Hardcover. London, Thames and Hudson, 1st UK, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages, 128 duotone plates. Introduction by Ann Beattie. John Loengard, one of the great LIFE magazine photographers, sums up his fifty-year career in this handsome volume.

Hardcover. Santa Fe NM, Twin Palms Publishers, 1st, 2004, Book: Very Good, Dust Jacket: None, Photographically illustrated paper-covered boards, no dust jacket as issued. 48 pages with 23 four-color plates (printed one to a sheet), beautifully printed on heavy-stock uncoated paper. 13-5/8 x 17-3/4 inches. Photographs by Phillip Toledano. Includes several reproduced "anonymous" brief corporate memos. Designed by Jack Woody. This edition was limited to 1000 hardbound copies.

Hardcover. Daylight Books, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 104 pages. Barmaid presents images by American photographer John Arsenault, who worked at the Eagle LA as a barback, or "barmaid," as Arsenault liked to refer to the position. The series consists of customer and employee portraits, interior landscapes from the bar, and self-portraits. These photographs reflect an insider view of the iconic bar.John Arsenault is a Los Angeles based photographer. His photography is internationally exhibited and is included in the Nerman Museum & Museum of Fine Arts, Houston.The Massachusetts native attended the School of Visual Arts, and since then has been lending his unscripted, unusual and totally authentic work to clients ranging from The New Yorker and Volkswagen to Goldman Sachs and Out Magazine

Hardcover. Austin TX, Texas State Historical Association, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, 109 b&w photographs by Hickman. Bright copy in a nice dust jacket. This remarkable book reproduces more than one hundred photographs taken by R. C. Hickman, a professional photographer whose work provides a fascinating visual record of life in Dallas's black community during the three decades following World War II.After the war, he returned to Dallas and joined the staff of the Dallas Star Post. He also worked as a freelance photographer for Jet magazine, for several newspapers in the East, and for the NAACP. His work led him to photograph notables such as Martin Luther King Jr., Thurgood Marshall, Ella Fitzgerald, Joe Louis, and others when they visited Dallas.

Softcover. NY, Stewart, Tabori & Chang, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Photographs show the students' occupation of Beijing's Tiananmen Square. For fifty days, the world watched as a generation of China's young people stood up and spoke out about democracy and freedom.

Hardcover. New York, Penguin Press, reprint, 2011, Book: Very Good, Dust Jacket: Very Good, 310 pages. Hardcover with dust jacket. Color pictures throughout. Clean, unmarked copy with only minor wear to dust jacket. The author untangles the mysteries behind an eclectic range of documentary photographs. With his keen sense of irony, skepticism, and humor, Morris shows how photographs can obscure as much as they reveal, and how what we see is often determined by our beliefs.

Softcover. Mount Vernon NY, Consumers Union, 1st wraps, 1987, Book: Very Good, Dust Jacket: None, Softcover, 218 pages, numerous b&w photo-illustrations. Pictorial stiff wrappers. A very good copy with a corner crease to the rear cover.. The author/photographer recorded his visits to the poor in: South Dakota, Pennsylvania, New Jersey, Tennessee, Illinois, Wyoming, New York City, Arkansas, Boston, California. Includes interviews and commentary by Richards; edited by Christine Bird; story researcher by Janine Altongy. Winner of the 1987 International Center of Photography Journalism Award. Richards is often overlooked as one of America's best photojouralists.

Softcover. US, University of Illinois Press, 1st, 2010, Book: Near Fine, Dust Jacket: None, 190 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to wrappers. The paintings, murals, and graphics of Ben Shahn (1898-1969) have made him one of the most heralded American artists of the twentieth century, but during the 1930s he was also among the nation's premier photographers. Much of his photographic work was sponsored by the New Deal's Farm Security Administration, where his colleagues included Dorothea Lange and Walker Evans.Ben Shahn's American Scene: Photographs, 1938 presents one hundred superb photographs from his most ambitious FSA project, a survey of small-town life in the Depression. John Raeburn's accompanying text illuminates the thematic and formal significance of individual photographs and reveals how, taken together, they address key cultural and political issues of the years leading up to World War II. Shahn's photographs highlight conflicts between traditional values and the newer ones introduced by modernity as represented by the movies, chain stores, and the tantalizing allure of consumer goods, and they are particularly rich in observation about the changes brought about by Americans' universal reliance on the automobile. They also explore the small town's standing as the nation's symbol of democratic community and expose the discriminatory social and racial practices that subverted this ideal in 1930s America.

Hardcover. New Haven, CONNECTICUT, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Black & white photos by Shahn, 340 pgs. Hardcover with dust jacket. Clean, tight copy.

Hardcover. New York, Norton, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 634 pages, b&w illustrations. In a bright, unclipped dj. In Berenice Abbott: A Life in Photography, author, archivist, and curator Julia Van Haaften brings this iconic public figure to life alongside outlandish, familiar characters from artist Man Ray to cybernetics founder Norbert Wiener. A teenage rebel from Ohio, Abbott escaped first to Greenwich Village and then to Paris-photographing, in Sylvia Beach's words, "everyone who was anyone." As the Roaring Twenties ended, Abbott returned to New York, where she soon fell in love with art critic Elizabeth McCausland, with whom she would spend thirty years. In the 1930s, Abbott began her best-known work, Changing New York, in which she fearlessly documented the city's metamorphosis. When warned by an older male supervisor that "nice girls" avoid the Bowery-then Manhattan's skid row-Abbott shot back, "I'm not a nice girl. I'm a photographer...I go anywhere." This bold, feminist attitude would characterize all Abbott's accomplishments, including imaging techniques she invented in her influential, space race-era science photography and her tenure as The New School's first photography teacher.With more than ninety stunning photos, this sweeping, cinematic biography secures Berenice Abbott's place in the histories of photography and modern art, while framing her incredible accomplishments as a female artist and entrepreneur.

Softcover. Corte Madera, CA, Gingko Press, 1st Wraps, 1998, Book: Very Good, Dust Jacket: None, Softcover, black & white photograph, 96 pages. "This book is a remarkable collection of photographs that will take you on a fascinating journey back to Berlin of the 1920s and early 1930s". A bright, clean copy.

Hardcover. Berlin GR, Nicolai, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 125 pages, b&w duotone photos throughout. Documents life in post-war Berlin. Essays by Edzard Reuter and Janos Frecot. GERMAN TEXT. Clean in a bright dust jacket.

Hardcover. NY, Thames & Hudson , 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, tan boards with a color photo label. 144 pages illustrated in color. Bernard Plossu has been called "the most American of French photographers" by his friend and colleague Lewis Baltz. Although he is best known for his work in black and white, often capturing a bohemian world of free-spirited adventure, Plossu has also shot in color throughout his career.This book showcases 88 bold and cinematic color photographs, many of which are previously unpublished, dating from the 1970s and early 80s, when Plossu was resident in the US. Strikingly rendered using the Fresson carbon printing process, these images depict an unmistakably American landscape of motels and rodeos, deserts and highways; a realm that is both rugged and dreamlike, haunted by the mythic imagery of the Old West. They combine to form a memorable and atmospheric collection of work by a supremely talented photographer. Clean copy.

Hardcover. 5 Continents Editions , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. Plain cloth boards with B/W Photographic DJ, 12" x 9.75, page bibliography, 1-page biography of Bernatzik, 3 pages listing Bernatzik's published works. 2 maps. 145 Black & White Photos by Hugo A. Bernatzik (1897-1953), Many of the photos are presented on 2-Pages, and the balance on 1-Page.. An 18-Page Section at the end with 145 thumbnail photos of the principle illustrations accompanied by descriptions. Photographs by Hugo A. Beratzik. Preface by Ian C. Glover. Acknowledgements by Kevin Conru, Essays by Jacques Ivanoff, Alison Nordstrom, Christina Angela Thomas.

Hardcover. Albuquerque NM, University of New Mexico , 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages. B&w illustrations throughout. gilt titles on spine. Includes extensive bibliography. Faint foxing to top edge, otherwise a clean, tight copy. The photographs of Simeon Schwemberger, who worked as lay brother at the Franciscan Mission of St. Michaels near Windowrock, AZ, from 1901 through 1908. His outstanding photographs of the Native American Indians in that area are coupled with the fine essay by Michele M. Penhall. This photographers work has been compared with the work of Charles Lummis, A.C. Vroman, and J.K. Hillers.

Softcover. Washington DC, Scalo/National Gallery of Art, 1st, 1994, Book: Very Good, Dust Jacket: None, Wraps are black, with white lettering on the spine. No date listed on title page. Copyright page dated 1994. Unpaginated; 34 b/w photographs reproduced. replica of a 1952 book which Frank produced in an edition of three unique examples.approximately 80 pages.

Softcover. NY, Grossman Publishers, 1st, 1967, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. A powerful photographic meditation on life for African-Americans in the U.S. in the 1960s. Includes numerous black and white images. A clean near fine copy in wrappers. with some very minor wear. Small tape repair to bottom of spine, otherwise bright and clean.

Softcover. Los Angeles, J. Paul Getty Museum, 1st, 2010, Book: Good, Dust Jacket: None, 208 pages. Softcover. Black and white photographs. Light edgewear to wrappers, spine shows chips and creases. Reprint of the B&W photo essay first published in 1967-68 examines daily lives of African-Americans during the Civil Rights era. Text adapts Freed's diary entries and interviews. 208 pages.

Hardcover. NY, Norton, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 339 pages, b&w illustrations. The little-known story of an iconic photographer, whose work captured--and influenced--a critical moment in American history. Ernest Withers took some of the most legendary images of the 1950s and '60s: Martin Luther King, Jr., riding a newly integrated bus in Montgomery, Alabama; Emmett Till's uncle pointing an accusatory finger across the courtroom at his nephew's killer; scores of African-American protestors carrying a forest of signs reading "i am a man." But at the same time, Withers was working as an FBI informant. In this gripping narrative history, Preston Lauterbach examines the complicated political and economic forces that informed Withers's seeming betrayal of the people he photographed, and "does a masterful job of telling the story of civil rights in Memphis in the 1960s" (Ed Ward, Financial Times), including the events surrounding Dr. King's tumultuous final march in Memphis. Small remainder dot to top edge.

Softcover. NY, Edition 7L, 1st, 2007, Book: Very Good, Dust Jacket: None, Flexible vinyl covers, 232 pages. Out documents an era at once so close and so far away: the wild, glamorous, disco-and-drugs decade between the end of the Vietnam war and the advent of AIDS, when, in certain parts of Manhattan, every night was party night. As the editor of Andy Warhol's Interview from 1971 to 1983, Bob Colacello was perfectly placed to record this life of art openings, movie premieres, cocktail parties, dinner parties, charity balls and after-hours clubs; he wrote about the best of them in a monthly column called "Out." In 1975, Swiss art dealer Thomas Ammann gave Colacello one of the first miniature 35mm cameras, a black plastic Minox small enough to hide in his jacket pocket, and Colacello began snapping photographs too. Sneaking a shot of Henry Kissinger holding forth at a dinner party, or Bianca Jagger letting loose at Studio 54, Colacello was in the middle of the action, "an accidental photographer" more akin to a secret agent than any typical paparazzo. With their skewed angles, multilayered compositions, and moody lighting, his images have an immediacy and grit not often found in the work of professional party photographers. And what subjects! Diana Vreeland, Calvin Klein, Jack Nicholson, Richard Gere, Cher, Raquel Welch, Mick Jagger, Diane von Furstenberg, Barry Diller, Valentino, Yves Saint Laurent, Nan Kempner, Robert Rauschenberg, Roy Lichtenstein and always Warhol himself. Because space in Interview was limited, only a handful of Colacello's pictures were published each month. Most of those collected in Out have never been seen before.

Softcover. NY, Edition 7L, 1st, 2007, Book: Very Good, Dust Jacket: None, Flexible vinyl covers, 232 pages. Out documents an era at once so close and so far away: the wild, glamorous, disco-and-drugs decade between the end of the Vietnam war and the advent of AIDS, when, in certain parts of Manhattan, every night was party night. As the editor of Andy Warhol's Interview from 1971 to 1983, Bob Colacello was perfectly placed to record this life of art openings, movie premieres, cocktail parties, dinner parties, charity balls and after-hours clubs; he wrote about the best of them in a monthly column called "Out." In 1975, Swiss art dealer Thomas Ammann gave Colacello one of the first miniature 35mm cameras, a black plastic Minox small enough to hide in his jacket pocket, and Colacello began snapping photographs too. Sneaking a shot of Henry Kissinger holding forth at a dinner party, or Bianca Jagger letting loose at Studio 54, Colacello was in the middle of the action, "an accidental photographer" more akin to a secret agent than any typical paparazzo. With their skewed angles, multilayered compositions, and moody lighting, his images have an immediacy and grit not often found in the work of professional party photographers. And what subjects! Diana Vreeland, Calvin Klein, Jack Nicholson, Richard Gere, Cher, Raquel Welch, Mick Jagger, Diane von Furstenberg, Barry Diller, Valentino, Yves Saint Laurent, Nan Kempner, Robert Rauschenberg, Roy Lichtenstein and always Warhol himself. Because space in Interview was limited, only a handful of Colacello's pictures were published each month. Most of those collected in Out have never been seen before.

hardcover. NY, Aperture, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 105 pages. Hardcover with dust jacket. Black & white photos by Klich. Review-slip laid-in. Essays by Cornell Capa and Bengt Borjeson. By combining his intimate and disturbing photographs with police and hospital records, handwritten notes left behind by Beth, and other texts, author Ken Klich searches for a rationale -what could cause this intelligent child to end up as a prostitute and drug addict?

Hardcover. Sweden, Scalo Publishers, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 87 pages. Very slight dust jacket edge wear, otherwise, very clean and tight copy. Foreword by Gunilla Knape. Essay by Boris Groys. Illustrated with black-and-white and color photographs by Boris Mikhailov.

Hardcover. New York, Umbrage Editions, 2nd pr., 2004, Book: Very Good, Dust Jacket: None, Hardcover. Non-paginated. Full color and black & white photographs. Clean, bright copy.

Hardcover. NY, United Technologies Corp., 1st , 1988, Book: Very Good, Dust Jacket: None, Hardcover, 120 pages. A catalogue for the exhibition Bourke-White: A Retrospective, organized and circulated by the International Center of Photography, New York, which toured various US museums in 1988-90. Black cloth with photo portrait of the legendary photojournalist with large-format camera perched on side of skyscraper affixed to front cover. Titles stamped in white on front boards and spine. Beautiful reproductions.

Hardcover. Boston, Houghton Mifflin, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 143 pages with 111 b&w photos. "This book presents a collection of socially and historically relevant photographs of Boston and vicinity, taken between 1890 and 1920 by G. Frank Radway, a highly perceptive if unknown photographer...." From the Introduction. Clean copy.

Softcover. London, Greenhill Books, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. More than 200 images, together with the original German captions and English translations, portray the life and times of a career officer, from the German annexation of the Sudetenland in 1938, to operations in Russia, Greece and the Balkans during 1941-44. In comparison with other units of the Second World War, relatively little has been published about Germany's commando forces. This unique collection of rare images was sourced from the photograph album of Wilhelm Walther.

Hardcover. NY, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 312 pages, pictorial boards with black cloth spine. Brassai (1899-1984) was the first and is still the most famous photographer to chronicle Paris after dark. Born in Hungary, he came to the French capital in 1924, working first as a journalist and then embracing photography, but it was the Paris of the 1930s that forms the bedrock of his body of work. Walking the city's streets at night, Brassai captured a previously unseen world on camera. He shows us every face and every facet, from tough guys and showgirls to prostitutes and pleasure-seekers, from the bustling cafes and dance halls to the stillness of deserted streets and mist-shrouded monuments. Through his eyes, Paris becomes a world of shadows, in which light, the prerequisite for any photograph, is reduced to dimly lit windows, streetlamps in the fog, or reflections on a rain-soaked pavement. This book brings together some of the best-known images from Brassai's classic Paris After Dark and The Secret Paris of the 30's, showcasing them alongside previously unpublished photos and archive material. It places his work in its historical and artistic context, analyzing the unique nature of his photographic vision: part reportage, part social document, part poetic exploration. 296 illustrations, 214 in duotone.

NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 367 pages. Brassai: The Eye of Paris is both the catalog of an exhibition of Brassai's photographs organized by the Houston Fine Arts Museum and a valuable biography of the artist. In 1932, only three years after he purchased his first camera (a Leica), Brassai published a portfolio of 64 photos titled Paris by Night that caused an immediate sensation. His lively eye (seen in an enigmatic photograph at the beginning of the book) captured fresh, unique images of the city and its citizens. Fascinated by the underworld, he moved easily among gangsters and prostitutes in bars and bordellos; he was equally at home among the fashionable and wealthy, and just as devastating in his depiction of them. He used magnesium flares for low-contrast shadows, catching his subjects in natural poses at significant moments. The wide range of Brassai's work is suggested by his formal nudes, which have an affinity with Edward Weston's, and his informal portraits, which remind viewers of Diane Arbus, who admired his work. Brassai was a central figure in the intellectual and artistic circles of Montparnasse that made Paris the most exciting city in the world during the 1930s. In a long essay that includes lively anecdotes of the photographer's relationships with Picasso, Henry Miller, Kertesz, and many other luminaries, the author re-creates the aesthetic and philosophical ferment of the period. Brassai: The Eye of Paris recognizes the artist's talents in five different media--photography, filmmaking, sculpture, writing, and drawing--but focuses on what he is best known for: lyrical and penetrating photographs of the City of Light.

Hardcover. Boston, Bulfinch Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 319 pages, mostly b&w photographs (some color), essays by 7 contributors including Henry Miller. Preface by Jean-Jacques Aillagon. Text essays excerpted from the work of Brassai himself as well as contributions from his wife Mme. Gilberte Brassi and close friends Roger Grenier, Henry Miller, Jacques Prevert and Werner Spies. End-matter includes Biography, Bibliography, Exhibitions and List of Illustrations. Illustrated with 308 photographs, 14 of which are in color. Stated first American edition. A presentation of Brassi's art from his nude drawings and sculpture to his fascination with graffiti but principally featuring on his photographs of nocturnal Paris and the demimonde creatures which inhabited its streets. Remainder mark to top edge, otherwise clean. DOMESTIC SHIPPING ONLY.

Hardcover. Boston, Bulfinch Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 319 pages, mostly b&w photographs (some color), essays by 7 contributors including Henry Miller. Beautiful copy in a bright, unclipped dust jacket.

Hardcover. NY, Agrinde Publications, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in publisher's unclipped dust jacket, brown paper-covered boards over beige cloth spine, gilt lettering to spine, copiously illustrated with mostly full-page or two-page renderings of Davidson's photography, 167 pages, 11 1/4 X 11 3/4", 116 black and white photos. Introduction by Henry Geldzahler. Small ink notation on rear free endpaper otherwise clean.

Hardcover. Gottingen, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Like new in publisher's shrink-wrap. This volume presents Bruce Davidson's personal selections from his lesser-known color archive, from a period of nearly 60 years. Assignments from various magazines including Vogue, National Geographic and Life, as well as commercial projects led Davidson to photograph subjects as diverse as fashion (in the early 1960s), the Shah of Iran with his family (1964), keepers of French monuments (1988), the supermodel Kylie Bax (1997) and college cheerleaders (1989). He photographed in India and China, but also at home in New York, in Chicago and along the Pacific Coast Highway. In 1968, Michelangelo Antonioni invited Davidson to document the making of his film Zabriskie Point. Davidson also continued to pursue personal projects, such as photographing the Yiddish writer and Nobel Prize laureate Isaac Bashevis Singer (1972-75), the New York City subway (1980) and Katz's Delicatessen (2004). Often staying on in a country after an official assignment, Davidson documented Welsh coalfields, family holidays in Martha's Vineyard and travelled through Patagonia and Mexico.

Softcover. Boston, Bulfinch, 1st pbk, 2001, Book: Very Good, Dust Jacket: None, Softcover, 446 pages. This landmark book chronicles the development of a kind of photography that is created out of the energy and chance juxtapositions found in everyday life on the street. Street photography is at the heart of what makes photography unique. An unprecedented study that is the first history of this tradition ever published, Bystander explores street photography through a discussion of the medium's masters - Atget, Stieglitz, Strand, Cartier-Bresson, Brassai, Kertesz, Evans, Levitt, Frank, Arbus, Winogrand, and many others - and reveals along the way much about the craft and creative process of photography. Profusely illustrated with the work of more than eighty photographers, the book is composed of four parts separated by lively folios of pictures. Each part discusses a different era - from the early days of the medium in nineteenth-century Europe, to America in the late twentieth century - and devotes entire chapters to the key figures of that period. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Random House, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers. Black & white photos. Foreword by Leland Hayward. Browning to page edges. Stain to bottom edge.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, like new in dust jacket. This fascinating account of Silvy's life and photography is published to mark the centenary of his death. Combining research into exhibition prints, still lifes, and street scenes, as well as the intimate, beautifully lit and posed cartes-de-visite, the book demonstrates Silvy's extraordinary originality and his life as a man of both art and commerce. Color and b&w illustrations.

Hardcover. Sao Paulo, Brazil, Dorea Books & Art, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Illustrated with Black & white photographs by Claudio Edinger. Texts by Arnaldo Jabor, Jorge Amado and Roberto Damatta. Clean, tight copy. A collection of photographs taken during the Carnaval celebration in Brazil.

Hardcover. NY, Abbeville, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Teissl's vibrant, color photos capture the unique pageantry and euphoria of the world's largest party. The sounds of Carnival are captured in a companion CD.

Hardcover. Little, Brown, & Co., New York Graphic Society, 1st US, 1986, Book: Very Good, Dust Jacket: Very Good, 256 pages, hardcover with dust jacket. Retrospective on famed artist. Edited by Dr. David Mellor. With color and b&w plates throughout. Light edgewear and rubbing to dust jacket. Light fading and foxing to front flyleaf. Unmarked. A bright and tight copy.

Cape Town SA, Koeberg, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover. B&W photo essay on Cedarberg of the Western Cape of South Africa. Stated 369 of an unspecified number, edgeworn dust jacket. Endpaper map.

Hardcover. Lunenburg VT, privately printed, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth, 158 pages, b&w duotone photographs throughout accompanied by verse from various writers. A fine production printed by The Stinehour Press. The author war a pilot who witnessed the atomic destruction at Nagasaki and later became a research professor who studied nuclear fallout. He traveled extensively in the 1970s and was an avid and talented photographer. This was his fourth book published, all limited to 100 copies and shows a exceptional eye in the style of well-known street photographers. No dj issued.

Hardcover. Washington DC, National Gallery of Art, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. Charles Marville (1813-79) is widely acknowledged as one of the most talented photographers of the nineteenth century. Accompanying a major retrospective exhibition at the National Gallery of Art to honor Marville's bicentennial, Charles Marville: Photographer of Nineteenth-Century Paris offers a survey of the artist's entire career. This beautiful book, which begins with the city scenes and architectural studies Marville made throughout France and Germany in the 1850s, and also explores his landscapes and portraits, as well as his photographs of Paris both before and after many of its medieval streets were razed to make way for the broad boulevards, parks, and monumental buildings we have come to associate with the City of Light. Commissioned to record the city in transition, Marville became known as the official photographer of Paris. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. Lausanne, La Guilde du Livre, 1st, 1952, Book: Very Good, Dust Jacket: Good, Softcover, pictorial boards with chipped glassine wrappers. An atmospheric, engaging set of photographs of post-war London alongside Prevert's poetry. 136 pages, handsome b/w photogravures by Izis-Bidermanas. FRENCH TEXT.

Softcover. Corte Medera CA, Gingko Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, nicely reproduced b&w historical photographs of the city. Clean, bright copy.

Hardcover. Berkeley, University Of California Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, black cloth stamped with silver lettering in a bright dust jacket, 112 pages. An immensely important record of black life in Chicago at the near end of the 1940's. Apart from a few photos of entertainers the rest capture, in fascinating detail, life in Chicago's south side. The workplace and workers, interiors of homes and bars, parades, funerals, sport and street scenes with plenty of activity. The detail in all these pictures is impressive and typical of Miller's eye to capture a scene that reveals so much. Foreword by Orville Schell. commentaries by Gordon Parks and Robert Stepto. Small color sticker on front fly leaf, otherwise clean.

Hardcover. NY, Aperture, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages. Photographs by Robert Capa, Lois Conner, Stuart Franklin, Zhang Hai-er, Wu Jialin, Wang Jinsong, Hiroji Kubota, Sebastiao Salgado, Liu Heung Shing, and others. This magnificent volume unfolds a series of in-depth portfolios by twenty of the most important Chinese and Western photographers of the era, conveying the extent of their involvement in politics, culture, and everyday life.

Hardcover. Cambridge MA, Wexner Center and MIT Press, 1sr, 2007, Book: Very Good, Dust Jacket: None, Hardcover, oblong pictorial boards, Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with La Jetee (1962)-a time-travel montage set after a nuclear war that inspired Terry Gilliam's Twelve Monkeys (1995). His still camerawork is not as well known, but Marker has been taking photographs as long as he has been making films. Staring Back presents 200 black-and-white photographs from Marker's personal archives, taken from 1952 to 2006. Some of the photographs are related to his classic films (which include Le Jetee, Sans Soleil, Cuba Si!, and The Case of the Grinning Cat), others are portraits of famous faces (Simone Signoret, Akira Kurosawa), but most are pictures of people Marker has encountered as he has traveled the world (an extra who appeared in Kurosawa's Ran, a woman seen on a street in Siberia). The central section of the book contains a series of photographs documenting political protests Marker has witnessed, including the march on the Pentagon in 1967, the events of May 1968 in Paris, and the tumultuous 2006 demonstrations protesting the French government's proposed employment policies. Still in publisher's shrinkwrap.

Hardcover. London/Calcutta, Seagull Books , 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Circuses provide surreal, fantastic entertainment. At times magical and at others chilling, the circus is a world of magic and spectacle for the viewer, but for the performer, a career in the circus often brings with it a nomadic, lonely life. In Circus Girl, photographer Saibal Das captures beautiful and unusual images of circus girls, photographs which evokes this sense of darkness and resignation that underlies the otherworldly feats they perform under the big top. For instance, in one photograph, a circus girl whose act involves a lioness is seen sitting in front of a mirror putting on her makeup. The lioness that she usually whips in the ring stands behind her, her paw touching the girl's shoulder affectionately. But both wear a solemn look. In another, the girl sits on her props, staring silently at the snack packets strewn on the ground. The giant marquee is empty. Internationally renowned mime Nola Rae provides a haunting accompanying text that poetically comments on the transient wanderings of the circus performers who often yearn for a conventional family life while donning their costumes and taking hold of the trapeze. Rae gives voice to the circus girls, articulating the thoughts too often hidden by the brilliant illusion of stage lights.

Hardcover. Chicago, City Files, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Chicago has never had a photo book of its own. Until now. The city has produced some of the most important photographers of our time -- Harry Callahan, Aaron Siskind, Vivian Maier, Art Shay -- but has never before possessed a book packed with their most timeless work. This is the finest collection of its kind -- 100 stunning images by the city's most revered photographers that show the enduring and endearing aspects of Chicago and its landscape from the Loop to the city's vast array of neighborhoods. Richard Cahan and Michael Williams, the foremost picture editors of the city, curate the book. Here they have chosen photos going back more than a century to show a city that is both well-known and surprising. This is a book for people who love Chicago and for visitors who want something special to remember her by. It is filled with classic photographs that defy time -- timeless pictures of a changing city.

Hardcover. Brooklyn NY, powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. Photographer Henry Horenstein presents his earliest photographs, made from 1970 to 1973: a collection of portraits of family and friends, landscapes, and period imagery. These photographs describe a time familiar to everyone, when one moves from adolescence to adulthood-remaining a part of a family while beginning to create a network of one's own.