Hardcover. New York, Aperture, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, b&w photos throughout by Heyman, 112 pages. Clean, unclipped dust jacket.

Softcover. Zurich, Scalo, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 100 pages. Illustrated with full color and black & white photographs. Features essays by William S. Burroughs, Jack Kerouac, Dara Horn, and more. Text in German and English. Clean, bright copy.

Hardcover. NY, W. W. Norton , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, 120 b&w images. Once locked away in European archives, these early modernist photographs of America rival those of Steichen and Evans. Emil Otto Hoppe was born in Munich in 1878 but lived in London from 1900 until his death in 1972. He was an early and important modernist whose seminal views of the United States in the 1920s rival those of his peers: Paul Strand, Edward Steichen, Alfred Stieglitz, and Walker Evans. His work shows us an America as only an outsider could: brave, new, and grand in scale but with a hint of trouble brewing in the gaps between its multicultural and economic diversities.

Softcover. New York , Museum of Modern Art , 1970, Book: Very Good, Dust Jacket: None, Unpaginated (86 pages), maroon illustrated wrappers. This is an album of early photographs taken of the New York red light district around 1912 by Bellocq. Friedlander took prints from the original plates for this book and they provide a fascinating documentary on bordellos at this interesting time in history. Reputedly never taking 'dirty' pictures of the girls, Bellocq confined his endeavors to recording for posterity these ladies in both clad and unclad poses. The foreword takes the form of a conversation between Friedlander and Dan Leyrer, who was also a photographer and a contemporary of Bellocq.

Hardcover. Gottingen GR, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 237 pages, b&w plates throughout. Hoppe traveled throughout Germany between 1925 and 1938, photographing movie stars, workers and peasants, the birth of the Autobahn, and the explosion of industrial building. This collection includes parts of his 1930 book "Deutsche Arbeit" and many photos never previously seen. Clean copy in a dust jacket.

Softcover. Oxford UK, Museum of Modern Art , 1982, Book: Very Good, Dust Jacket: None, 88 pages, b/w illustrations, very good paperback (exhibition catalogue). The essay is: Soviet photography between the wars. The photographers are: Max Alpert; Dimitr Dyebabov; Semyon Fridlyand; Boris Ignatovich; Yelizaveta Ignatovich; Georgi Lipskerov; Moisei Nappelbaum; Georgi Petrusov; Alexander Rodchenko; Galina Sanyko; Arkadi Shaikhet; Shaikhet/Alpert/Tules; Abram Shterenberg; Georgi Zelma.

Hardcover. NY, powerHouse Books, 1st, 2019, Hardcover in a bright dust jacket. For some 70 years, Leo Goldstein's East Harlembodyof work remained mostly untouched and unseen.The silver gelatin prints were catalogued in 2016,and a selection is gathered here for the first time.The photographs were taken over a number of years,beginning in 1949 when Goldstein was a memberof the Photo League.The East Harlem corpus, edited by Regina Monfort,represents an important and unique addition to thephotographic history of New York City. Because thereare no negatives in existence, it was of particularimportance to preserve the images in book form andmake them available to the public.The selected images reflect the postwar years in theEast Harlem community, which would grow intoa center of Puerto Rican culture and life in the U.S.From the families portrayed gathering on stoops, tothe kids at their shoeshine stations, to youths playingball in the streets, to posters on neighborhood walls,Goldstein's images of East Harlem provide a windowinto the socio-economic, cultural, and politicallandscape of the time.

Hardcover. NY, Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, 192 pages. This volume surveys the work of Viennese photographer Edith Tudor-Hart (1908-1973), who was among the foremost social documentarians of the 1930s. In 1933 she fled to the U.K., where she documented social divisions in London, Wales and Scotland, posthumously gaining notoriety for her involvement with the "Cambridge Five" spies.

Hardcover. NY, Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, 192 pages. This volume surveys the work of Viennese photographer Edith Tudor-Hart (1908-1973), who was among the foremost social documentarians of the 1930s. In 1933 she fled to the U.K., where she documented social divisions in London, Wales and Scotland, posthumously gaining notoriety for her involvement with the "Cambridge Five" spies.

Hardcover. Baton Rouge, Louisiana State University Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 91 pages, large photographs throughout. Minor dust jacket edge wear, otherwise, very clean and tight copy. Photo essay on "the granite city of northern Scotland -- its buildings, avenues, and people" (jacket front flyleaf). Introduction by Allan Massie.

Hardcover. Boston, Bulfinch/Little Brown, reprint, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a tiny chip to the front panel. Edited by Doris C. O'Neil. Features an introduction by Bryan Holme. An attractive collection of 141 duotones from this famous photographer who spent much of his storied career working for Life magazine.

Hardcover. Kampen GR, teNeues, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 448 pages, cloth over boards, stamped spine and cover. Foreward by Sean Callahan, this is the English/German/French/Italian/Spanish edition. Color photos have been culled from over almost half a million slides and cover a vast subject area--marketplaces, Vegas to Venice, public pageantry and carefully observed private interactions. DUE TO SIZE, DOMESTIC SHIPPING ONLY.

Softcover. Koln GR, Taschen, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, color photos. Uniting the five leading lights of the Boston School of American photography, this is a showcase for some of the most striking and compelling imagery on the contemporary scene. Drawing on a similar range of influences -- fashion's studied glamour, Larry Clark's haunting lowlife, and the casual beauty of the snapshot -- all five contributors realise their visions in contrasting and highly idiosyncratic ways.

Hardcover. Boston, Bulfinch Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, introduction by Jim Hughes. 144 pages; 114 duo-toned plates plus text illustrations; 10 x 11.25 inches. Bibliography of b&w work. Best known for his masterful color work, this volume presents for the first time Ernst Haas' b&w work including street work from around the world, portraiture, abstractions and Europe after World War II. Minor chips to top of dust jacket, clean copy.

Softcover. NY, The New Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 199 pages. For thirty years, Eugene Atget photographed the historic core of Paris, its buildings and monuments, its ancient streets and civic spaces, its public parks and gardens. With the exception of his earliest photographs, he chose not to represent a particular site by a single, definitive photograph but produced sequences of interrelated images that create a cumulative portrait. A collection of case studies of archetypal urban settings, this book examines Atget's approach to photography. It features 240 of his photographs-nearly all of which have never been published-assembled to display the integral relationship between the photographer's working method and his subject matter, revealing the character of Le Vieux Paris itself. Clean copy.

Hardcover. NY, Prestel, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages, color and b&w images. This first volume in a major new series of illustrated biographies of Magnum photographers traces the life and achievements of Eve Arnold, who captured an incredible array of subjects with remarkable clarity and compassion. Eve Arnold (1912-2012) was born to a poor immigrant family in Philadelphia and became a photographer by chance. In 1950 Arnold was a 38-year-old Long Island housewife when she enrolled in a six-week photography course that led to her groundbreaking photo essay on black fashion models in Harlem. She went on to become the first woman to join Magnum Photos and, eventually, one of the most accomplished photojournalists of her time. Filled with reproductions of Arnold's acclaimed photographs, shot in both color and black and white, as well as previously unseen archival images, this biography relates Arnold's bold images to the fascinating story of their making. Renowned for her intimate portraits of figures such as Marilyn Monroe, Malcolm X, and Queen Elizabeth, Arnold was equally comfortable documenting the lives of the poor and dispossessed. "I don't see anybody as either ordinary or extraordinary. I see them simply as people in front of my lens." To her images of migrant workers, disabled veterans, and protesters for civil rights in the US and against apartheid in South Africa, she brought an unflinching eye and a strong sense of social justice. This highly engrossing narrative tells a compelling story of an intrepid artist whose life's purpose was to report on the lives of others.

Hardcover. London, John Murray, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. This is a magnificent portrait of post-Raj India before the modern world swept across the subcontinent. Featuring 100 superbly reproduced, full-page photographs, this is Derry Moore's splendid photographic evocation of an independent India that had all but vanished by the late 1970s--above all, an India still untouched by mass tourism. Initially, Moore set out to photograph the princely palaces, but he became increasingly intrigued by the lesser-known buildings, and those that inhabited them. In them, he found eccentricity, originality, and an extraordinary hybrid of Indian and British taste.

Hardcover. Paris, Editions Place de Victoires, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 599 pages. Like new in publishers shrink-wrap. This vivid photo-essay on the great adventure of discovery and exploration 1860-1930 is drawn from the collection of The Royal Geographical Society in London. It begins with Stanley and Livingstone in Africa and proceeds through Asia and Oceania, the Americas, and the Middle East. The work of twenty-three intrepid photographers are included.

Hardcover. Chicago, Quadrangle Books, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with light edgewear. 180 pages, b&w photo by Feldman. Mild soil to rear panel of dust jacket, otherwise clean.

New York, Aperture, Rep., 1998 , Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, many B&W & sepia period photographs of China, its people and culture. Very richly illustrated, captions, chronology, list pioneer phiotographers, sources, general bibliography, acknowledgements. Photographs from the archives of Arnold Arboretum - Harvard University.

Hardcover. New York, Aperture, reprint, 1998 , Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, many B&W & sepia period photographs of China, its people and culture. Very richly illustrated, captions, chronology, list pioneer photographers, sources, general bibliography, acknowledgments. Photographs from the archives of Arnold Arboretum - Harvard University.

Hardcover. NY, Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages. A noted photographer offers a visual tour of Christian communities around the world--in such diverse areas as Cuba, Jerusalem, Lourdes, the United States, Mali, and Russia--that explores what it means to be a Christian at the dawn of a new millennium.

Hardcover. NY, Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages. A noted photographer offers a visual tour of Christian communities around the world--in such diverse areas as Cuba, Jerusalem, Lourdes, the United States, Mali, and Russia--that explores what it means to be a Christian at the dawn of a new millennium.

Hardcover. Manchester, UK, Cornerhouse Publications, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. B&w photos. The cast of characters in Bruce Gilden's theatre of the street is outrageous. Sometimes tawdry or out-of-this-world, they are mostly mysterious. To Gilden and his fellow New Yorkers, they're just neighbors. In broad and simple terms, and with great expressive authority, Gilden has captured the uniquely individualistic, self-styled New York personality on the run. Bruce Gilden is a MAGNUM photographer and native New Yorker. His work has been exhibited in numerous museums and galleries all over the world.

Hardcover. Gottingen, Steidl, reprint, 2008, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 123 pages, 65 color plates. Like new in publishers shrink-wrap. Documentary project on the prostitutes of Falkland Road, Bombay. Originally shot as a photo-essay for Geo magazine, which deemed it too raw for American audiences, it was picked up by Stern and run in September 1981. The first book-form edition was released the same year by Knopf. This second edition is 2.5 inches wider, allowing the photos to run uncropped and has additional images.

Hardcover. Gottingen, Steidl, reprint, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 123 pages, 65 color plates. Like new in publishers shrink-wrap. Documentary project on the prostitutes of Falkland Road, Bombay. Originally shot as a photo-essay for Geo magazine, which deemed it too raw for American audiences, it was picked up by Stern and run in September 1981. The first book-form edition was released the same year by Knopf. This second edition is 2.5 inches wider, allowing the photos to run uncropped and has additional images.

Softcover. Santa Fe, Museum of New Mexico Press, 1st, 1994, Book: Very Good, Dust Jacket: None, 86 pages, illustrated throughout in b&w. Light shelf-wear to wrappers, else a clean, tight copy. 9 1/8 X 12 inches. Three essays 1) "The Art of the Human Document: Russell Lee in New Mexico" by J.B. Colson, 2) "John Collier, Jr.: Cultural Diversity and the Camera" by Malcolm Collier, 3) "Jack Delano and the Railroad Photography Project in New Mexico" by Jay Rabinowitz. Photographs follow by Russell Lee, John Collier, Jr., and Jack Delano. All photographs B&W and beautifully reproduced.

Hardcover. London ; New York, NY, Phaidon Press, reprint, 2004, Book: Very Good, Dust Jacket: Very Good, Oversized. Black cloth cover, light wear to edges of cover and dust jacket. Many b&w photographs throughout. An epic collection of poignant and often controversial stories photographed and written by acclaimed social documentary photographer Eugene Richards (b.1944). The culmination of a dozen years of reporting, both on and off assignment, these stories, each one different in style and tone, immerse us in the lives of Honduran coffee growers, members of a Kansas City street gang, drought-plagued villagers from Niger, and doctors in an embattled Bosnian hospital. A bright, clean copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. New York, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Softcover, b&w photo wraps, 84 pages. The photographs illustrate what war has done to the America's soul as it waged war in Iraq, both at home and on the front via television images. Contains a chronology of the history of the war from May 1, 2003, to January 1, 2004. Clean, bright copy

Hardcover. Zurich, Edition Stemmle, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages, minor dust jacket edge wear, otherwise, very clean and tight copy. Edited by Karl Steinarth and with the text of his interview of Berko. Features essays by Colin Ford and Helmut Gernsheim. Includes numerous color and black and white images list of previous exhibitions and bibliography.

Hardcover. London, Dewi Lewis Publishing, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 156 pages. Hardcover with dust jacket. Brand new copy still in wrapper. Book in near fine condition. Very clean, unmarked copy. Color and black & white images throughout. Tight copy.

Hardcover. San Francisco , Chronicle Books , 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 127 pages. Hardcover. Extensive b&w photography throughout. Illustrated frontispiece. Clean, unmarked copy with only minor wear to dust jacket. Hoff's skill as a photographer is shown plainly throughout this book. He was known for using very little film, which increases an objective appreciation of his skill; he understood boxing and could anticipate moments of significance and arrange them to create technically superb photographs, without making dozens of pictures. The boxers depicted in this volume are now historical figures, but so are these photographs, of which Hoff is perhaps the best example. Live television coverage has changed the nature of boxing photography irrecoverably since the days when Hoff was photographing the sport. This volume is important as a historical document, then, from two angles - firstly as a record of what many perceive as the golden age of boxing, but also as an archive of amazing photography skills which are now impossible for photographers to learn, let alone master. A must for fans of both serious photography and boxing.

Hardcover. Johannesburg SA, Penguin Books, 1st, 1987, Book: Very Good, Dust Jacket: None, 130 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Some fading to spine. and laminate is bubbled in some spots. A fascinating book of photographs of mainly Black life during the 1950s in South Africa.

Hardcover. NY, Doubleday, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. B&w photos by Freesman. Dust jacket with mild edgewear. Beautiful copy of a scarce book. A photo essay on the experiences of firemen.

Hardcover. NY, Knopf, 1st , 1978, Book: Very Good, 149 pages. Hardcover with laminated boards. Black & white photos. Clean board covers. No dust-jacket issued.

Hardcover. New York , Umbrage Editions, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket.217 pages, b&w photos documenting Edinger's travels, some color. Essays by Simonetta Persichetti and Nan Richardson.

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, introduction "Spirit & Flesh: Mexico's Sexual Revolution by Ruben Martinez, afterword by Pedro Meyer, essay by Trisha Ziff, illustrated with photos and art work documenting local sex workers. No dust jacket issued.

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, introduction "Spirit & Flesh: Mexico's Sexual Revolution by Ruben Martinez, afterword by Pedro Meyer, essay by Trisha Ziff, illustrated with photos and art work documenting local sex workers. No dust jacket issued.

Hardcover. NY, Alfred A. Knopf, 1st, 1964, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket. 414 pages, numerous b/w illustrations, owner's gift inscription on endpaper, slight foxing, text clean and sound. Small paper scar at bottom of spine where sticker was removed.

Hardcover. Madison WI, Wisconsin Historical Society Press, 1st, 2014-03-15, Book: Very Good, Dust Jacket: Very Good, 119 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Carl Corey turns his camera on Wisconsin family-owned businesses in existence fifty years or longer. The businesses portrayed here--bakeries and barbecue joints, funeral homes and furniture builders, cheesemakers, fishermen, ferry boat drivers--have survived against all the odds, weathering tough economic times and big-business competition. The owners are loyal to their employees, their families, and themselves. And they are integral to their local economies and social fabric.

Hardcover. Zurich, Scalo, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 205 pages, color photos throughout by Mayer. Edited by Gunther Doeker-Mach. Like new in a bright, unclipped dust jacket. Color photographs of native peoples of Russian Far East hunting, fishing, reindeer herding and their environment. Includes three essays describing problems of these peoples arising from tension between Russian colonisation and their struggle to preserve their identity.

Hardcover. New York , powerHouse Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, non-paginated, illustrated throughout with photos in color. Minor shelf-wear to laminated boards, remainder mark to bottom edge. Clean, tight copy. A series of photographs capturing a gritty, glamorous, and authentic old- school New York, well before Mickey Mouse took over Times Square and scrubbed it clean. Curators and editors Beatriz and Hilton Arial Ruiz have collected and preserved the work of local street photographer Bill Butterworth, and have drawn from his work to create a revealing portrait of the Forty-Deuce, inside and out-- capturing the unique street life and street style of the era.

Hardcover. Brooklyn NY, powerHouse Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, non-paginated, illustrated throughout with photos in color. Minor shelf-wear to laminated boards, remainder mark to bottom edge. Clean, tight copy. A series of photographs capturing a gritty, glamorous, and authentic old- school New York, well before Mickey Mouse took over Times Square and scrubbed it clean. Curators and editors Beatriz and Hilton Arial Ruiz have collected and preserved the work of local street photographer Bill Butterworth, and have drawn from his work to create a revealing portrait of the Forty-Deuce, inside and out-- capturing the unique street life and street style of the era.

Hardcover. New York, Silverstein Photography, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, 89 b&w images. Like new in publisher's shrink-wrap. Born in 1926, Paulin came of age as a photographer in the 1940s studying with the likes of Harry Callahan and art director Alexey Brodovitch. By the 1950s, the streets of New York City had established themselves as Paulin's primary muse, and black-and-white film his medium. The book features images from his prodigous body of work created over four decades, in New York City, as well as Paris, Seville, New Orleans and Atlantic City.

Gudensberg-Gleichen GR, Wartberg, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, no dust jacket issued. 72 pages of b&w photos of Frankfurt and it's citizens in the 1950s. GERMAN TEXT.

Hardcover. NY, Scalo/DAP, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 572 pages, b&w photos. As a photographer for Life magazine from 1936 to 1959, John Phillips witnessed his share of troubles. His discerning and unflinching eye captured images as horrific as concentration camps and battlefield remnants with a kind of detachment that seemed to share his audience's senses of shock and outrage. He also found himself in the company of such illustrious leaders as FDR, Churchill, Stalin, and Tito during his prodigious travels across the world. Phillips, who died in 1996, was with the magazine from its inception, and his work helped to cement the publication's reputation for capturing unforgettable moments and images. Though plenty of lighter moments grace these pages, many of the included photographs are devoted to exposing one of the most turbulent periods of the 20th century, giving the book a historic sense of tragedy that can still be felt 50 years later.

Hardcover. Zurich, Lars Muller, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. The photographer Andreas Seibert accompanied Chinese workers to document their everyday lives and their journey to the high-population centers. Their stories are told in a collection of striking photographs that provide a close-up portrait to complement the current discussion of economic growth in China.

Softcover. Albuquerque NM, University of New Mexico, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 58 pages, black and white photographs throughout. Foreword by Cornell Capa. Clean copy.

Hardcover. NY, Abrams, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The photographs produced by the United States Farm Security Administration (FSA) during the Great Depression constitute one of America's greatest artistic legacies. A team of young photographers, including Dorothea Lange, Walter Evans, and Gordon Parks, not only created an extraordinary and powerful portrait of American life between the wars but in doing so also set a new standard for contemporary photography. 357 pages. Over 470 photographs, many of which have never been published before.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 206 pages. Famously unabashed, W. Eugene Smith was photography's most celebrated humanist. As a photo essayist at Life magazine in the 1940s and '50s, he established himself as an intimate chronicler of human culture. His photographs of war and disaster, villages and metropolises, doctors and midwives, revolutionized the role of images in journalism, transforming photography for decades to come. When Smith died in 1978, he left behind eighteen dollars in the bank and forty-four thousand pounds of archives. He was only fifty-nine, but he was flat worn-out. His death certificate read "stroke," but, as was said of the immortal jazzman Charlie Parker, Smith died of "everything," from drug and alcohol benders to weeklong work sessions with no sleep. Lured by the intoxicating trail of people that emerged from Smith's stupefying archive, Sam Stephenson began a quest to trace his footsteps. In Gene Smith's Sink, Stephenson merges traditional biography with rhythmic digressions to revive Smith's life and legacy. Traveling across twenty-nine states, Japan, and the Pacific, Stephenson profiles a lively cast of characters, including the playwright Tennessee Williams, to whom Smith likened himself; the avant-garde filmmaker Stan Brakhage, with whom he once shared a Swiss chalet; the artist Mary Frank, who was married to his friend Robert Frank; the jazz pianists Thelonious Monk and Sonny Clark, whose music was taped by Smith in his loft; and a series of obscure caregivers who helped keep Smith on his feet. The distillation of twenty years of research, Gene Smith's Sink is an unprecedented look into the photographer's potent legacy and the subjects around him. Clean, bright copy.