Softcover. Paris, Editions Du Chene, 1st wraps, 1953, Book: Good, Dust Jacket: Fair, Stiff paper wraps with dust jacket. 1st 20 pages have scuff, fraying to bottom pages, dog eared. Photograph section is VG condition. FRENCH TEXT. Dust jacket taped together as flaps had separated.

Softcover. New York , Ruth Orkin Photo Archive, 1st, 1999, Book: Very Good, Dust Jacket: None, 46 pages, softcover. Interview of Engel by Julia Van Haaften. Includes numerous black and white images. Like the other great photographers who made so-called "street photography" the most important genre of the medium, Morris Engel's snapshots of life on the streets have endured and outlasted all hyped-up, media-culture fads. Morris Engel was a prominent member of The Photo League, and was Navy photographer during the Second World War.

Hardcover. US, Borealis Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. In his popular Strange Days, Dangerous Nights, Larry Millett delivered Weegee-style images of midwestern noir from the photo files of the St. Paul Pioneer Press. He returns in this new volume with a focus on the "dangerous"murder cases from the forties and fifties, memorialized in intimate and telling photographs. There is Arthur DeZeler, accused of bludgeoning his wife, Grace, and sinking her body in a northern lake. Laura Miller, single and pregnant, ran for help after gunshots killed her married lover. Arnold Axilrod, a mild-mannered dentist with a penchant for over-sedating his female patients, was arrested when the lifeless body of one of those patients was discovered in a Minneapolis alley. And, finally, there is Arnold Larson, the personable salesman with a winning smile and a bad temper.Millett traces these four sensational crimes from the moment the victim was found, through the search for the killer, to the court trial and resulting imprisonment or acquittal--there are two of each. All are copiously illustrated with shots from the bulky Speed Graphic camera, which yielded rich, textured views in an era when photographers enjoyed unrestricted access to police matters ranging from found bodies to jail cells. The images dramatically evoke these crimes of passion now more than a half-century old, offering a thrilling immersion into Minnesota noir.

Hardcover. US, Borealis Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. "Larry Millett delivered Weegee-style images of midwestern noir from the photo files of the "St. Paul Pioneer Press. "

Hardcover. University Press of Mississippi, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, text by Morris, color photos by David Rae Morris. The author's last book, written in his characteristically limpid, lyrical prose, offers a heartfelt appreciation of his home state, a place often dismissed as poor and backward by "outlanders," Morris' term for non-Mississippians. This is not a defensive recitation of Mississippi's virtues nor is it a whitewash of its less-than-attractive features. First, Morris wants the reader to understand the state's beauty--"physically beautiful in the most fundamental and indwelling way, [in that] it never leaves you." Then, with both pride and understanding, he brings into sharp focus Mississippi's peculiar tensions and ambivalence and also its passions--"we are a singular people," he says of his native folk. The second half of the book is an album of full-color photographs taken by Morris' son, a professional photojournalist. These shots informally capture ordinary moments in the lives of Mississippians, from a young couple standing next to their truck with their new baby in their arms to a group of local citizens hanging out in front of the main store in a small town. Together, the text and the photographs showcase Mississippians doing what they do best--being themselves completely without artifice. Clean copy.

Hardcover. New York, Macmillan, 1st US, 1972, Book: Very Good, Dust Jacket: Good, Hardcover, 153 pages, foreward by M.F.K. Fisher. A collection of b&w photos, some color, by Robert Doisneau. Commentary by Chevalier. In a bright dust jacket with light edgewear, soiling to rear panel. Otherwise a clean, tight copy.

Hardcover. NY, Da Capo Press, 1975, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth spine. The photo book Naked Hollywood by Weegee and Mel Harris is a phenomenal collaborative body of work. You are introduced to a new insight on Hollywood in the late 1950s. The work brings a new irony to the time period with images that are not only outrageous but also portray the illusion of the 1950's Hollywood glamour. No dust jacket.

Hardcover. NY, Abrams, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 248 pages. b&w photos throughout. During his 50-year association with the Village Voice, Fred W. McDarrah (1926-2007) covered the city's downtown scenes, producing an unmatched and encyclopedic visual record of people, movements, and events. McDarrah frequented the bars, cafes, and galleries where writers, artists, and musicians gathered, and he was welcome in the apartments and lofts of the city's avant-garde cultural aristocracy. He captured every vital moment, from Jack Kerouac reading poetry, to Bob Dylan hanging out in Sheridan Square, to Andy Warhol filming in the Factory, to the Stonewall Riots. Through his lens, we see the legendary birth of ideas and attitudes that continue to shape the character and allure of New York today.

Hardcover. New York, Harry N. Abrams, 2nd Pr., 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 320 pages. Illustrated with black & white photographs from the pages of The New York Daily News. Remainder mark in black across bottom edge at spine. Light wear to dust jacket.

Softcover. NY, Dover, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. "Compelling photographs offer a vivid and varied tableau of daily life: shoppers, subways, Central Park, Coney Island, dozens of other revealing views of the city. 159 photographs by Lehnartz." Text by Allan Talbot. Clean.

Hardcover. NY, powerHouse Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. An insightful and unbiased account of a much-maligned and rapidly growing culture around the world, taken in perhaps the one place in the world where all manifestations of religious adherents live and work: New York City. The book features photographs, essays, and interviews documenting the mosques that New York's Muslim communities have built at their center, revealing the ways these buildings reflect and create identities for Muslims within a dense and diverse urban fabric. "... Mr. Grazda's penetrating black-and-white photographs and Ms. Dodd's insightful commentaries reveal the range of the city's Islamic houses of worship and their ethnic congregations...."--The New York Times

Hardcover. NY, Parkstone Press, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 256 pages. Never opened, still in original shrink wrap. Spotless copy. A collection of black and white images from New York's disco era. In the late 1970s, with only her Hasselblad and a telephoto lens, Veretta visited many of New York City's infamous nightclubs and captured the erotic energy of the peak disco era. Culled from over one thousand images, this collection of black and white photos is an entertaining, often breathtaking documentary of a unique moment in our history.

Hardcover. NY, Distributed by E.P. Dutton, 1st, 1982, Book: Good, Dust Jacket: Good, Large format hardcover, 423 pages, illustrated throughout in b&w. Light edgewear, rubbing and sun-fade to price clipped dust jacket. Light staining to end papers from red flaps, else a clean, tight copy.

Hardcover. NY, Quantuck Lane Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 112 pages. Only 57 miles outside New York City on the Hudson River, the city of Newburgh has fallen from the status of "All American City" awarded by Look Magazine in 1952, to a corrupt and forsaken place, that in 1981 was put on a Federal list of most distressed areas in the United States. As recently as May 2010, about 500 enforcement officers conducted a massive sweep through the city to staunch the rampant drug trade. This book of photographic portraits focuses on the often overlooked and ignored population of the downtown section of the city, as well as its abandoned buildings, which have been left to collapse. Some families have not had steady jobs for three generations; only a handful of the fine houses have been restored. Newburgh, with its history of declining industry and ensuing efforts at so-called urban renewal in the last century is a microcosm of much of urban America, showing a population confronted by racism, broken promises, and constant danger, that somehow does not surrender its dignity.80 duotone photographs

Hardcover. NY, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 107 pages, illustrated throughout in color. Introduction by Rebecca Solnit. Afterword by John McPhee. INSCRIBED BY PHOTOGRAPHER VIRGINIA BEAHAN on half title page. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. NY, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 107 pages, illustrated throughout in color. Each of Beahan and McPhee's extraordinary images captures a point of collision between natural and constructed worlds. Introduction by Rebecca Solnit. Afterword by John McPhee. Light shelf-wear to dust jacket, else a clean, tight copy.

Softcover. Toronto, Between the Lines, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 134 pages, b&w illustrations. SIGNED BY PIETROPAOLO on the title page and also INSCRIBED on the front fly leaf. This collection of stunning photographs and inspired commentary documents the lives of Italian immigrants to Toronto. Award-winning photographer and cultural historian Vincenzo Pietropaolo has spent much of his life taking pictures inside the tightly knit Italian-Canadian community. While the images in this book are part of the fabric of life in Toronto, they transcend the specificity of place to evoke the lives of immigrants in cities around the world. Clean copy.

Hardcover. New York, Princeton Architectural Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. A collection of highlights from the Maresca collection of snapshot photographs housed at the Newark Musuem, featuring images from the 1920s through the 1960s. Essays by Marvin Heiferman, Geoffrey Batchen, and Nancy Martha West; interview with Frank Maresca conducted by Heiferman; foreword by Mary Sue Sweeney Price. 192 pages; profusely illustrated in duo-toned b&w and color.

Hardcover. New York, Princeton Architectural Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. A collection of highlights from the Maresca collection of snapshot photographs housed at the Newark Musuem, featuring images from the 1920s through the 1960s. Essays by Marvin Heiferman, Geoffrey Batchen, and Nancy Martha West; interview with Frank Maresca conducted by Heiferman; foreword by Mary Sue Sweeney Price. 192 pages; profusely illustrated in duo-toned b&w and color.

Hardcover. San Francisco, Chronicle Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages, color photos. Terry Falke's wry, lyrical photographs center on the terrain of the American Southwest and the ubiquity of humanity s imprint on it. The images in Observations in an Occupied Wilderness both honor and subvert the grand tradition of western landscape photography, conveying the bleak splendor of the land and Falke's sheer love of looking. Gorgeous, sardonic, and playful, Falke's work emphasizes beauty and incongruity, and is as much about human nature as it is about the land. Shot with a large-format camera, the resultant images are personal and provocative, raising as many questions than they answer. This remarkable debut monograph is a shrewd exploration of our last wild places.

Hardcover. Focal Point, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Spanning almost a century of global upheaval and riveting human drama, this magnificent book follows the careers of Maynard Owen Williams, Volkmar Wentzel, Luis Marden, and Tom Abercrombie--a stellar quartet of National Geographic photographers who used their cameras to record a truly remarkable era. While the lensmen were all supported and nurtured both technically and creatively by the Geographic, each had his own interests and his own distinctive style--and each made his own unique contribution to world culture, science, and history. Following a thoughtful introduction that sets the scene, the book is divided into four parts, each devoted to one man's life and work. Chapters open with an essay and then display up to 50 pages of breathtaking historic images, many of which lay hidden in National Geographic archives for decades. Close associates and loved ones authored each photographer's intimate story, calling on journals, anecdotes, and behind-the-scenes correspondence to portray the real person behind the lens. Our four subjects, taken together, represent the entire and quite glamorous progression of National Geographic photography--a chronicle that will be eagerly embraced by all who love world history, biography, and great pictures.

Hardcover. UK, Dewi Lewis, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages. Claudio Edinger's color photographs of Havana, Cuba. Clean. This is a photography book about Cuba unlike any you've seen before. Award-winning photojournalist Claudio Edinger gets inside the country, and shows us an unforgettable image of the people of Old Havana, living with harsh economic realities among the fading houses of the pre-Castro era. Yet the spirit of the people is one of steadfast hope, as South American writer Humberto Werneck, in his fascinating introduction, makes clear. The book also features text by exiled Cuban writer G. Cabrera Infante.

Softcover. London, Vision On Publishing, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color and b&w photos by Greg Qilliams. "As a photographer and film enthusiast, I wanted to revive the genre of the Life Magazine set reports of the 1950s and 60s," says Williams. "For a variety of reasons, the past 30 years have seen photographic access to the film industry severely restricted, limited mainly to portrait shots. I wanted to re-establish reportage as a respected form of film photography." Planned as an editorial project exploring the film-making process in its entirety, On Set grew into a three-years-in-the-making report on British cinema as it once again blossomed with movies like The Talented Mr. Ripley, Lock Stock and Two Smoking Barrels and Elizabeth. Gaining unprecedented access to sets, Williams was able to frame stars, directors and crew in their element and tell a complete, naturalistic story. Starting with Terry Gilliam's hands at the storyboarding stage and ending with Hugh Grant lip-syncing in post-production, On Set's fascinating insider's tale captures the leading lights of British and American film as they've rarely seen: Jude Law practices his dance moves; Matt Damon prepares for his close up; Renee Zellweger relaxes between takes. Clean copy.

Hardcover. Daytona Beach FL, Southeast Museum of Photography, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 152 pages, color photographs. A catalog of beach photos exhibited at the Southeast Museum of Photography in November 2006 thropugh January 2007. Two photographers present a portfolio of random close-up color portraits they made to show beachgoers at various beaches in Southern California and Florida. Locations and subjects' names are omitted. Essay about the project by Tyler Stallings, curator of the Laguna Art Museum.

Hardcover. NY, Norton, 1st , 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white photos. 127 pages.

Hardcover. Gottingen GR, Steidl, 1st thus, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. This edition of On the Mines is a re-designed and expanded version of David Goldblatts influential book published in 1973. Goldblatt grew up in the South African town of Randfontein. which was shaped by the social culture and financial success of the gold mines surrounding it. When these mines started to fail in the mid-sixties Goldblatt began taking photos of them. The book features an essay on the human and political dimensions of mining in South Africa by Nadine Gordimer.

Hardcover. NY, Norton, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color photos. Introduction by Kathleen Norris. 130 pages. Clean, unmarked copy with only minor wear to dust jacket. This is an excellent collection of 77 photos taken 1985-1995 across the high plains states from Montana to Texas. All are in richly captured color, and all manage to bring the panorama of this wide open country within the viewfinder of the still camera. Brown's achievement is to show the suggestive and telling details that transform these "empty" landscapes into spaces that are filled with drama and atmosphere.

Hardcover. Lawrence KS, University Press of Kansas, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket. B&w vintage photos throughout. The Midwest's one-room schools were, Fuller observes, the most democratic in the nation. Located in small, independent school districts, these schools virtually wiped out illiteracy, promoted democratic values, and opened up new vistas beyond the borders of their students' lives.Entire communities, Fuller shows, revolved around these schools. At various times they were used as churches, polling places, sites of political caucuses, and meeting halls for local organizations. But as America urbanized and the movement to consolidate took hold in rural counties, these little centers of learning were left at the margins of the educational system. Some were torn down, some left to weather away, some sold at auction, and still others transformed into museums.

Hardcover. Woodstock, NY, Overlook Press, 1st , 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover. Text by William T. Vollman. Black & white documentary photos of society's outcasts. Miller's black & white photos are captioned by quotes from works of fiction by William T. Vollmann. His subjects here are street people, prostitutes, skinheads, and others of America's underclass; and his gaze is unflinching. Clean copy.

Softcover. Albuquerque, University of New Mexico Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, oblong format, color photos. The end of the twentieth century represents an unsettled time, and the contemporary Southwest, as seen by Virgil Hancock III in these fifty-two exquisite color photographs, is a strange place full of omens and signs. His images peer beyond the scenery, beyond the tourism-council view of this region as a storied land of golf courses and climate-controlled shopping centers. He gets at the soul of the Southwest, of the nation, and, in his best photographs, at the human condition itself, seizing on the accidental symbols that speak to our yearnings and shortfalls: skyward-pointing arrows and crosses and dreams just beyond reach at Indian casinos, failed department stores, retirement cities. He photographs signs of the violence that has been endemic to the region and shows us ruins, not of the Anasazi or Spanish missions, but of commercialization, scarcely twenty years old, already gone belly-up.

Softcover. South Africa, Random House Struik, 1st, 2015, Book: Very Good, Dust Jacket: None, 208 pages. Softcover. Clean, unmarked copy with only minor wear to wrappers. English as well as Afrikaans.

Hardcover. NY, Atlantic Monthly Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 101 pages. Black & white photos of Hollywood in the 1980s. Introduction by Bret Easton Ellis.

Hardcover. San Francisco, Straight Arrow Books, 1st , 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos. Dj price clipped otherwise VG/VG. "In his widely acclaimed first book, Suburbia, Bill Owens' camera captured the essence of the American Dream as symbolized in the life styles and fantasies of his neighbors and friends. Probing beneath the outer wrappings, he now presents a unique portrait of the myriad clubs and organizations to which these people belong, the symbols of their beliefs and loyalties, their pleasure and their pain." Profusely illustrated with annotated b/w photographs.

Softcover. NY, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 93 pages, illustrated throughout in b&w. Light edgewear and rubbing to wrappers. Small red stain to fore-edge, else a clean, tight copy. 74 full page black and white photographs. First edition, first printing. "One day in the early 1970s, Robert Adams and his wife saw from their home a column of smoke rise above the Rocky Flats Nuclear Weapons Plant." (blurb). This series is the result of Adams attempt to document what stood to be lost in case of a nuclear disaster.

Hardcover. NY, powerHouse Books, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 164 pages. The crowds in the street at the 2001 inauguration made it clear America was at a difficult and defining moment after a contentious election. Following the inauguration of 2001 and the tragedy of 9/11, the American streets- as they have been since the country's founding-became the setting for numerous memorials and vigils, parades and protests. These photographs chronicle events in New York, Washington, D.C., and Vermont. The gatherings were large and sometimes small, and in both cases usually unnoticed by the mainstream media. These street portraits show a diversity of Americans: veterans, families of men and women on active duty, families of the victims of the 9/11 tragedy, parents of U.S. servicemen and women killed in the Iraq War, security personnel, police, Muslim Americans, anti-war activists, disenfranchised minorities, and anarchist youth. The common denominators that unite these images are the lens of the Hasselblad camera and the public stage of the American streets.

Hardcover. New York , Two Continents Publishing, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, 224 pages, b&w photographs by Adleman. A no-holds-barred account of the 1973 Pirates baseball team. Clean hardcover in a bright, unclipped dust jacket.

Hardcover. Austin TX, Texas Monthly Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 149 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket.

hardcover. Austin, TX, Texas Monthly Press, 1st , 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover. A collection of black & white documentary photos taken in Texas in the 1940's. 149 pages. The photographs are from the Standard Oil Company archive, compiled under the direction of Roy Stryker, and now housed at the University of Louisville. Dust jacket unclipped. Clean copy.

hardcover. Austin, TX, Texas Monthly Press, 1st , 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover. A collection of black & white documentary photos taken in Texas in the 1940's. 149 pages. Dust jacket unclipped.

Hardcover. New York, Flammarion, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. This homage to Paris by the great Magnum photographers reveals a multifaceted portrait of the city's effervescent character in 350 photographs. By documenting the everyday workings of the city, Magnum's photographers capture the essence of Parisian life.

Hardcover. NY, Thames & Hudson, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages. Henri Cartier-Bresson was 'the eye of the 20th century' and one of the world's most acclaimed photographers. Paris was his home, on and off, for most of his life (1908-2004). The photographs he took of the city and its people manage to be both dreamlike and free of affectation. Here are around 160 photographs taken over a more than fifty-year career. Mostly in black and white, this selection reveals the strong influence on Cartier-Bresson of pioneering documentary photographer Eugene Atget (1857-1927), and the clear visual links with Surrealism that infused Cartier-Bresson's early pictures. After an apprenticeship with Cubist painter Andre Lhote, in 1932 Cartier-Bresson bought his first Leica, a small portable camera that allowed him to capture movement and the rhythms of daily life in Paris. Cartier-Bresson observed from close quarters the Liberation in August 1944 and the civil disturbances of May 1968. In between he also succeeded in capturing the faces of Parisians in their natural habitat, celebrated artists and writers and citizens alike. Remainder line to bottom edge, otherwise clean. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Paris, Editions de Lodi, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, glossy boards in a matching bright dust jacket. Large format, 484 pages, FRENCH TEXT. A collection of over 500 historical photos of old Paris printed in sepia tone. Around 1832 Parisian-born Charles-Francois Bossu (1813-1879) shed his unfortunate last name (bossu means hunchback in French) and adopted the pseudonym Marville. After achieving moderate success as an illustrator of books and magazines, Marville shifted course in 1850 and took up photography, a medium that had been introduced 11 years earlier. His poetic urban views, detailed architectural studies, and picturesque landscapes quickly garnered praise.By the end of the 1850s, Marville had established a reputation as an accomplished and versatile photographer. From 1862, as official photographer for the city of Paris, he documented aspects of the radical modernization program that had been launched by Emperor Napoleon III and his chief urban planner, Baron Georges-Eugene Haussmann. In this capacity, Marville photographed the city's oldest quarters, and especially the narrow, winding streets slated for demolition. Even as he recorded the disappearance of Old Paris, Marville turned his camera on the new city that had begun to emerge. Many of his photographs celebrate its glamour and comforts, while other views of the city's desolate outskirts attest to the unsettling social and physical changes wrought by rapid modernization. Taken as a whole, Marville's photographs of Paris stand as one of the earliest and most powerful explorations of urban transformation on a grand scale. Clean, bright copy.

Softcover. Koln GR, Taschen, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 240 pages, 233 b/w illustrations. This book is a photographers' homage to Paris's dramatic romantic and historic moments as well as everyday scenes. Themes include the street; parks & gardens; loves; bistros; Paisiennes; kids; on the move; insurrectionary Paris; the popular front; occupation - liberation. Clean copy.

Hardcover. Chicago, Paper Mirror Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 117 pages. B&w photos by Elliott. Images from another age in baseball history. Chicago photojournalist Peter Elliott brings to life the rhythms and character of this revered stadium during 1977, one of its most celebrated seasons. Elliott's recent discovery of negatives lost for 23 years proudly displays the earthy, forgotten life of old-time Chicago baseball before the advent of corporate sky-boxes and gourmet hot dogs. His refined style demonstrates both the lush eye of youthful talent and the singular drive that brought him back to Comiskey Park over and over again during that strange and captivating time known as "the summer of the Chicago Hit Men." The old park never looked so good. And its reappearance through the artistry of Peter Elliott permits it to live again in the hearts of life-long fans and everyone who loves baseball. An engaging narrative accompanies the photographs and catalogues the history and foibles of park, team, and fans.

Hardcover. Colombia SC , Univ of South Carolina Pr, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 415 pages. Hardcover. B&w photographs throughout. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Milan, 5 Continents, 1st, 2007, Book: Very Good, Dust Jacket: None, 142 pages, b&w photographs taken by Muller. Illustrated boards, no dust jacket issued. A Passage to Congo is a collection of photographs taken by Doctor mile Muller (1891-1976) in the Congo provinces of the Kasa< and Katanga, territories of the Chokwe, Luba, Bashibushong and Basalampasu tribes. For these people, he was not the boss, but he who cured, who gave relief, who listened. He could move easily between the tribes without having to tackle the reticence that has denatured so many ethnic photographs. The privileged witnesses of esoteric ceremonies that are rarely photographed, his images are precious from an ethnographic and historical point of view, and reveal a fine aesthetic sense and profound humanity. Veritable living masks, as in the remarkable portraits of young Chokwe girls, astonishing initiation rites, scenes of divination, wild rhythmic dances responding to the beat of the large slotted drums, sculptural bodies decorated with tattoos and refined headgear recall the beauty and riches of these cultures, now lost in the modern world. 

Hardcover. London, Westzone, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, b&w and color photographs throughout, minor dust jacket edge wear, otherwise, very clean and tight. Bangkok's red light district - it's about addiction; a crazy hedonistic lifestyle that is also a refuge. For everyone caught up in the nightlife, bar girls, transexuals, transients, tourists there is an emotional addiction: and endless cycle of happy illusion, ecstacy, intensity, doubt and despair all captured by photographer Nick Nostitz.

Hardcover. New York, Aperture Foundation and Fundacion Televisa, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover issued without a dust jacket. This publication tells the story of the photographer's journeys through Mexico in the early 1930s. In search of a fresh start, Strand traveled to Mexico City in late 1932 at the invitation of Carlos Chavez, the eminent Mexican composer and conductor. The culmination of Strand's time in Mexico was his collaboration with Emilio Gomez Muriel and Academy Award-winning director Fred Zinnemann on the groundbreaking film, Redes (The Wave) (1936). A remastered DVD version of the film is included in this volume. Illus., 100 color/89 tritone/240 b&w. 356 pages.

Hardcover. NY, Aperture, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. Illustrated with 113 black & white photographs. Clean, bright copy. An Intimate Portrait by Catherine Duncan. Critical Essay by Ute Eskildsen. From 1950 to 1976 Paul Strand embarked on a series of photographic journeys through France, Italy, the Hebrides, Egypt, Morocco, Romania, and Ghana. This volume is devoted to those photographs, made by Strand in the last twenty-six years of his career.

Hardcover. New York, Viking Press, 1st , 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, SIGNED BY EISENSTAEDT on front fly leaf. Photographs of over 300 well-known people by the Prussia born Life Magazine photographer Alfred Eisenstaedt (1898-1995). Black & white photos. 260 pages. Clean in a bright, unclipped dust jacket.