Softcover. NY, Knopf, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 117 pages. Introduction by William Shawcross. Text and photographs by Tim Page, a photo-journalist. Cover is a photograph of soldier with rifle in a rice paddy with yellow lettering. Rear cover is white with black lettering, states price of $14.95, and shows date of 3/83. Last page of book has list of photographs. Almost all photographs are in color. Book is square and tight.

Hardcover. NY, powerHouse, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. Time Frames, Michael Spano's long-awaited first monograph, catalogues the artist's exploration of spatial and temporal dimensions in photography. The book is divided into five chapters: Panoramas, Grids, Portraits, Multi-Exposures, and Diptychs; each employs a distinctive technical process to provide a new way of looking at life in New York City. Panoramas (1977-1983) show interacting urbanites moving through elongated frames as the lens of an extremely wide field camera pans during exposure. Grids (1980-1990) captures eight moments on a single negative as Spano moves through a sequence of events, pre-determinedly exposing a portion of the grid every four seconds. Portraits (1984-1990) focus on individual inhabitants transformed and etched out from their settings through the solarization and blurring forms into an atmospheric world. Multi-Exposures (1985-1998) combine solarizations with multiple perspectives. These single-negative layered compositions orchestrate and compress selected intervals of time and space into one image. Diptychs (1998-1999) fuse two distinct moments on one negative where scale, focal planes, and perspectives shift and comprise a dual image of urban spaces.

Hardcover. St. Ann's Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 172 pages. On May 25, 1961, Bruce Davison joined a group of Freedom Riders traveling by bus from Montgomery, Alabama to Jackson, Mississippi. The actions of these youths challenged and disobeyed federal laws allowing for integrated interstate bus travel. These historic episodes, which ended in violence and arrests, marked the beginning of Davidson's exploration into the heart and soul of the civil rights movement in the United States during the years 1961-1965. In 1962, Davidson received a Guggenheim Fellowship and continued documenting the era, including an early Malcolm X rally in Harlem, steel workers in Chicago, a Ku Klux Klan cross burning near Atlanta, farm migrant camps in South Carolina, cotton picking in Mississippi, protest demonstrations in Birmingham, and the heroic Selma March that led to the Voting Rights Act of 1965, which was instrumental in changing the political power base in the segregated Southern states. In the 140 photographs collected here, many of which have never before been published, we see intimate and revealing portraits of Dr. Martin Luther King Jr., John Lewis, and other leaders made by Davidson during those turbulent times. These images describe the mood that prevailed during the civil rights movement with a lyrical imagery that is both poignant and profound. As Davidson bears witness to these historical events, and documents the degradation and segregation that were endured, he gives testimony to the struggle for freedom, equality, justice, and human dignity.

Hardcover. University Park, Pennsylvania State University , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover with black cloth boards in dust jacket, oblong quarto, 265 pages, illustrated in b&w. Book near fine with handsome boards and tight binding, text clean and unmarked.

Hardcover. New York , Penguin Putnam Inc, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 158 pages, illustrated throughout with photos in b&w. Clean, unmarked copy with only minor wear to dust jacket. Elie Wiesel provides the preface to a master photographer's record of eastern Europe's Jewish communities in the years just before World War II with 160 photographs that capture the ordinary lives of Jews before the Holocaust.

Hardcover. New York, Aperture, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover. Features 136 black & white photographs by Robert Adams. Poem by Cid Corman and an essay by Adams. Beautifully reproduced landscape images. Very good in very good, unclipped dust jacket. Clean, unmarked pages.

Hardcover. London, Phaidon Press, 1st, 1997, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, photographs and afterword by Ferdinando Scianna. 124 pages; full-page duo-toned b&w plates throughout; 10 x 12.5 inches. Biography, bibliography. Since he began taking photographs in the 1960s, journalist and Magnum photographer Ferdinando Scianna has been fascinated by the sight of sleepers. Over four decades Scianna has captured thousands of images of people and animals sleeping in the countryside, in cities, in deserts, on street corners, in moving trains, and in their own homes.

Hardcover. Stockbridge MA, Prospecta Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, pictorial boards, 144 pages. INSCRIBED BY PHOTOGRAPHER on title page. Essay by Anna Gyorgy. This collection of vivid photographs tells the story of citizens who spoke up against the nuclear power industry, who refused to be nuclear neighbors, and who fought for years to stop construction or to close reactors in their backyards. The photographs also introduce us to the victims of nuclear power, among them the children who developed cancer and other grave health problems, even generations after the 1986 explosion at Chernobyl. Through Lionel Delevingne's record, we can see for ourselves the tragedies of the worst accident sites: Three Mile Island in the United States, Chernobyl in Russia, and Fukushima in Japan.

Softcover. Charlottesville, University of Virginia Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 94 pages, b&w photos. In publisher's shrinkwrap. n an evocative blending of words and images, painter-photographer Carol Burch-Brown and poet David Rigsbee offer a depiction of trailers and their inhabitants. The understated imagery of Burch-Brown's 48 photos implies rather than proclaims the living conditions of these mobile-home dwellers, while Rigsbee's meditative, autobiographical essay parallels and illuminates the subjects and chronicles family histories with trailers.

Hardcover. Alabama, University of Alabama Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 299 pages. Hardcover with dust jacket. Illustrated with black & white photographs. Clean, bright copy.

Softcover. NY, Grove Press, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. When it first appeared in 1971, Larry Clark's groundbreaking book Tulsa sparked immediate controversy across the nation. Its graphic depictions of sex, violence, and drug abuse in the youth culture of Oklahoma were acclaimed by critics for stripping bare the myth that Middle America had been immune to the social convulsions that rocked America in the 1960s. The raw, haunting images taken in 1963, 1968, and 1971 document a youth culture progressively overwhelmed by self-destruction -- and are as moving and disturbing today as when they first appeared.

hardcover. NY, Aperture, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket. 80 black and white tritone portraits by Mark. Clean, bright copy. Mary Ellen Mark's fascination with twins has inspired a remarkable portrait series. Traveling to Twinsburg, Ohio, for their annual "Twins Day" festival allowed her to photograph hundreds of twins. In the two consecutive years Mark visited the festival she used a complex set-up for the seemingly simple aesthetic. Every detail is captured through the Polaroid 20x24 camera Mark used. Between the camera and dynamic lighting every wrinkle, toned muscle, body hair, and freckle is visible. Using the studio, all attention of the festival is lost. Instead the attention is given to the twins themselves. A thoughtful decision that emphasizes Marks pure interest in her subjects. The final pages of the book are dedicated to bits of conversation Mark collected after shooting the photographs. Each fragment from the conversations revels more about each pair connecting the viewer even more with every photograph.

Hardcover. NY, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Mary Ellen Mark, voted by the readers of "American Photography" as the most influential woman photographer of all time, has made some of America's most iconic images in a career spanning more than three decades. In "Twins," her fourteenth publication, Mark turns her acute eye and her heart to the extraordinary bond that exists between these very special siblings. A collection of 80 tritone images and interviews of twins taken by Mark at a twins festival in Twinsburg, Ohio.

Hardcover. Gottingen, Steidl, 1st, 2013, Book: Very Good, Dust Jacket: None, Five Volumes, 1,244 pages. 4to, clothbound, with tipped in photos on front of each book, handmade slipcase. Gottingen, Steidl, 2013. Limited edition of 2000 copies. The works in this this beautifully printed set presents hundreds of Abbott's outstanding but largely unknown images, many for the first time. They date from her return to New York from Paris in 1929, where she had worked as Man Ray's assistant, created an archive of Atget's work, and developed her own career as a photographer. The images here range from her earliest photographs in New York City, the American south, lumberjacks in California's High Sierra Mountains, and the sophisticated bohemia of Greenwich Village. Volume I: New York - Early Work, 1929-1931 Volume II: The American Scene, 1930-1935 Volume III: Deep Woods, 1943 and 1967 Volume IV: Greenwich Village, 1935-1950 Volume V: U.S. 1, USA. NOTE: DOMESTIC SHIPPING ONLY.

Hardcover. NY, Knopf, 1st US, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages, b&w illustrations. From the construction of the Berlin Wall through every major conflict of his adult lifetime up to the Syrian Civil War, photographer Don McCullin has left a trail of iconic images. Unreasonable Behavior traces the life and career of one of the top photojournalists of the twentieth century and beyond. Born in London in 1935, McCullin worked as a photographer's assistant in the RAF during the Suez Crisis. His early association with a North London gang led to the first publication of his pictures. As an overseas correspondent for the Sunday Times Magazine beginning in 1966, McCullin soon became a new kind of hero, taking a generation of readers beyond the insularity of post-war domestic life through the lens of his Nikon camera. He captured the realities of war in Biafra, the Congo, Vietnam, Cambodia, and the human tragedy of famine and cholera on the Bangladesh border and later, the AIDs epidemic in Sub-Saharan Africa. McCullin now spends his days in a Somerset village, where he photographs the landscape and arranges still-lifes. Harrowing and poignant, Unreasonable Behavior is an extraordinary account of a witness who triumphed over the memories that could have destroyed him.

Hardcover. Berlin, Argon, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 136 pages, historical images of Linden, Germany. Many from the late 1800s, mostly landmarks and buildings. Endpapers map of the city. Essay by Dieter Hildebrandt, introduction by Hans-Werner Klunner. GERMAN TEXT.

NY, Shannongrove Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 146 pages, A rare view of Hollywood's Golden Age as seen through the private family album of MGM's top box office draw in the 1940s, Van Johnson. This book is packed with hundreds of never before seen images of Hollywood at home. His wife, Evie Wynn Johnson, an amateur shutterbug captured behind-the-scenes images of their friends, some of Hollywood's most famous stars, such as Audrey Hepburn, Gary Cooper, Judy Garland, Charlie Chaplin and Humphrey Bogart on the road, on the set, around the pool, and at their Hollywood home. Schuyler Johnson, Van's daughter, shares these casual and candid images from her mother's album that have never been published .

Softcover. New York , Abbeville Press Publishers, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 166 pages, illustrated throughout in b&w. Light edge wear to pictorial stiff wrappers. Clean, tight copy.

Hardcover. Colbyville VT, Silver Print Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a right dust jacket. INSCRIBED BY MILLER on the half-title page. Author and photographer Peter Miller, best known for the classics Vermont People and Vermont Farm Women, has now completed his trilogy of books with the November release of Vermont Gathering Places. The book is a collection of 38 stories that highlight the places in the state where Vermonters gather to meet, discuss their towns, and keep the small-town traditions of the state thriving. The stories in Vermont Gathering Places are as varied as the counties and towns themselves. 185 duotone photographs accompany stories that include the Brookfield Ice Harvest, the Brattleboro Farmers' Market, Moretown Town Meeting, Pawlet Community Church Supper, Fiddlers' Breakfast at the Bobbin Mill Restaurant in Westfield, Barre's Thunder Road, and the Fairbanks Museum in St. Johnsbury. In addition to individual stories, Miller has included large spreads of country stores and parades scattered throughout the state. Vermont Gathering Places is a book for all Vermonters, and it comes alive with the interviews and portraits that define Peter Miller's work and have made his books Vermont People and Vermont Farm Women so popular. Clean copy.

Softcover. NY, Colliers, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, 266 black and white photographs. Philip Jones Griffiths' classic account of the Vietnamese War was the outcome of three years' reporting and is a detailed survey of the conflict. Showing us the true horrors of the war as well as offering a study of Vietnamese folk life, the author argues against the de-humanizing power of technology and highlights the arrogance and hypocrisy of American imperialistic attitudes.

Hardcover. New York, Harry N. Abrams, 1st English, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, b&w photographs throughout. A very clean, tight copy.

Softcover. Martha's Vineyard Historical Society, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 296 pages, b&w photos by Mark Lennihan. It is the people of Martha's Vineyard who give voice to the Vineyard "sense of place." Here, in their own words excerpted from interviews with oral historian Linsey Lee, are the photographed portraits and stories of seventy-five Vineyarders, chronicling the continuity and the changes of life on the Vineyard over the last one hundred years. We find farmers, fishermen, neighbors, boat builders and summer people. There are stories of shipwrecks, race relations, ice cutting, rum running, one-room schoolhouses, whaling captains and whaling wives, Portuguese customs, Wampanoag heritage and more, chronicling a way of life that has continued for generations and is fast disappearing.

Hardcover. India, Mapin Publishing Gp Pty Ltd, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publishers shrink-wrap. Indian Heritage in the Photographs of Jean Philippe Vogel, 1901-1913. 191 pages, b&w photographs. Frontis, 1 color map, profuse b/w photos. The early twentieth century proved to be a highly innovate period for Indian historical archaeology and heritage care. This highlights Vogel's contribution to early twentieth-century archaeology, documenting his explorations and excavations.

Hardcover. New York, St. Martin's Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, large square quarto; 309 pages; afterword; index; photographs in black and white (some full-page) on virtually every page; fine in ivory cloth; hinges tight; pages crisp and unmarked; in very good dust jacket, rubbed along top and bottom edges, and light chipping to corners. Classic survey of photographs made for the Farm Security Administration of the 1930's, a chronicle of small-town and rural America produced by 11 gifted photographers, including Walker Evans, Dorothea Lange, Ben Shahn and Carl Mydans; O'Neal's text introduces each of the photographers, followed by generous samples of their work, many never before published, accompanied in most cases by each photographer's own commentary; with a concluding essay by O'Neal and an afterword by Paul S.Taylor, who as a young economist during the New Deal was involved with and gave strong support to the photographic work of his wife, Dorothea Lange.

Hardcover. NY, Atria Books, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 368 pages, illustrated in color and b&w. The definitive biography that unlocks the remarkable story of Vivian Maier, the nanny who lived secretly as a world-class photographer, featuring nearly 400 of her images, many never seen before, placed for the first time in the context of her life. Vivian Maier, the photographer nanny whose work was famously discovered in a Chicago storage locker, captured the imagination of the world with her masterful images and mysterious life. Before posthumously skyrocketing to global fame, she had so deeply buried her past that even the families she lived with knew little about her. No one could relay where she was born or raised, if she had parents or siblings, if she enjoyed personal relationships, why she took photographs and why she didn't share them with others. Now, in this definitive biography, Ann Marks uses her complete access to Vivian's personal records and archive of 140,000 photographs to reveal the full story of her extraordinary life. Based on meticulous investigative research, Vivian Maier Developed reveals the story of a woman who fled from a family with a hidden history of illegitimacy, bigamy, parental rejection, substance abuse, violence, and mental illness to live life on her own terms. Left with a limited ability to disclose feelings and form relationships, she expressed herself through photography, creating a secret portfolio of pictures teeming with emotion, authenticity, and humanity. With limitless resilience she knocked down every obstacle in her way, determined to improve her lot in life and that of others by tirelessly advocating for the rights of workers, women, African Americans, and Native Americans. No one knew that behind the detached veneer was a profoundly intelligent, empathetic, and inspired woman--a woman so creatively gifted that her body of work would become one of the greatest photographic discoveries of the century.

Softcover. Chicago, University of Chicago Press, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, 362 pages, 16 pages of b&w illustrations. Who was Vivian Maier? Many people know her as the reclusive Chicago nanny who wandered the city for decades, constantly snapping photographs, which were unseen until they were discovered in a seemingly abandoned storage locker. They revealed her to be an inadvertent master of twentieth-century American street photography. Not long after, the news broke that Maier had recently died and had no surviving relatives. Soon the whole world knew about her preternatural work, shooting her to stardom almost overnight. But, as Pamela Bannos reveals in this meticulous and passionate biography, this story of the nanny savant has blinded us to Maier's true achievements, as well as her intentions. Most important, Bannos argues, Maier was not a nanny who moonlighted as a photographer; she was a photographer who supported herself as a nanny. In Vivian Maier: A Photographer's Life and Afterlife, Bannos contrasts Maier's life with the mythology that strangers-mostly the men who have profited from her work-have created around her absence. Clean, bright copy.

Hardcover. London/NY, Thames & Hudson , 1st, 2022, Book: Good, Dust Jacket: None, Hardcover, orange cloth, 256 pages. A full-career retrospective on the work of Vivian Maier, bringing together a selection of key works from throughout her life and career. When Vivian Maier's archive was discovered in Chicago in 2007, the photography community gained an immense and singular talent. Maier lived in relative obscurity until her death in 2009, but is now the subject of films and books, and recognized as one of the great American photographers of the 20th century. Cover bumped, remainder line on bottom edge.

Hardcover. London/NY, Thames & Hudson , 1st, 2022, Book: Good, Dust Jacket: None, Hardcover, orange cloth, 256 pages. A full-career retrospective on the work of Vivian Maier, bringing together a selection of key works from throughout her life and career. When Vivian Maier's archive was discovered in Chicago in 2007, the photography community gained an immense and singular talent. Maier lived in relative obscurity until her death in 2009, but is now the subject of films and books, and recognized as one of the great American photographers of the 20th century. Cover bumped, remainder line on bottom edge.

Hardcover. France Loisirs , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Like new in publisher's shrink-wrap. Bastienne Schmidt's photographs are images of both life and death. Mercilessly direct, these pictures from Latin America - the fruits of intensive work over the past few years - bring to an existential fact of our lives, a truth we in western societies are only too happy to hide behind a facade of casual diversions and consumable "beauty"; the immediate presence of death. It takes courage to look at these pictures, for in the faces of these people from another culture we are confronted, violently and with an authenticity we cannot ignore, with the very destiny we refuse to accept. Moreover, Bastienne Schmidt shows us the naked truth that underlies not only our inability to look our own death in the face, but also our tendency to disregard the violent deaths of others, failing to recognize the value of "mere" life as we do, so long as they die far enough away from our own doorsteps.

Hardcover. New York , Harry N. Abrams, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 352 pages. A balanced assessment of this talented and troubled figure. The 350 photographs are richly reproduced and reflect the scope of Smith's work.

Hardcover. NY, Aperture, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 96 pages. Clean copy.

Softcover. New York , Princeton Architectural Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 144 pages, color photography. Portraits of survivalists and their bomb shelters. Clean, bright copy. Ross has documented not only the bomb shelters of the United States, but also examples from Russia; England; China; Vietnam; and Switzerland, where every citizen is required by law to have a shelter.

Softcover. Munich/NY, Schirmer/Mosel, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, a collection of 123 b&w duotone photographs taken by Evans from 1927 to 1948. Essay by Michael Brix. Clean copy.

Hardcover. GR, Hatje Cantz, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Illustrated in b&w. Walker Evans (1903-1975) is, without doubt, one of the most influential American photographers ever, and many of his images have become fixed in the collective memory. But while Evans' uncompromising depiction of poverty during the Great Depression of the 1930s, the subject of a series commissioned by the Farm Security Administration, has become a key chapter in the history of photography, his equally innovative images from later decades have generally commanded less attention. Back in print, this bilingual monograph attempts to redress the balance by examining Evans' complete body of work, and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s (a sequence made possible by an unlimited supply of film from its manufacturer). Evans' re-ascendancy in the 1970s and his relationship with legendary Museum of Modern Art curator John Szarkowski are also closely examined, in this essential and definitive volume on a great photographer who certainly achieved his aim to produce pictures that were "literate, authoritative, transcendent."

Softcover. London, Afterall Books, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Illustrated with b&w and color plates. Kitchen Corner, Tenant Farmhouse, Hale County, Alabama shows a painstakingly clean-swept corner in the house of an Alabama sharecropper. Taken in 1936 by Walker Evans as part of his work for the Farm Security Administration, Kitchen Corner was not published until 1960, when it was included in a new edition of Walker Evans and James Agee's classic Let Us Now Praise Famous Men. The 1960 reissue of Evans and Agee's book had an enormous impact on Americans' perceptions of the Depression, creating a memory-image retrospectively through Walker's iconic photographs and Agee's text. In this latest addition to the Afterall One Work series, photographer Olivier Richon examines Kitchen Corner. The photograph is particularly significant, he argues, because it uses a documentary form that privileges detachment, calling attention to overlooked objects and to the architecture of the dispossessed.

Softcover. London, Afterall Books, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Illustrated with b&w and color plates. Kitchen Corner, Tenant Farmhouse, Hale County, Alabama shows a painstakingly clean-swept corner in the house of an Alabama sharecropper. Taken in 1936 by Walker Evans as part of his work for the Farm Security Administration, Kitchen Corner was not published until 1960, when it was included in a new edition of Walker Evans and James Agee's classic Let Us Now Praise Famous Men. The 1960 reissue of Evans and Agee's book had an enormous impact on Americans' perceptions of the Depression, creating a memory-image retrospectively through Walker's iconic photographs and Agee's text. In this latest addition to the Afterall One Work series, photographer Olivier Richon examines Kitchen Corner. The photograph is particularly significant, he argues, because it uses a documentary form that privileges detachment, calling attention to overlooked objects and to the architecture of the dispossessed.

Softcover. New York, Abrams, reprint, 2004, Book: Very Good, Dust Jacket: None, 368 pages, b&w plates. A reduced format softcover edition of the monumental 1993 edition by the same publisher. 300 duotone photographs that survey every significant aspect of his life and work, from his self-education and early specialization of street-life observations to his three-year involvement with the Farm Security Administration and his breakthrough exhibition at the Museum of Modern Art.

Hardcover. NY, Prestel , 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 320 pages. Some of Walker Evans' most iconic images of 20th-century American culture are showcased in this book celebrating his 50-year career. Walker Evans was one of the most important American photographers of the 20th century. His focus on everyday life in America, in both urban and rural settings, makes him also one of the most relatable. This retrospective volume traces Evans' career through more than 300 images--from his first photographs of the late 1920s to his Polaroids of the 1970s. Organized thematically, the book examines topics such as Evans' relationship with the impresario Lincoln Kirstein, his work in postcards and magazines, and his lifelong exploration of the American vernacular. In addition, this volume features items from the photographer's own collection, including personal writings, signage, postcards, and other ephemera. Through these ancillary objects and a thorough overview of Evans' career, readers will come away with a better understanding of a photographer whose iconic photographs remain timeless.

Hardcover. NY, Museum of Modern Art, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, 106 illustrations. Light edgewear and rubbing to dust jacket. Clean, tight copy.

Softcover. NY, Museum of Modern Art, 3rd pr., 1979, Book: Very Good, Dust Jacket: None, Softcover, 192 pages, 106 illustrations. Clean, tight copy. A reprint of the classic 1971 monograph. Introduction by John Szarkowski.

Softcover. New York, The Metropolitan Museum of Art, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Softcover, 318 pages. B+W and color photographs throughout. Clean and tight copy. Large exhibition catalog. Although his work has received many awards, been enshrined in the best museums, and been exhibited on several continents, Evans's total corpus is only now being fully examined. This important book revises our appreciation of Evans by presenting previously unknown material in an accessible context. Essays by Maria Morris Hambourg, Jeff L. Rosenheim, Doug Eklund, and Mia Fineman offer novel insights into the sources and legacy of Evans's work. The result is a superb exploration of what was achieved by one of our finest, mostly deeply American artists.

Hardcover. New York, Museum of Modern Art , 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, illustrated with 106 b&w photos by Evans. Dust jacket with light edgewear and soil, price-clipped.

Hardcover. Ithaca NY, Three Hills/Cornell University, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 290 pages, b&w photos throughout. Drawing on the experiences of and photographs by a generation of young Jewish photographers who belonged to the New York Photo League, Deborah Dash Moore offers a new perspective on New York as seen through their eyes-a cityscape of working-class people and democratizing public transit. With their cameras, they pictured Gotham's abrasive social milieu and its evanescent textures and light, creating an archive of vernacular images of city life and a distinctive tradition of street photography that would be widely imitated.Walkers in the City documents how these roving, imaginative New Yorkers, entranced by the medium of photography, transformed everyday sights into rousing, joyous, and poignant moments of time, creating visual poetry out of the fabric of social life.

Hardcover. Dresden GR, Verlag der Kunst/Weingarten, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 211 pages. Text in German and English. Survey of the works of the noted American photojournalist, from 1938 to 1980; notable for the documentary photos of Haiti (1958/59) and of the South Bronx (1980). Essays by Rice and Naomi Rosenblum; biographical chronology and selected bibliography. Clean copy.

Hardcover. London, Imperial War Museum, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, 192 pages, hardcover with dust jacket. War time photos from noted photographer. Light fading and edgewear to dust jacket top edge. Foxing to top edge of text block. Unmarked.

Hardcover. Mechanicsburg PA, Stackpole Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, b&w photos. Light scratching to dust jacket front cover. Clean, tight copy. They shot some of the most iconic footage of World War II while risking their lives, yet the stories--and sheer guts--of the U.S. Marine Corps combat cameramen have been overshadowed by the heroism of the men with the rifles. War Shots brings these photographers into sharp focus through the career of Norm Hatch, a true American character whose skill with a camera and knack for being in the right place at the right time thrust him to the fore of the effort to record the Marines at war in the Pacific.

Hardcover. Mechanicsburg PA, Stackpole Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, b&w photos. Light scratching to dust jacket front cover. Clean, tight copy. They shot some of the most iconic footage of World War II while risking their lives, yet the stories--and sheer guts--of the U.S. Marine Corps combat cameramen have been overshadowed by the heroism of the men with the rifles. War Shots brings these photographers into sharp focus through the career of Norm Hatch, a true American character whose skill with a camera and knack for being in the right place at the right time thrust him to the fore of the effort to record the Marines at war in the Pacific.

Hardcover. New York , powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, A behind-the-scenes, in-depth record of his photographic life from 1976 to 1987, Warhol Makos In Context , Christopher Makos' newest book, documents the years he spent at Andy Warhol's side. Over 100 original Makos contact sheets, reproduced in full with the photographer's editing marks and comments, have never before been seen. Warhol Makos In Context features unedited, raw material of his work during the years he saw Warhol almost daily--including the experiences and friends he shared with Warhol, the trips the two and others made together, and scenes of work life at Warhol's 860 Broadway Factory and Makos' West 15th Street studio.

Softcover. NY, New American Library, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. Over one hundred photos of Warhol, his friends and activities. Name on front fly leaf. otherwise clean.

Hardcover. Brooklyn NY, powerHouse Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, Clean copy in a bright dust jacket. Edited by Stephen Daiter. Introduction by Fred Ritchin. Essay by Kerry Tremain. A wide ranging collection of 190 duotone images. Miller's work always contained a peculiar empathy, whether he was photographing American servicemen, Italian street urchins, or Japanese survivors of the atomic bomb, and that ethos extends to his subsequent landmark studies of the famous Bronzeville neighborhood in postwar Chicago.