Softcover. Crossroad Pub Co, reprint, January 1992, Book: Good, Dust Jacket: None, 720 pages. Light wear, creasing, rubbing to wrappers, faint soil to edges, small dent to spine. Previous owner's notation in ink on contents-page.

Hardcover. New York, Abrams, 1st, 2010, Book: Very Good, Dust Jacket: None, 511 pages. Hardcover, slipcase, ribbon marker. Like new in publisher's shrink-wrap. Candid accounts of the people, hit movies, and adventures that have shaped his career enliven these memoirs from the director of Romeo and Juliet, Endless Love, and Jesus of Nazareth. 24 black-and-white, 16 color illustrations.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Very clean, like new copy still in publishers shrink wrap. Over 200 duotone images throughout. Tight copy. Born in Cork, Ireland, Frank Browne (1880-1960) was both a distinguished Jesuit and an accomplished photographer. At age 17, before commencing his studies for the priesthood, he embarked on a tour of Europe armed with a camera. Browne quickly discovered a strong affinity for photography, and continued to take photographs throughout his life. It was not until 1985, however-when Father Edward O'Donnell SJ discovered a large trunk in the Irish Jesuit Provincial's House and found it packed with negatives and photographs-that Browne was catapulted to international fame. Father Browne's remarkable life is recorded in the superb selection of images presented in this book. With wit and a sharp eye, he observed 20th-century Ireland; life as a Jesuit priest; his experience as a passenger on the first leg of the voyage of the Titanic in 1912; and his later travels throughout Europe, Egypt, Yemen, Ceylon, and Australia. This handsome, copiously illustrated volume offers a complete survey of the photographic work of an exceptional man.

Hardcover. D Giles Ltd, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. This is the first major publication in more than 30 years devoted to Duveneck, one of the most influential and widely respected late-nineteenth century American artists.Beloved to his students, Duveneck was lauded by many Gilded Age luminaries such as James Abbott McNeill Whistler and Henry James. Yet a century after his death, he is largely known only for asingle, brilliant painting, The Whistling Boy. By contextualizing his work in the artistic, cultural and social milieus of the time, this publication offers diverse perspectives on Duveneck's life, work, subjects and reputation. The essays span his beginnings as a painter of dark realism to his later impressionistic work and examine his significance as a printmaker and draftsman. The lavishly illustrated volume includes a chronology and selected bibliography. irst half of the book consists of essays which detail the artists uneven life. Numerous photos, drawings and a few great close ups. The second half of the book consists of the catalog. 128 catalog images, mostly paintings with some drawings and pastels. All in color.

Hardcover. Chicago, University Of Chicago Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 397 pages, illustrated throughout in b&w. Slight crease to dust jacket front flap, slight dent to rear cover upper corner, else a clean, unmarked copy in excellent condition.

Hardcover. Norman OK, University of Oklahoma, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Autobiography by the author (aka Burt L. Standish) of the highly successful Frank and Dick Merriwell stories. Black & white illustrations, 331 pages. Dust jacket with light wear.

Softcover. Southport CT, Sasco Associates, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 131 pages, b&w illustrations. With extensive disography, bibliography, and indexes of song titles and names. A biography of radio's first superstar, a singer and announcer. Clean copy.

Hardcover. NY, Twayne Publishers, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 145 pages. INSCRIBED BY AUTHOR on the front fly leaf. The renown Frank Norris attained in his brief lifetime sprang from his compelling--and to many Americans startling--novels about people whose lives have escaped their control and have become grotesquely warped by the confluent forces of hereditary and environment.In "revisiting" Frank Norris, Joseph R. McElrath, Jr. takes as a starting point Warren French's 1962 volume in this series and provides a complementary portrait of the artist. McElrath assesses the spate of relatively recent "historical reconstructions" of Norris's canon and finds a writer who, though at times transcendent in the Naturalistic vein, was pragmatic in his choice of subject matter and "not always grandly serious." It is in part the delight Norris took in parody, McElrath argues, that makes him still so readable. Clean copy.

Hardcover. NY, Grolier Club, 1st, 1914, Book: Very Good, Dust Jacket: None, Ltd to 303 copies. 216 pages. Light foxing to some pages, spotting to edges.Some flecking or spotting to cloth spine. Black slipcase worn at edges.

Hardcover. London, Faber & Faber, 1st UK, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 251 pages. Translated from the French by Ralph Manheim.(London): Faber and Faber, (1982). First edition in English, first printing. "First published in 1982" statement to the copyright page. In this in-depth study of his life and his works, Robert explores Kafka's loneliness, his omission of the words 'lonely' and 'Jew' in his writings, compares his life with his allegories, and more. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. With the aid of some 400 photographs, the great film director, now 85, recalls 50 years of film-making and more than 20 major films, including High Noon, From Here to Eternity, Oklahoma!, A Man for All Seasons, The Day of the Jackal, Julia, and The Nun's Story. Light musty smell. Clean.

Hardcover. New Haven CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with light sun-fade along spine. Green cloth boards, color-illustrated dust jacket. 236 pages, 66 color illustrations, 43 BW illustrations. Frederic Church (1826-1900), the most celebrated painter in the United States during the mid-19th century, created monumental landscapes of North and South America, the Arctic, and the Middle East. These paintings were unsurpassed in their attention to detail, yet the significance of this pictorial approach has remained largely unexplored. In this important reconsideration of Church's works, Jennifer Raab offers the first sustained examination of the aesthetics of detail that fundamentally shaped 19th-century American landscape painting. Clean copy.

Hardcover. New York, Harry N. Abrams, Inc. , 1st Edition, 1989, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped, excellent. Cover boards bound in red cloth, gilt title on spine, all excellent. Binding tight. Spine straight. Pages and edges clean and unmarked. In beautiful condition. More than one hundred reproductions--58 in full-color--bring to life this quintessentially American artist and the dramatic and colorful imagery that has become part of America's epic story.

Hardcover. Garden City, Duobleday & Company Inc., First Edition, 1982, Book: Very Good, Dust Jacket: Very Good, 537 pages. Hardcover. Black cloth covered boards with white titles to spine. Black & white illustrations. Dust jacket with light, marginal wear, now protected with a plastic cover. Tight binding, clean & unmarked pages throughout.

Hardcover. NY, Abbeville Press, 1st thus, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with drawings. Index. Bibliography. 487 pages. Remington, a prolific letter writer, was also an inveterate doodler. Many of these previously unpublished drawings are a part of this collection. Correspondence includes notes to his family and correspondence with President Theodore Roosevelt, Owen Wister, Poultney Bigelow, Francis Parkman, Elizabeth Custer and others. Clean copy.

Hardcover. Flagstaff, AZ, Northland Press, 1st, 1972, Book: Good, Dust Jacket: Good, Hardcover, 115 pages. 30 color reproductions throughout. Beautifully illustrating the skills of this remarkable man, accompanying each of his paintings with notes describing techniques employed, many with revealing comments by the artist himself. Dark blue cloth, gilt lettering to spine and front cover, color slightly faded at edges. Pictorial dust jacket with light edge wear and faint smudges to front cover. Tight binding.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. The color-drenched gardens and sun-dappled nudes by Frederick Carl Frieseke (1874-1939) have long been loved by admirers of American Impressionism, and his paintings are treasured in museum collections across the country. This beautiful and comprehensive volume--with more than one hundred color and almost eighty black-and-white plates--is the most ambitious ever devoted to his work. It is being published in conjunction with a major retrospective of the artist's work.A biographical overview and a detailed chronology by the artist's grandson, including charming vintage photographs, provide much new information and correct several misconceptions about Frieseke's life and career. Three invaluable essays by leading scholars discuss the diverse stages of his work and place it in art historical context, detailing his experience as a student at Whistler's atelier in Paris and as a central member of the group of American expatriates who settled in Giverny, France, near the French master Monet. The book's groundbreaking scholarship casts new light on Frieseke, American Impressionism, and the art world at the turn of the last century.

Hardcover. New York, G.P. Putnam's Sons, 1st, 1922, Book: Very Good, Dust Jacket: Very Good, 131 pages. Hardcover with scarce dust jacket. Light edgewear to covers, and pages. Light foxing throughout. Tight copy.

Hardcover. NY, Scalo/DAP, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 572 pages, b&w photos. As a photographer for Life magazine from 1936 to 1959, John Phillips witnessed his share of troubles. His discerning and unflinching eye captured images as horrific as concentration camps and battlefield remnants with a kind of detachment that seemed to share his audience's senses of shock and outrage. He also found himself in the company of such illustrious leaders as FDR, Churchill, Stalin, and Tito during his prodigious travels across the world. Phillips, who died in 1996, was with the magazine from its inception, and his work helped to cement the publication's reputation for capturing unforgettable moments and images. Though plenty of lighter moments grace these pages, many of the included photographs are devoted to exposing one of the most turbulent periods of the 20th century, giving the book a historic sense of tragedy that can still be felt 50 years later.

Hardcover. Syracuse University Press, 3rd. Ed., 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 276 pages. Color and b&w illustrations. Harold Weston's Freedom in the Wilds brings an informal history of the rugged Adirondack wilderness together with Weston's own adventures there as an artist. The vivid and spirited stories he gathered from guides, lumbermen, and visionaries continue to make the case for preserving the wild lands of the region. First published in 1971, the book became a classic of Adirondack literature notable for its exploration of the dynamic relationship between wilderness and creativity and its ever more relevant appeal to protect an area within ourselves forever wild. In this third edition, Rebecca Foster brings Weston's fascinating personal story to the foreground. A new section of the book with excerpts from Weston's rich storehouse of letters and diaries will be a revelation to fans of Weston's work or for anyone interested in the growth of an impassioned, artistic mind. Here too are new illustrations, explanatory notes, and an introduction tracing the irrepressible energy behind Weston's accomplishments, including the writings in this book.

Hardcover. Ithaca, NY, Cornell University Press, 1st Edition, 1986, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover. SIGNED BY AUTHOR. Tan cloth bound covers, red title on spine. In excellent condition, pages clean, bright, unmarked. Binding tight. Spin straight. Dust jacket unclipped, has a touch of tanning, otherwise very good, no tears or rips. Previous bookstore's label on spine. Traces the historical roots of an idea that has had an incalculable impact on twentieth-century thought and culture by examining the interplay of Freud's inner life--his fantasies and dreams--with the world around him.

Hardcover. D.A.P./Distributed Art Publishers,Schirmer/Mosel, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages. The first 38 pages of this oversized book are devoted to a biography of Frida Kahlo's life and a discussion of some of her most famous paintings. Several vintage color and black & white photos are also included in this section. The remaining pages of this book are the plates...large full page images of her paintings reproduced in full color and detail. Each painting is titled and dated, the medium used and the current whereabouts of the original piece.

Hardcover. Boston, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. In his beautifully illustrated survey of Frida Kahlo's work, Lozano (art history, Iberoamerican Univ., Mexico City) explores her life and paintings in a series of essays that range from a poetic study by noted Mexican cultural critic Carlos Monsiv is to a short, prosaic piece written in 1943 by her husband, Diego Rivera, to an academic essay by Lozano himself. The common thread is how Kahlo's pre-Columbian background helped her find her own identity in the world and in the artist circles she frequented. To create a portrait of a woman so talented yet so tortured, Lozano uses Kahlo's own stunning images, offering high-quality reproductions of some of Kahlo's most famous works as well as some of her lesser-known pieces. Previously unseen photos of Kahlo at work in her studio are also included. The detail and clarity of the images is incredible, allowing the reader to explore each painting thoroughly.

Hardcover. Portland OR, Amedeus Press, 1st, March 1, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 453 pages, b&w photographs and frontispiece, sheet music end paper. Light edge wear to dust jacket. Else a very clean, tight copy.

hardcover. NY, Knopf , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 448 pages. Black & white photos and illustrations. Like new. Purely out of artistic ambition, Armenian-American abstract painter Gorky (1895-1948; born in Turkey as Vostanig Adoian) fabricated a new identity, complete with an Ivy League education and personal histories with master artists, on arriving in the United States. Spender (Within Tuscany), who is married to Gorky's oldst daughter, unhesitatingly exposes the painter's many "tall tales." He also assesses Gorky's difficulty in arriving at his own aesthetic until late in life in terms of both the artist's ties to the artistic patriarchs of the previous generation, the Surrealists (including Breton, Duchamp and Brancusi) and his complex status as a forerunner who eventually became alienated from the New York Abstract Expressionists (particularly de Kooning and Rothko). Spender derives much information from anecdotal sources, including an interview with de Kooning, and assumes a chatty tone in dealing with other artists. But he becomes increasingly less sympathetic to Gorky, whose last years are presented from the perspectives of Spender's wife and her mother. Nonetheless, painting constantly despite failing health, family problems and critical indifference, Gorky's frustrations are heartbreaking. Equally compelling is the window opened on New York's art scene when it was still a small clique. Gorky was so in love with the "artist" archetype that he not only lied about himself but also plagiarized anecdotes, artistic statements, love letters and possibly even his own suicide note. Spender preserves the personal dimensions of his subject while demonstrating that the painter should have adopted a youthful declaration. "I shall be a great artist or if not a great crook"as his motto. 90 b&w illustrations.

Softcover. Providence RI, Berghahn Books, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 256 pages. Known as one of the great producers and promoters of the film industry, Eric Pommer had a life-long commitment to German film - despite his emigration in 1933 - and worked in France and Britian, as well as the United States. As German producer, studio executive, and film politician in the pre-Hitler era Erich (later Eric) Pommer (1889-1966), a native of Germany, was an innovator and pioneer, a vital force in leading German cinema to international acclaim with successes such as The Cabinet of Dr Caligari, The Nibelungen and The Blue Angel. As Motion Picture Control Officer of the US Military Government he undertook , from 1946-49, the difficult task of rebuilding West Germany's film industry from the ashes of the Second World War. He succeeded brilliantly, but not without paying the hefty price of becoming embroiled in the turmoil of postwar German politics which made him many friends, but also many enemies. This book is the first detailed account in English of the remarkable career of Pommer who became a legend in his own lifetime. Clean copy.

Hardcover. London, Hutchinson & Co, 1st, 1951, Book: Very Good, Dust Jacket: None, 128 pages. Hardcover with no dust jacket. Brick cloth covered boards with gilt titles to spine. Light foxing to endpapers. Frontis illustration, Eden Phillpotts, in black & white. Toning throughout, tight binding with clean pages throughout.

Hardcover. New York, Simon and Schuster, 1st, 1938, Book: Very Good, Dust Jacket: None, 398 pages. Hardcover with no dust jacket. Cloth covers with stamped decoration on spine. Light soil, tight copy.

Hardcover. NY, Da Capo Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Fug You is Ed Sanders's unapologetic and often hilarious account of eight key years of "total assault on the culture," to quote his novelist friend William S. Burroughs. Fug You traces the flowering years of New York's downtown bohemia in the sixties, starting with the marketing problems presented by publishing Fuck You / A Magazine of the Arts, as it faced the aboveground's scrutiny, and leading to Sanders's arrest after a raid on his Peace Eye Bookstore. The memoir also traces the career of the Fugs -- formed in 1964 by Sanders and his neighbor, the legendary Tuli Kupferberg (called "the world's oldest living hippie" by Allen Ginsberg) -- as Sanders strives to find a home for this famous postmodern, innovative anarcho-folk-rock band in the world of record labels.

Hardcover. Boston, Beacon Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Life on the run as an activist during Vietnam Protests of 1960s America. Clean, bright copy of the first printing.

Hardcover. New York, W.W. Norton, 2nd, 2004, Book: Very Good, Dust Jacket: Very Good, 627 pages. Hardcover with dust jacket. Clean, tight copy with minor wear to edges. Color pictures in center.

Hardcover. Lincoln NE, University of Nebraska Press, 1st thus, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 693 pages with index, 16 pages of plates. A Fur Trader on the Upper Missouri offers the first annotated scholarly edition of Jean-Baptiste Truteau's journal of his voyage on the Missouri River in the central and northern Plains from 1794 to 1796 and of his description of the upper Missouri. This fully modern and magisterial edition of this essential journal surpasses all previous editions in assisting scholars and general readers in understanding Truteau's travels and encounters with the numerous Native peoples of the region, including the Arikaras, Cheyennes, Lakotas-Dakotas-Nakotas, Omahas, and Pawnees. Truteau's writings constitute the very foundation to our understanding of the late eighteenth-century fur trade in the region immediately preceding the expedition of Meriwether Lewis and William Clark commissioned by President Thomas Jefferson in 1803. French and English text. Bright, clean copy.

Hardcover. NY, David McKay, 1st, 1955, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly soiled dust jacket. 167 pages illustrated by Ruth Sheetz. The Morse's became innkeepers on Martha's Vineyards, leaving city life in New York. This is the story of Beach Plum Inn. Light tanning to front fly leaf where newspaper clipping was laid in, otherwise clean.

Softcover. US, Somogy Art Publishers , 1st, 2008, Book: Very Good, Dust Jacket: None, 320 pages. Softcover with little to no wear on edges. Still in publisher's shrinkwrap. Bringing the famed Parisian illustrator to light, this biography centers on Gabriel de Saint-Aubin, who studied at the prestigious Royal Academy but failed to win the coveted Prix de Rome. The study relates that the subject reacted to this disappointment by throwing aside all hopes of a traditional artistic career and hastening out into the thoroughfares of Paris to sketch everything in sight, living an errant, bohemian existence and succumbing increasingly to an obsession with drawing. Detailed and engaging, this recollection demonstrates that, despite his personal eccentricities, Saint-Aubin was employed as an artist all his life.

Hardcover. NY, Alfred A. Knopf, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 589 pages. Hardcover with dust jacket. Remainder mark on bottom text block. Tight copy. Light rubbing to dust jacket.

Softcover. Chicago, University Of Chicago Press, reprint, 1981, Book: Very Good, Dust Jacket: None, Softcover in blue wrappers, 536 pages including index. Looks at Galileo's life and accomplishments to establish his position as a man of science, describes his scientific work, and illuminates the relationship between his scientific studies and the philosophical and religious milieu of the period. Clean copy.

Softcover. Italy, Instituto E Museo Di Storia Della Scienza, 1st, 1970, Book: Good, Dust Jacket: None, 54 pages. Softcover. Color and b/w illustrations throughout. Foxing on edges and preliminary/back pages. Does not affect text or illustrations. Wrapper in good condition.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Haerdcover in a bright dust jacket. 354 pages, b&w illustrations. Galileo (1564-1642) is one of the most important and controversial figures in the history of science. Tackling Galileo as astronomer, engineer and author, the author places him at the centre of Renaissance culture. He traces Galileo through his early rebellious years onwards: his move to Florence seeking money, status, and greater freedom to attack intellectual orthodoxies; his trial for heresy and narrow escape from torture; and his house arrest and physical (though not intellectual) decline. Clean copy.

Hardcover. Chicago, IL, NTC Publishing Group, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. A unique collection of photographs offers an intimate, behind-the-scenes visual chronicle of baseball players from the 1930s, '40s, and '50s

Hardcover. New York, Simon & Schuster , 1st US, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket.

Hardcover. NY, Doubleday & Company, 1st, 1955, Book: Very Good, Dust Jacket: None, Hardcover, black cloth, stated first edition, 256 pages, b&w photos. "This is the completely fascinating, thorough and dispassionate biography of Greta Lovisa Gustafsson, the Swedish girl who became "one of the great ornaments and excitements of her age." Clean copy, no dust jacket.

Hardcover. New York, Stewart Tabori & Chang, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Oversized. Green cloth cover with some bumping to edges and corners. Dust jacket has slight wear to edges. Color and b&w illustrations and photographs throughout. A clean, bright copy.

Softcover. London, Phoenix Press, reprint, 2001, Book: Very Good, Dust Jacket: None, Softcover, 718 pages. One of history's greatest reformers, Garibaldi won his first battle against Aegean Pirates, his last battle against German Dragoons. He went to jail in Russia and led Brazilian rebels in the field. He was twice an admiral and seven times a general, a high government official in at least five countries, became Commander in Chief of the Uruguayan Army, Dictator of Sicily and Freeman of the City of London.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 482 pages with index. The first sustained analysis of the cult of the legendary Italian hero Giuseppe Garibaldi, the Italian revolutionary leader and popular hero, was among the best-known figures of the nineteenth century. This book seeks to examine his life and the making of his cult, to assess its impact, and understand its surprising success. For thirty years Garibaldi was involved in every combative event in Italy. His greatest moment came in 1860, when he defended a revolution in Sicily and provoked the collapse of the Bourbon monarchy, the overthrow of papal power in central Italy, and the creation of the Italian nation state. It made him a global icon, representing strength, bravery, manliness, saintliness, and a spirit of adventure. Handsome, flamboyant, and sexually attractive, he was worshiped in life and became a cult figure after his death in 1882. Lucy Riall shows that the emerging cult of Garibaldi was initially conceived by revolutionaries intent on overthrowing the status quo, that it was also the result of a collaborative effort involving writers, artists, actors, and publishers, and that it became genuinely and enduringly popular among a broad public. 33 b&w illustrations.

Hardcover. Boston, Houghton Mifflin, 1st, 1923, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt stamping, top edge gilt. 400 pages with index. 4 b&w plates including a frontis portrait of the editor/publisher. Inscription, light note on front fly leaf, otherwise clean. Gilt lettering on spine has fading/chipping.

Hardcover. New York, Beaufort Books, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 375 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 206 pages. Famously unabashed, W. Eugene Smith was photography's most celebrated humanist. As a photo essayist at Life magazine in the 1940s and '50s, he established himself as an intimate chronicler of human culture. His photographs of war and disaster, villages and metropolises, doctors and midwives, revolutionized the role of images in journalism, transforming photography for decades to come. When Smith died in 1978, he left behind eighteen dollars in the bank and forty-four thousand pounds of archives. He was only fifty-nine, but he was flat worn-out. His death certificate read "stroke," but, as was said of the immortal jazzman Charlie Parker, Smith died of "everything," from drug and alcohol benders to weeklong work sessions with no sleep. Lured by the intoxicating trail of people that emerged from Smith's stupefying archive, Sam Stephenson began a quest to trace his footsteps. In Gene Smith's Sink, Stephenson merges traditional biography with rhythmic digressions to revive Smith's life and legacy. Traveling across twenty-nine states, Japan, and the Pacific, Stephenson profiles a lively cast of characters, including the playwright Tennessee Williams, to whom Smith likened himself; the avant-garde filmmaker Stan Brakhage, with whom he once shared a Swiss chalet; the artist Mary Frank, who was married to his friend Robert Frank; the jazz pianists Thelonious Monk and Sonny Clark, whose music was taped by Smith in his loft; and a series of obscure caregivers who helped keep Smith on his feet. The distillation of twenty years of research, Gene Smith's Sink is an unprecedented look into the photographer's potent legacy and the subjects around him. Clean, bright copy.

Hardcover. New York , PowerHouse Books, reprint, 2006, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Every city-dweller has seen them, and ever city-dweller could list the telltale signs: the fur, the gold, the hats, the cars. They are the original macks, the original players. They are Big City pimps--the heroes of gangsta rap. Bob Adelman and Susan Hall dive headlong into their world in the classic investigative docudrama Gentleman of Leisure: A Year in the Life of a Pimp, an in-depth exploration of the underworld figures that populate our streets at night. The first book of its kind, Gentleman of Leisure, originally published in 1972 and now reproduced in a facsimile edition, is a collection of photographs and interviews dramatically documenting the private life of a pimp and his prostitutes. The people who appear in this book are not models: they are real people with real lives. Only their names have been changed to protect the guilty, their stories are real. Armed only with a camera and a tape recorder, Adelman and Hall entered the lives of the pimp Silky and his women. What they found flew in the face of prevailing prejudices: stripped of stereotype and myth, the pimps and whores that shared their tales were complex people embroiled in romantic dramas, with a code of behavior as intricate as the Mafia's, and a defined sense of self.

Hardcover. New York , PowerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Every city-dweller has seen them, and ever city-dweller could list the telltale signs: the fur, the gold, the hats, the cars. They are the original macks, the original players. They are Big City pimps--the heroes of gangsta rap. Bob Adelman and Susan Hall dive headlong into their world in the classic investigative docudrama Gentleman of Leisure: A Year in the Life of a Pimp, an in-depth exploration of the underworld figures that populate our streets at night. The first book of its kind, Gentleman of Leisure, originally published in 1972 and now reproduced in a facsimile edition, is a collection of photographs and interviews dramatically documenting the private life of a pimp and his prostitutes. The people who appear in this book are not models: they are real people with real lives. Only their names have been changed to protect the guilty, their stories are real. Armed only with a camera and a tape recorder, Adelman and Hall entered the lives of the pimp Silky and his women. What they found flew in the face of prevailing prejudices: stripped of stereotype and myth, the pimps and whores that shared their tales were complex people embroiled in romantic dramas, with a code of behavior as intricate as the Mafia's, and a defined sense of self.

Hardcover. Boston, Houghton Mifflin, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover on a lightly worn dust jacket, 641 pages, b&w illustrations. This is the first full-length biography of the man historian Michael Beschloss calls the keystone figure in the history of American intelligence. Allen Dulles (1893-1969) served in the Office of Strategic Services in Europe during WWII and was named director of the Central Intelligence Agency in 1953, serving under Eisenhower and Kennedy. In an overlong, sometimes tedious narrative, Grose (Israel in the Mind of America) describes how Dulles oversaw the firm establishment of the CIA in the Washington power structure during the Eisenhower years (his older brother, John Foster Dulles, was then the Secretary of State), only to be forced out after the CIA's failure in the 1961 Bay of Pigs invasion. Later appointed to the Warren Commission to investigate the assassination of President Kennedy, Dulles became its most diligent member, according to Grose, and a supporter of the view that Lee Harvey Oswald acted alone. Other controversial issues explored include Dulles's exploitation of ex-Nazi Reinhard Gehler's spy network in the early years of the Cold War, and whether JFK authorized, or even knew about, CIA attempts to liquidate Castro. Grose delves unenlighteningly into Dulles's shortcomings as husband and father; he kept a mistress or two and spent little time at home.