biography

Hardcover. New York, Coward, McCann & Geoghegan, Inc., 1st US, 1975, Book: Very Good, Dust Jacket: Good, Hardcover, 319 pages. Hardcover. Previous owners bookplate on preliminary pages. 16 pages of black & white illustrations. Foxing to top edge. Dust jacket with chipping along edges.

Hardcover. Athens GA, University of Georgia Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Foreword by Michael Connelly. 414 pages. In 2010, Ted Geltner drove to Gainesville, Florida, to pay a visit to Harry Crews and ask the legendary author if he would be willing to be the subject of a literary biography. His health rapidly deteriorating, Crews told Geltner he was on board and would even sit for interviews and tell his stories one last time. Ask me anything you want, bud, Crews said. But you'd better do it quick. The result is Blood, Bone, and Marrow, the first full-length biography of one of the most unlikely figures in twentieth-century American literature, a writer who emerged from a dirt-poor South Georgia tenant farm and went on to create a singularly unique voice of fiction. With books such as Scar Lover, Body, and Naked in Garden Hills, Crews opened a new window into southern life, focusing his lenson the poor and disenfranchised, the people who skinned the hogs and tended the fields, the grits, as Crews affectionately called his characters and himself. Clean copy.

Hardcover. New York, Viking Studio Books, 2nd pr., 1994, Book: Very Good, Dust Jacket: None, Unpaginated. Hardcover with no dust jacket in a slipcase. Clean, tight copy with only light fading to slipcase. Paper on top of slip case is starting to become unglued. Bright colorful pictures throughout.

Hardcover. NY, Penguin Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 304 pages, b&w illustrations. Acclaimed journalist Robert Timberg's extraordinary, long-awaited memoir of his struggle to reclaim his life and find his calling after being severely burned as a young Marine lieutenant in Vietnam In January 1967, Robert Timberg was a short-timer, counting down the days until his combat tour ended. He had thirteen days to go before he got to go back home to his wife in Southern California. That homecoming would eventually happen, but not in thirteen days, and not as the person he once was. The moment his vehicle struck a Vietcong land mine divided his life into before and after.

Hardcover. NY, Norton, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 339 pages, b&w illustrations. The little-known story of an iconic photographer, whose work captured--and influenced--a critical moment in American history. Ernest Withers took some of the most legendary images of the 1950s and '60s: Martin Luther King, Jr., riding a newly integrated bus in Montgomery, Alabama; Emmett Till's uncle pointing an accusatory finger across the courtroom at his nephew's killer; scores of African-American protestors carrying a forest of signs reading "i am a man." But at the same time, Withers was working as an FBI informant. In this gripping narrative history, Preston Lauterbach examines the complicated political and economic forces that informed Withers's seeming betrayal of the people he photographed, and "does a masterful job of telling the story of civil rights in Memphis in the 1960s" (Ed Ward, Financial Times), including the events surrounding Dr. King's tumultuous final march in Memphis. Small remainder dot to top edge.

Hardcover. Chicago, University of Chicago Press, 1st, 1946, Book: Very Good, Dust Jacket: Fair, Hardcover, 131 pages of text followed by 126 plates, several in color. Foxing to endpapers. Dust jacket age darkened with chipping and small tears along edges. Clean, tight copy.

Hardcover. Chicago, University of Chicago Press, 1st, 1946, Book: Very Good, Dust Jacket: Fair, Hardcover, 131 pages of text followed by 126 plates, several in color. Foxing to endpapers. Dust jacket age darkened with chipping and small tears along edges. Clean, tight copy.

Hardcover. Chicago, University of Chicago Press , 1st, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages of text, plus 125 numbered plates in b&w and color. Price-clipped dust jacket with minor wear.

Hardcover. NY, Doubleday, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 390 pages, b&w illustrations. Growing up in Greenwich Village, Sean Wilentz discov-ered the music of Bob Dylan as a young teenager; almost half a century later, he revisits Dylan's work with the skills of an eminent American historian as well as the passion of a fan. Drawn in part from Wilentz's essays as "historian in residence" of Dylan's official website, Bob Dylan in America is a unique blend of fact, interpretation, and affinity--a book that, much like its subject, shifts gears and changes shape as the occasion warrants. Beginning with his explosion onto the scene in 1961, this book follows Dylan as he continues to develop a body of musical and literary work unique in our cultural history. Wilentz's approach places Dylan's music in the context of its time, including the early influences of Popular Front ideology and Beat aesthetics, and offers a larger critical appreciation of Dylan as both a song-writer and performer down to the present. Remainder dot on bottom edge otherwise clean.

Hardcover. New York, Simon & Schuster, First Thus, 2013, Book: Very Good, Dust Jacket: Very Good, 603 pages. Hardcover. Ivory & red cloth boards with gilt titles to spine. Dust jacket with only light marginal wear. Bright, clean & unmarked copy.

Hardcover. Brooklyn, NY, PowerHouse Books, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Remainder mark on bottom edge, otherwise, clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. Explores the genre of self-portraits through nineteenth, twentieth, and twenty-first-century photographic techniques, including also block prints, watercolor drawings, and accompanying essays.

Hardcover. New York , Abaris Books, Inc., 1st, 1974, Book: Very Good, Dust Jacket: None, 344 pages. Oversized red decorated cloth cover, gilt lettering, minor wear to corners. This copy does not have original slipcase. Light foxing on top and fore edge, but inside is bright and clean, with many colored illustrations throughout. Contains a history of the Prayer Book and a synopsis of the life of Emperor Maximilian I.

Hardcover. US, Last Gasp, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Like new in publisher's shrink wrap. Clean, tight copy. The Book of Weirdo is the definitive - and hugely entertaining- examination of Weirdo magazine, renowned underground comix cartoonist Robert Crumb's legendary humor comics anthology, which was originally published throughout the 1980s. A "low-brow" counterpoint to Art Spiegelman and Francoise Mouley's rather high-faluttin' RAW comix publication, Weirdo influenced an entire generation of alternative and neo-underground artists, as well as creative refuge for the underground comix veterans, and this book features the complete story of the well-recalled comics magazine, along with testimonials from over 130 of the publication's contributors, including interviews with Weirdo's three editors - R. "Keep on Truckin'" Crumb, Peter "Hate" Bagge, and Aline "The Bunch" Kominsky-Crumb - and publisher "Baba Ron" Turner. 288 pages.

Hardcover. NY, Charles Scribner's Sons, 1st US, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 188 pages, b&w illustrations, endpapers map. Rear of dj with 2"X1" piece missing from bottom edge. Otherwise very good.

Hardcover. New York, Little, Brown and Company, 2nd pr., 2018, Book: Very Good, Dust Jacket: Very Good, 503 pages. Hardcover with dust jacket. Clean, tight copy. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. But who was this man, who lived with over twenty thousand books and six cats, who roomed with Frank O'Hara at Harvard, and was known -- in the late 1940s, no less -- to traipse around in full-length fur coats, clanking bracelets, and an Edwardian beard? An eccentric, a gregarious recluse, an enigmatic auteur of whimsically morbid masterpieces, yes -- but who was the real Edward Gorey behind the Oscar Wildean pose? He published over a hundred books and illustrated works by Samuel Beckett, T.S. Eliot, Edward Lear, John Updike, Charles Dickens, Hilaire Belloc, Muriel Spark, Bram Stoker, Gilbert & Sullivan, and others. At the same time, he was a deeply complicated and conflicted individual, a man whose art reflected his obsessions with the disquieting and the darkly hilarious. Based on newly uncovered correspondence and interviews with personalities as diverse as John Ashbery, Donald Hall, Lemony Snicket, Neil Gaiman, and Anna Sui, Born to Be Posthumous draws back the curtain on the eccentric genius and mysterious life of Edward Gorey.

Hardcover. NY/Boston, Little Brown, 3rd pr., 2018, Book: Very Good, Hardcover in a bright dust jacket, 503 pages. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. But who was this man, who lived with over twenty thousand books and six cats, who roomed with Frank O'Hara at Harvard, and was known -- in the late 1940s, no less -- to traipse around in full-length fur coats, clanking bracelets, and an Edwardian beard? Dery draws back the curtain on the eccentric genius and mysterious life of Gorey. Small remainder dot on bottom edge, otherwise clean.

Hardcover. New York, Macmillan Company, 1st US, 1944, Book: Very Good, Dust Jacket: Good, 631 pages. Green cloth, gilt lettering to spine. Dust jacket slightly worn and soiled with small tears to upper edge of spine, in clear brodart cover.

Hardcover. Boston, Marshall Jones Company, Limited, 1923, Book: Very Good, Dust Jacket: None, Hardcover, 165 pages. Limited edition, #988/1500. Tissue guard. B&W photographs throughout. Some minor surface wear to covers. Overall tight and clean copy.

Hardcover. New York , E. P. Dutton, 2nd Printing, 1943, Book: Very Good, Dust Jacket: None, Hardcover, 428 pages, illustrated by the author. Scarce in this edition. Dark gray cloth with gilt titles, no dust jacket. Light fade to spine, else a clean, tight copy.

Hardcover. NY, Harcourt Brace Jovanovich, 1st US, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 206 pages, with b&w illustrations. Very clean and tight copy. Remainder line bottom edge, otherwise unmarked.

New York, Dutton, 3rd pr., 1950, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with yellow stamping, 142 pages. B&W illustrations by Elinore Blaisdell. A wealth of simple, authoritative information about America's greatest nature lover written for the junior age student. 12 full page illustrations about Audubon's early life.Clean copy, no dust jacket.

Hardcover. NY, E.P. Dutton, 1st, 1942, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with cover label, white lettering on spine. 12 full page illustrations about Audubon's early life by Elinore Blaisdell. Publisher's review slip laid in. Clean copy.

Hardcover. New York, William Morrow, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 11.5' x 10'', 195 pages. A beautifully produced illustrated biography with high quality color reprints of artwork from Bradbury's novels, comics letters and papers as well as movie stills and posters, with examples from many eras and cultures.

Hardcover. Dallas TX, Spence Publishing Company, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with light fading to spine, 224 pages. One of the twentieth century's most widely read writers and its most influential Christian apologist, C.S. Lewis has nevertheless eluded the understanding of the numerous scholars who have approached him only as a religious thinker and man of letters. A new book by a leading Lewis authority explores the full range of his manifold genius and finds for the first time the surprising secret of Lewis's enduring literary and spiritual achievement. It will astonish Lewis's admirers and critics alike to learn that he was far from the settled convert he appeared to be. Yet this very unsettledness, which Lewis himself found alarming, was the source of the appealing tension in his work and of his unrelenting commitment to his apologetic vocation. It was in the service of this vocation that he exercised his overarching rhetorical genius-a dazzling adroitness at suiting word, voice, and argument to a particular purpose-always militant, compelling, and persuasive. As Professor Como explores Lewis's hitherto uncharted inner landscape-the core of both his spiritual insight and his intellectual greatness-there emerges a more complex and integrated figure than we have known before. Clean copy.