Film & Movies

n/p, 1975, Book: Very Good, One glossy b&w photograph, shoulder portrait, SIGNED BY BENJAMIN. Date unknown but most likely mid-1970s.

Hardcover. Louisville KY, Touchstone Publishing , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, unclipped. Griffith's autobiography was never finished (Griffith died in 1948), here edited and annotated by James Hart, who was a friend of the filmmaker late in his life. Griffith was the leading exponent in the 'blockbuster' genre of popular film, but with style. Chronologic listing of his innovative works, all profusely illustrated. Forward by Frank Capra. Clean copy.

Hardcover. NY, Phaidon Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages, illustrated in color and b&w. Marlon Brando (1924-2004) is an icon in the history of American cinema. When he passed away in 2004, The New York Times remember 'the rebellious prodigy who electrified a generation and forever transformed the art of screen acting... a truly revoluntionary presence.' From his beginnings in A Streetcar Named Desire (1951) to his mythic performances The Godfather (1972) and Apocalypse Now (1979), Brando, who worked with such famous film stars as Elizabeth Taylor and Al Pacino, and such leading directors as Elia Kazan, John Huston and Francis Ford Coppola, has become a benchmark for other actors. Clean copy.

Hardcover. New York, Hyperion, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 194 pages, b&w and color illustrations. Light rubbing to dust jacket corners. Else a very clean, tight copy. Nowadays, much of the " grunt-work " of producing an animated film is alleviated by the use of computers and complex animation programs; however, at one time, all of this work had to be done by hand, by teams of artists and animators under the direction of a studio head. This book takes as its example, the Walt Disney film " Snow White and the Seven Dwarfs " , guiding the reader step-by-step through the entire process, from background and character design, through special effects and final compositing and editing. With the gorgeous imagery of this film classic as a backdrop, the reader gains a minute understanding of the work that was once involved in bringing an animated screen classic to life.

Softcover. NY, Applause, 1st thus, 1997, Book: Very Good, Dust Jacket: None, Softcover, 492 pages. Marathon Man, Butch Cassidy and the Sundance Kid, The Princess Bride, Misery. Sticker residue on back cover otherwise clean.

Hardcover. NY, Disney Editions, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, A study of a top animation designer and graphic artist who influenced the look of many Disney films. 110 pages, illustrated in color. Foreward by Roy Disney. Small bump to corner, dust jacket with slight rubbing. Otherwise, clean and tight.

Hardcover. Taschen, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, In this sumptuous over-sized volume, Taschen celebrates a remarkably candid, confident and exuberantly sexual woman: the Latina porn star Vanessa Del Rio. Presented through Vanessa's own archive, in her own words, is a life at once shocking, titillating, amusing, and inspiring. And because paper and ink can't do justice to a personality this big, an original 140 minute DVD documentary is included. First Trade Edition. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Grove Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 578 pages, b&w photos. In a bright, unclipped dust jacket. Remainder line on top edge, otherwise clean. The first major biography of David Samuel Peckinpah, who began writing scripts for Gunsmoke, The Rifleman, and The Westerner and went on to direct phenomenal films such as Riding the High Country, Straw Dogs, The Getaway, Pat Garrett and Billy the Kid, and The Wild Bunch.

Softcover. West Plains, MO, Bruce Hershenson, 1st, nd, Book: Very Good, Dust Jacket: None, Softcover. Color reproductions of old cowboy movie posters. Light shelfwear.

Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 295 pages, b&w photos. In a bright dust jacket that has 1/2" gone from bottom of spine. Otherwise very good.

Softcover. Durham NC, Duke University, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 301 pages, b&w photos. Clean, bright copy.

Hardcover. London, Gollancz, 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover, 70 b&w photos in text, dj soiled, worn.

Hardcover. New York, Viking Studio, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 271 pages including an Index and a Chronology of Hanna-Barbera Animated Series. Color illustrations throughout. SIGNED BY BOTH HANNA AND BARBERA.

Hardcover. NY, Knopf, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 332 pages, b&w photos. How the formation of the Screen Writers Guild and the political passions it aroused among Hollywood's writers, actors, directors, and producers in the 1930s and 40s shattered the closely knit community and led to the blacklist years. Clean in a bright dust jacket with light edgewear.

Softcover. Republic of Macedonia, Slovo, 2nd, 1995, Book: Very Good, Dust Jacket: None, 309 pages, SIGNED BY AUTHOR on title page, bilingual English/Russian text. Light edge wear, otherwise, very clean and bright.

Hardcover. NY, Harcourt Brace and World, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 178 pages. The first biographical and critical study of the most prolific and widely read living author. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages, b&w illustrations, index. He was, according to Pauline Kael, "the greatest American screenwriter." Jean-Luc Godard called him "a genius" who "invented 80 percent of what is used in Hollywood movies today." Besides tossing off dozens of now-classic scripts--including Scarface,Twentieth Century, and Notorious--Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe, and later he became a fierce propagandist for pre-1948 Palestine's Jewish terrorist underground. Whatever the outrage he stirred, this self-declared "child of the century" came to embody much that defined America--especially Jewish America--in his time. Hecht's fame has dimmed with the decades, but Adina Hoffman's vivid portrait brings this charismatic and contradictory figure back to life on the page. Hecht was a renaissance man of dazzling sorts, and Hoffman--critically acclaimed biographer, former film critic, and eloquent commentator on Middle Eastern culture and politics--is uniquely suited to capture him in all his modes.

Hardcover. NY, Mason/Charter, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 181 pages, b&w photos. The life story of the 1930's Hollywood superstar, who is still popular today. Clean copy.

Hardcover. New York, Holt, Rinehart and Winston, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 239 pages. Illustrated with full color and black & white photographs. Clean, tight copy. Important career study of the late director that was first published in France. The book covers his films through "The Shining." Includes essays, interviews 100's of b&w & color stills & photos along with filmog. & biblio.

Softcover. Durham NC, Duke University Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 384 pages. Noel Burch and Genevieve Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940-44). The authors contend that the films produced from the 1930s until 1956--when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"--are important, both as historical texts and as sources of entertainment.Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that films made in France between 1930 and 1956 created a national imaginary that equated masculinity with French identity. They track the changing representations of masculinity, explaining how the strong patriarch who saved fallen or troubled women from themselves in prewar films gave way to the impotent, unworthy, or incapable father figure of the Occupation. After the Liberation, the patriarch reemerged as protector and provider alongside assertive women who figured as threats not only to themselves but to society as a whole. Still in publisher's shrinkwrap.

Softcover. Chicago, Chicago Review Press , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 320 pages, b&w illustrations. The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and The Simpsons' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for Rugrats, Alf Clausen about composing for The Simpsons, Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about Casper the Friendly Ghost, Richard Stone about his music for Animaniacs, Joseph Lanza about Ren and Stimpy, and much, much more. Clean copy.

Hardcover. NY, Abrams, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The director Michael Cimino (1939-2016) is famous for two films: the intense, powerful, and enduring Vietnam movie The Deer Hunter, which won Best Picture at the Academy Awards in 1979 and also won Cimino Best Director, and Heaven's Gate, the most notorious bomb of all time. Originally budgeted at $11 million, Cimino's sprawling western went off the rails in Montana. The picture grew longer and longer, and the budget ballooned to over $40 million. When it was finally released, Heaven's Gate failed so completely with reviewers and at the box office that it put legendary studio United Artists out of business and marked the end of Hollywood's auteur era.Or so the conventional wisdom goes. Charles Elton delves deeply into the making and aftermath of the movie and presents a surprisingly different view to that of Steven Bach, one of the executives responsible for Heaven's Gate, who wrote a scathing book about the film and solidified the widely held view that Cimino wounded the movie industry beyond repair. Elton's Cimino is a richly detailed biography that offers a revisionist history of a lightning rod filmmaker. Based on extensive interviews with Cimino's peers and collaborators and enemies and friends, most of whom have never spoken before, it unravels the enigmas and falsehoods, many perpetrated by the director himself, which surround his life, and sheds new light on his extraordinary career. This is a story of the making of art, the business of Hollywood, and the costs of ambition, both financial and personal.

Hardcover. NY, Harry N Abrams , Revised Ed., 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 208 pages. This generously illustrated volume, now fully updated, which provides a rare view of the 35-year film collaboration of producer Ismail Merchant, screenwriter Ruth Prawer Jhabvala, and director James Ivory. Merchant Ivory's films have long been distinguished by their literate character, superb ensemble acting, and refusal to bow to passing cinematic trends. This book, originally published in 1991, has been revised to include Merchant Ivory's most recent films -- Howard's End, The Remains of the Day, Jefferson in Paris, Surviving Picasso, and The Proprietor -- as well as a discussion of their upcoming projects. Clean copy.

Hardcover. University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 279 pages, b&w photos. With a career that spanned from the silent era to the 1990s, British screenwriter Charles Bennett (1899-1995) lived an extraordinary life. His experiences as an actor, director, playwright, film and television writer, and novelist in both England and Hollywood left him with many amusing anecdotes, opinions about his craft, and impressions of the many famous people he knew. Among other things, Bennett was a decorated WWI hero, an eminent Shakespearean actor, and an Allied spy and propagandist during WWII, but he is best remembered for his commercially and critically acclaimed collaborations with directors Sir Alfred Hitchcock and Cecil B. DeMille. The fruitful partnership began after Hitchcock adapted Bennett's play Blackmail (1929) as the first British sound film. Their partnership produced six thrillers: The Man Who Knew Too Much (1934), The 39 Steps (1935), Sabotage (1936), Secret Agent (1936), Young and Innocent (1937), and Foreign Correspondent (1940). In this witty and intriguing book, Bennett discusses how their collaboration created such famous motifs as the "wrong man accused" device and the MacGuffin. He also takes readers behind the scenes with the Master of Suspense, offering his thoughts on the director's work, sense of humor, and personal life.

Hardcover. NY, Abbeville Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 408 pages, b&w illustrations. This remarkable collection of stories, hand-picked from the archive of legendary New York Post columnist Leonard Lyons by his son, film critic Jeffrey Lyons, will transport readers back to the sparkling peak of New York City nightlife. This was the time when notables of every sort--film producers and stars, writers, politicians, comedians, athletes, and artists--gathered nightly at such famed restaurants and nightclubs as Sardi's, the Stork Club, and the Copacabana. From 1934 to 1974, Leonard Lyons was a fixture at these clubs, befriending celebrities of all stripes and gathering exclusive tidbits for his syndicated newspaper column, The Lyons Den. What a Time It Was! offers candid portraits of stars and statesmen at work and at play--especially at play--but still, effortlessly, larger than life. Illustrated with snapshots and glamour shots, it offers a unique window onto the lives of iconic figures from Ethel Barrymore and Muhammad Ali to Tennessee Williams and Jackie Kennedy, as well as their favorite haunts. Here are four decades of popular culture seen from the front row, by a man who said, "Give me lights and sound and people, and music into the night. Late into the night!"

Hollywood CA, 20th Century Fox, 1980, Two b&w glossy photos. 1) Adam Baldwin, Matt Dillon and Chris Makepeace. 2) Matt Dillon and his campus crew.

Softcover. reprint, Book: Very Good, Dust Jacket: None, Unknown publisher. Pink paper wrappers, 8 1/2 by 11", 137 pages, xeroxed pages, 3-hole punched and bound with metal brads. No date but code on top of pages reads #PF-134. Clean.

Hardcover. New York, Grove Press, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, Illustrated in b&w. Very good condition. Dust jacket spine tanned, one small tear and crease at bottom back.

Hardcover. Los Angeles, Really Great Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 265 pages.From the co-creator of "Mr. Magoo," and screenwriter for "Gun Crazy" (1950, front for Dalton Trumbo), "Unknown World" (1951), "Bad Day at Black Rock" (1955), and "Klansman" (1974), Millard expands on the craft of screenwriting. Clean copy.

Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. US, The Curated Collection, 1st, 2013, Book: Very Good, Dust Jacket: None, 224 pages. Like new in publisher's shrink-wrap. A visual journey of over 300 photographs with fashion's most cutting-edge photographers, designers and stylists exposes the ominously beautiful obsession with the bad boy aesthetic and reveals what draws us into the darkness, providing a daring testament to the love affair with the gloomy, sultry side of Rock 'n' Roll. Divided into five chapters that explore the different dark sides of high fashion: Dark Angel, Vamp Glam, Tribal Nomad, Hard Rock, and Future Punk.

Softcover. New York, Walt Disney Productions, 1st, 1940, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, program for original release of Fantasia, stapled binding, color plates taken from the book "Walt Disney's Fantasia," b&w photographs, color illustrations. Light wear to edges and corners of cover, some light foxing to front cover; in very good condition overall.

Hardcover. Atglen PA, Schiffer Fashion Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This nostalgic look at children's costume, from 1860 to 1920, reveals diverse cultural influences on its manufacture and design. More than 300 historic photographs, fashion plates, and selections from vintage catalogs and magazines, plus 115 color images, show examples of costume and accessories. See infants in period dress plus school-aged and teen fads and trends. Learn about the history of clothing use and development, fabric types, conservation and storage of textiles, and artistic inspiration, all arranged by decade. All types of clothing are represented, including christening gowns; boys' breeches, knickerbockers, and sack suits; swimwear and underwear; bloomers and blouses; fur, feather boas, and frocks; sailor suits and uniforms; collars and belts; capes and hoods; lingerie and dresses; sweaters and cardigans; overalls; and many more. Whether you are interested in clothing children wore in 1920 or to church in the Victorian era, this reference is a fun and evocative collection. Clean copy.

Hardcover. Scranton PA, Newmarket, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with 72 photos and 19 posters. Based on interviews conducted over a period of 18 months. Fascinating and instructive comments by Kazan on his casting decisions, directorial techniques and perceptions, etc. All 19 of Kazan's films are discussed, including: A Tree Grows in Brooklyn (1947), Gentleman's Agreement (1947), A Streetcar Named Desire (1951), On the Waterfront (1954), East of Eden (1955), etc. Also recounted here are his role in the McCarthy era, his controversial testimony before the House Un-American Activities Committee in 1952, his thoughts about the blacklist, and involvement with the Communist Party. Filmography. Credits. Bibliography. Index. Clean copy.

Hardcover. Washington.DC, Smithsonian, 1st , 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations.

Softcover. Berkeley CA, University of California Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 274 pages, color illustrations, very good paperback & cover (exhibition catalog) The essays are: the art of visual culture: comics; graphic novels; animated cartoons; computer & video games: anime; manga; visual art.

Hardcover. American Icon Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 302 pages, color and b&w photos. In the 1960s, Steve McQueen was the biggest movie star of his generation and one of the coolest men to ever walk the planet. In this book, Greg Laurie follows Steve McQueen's fearless life of fast cars, women, and drugs all the way up to his dramatic life-change and terminal cancer diagnosis. Very good in a bright dust jacket.

Softcover. Chicago, Chicago Review Press, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 322 pages, b&w illustrations. An essential piece of Disney history has been unreported for eighty years.Soon after the birth of Mickey Mouse, one animator raised the Disney Studio far beyond Walts expectations. That animator also led a union war that almost destroyed it. Art Babbitt animated for the Disney studio throughout the 1930s and through 1941, years in which he and Walt were jointly driven to elevate animation as an art form, up through Snow White, Pinocchio, and Fantasia.But as America prepared for World War II, labour unions spread across Hollywood. Disney fought the unions while Babbitt embraced them. Soon, angry Disney cartoon characters graced picket signs as hundreds of animation artists went out on strike. Adding fuel to the fire was Willie Bioff, one of Al Capones wiseguys who was seizing control of Hollywood workers and vied for the animators union.Using never-before-seen research from previously lost records, including conversation transcriptions from within the studio walls, author and historian Jake S. Friedman reveals the details behind the labour dispute that changed animation and Hollywood forever. Clean copy.

Hardcover. NY, Harper, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 741 pages. From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly three thousand interviews, involving four hundred voices from the industry, Hollywood: The Oral History, lets a reader listen in on candid remarks from the biggest names in front of the camera-Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd-to the biggest behind it-Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the lesser known individuals that shaped what was heard and seen on screen: musicians, costumers, art directors, cinematographers, writers, sound men, editors, make-up artists, and even script timers, messengers, and publicists. The result is like a conversation among the gods and goddesses of film: lively, funny, insightful, historically accurate and, for the first time, authentically honest in its portrait of Hollywood. Its the insiders story.Clean, bright copy.

Hardcover. NY, Viking Press , 3rd pr., 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. The misadventures of the author, W. C. Fields, John Barrymore and John Decker in attempting to write the biography of the colorful Hollywood character, Sadakichi Hartmann. Clean copy.

Hardcover. Pittsburgh PA, Bissell Block Publishing, 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover in tan cloth with gilt lettering. SIGNED BY AUTHOR in pencil, dated 1913 on a prelim page. 192 pages, 29 illustrations: halftone plates of river, scenery, oil, rigs, glass-making, bridges, mills, comic drawings, few signed Syd Smith.

Softcover. New York, Simon and Schuster, 1st, 1969, Book: Very Good, Dust Jacket: None, 188 pages. Softcover. Illustrated with black & white photographs. Darkening to spine, light wear. Clean, unmarked text.

Hardcover. NY, Henry Holt, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. An up close and personal portrait of a legendary filmmaker, theater director, and comedian, drawing on candid conversations with his closest friends in show business and the arts-from Dustin Hoffman and Meryl Streep to Natalie Portman and Lorne Michaels. The work of Mike Nichols pervades American cultural consciousness-from The Graduate and Who's Afraid of Virginia Woolf? to Angels in America, The Birdcage, Working Girl, and Primary Colors, not to mention his string of hit plays, including Barefoot in the Park and The Odd Couple. If that weren't enough, he was also one half of the timelessly funny duo Nichols & May, as well as a founding member of the original improv troupe. Over a career that spanned half a century, Mike Nichols changed Hollywood, Broadway, and comedy forever. Most fans, however, know very little of the person behind it all. Since he never wrote his memoirs, and seldom appeared on television, they have very little sense of his searching intellect or his devastating wit. They don't know that Nichols, the great American director, was born Mikail Igor Peschkowsky, in Berlin, and came to this country, speaking no English, to escape the Nazis. They don't know that Nichols was at one time a solitary psychology student, or that a childhood illness caused permanent, life-altering side effects. They don't know that he withdrew into a debilitating depression before he "finally got it right," in his words, by marrying Diane Sawyer. Remainder dot to bottom edge otherwise clean.

Softcover. NY, Taschen, 2019, Book: Very Good, Dust Jacket: None, Softcover. 12 X 12". 96 pages, color throughout. In 1968, when 2001: A Space Odyssey was released, the world was watching and waiting for man to take his first step on the moon. Stanley Kubrick's seminal film, with its innovative special effects and haunting score, offered audiences what felt like a realistic glimpse of the future. It served, more importantly, as a humbling testament to the limitations of human capabilities in the face of other life forms. From the dawn of man to outer space to contact with mysterious alien forces, 2001 takes the viewer on an epic, unforgettable, mind-expanding journey. This collection is part of the Making of a Masterpiece series, offering a behind-the-scene glimpse into cinematic milestones. This set includes: film stills, behind-the-scenes photographs, screenplay drafts, and other exclusive material from Stanley Kubrick's archives, background about the making of the film, interviews with Kubrick, and an illustrated biography and a fold-out film poster and DVD of the re-mastered film. Still in shrinkwrap.

Softcover. Prima Publishing, 3rd pr., 1997, Book: Very Good, Dust Jacket: None, Softcover, 239 pages, b&w illustrations. The campy, quasi-classical, pun-intended orgy for the eyes is the top-rated action hour on syndicated TV. But did you know that Xena star Lucy Lawless is a woman of many talents in her own right? Author Nadine Crenshaw tells all about the star and the show. Xena X-Posed reveals everthing you want to know about Xena, including: Biographies of Lucy Lawless, Renee O'Connor, and others from the Xena clan - A behind-the-scenes look at the origins and production of the show - A complete episode guide to the first two seasons. Clean copy.

Softcover. NY, Harry N. Abrams, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. An entertaining collection celebrating the work of cutting-edge animation filmmakers features frame grabs, production stills, original artwork, behind-the-scenes photographs, and interviews from twenty-five years of teh Spike & Mike Festival of Animation, with works by Nick Park and Peter Lord of Aardman, John Lasseter, Craig McCracken, Mike Judge, and others.

Hardcover. US, Walt Disney Family Foundation Press, 1sr, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages. Clean, unmarked copy with only minor wear to dust jacket. Black and white & color photographs. In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi's 1883 Italian children's novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry.

NY, Farrar, Straus and Giroux, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 399 pages, b&w illustrations. In Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award-winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness. Clean copy.

Hardcover. NY, Pantheon , 1st US, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 123 pages, b&w photos.