women

Hardcover. San Francisco, CA, Weldonowen, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Switched On takes you back to a time of looming social and cultural upheaval, when a cadre of energetic, creative, forward-thinking women explored undiscovered fashion terrain, and painted the backdrop for a transformative ten years. Lavishly illustrated with more than 250 photographs from the likes of David Bailey, Bert Stern, Milton H. Greene, Patrick Lichfield, Gianni Penati, Sam Levin, Arthur Evans, Loomis Dean, Susan Wood, Veronique Bucossi, David Hurn, Alan Pappe, Bud Fraker, and Malcolm Bulloch.

Softcover. NY, Sarpedon Publishers, 1st US, 1992, Book: Very Good, Dust Jacket: None, Softcover, 196 pages, b&w illustrations. Includes biographies of the women of the Nazi era, along with rare photos, synopses and credits of their most important films.

Hardcover. NY, Free Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 219 pages. B&W photos. The twentieth-century rise of the automobile collided head on with Victorian prescriptions for the proper role and place of women in society. Gender conventions cast women as too weak, dependent, and flighty to manage the fiery motored beast. Overcoming that stereotype was as difficult for women as gaining access to the vote, the professions, and education, yet their personal feats of driving in both war and peace demolished the gender barriers against their taking the road. After women proved once and for all that they could drive under the worst conditions in World War I, they adapted the automobile to their domestic roles in urban society during the 1920s. Written with flair and verve, this volume displays Scharff's erudition in social, cultural, gender, and technological history.

Softcover. Canberra, ANU Press/Australian National University, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 334 pages. Sorcery and witchcraft practices and beliefs are pervasive across Melanesia. They are in part created by, and give rise to, a wide variety of poor social and developmental outcomes. These include uneven economic development, low public health, lack of social cohesion, crime, fear and insecurity. A further very visible problem is the attacks on men and women who are accused of being practitioners of witchcraft or sorcery, which can lead to serious bodily harm, banishment and sometimes death. Today, many communities, individuals, church organisations and policymakers in Melanesia and internationally are exploring ways to overcome the negative social outcomes associated with witchcraft and sorcery practices and beliefs. This book brings together a collection of chapters written by a diverse range of authors, both Melanesian and non-Melanesian, providing crucial insights both into how these practices and beliefs are playing out in contemporary Melanesia, and also the types of interventions that are being trialled or debated to address the problems associated with them. Some light marking to several pages.

Hardcover. Underwood Books, 1st, 2008, Hardcover in a pictorial slipcase. Fantasy art's most popular painter was also one of the most popular comic book illustrators during the industry's golden age. Telling Stories: The Classic Comic Art of Frank Frazetta celebrates the rare and largely forgotten stories created five decades ago by this iconic artist. These jungle adventures, true-life tales of heroism, and dreamy love stories not only exhibit the skill of a master craftsman but also provide tantalizing glimpses of where the young artist's career would ultimately take him. This collection includes his complete Thunda tales and best romance works like "Untamed Love," "Empty Heart," "A Love of My Own," "The Wrong Road," and "Too Late for Love." These romance stories, often overlooked, feature some of Frazetta's finest works with shapely women, nude statues, and implied sensuality. Also featured are his heroic works such as Heroic Comics, White Indian, and the long-running series ME, alongside Squeeze Play, his one and only solo-drawn story for EC. Additionally, there are rare SF stories such as Captain Comet and Judy of the Jungle, along with his best and most obscure late 1940s works. Still in publisher's shrinkwrap.

Softcover. Chapel Hill NC, The University of North Carolina Press., 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 363 pages, b&w illustrations. Laura Wexler presents an incisive analysis of how the first American female photojournalists contributed to a "domestic vision" that reinforced the imperialism and racism of turn-of-the-century America. These women photographers, white and middle class, constructed images of war disguised as peace through a mechanism Wexler calls the "averted eye," which had its origins in the private domain of family photography.Wexler examines the work of Frances Benjamin Johnston, Gertrude Kasebier, Alice Austen, the Gerhard sisters, and Jessie Tarbox Beals. The book includes more than 150 photographs taken between 1898 and 1904, such as photos Johnston took aboard Admiral Dewey's flagship as it returned home from conquering Manila, Austen's photos of immigrants at Ellis Island, and Beals's images of the St. Louis World's Fair of 1904. In a groundbreaking approach to the study of photography, Wexler raises up these images as "texts" to be analyzed alongside other texts of the period for what they say about the discourses of power. Tender Violence is an important contribution not only to the fields of history of photography and gender studies but also to our growing understanding of U.S. imperialism during this period.

Hardcover. Clover Press , 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. The saga continues in Terry and the Pirates Volume 8, reproduced from Milton Caniff's personal set of color syndicate tabloid proofs. Pat Ryan's bittersweet reunion with the entire Sandhurst family including young daughter Merrily is cut short when they are captured and placed in a Japanese prisoner of war camp. Even worse, human weasel Tony Sandhurst is revealed as an Axis conspirator! Pat revs up an escape for Normandie, Merrily, and himself, but their path to freedom intersects with the Dragon Lady. When the Sandhurst women find themselves on their own behind enemy lines, their privations finally end in the same U.S. Army camp hospital where Terry Lee is recuperating! Terry has happy encounters with nurse Taffy Tucker and aviator Flip Corkin, and a less-pleasant encounter with the conniving redhead known only as Rouge! This tabloid-sized Volume 8 containing the 1942 dailies and Sundays is an unparalleled upgrade that no Terry fan can afford to pass up. Sill in publisher's shrinkwrap. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, Little, Brown & Company, reprint, 2014, Book: Very Good, Dust Jacket: None, Softcover, 237 pages. Clean, unread copy. Originally published in paperback by Fawcett Gold Medal Books, February 1965. To everyone he's every played dice with, Mitch Corley seems like the luckiest guy around. But in truth, Corley's fast hands are the only gift fate's ever given him. He's never held down a steady job, and when it comes to women, his luck might just be the worst of all -- his girlfriend and partner-in-crime Red would double-cross him in a heartbeat if she knew just how short on cash they really were. And if Red ever finds out about the wife Corley neglected to mention, there's a good chance that Corley might not survive the night. At first, Mitch was sure Texas would be the perfect place for him and Red to run their game -- there are players in nearly every back room and side-street across the state and here, the pockets run just a little deeper. But Corley forgot about one thing: Texans don't forgive easily. And there's nothing they hate more than a cheater. Texas by the Tail is a high-spirited, sexy, and ingeniously plotted novel of the grifting life, by a writer who is a virtual encyclopedia of the con, the scam, and the double cross.

Hardcover. London, Pavilion, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Genius innovators in haute couture, AP have commissioned Mike Figgis to portray Kate Moss in her first acting role, resulting in four unique films: "Shadows", "Scale", "Exhibitionist and "Narcissus" - "The 4 Dreams of Miss X". Shot in night vision, these films are intensely intimate: a beautiful woman's private dream experiences. Two films have been released online in 2006, with the final two released in January and March 2007. Brought together for the first time on DVD, you can now enjoy Kate Moss' first ever speaking role at home and full screen.

Softcover. NY, New York Review Books, 1st US., 2005, Book: Very Good, Dust Jacket: None, Softcover, 488 pages. In the seventeenth and eighteenth centuries, between the reign of Louis XIII and the Revolution, French aristocratic society developed an art of living based on a refined code of good manners. Conversation, which began as a way of passing time, eventually became the central ritual of social life. In the salons, freed from the rigidity of court life, it was women who dictated the rules and presided over exchanges among socialites, writers, theologians, and statesmen. They contributed decisively to the development of the modern French language, new literary forms, and debates over philosophical and scientific ideas. With a cast of characters both famous and unknown, ranging from the Marquise de Rambouillet to Madame De Stael was a, and including figures like Ninon de Lenclos, the Marquise de Sevigne, and Madame de Lafayette, as well as Pascal, La Rochefoucauld, Diderot, and Voltaire, Benedetta Craveri traces the history of this worldly society that carried the art of sociability to its supreme perfection-and ultimately helped bring on the Revolution that swept it all away. Clean copy.

Softcover. Cambridge MA, Harvard University Press, 1st pbk, 2009, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. Michael Rosenfeld offers a new theory of family dynamics to account for the interesting and startling changes in marriage and family composition in the United States in recent years. His argument revolves around the independent life stage that emerged around 1960. This stage is experienced by young adults after they leave their parents' homes but before they settle down to start their own families. During this time, young men and women go away to college, travel abroad, begin careers, and enjoy social independence. This independent life stage has reduced parental control over the dating practices and mate selection of their children and has resulted in a sharp rise in interracial and same-sex unions--unions that were more easily averted by previous generations of parents. Clean copy.

Hardcover. NY, Dutton's Children's Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 271 pages. Wrap-around jacket art by Trina Schart Hyman. Lucian, a young man of ancient Greece's Arkadia, embarks on a classical quest of danger, daring, and romance and encounters a remarkable cast of heroes, poets, seamen, horsemen, wise women, kings, and peasants. Clean copy.

New York, Dutton, 1st US, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 271 pages. Wrap-around jacket art by Trina Schart Hyman. Lucian, a young man of ancient Greece's Arkadia, embarks on a classical quest of danger, daring, and romance and encounters a remarkable cast of heroes, poets, seamen, horsemen, wise women, kings, and peasants.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2024, Hardcover in a bright dust jacket, 256 pages illustrated in color. An exploration of late nineteenth-century American literary posters. a vibrant genre at the vanguard of modern commercial art and graphic design spurred by innovations in printing technology, the modern poster emerged in the 1890s as a popular form of visual culture in the United States. Created by some of the best-known illustrators and graphic designers of the period including Will H. Bradley, Florence Lundborg, Edward Penfield, and Ethel Reed these advertisements for books and high-tone periodicals such as Harper's and Lippincott's went beyond the realm of commercial art, incorporating bold, stylized imagery and striking typography. This book, based on the renowned Leonard A. Lauder Collection, explores the craze for literary posters, which became sought after collectibles even in their day. It offers new scholarly perspectives that address the aesthetic sophistication and modernity of the literary poster; the impact of early experiments in the field of advertising psychology; the expanded opportunities for women artists, who played an important role in advancing the so-called poster style; and the printmaking techniques that artists employed in this novel art form. A lively survey of a little-known but highly influential period in graphic design,

Softcover. Durham NC, Duke University Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 384 pages. Noel Burch and Genevieve Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940-44). The authors contend that the films produced from the 1930s until 1956--when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"--are important, both as historical texts and as sources of entertainment.Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that films made in France between 1930 and 1956 created a national imaginary that equated masculinity with French identity. They track the changing representations of masculinity, explaining how the strong patriarch who saved fallen or troubled women from themselves in prewar films gave way to the impotent, unworthy, or incapable father figure of the Occupation. After the Liberation, the patriarch reemerged as protector and provider alongside assertive women who figured as threats not only to themselves but to society as a whole. Still in publisher's shrinkwrap.

NY, St. Martin's Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A masterful, definitive, and eloquent look at the enormous cultural and economic impact on America of New England's textile mills. The author, an award-winning CBS producer, traces the history of American textile manufacturing back to the ingenuity of Francis Cabot Lodge. The early mills were an experiment in benevolent enlightened social responsibility on the part of the wealthy owners, who belonged to many of Boston's finest families. But the fledgling industry's ever-increasing profits were inextricably bound to the issues of slavery, immigration, and workers' rights. William Moran brings a newsman's eye for the telling detail to this fascinating saga that is equally compelling when dealing with rags and when dealing with riches. Clean copy.

Hardcover. Ontario CA, Wilfrid Laurier University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 201 pages. Clean, bright copy. "Parker has produced a clear and well-researched study of an aspect of Locke's thought that theologians may have tended to miss because it is to do with politics, and that political theorists may have tended to overlook because it involves the Bible and theology. For this he is to be congratulated. Theologians today may also learn from the debate between Filmer and Locke the profoundly unsatisfactory character of attempts to resolve contemporary issues, whether in politics, society, or religion, by imaginative and inventive applications of stray texts. In this respect what is past gives a warning to the present. How will current debates citing biblical texts (for example, in debates about the treatment of homosexuals, or about the consecration of women, or about divine intervention and design in creation) be seen in centuries hence? Those who, with Locke, confidently condemn the speck distorting Filmer's religio-political view, must examine whether, what they see is free from distortion by the `learned Gibberish' of inherited prejudices and convictions. It is to Parker's credit that this useful contribution to the history of thought also raises controversial contemporary challenges.''

Hardcover. NY, Abrams Press, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrations, 470 pages with index. A groundbreaking, timely history of the largely unknown early days of Black basketball, bringing to life the trailblazers, entertainers, gangsters, and supremely talented athletes who made the game From the introduction of the game of basketball to Black communities in 1904 to the integration of the NBA in 1950, there was a full era in the development of the game. It was a time when Black players were discriminated against and opportunities were limited, but entrepreneurial men and women nurtured the game and breathed life into a sport they loved. This period was known as the Black Fives Era (teams at the time were often called "fives"), and was akin to the golden age of the Negro Leagues. But despite fierce rivalries between big-city clubs, innovative managers, and star players, this period is almost entirely unknown to basketball fans. Claude Johnson has made it his mission to change that. An advocate fiercely committed to our history, for more than two decades Johnson has conducted interviews, mined archives, collected artifacts, and helped to preserve an important, culturally rich era that otherwise would have been lost. The Black Fives is the result of his work, a landmark narrative history that will braid together the stories of these forgotten pioneers and rewrite our understanding of the story of basketball.

Hardcover. NY, One World/Ballantine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A fictional narrative base on the life of America's first black female millionaire. Born to former slaves on a Louisiana plantation in 1867, Madam C.J. Walker rose from poverty and indignity to become America's first black female millionaire, the head of a hugely successful company, and a leading philanthropist in African American causes. Renowned author Alex Haley became fascinated by the story of this extraordinary heroine, and before his death in 1992 he embarked on the research and outline of a major novel based on her life. Now with The Black Rose, critically acclaimed writer Tananarive Due brings the work to inspiring completion. "I got my start by giving myself a start," Madam C.J. was fond of saying as she recounted her transformation from the uneducated laundress Sarah Breedlove to a woman of wealth, culture, and celebrity. Madam C.J. was nearing forty and married to a maverick Denver newspaperman when the wonder-working hair care method she discovered changed her life. Seemingly overnight, she built a marketing empire that enlisted more than twenty thousand bright young African American women to demonstrate and sell her products door-to-door. By the time she died in 1919, Madam C.J. Walker had constructed her own factory from the ground up, established a training school, and built a twenty-room mansion at Irvington on the Hudson, New York, called Villa Lawaro.

Softcover. London, Routledge, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 325 pages with index, b&w illustrations. An outstanding piece of scholarship and a fascinating read, The Body Emblazoned is a compelling study of the culture of dissection the English Renaissance, which informed intellectual enquiry in Europe for nearly two hundred years. In this outstanding work, Jonathan Sawday explores the dark, morbid eroticism of the Renaissance anatomy theatre, and relates it to not only the great monuments of Renaissance art, but to the very foundation of the modern idea of knowledge.Though the dazzling displays of the exterior of the body in Renaissance literature and art have long been a subject of enquiry, The Body Emblazoned considers the interior of the body, and what it meant to men and women in early modern culture. Clean, bright copy.

Softcover. UK, Cambridge University Press, reprint, 2011, Book: Very Good, Dust Jacket: None, Softcover, 231 pages, b&w illustrations. The Chinese peoples' experience of war during the Second World War, as it is known in the West, was one of suffering and stoicism in the face of dreadful conditions. China's War of Resistance began in 1937 with the Japanese invasion and ended in 1945 after eight long years. Diana Lary, one of the foremost historians of the period, tells the tragic history of China's war and its consequences from the perspective of those who went through it. Using archival evidence only recently made available, interviews with survivors, and extracts from literature, she creates a vivid and highly disturbing picture of the havoc created by the war, the destruction of towns and villages, the displacement of peoples, and the accompanying economic and social disintegration. Her focus is on families torn apart, men, women, and children left homeless and struck down by disease and famine. It is also a story of courage and survival. By 1945, the fabric of China's society had been utterly transformed, and entirely new social categories had emerged. As the author suggests in a new interpretation of modern Chinese history, far from stemming the spread of communism from the USSR, which was the Japanese pretext for invasion, the horrors of the war, and the damage it created, nurtured the Chinese Communist Party and helped it to win power in 1949. Clean copy.

Softcover. Minneapolis, University of Minnesota Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 135 pages. The author has collected, arranged, and annotated picture postcards of Algerian women produced and sent by the French during the first three decades of the 20th century. From this album emerges a powerful analysis of the distorting, denigrating effects of the French colonial presence on Algerian society. Alloula's reading of the pohotographs locates them in their historical context and examines them through the lens of contemporary critical theory. Wraps with light edgewear, clean.

Hardcover. NY, Grove Press, 1st US, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 165 pages. Cast as an accidentally discovered memoir written by a nameless young woman, the Spanish dramatist's newly translated work is more fable and parable than conventional novel. Its 18-year-old narrator/heroine, a kind of beautiful, seductive queen bee, shares a crumbling mansion with her aged father, the "Maimed One," and two women called "The Sisters." She has two principal activities: one is speculation on hierarchies in nature and societya persistent inquiry into the relation of human and insect behavior; the other is the dexterous use of a barber's straight razor, slashing the throats of casual acquaintances just as they reach the throes of sexual rapture. Her few friendsan adoring suma wrestler, a painter with bizarre tastesreveal their own oddities. To pass the time, they plan an orgy featuring paranoics, "depraved couples," sado-masochists and even the notorious Marquis de Sade. The reader never doubts that the speaking voice and questioning mind belong not to the beguiling and terrifying girl but to Arrabal himself. Clean copy.