock, inspire, and reinvent our world. Now, in a memoir that carries all the surrealism and subversion of his cinema, Bunuel turns his artistic gaze inward. In swift and generous prose, Bunuel traces the surprising contours of his life, from the Good Friday drumbeats of his childhood to the dreams that inspired his most famous films to his turbulent friendships with Federico Garcia Lorca and Salvador Dali. His personal narratives also encompass the pressing political issues of his time, many of which still haunt us today--the specter of fascism, the culture wars, the nuclear bomb. Filled with film trivia, framed by Bunuel's intellect and wit, this is essential reading for fans of cinema and for anyone who has ever wanted to see the world through a surrealist's eyes.

Hardcover. London , Jazz Book Club/ Andre Deutsch, reprint, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover, 242 pages, in a very good dust jacket.

Hardcover. NY, Boni And Liveright, Ltd. Ed., 1928, Book: Good, Dust Jacket: None, Hardcover, black cloth, top edge gilt. Limited Edition. Number 569 of 650 copies. Facsimile signature of Duncan on front free endpaper. This book was published posthumously on the basis of Duncan's handwritten text and illustrated with 24 black and white photographs of her (two by Arnold Genthe). As one of the great free spirits of the early 20th century, Duncan's account of her life was as uninhibited as her career. This is one of the "presentation copies" published as a limited edition for authors and other friends of Boni and Liveright. Red leather label missing from spine, bookplate inside front cover, light wear to beveled covers.

Hardcover. NY, Henry Holt, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 306 pages. There have long been rumors of a lost cache of tapes containing private conversations between Orson Welles and his friend the director Henry Jaglom, recorded over regular lunches in the years before Welles died. The tapes, gathering dust in a garage, did indeed exist, and this book reveals for the first time what they contain. Here is Welles as he has never been seen before: talking intimately, disclosing personal secrets, reflecting on the highs and lows of his astonishing career, the people he knew-FDR, Winston Churchill, Charlie Chaplin, Marlene Dietrich, Laurence Olivier, David Selznick, Rita Hayworth, and more-and the many disappointments of his last years. This is the great director unplugged, free to be irreverent and worse-sexist, homophobic, racist, or none of the above- because he was nothing if not a fabulator and provocateur. Ranging from politics to literature to the shortcomings of his friends and the many films he was still eager to launch, Welles is at once cynical and romantic, sentimental and raunchy, but never boring and always wickedly funny.