Hardcover. NY, Simon & Schuster , 2nd pr., 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, Illustrated wth 12 b/w cartoons by George Price. A wry and witty history of the American motion picture by a giant of the industry. Postcard of Brown Derby Restaurant laid-in.
Softcover. Canada, Art Gallery of Ontario, Toronto, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. This survey of Schnabel's career to date presents the artist's painterly production, from the 1970s through to the present, juxtaposing his large-scale paintings with his numerous critically acclaimed movies-'Basquiat' (1996), 'Before Night Falls' (2000), 'The Diving Bell and the Butterfly' (2007) and his newest film 'Miral,' which addresses the Palestinian-Israeli conflict. The complete scripts of each of these movies are featured, punctuated with stills chosen by Schnabel. Published for the Art Gallery of Ontario's 2010 survey, 'Julian Schnabel: Art and Film' is the first appraisal of how Schnabel works across media, bridging painting, writing and cinema. 447 pages.
Hardcover. New York , The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, 375 pages, many b&w, some color illustrations. A stunning catalog from the world-renowned film archives of The Museum of Modern Art, New York. From Charlie Chaplin to Andy Warhol to Martin Scorsese, Still Moving contains over 500 stills from silent, documentary, animated, avant-garde, independent and Hollywood movies, representing the complete art and history of the moving image. Color printed boards.
Hardcover. NY, Holt, Rinehart and Winston, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 341 pages, b&w photos. In a nice, unclipped dust jacket. From Margaret Drabble: "[Bogarde]...is also a lively and interesting writer; his books are in a different class from the ghosted, pedestrian or anecdotal memoirs which so many stars of stage and screen produce..."
Hardcover. NY, Viking, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 404 pages, b&w photos. The author offers an account of the life and film career of the "Love Goddess" whose smoldering image hid a tragic secret which fame and love affairs with glamorous men could do nothing to heal. In a bright, unclipped dust jacket. Remainder line on bottom edge.
Hardcover. NY, McGraw-Hill, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 792 pages, b&w illustrations. David Robinson who was given unbridled access to Chaplin's records documents Chaplin's life from his childhood in London to his death in Switzerland. Great attention is given to his film making methods especially the great classics. The book contains many photos and over a hundred pages of appendices.
Hardcover. NY, Abbeville Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 408 pages, b&w illustrations. This remarkable collection of stories, hand-picked from the archive of legendary New York Post columnist Leonard Lyons by his son, film critic Jeffrey Lyons, will transport readers back to the sparkling peak of New York City nightlife. This was the time when notables of every sort--film producers and stars, writers, politicians, comedians, athletes, and artists--gathered nightly at such famed restaurants and nightclubs as Sardi's, the Stork Club, and the Copacabana. From 1934 to 1974, Leonard Lyons was a fixture at these clubs, befriending celebrities of all stripes and gathering exclusive tidbits for his syndicated newspaper column, The Lyons Den. What a Time It Was! offers candid portraits of stars and statesmen at work and at play--especially at play--but still, effortlessly, larger than life. Illustrated with snapshots and glamour shots, it offers a unique window onto the lives of iconic figures from Ethel Barrymore and Muhammad Ali to Tennessee Williams and Jackie Kennedy, as well as their favorite haunts. Here are four decades of popular culture seen from the front row, by a man who said, "Give me lights and sound and people, and music into the night. Late into the night!"
Softcover. NY, British Film Institute/Palgrave, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 119 pages, b&w photos, Cleo de 5 a 7, Agnes Varda's classic work of 1962 depicts, in near real time, ninety minutes in the life of Cleo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda, the only major female French director of the period, never considered herself a member of the core Cahiers du Cinema group of critics turned filmmakers. Ungar provides a close reading of the film and situates it in its social, political and cinematic context, tracing Varda's early career as a student of art history and a photographer, the history of post-war French film, and the lengthy Algerian war to which Cleo's health concerns and ambitions to become a pop singer make her more or less oblivious. His study is the first to set a reading of Cleo's formal and technical complexity alongside an analysis of its status as a document of a specific historical moment.
Hardcover. Lanham MD, Rowman & Littlefield, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen--as a talented director, producer, entrepreneur, and humanitarian. Bill Duke: My 40-Year Career on Screen and behind the Camera is the memoir of a Hollywood original. In an industry that rarely embraces artists of color, Duke first achieved success as an actor then turned to directing. After helming episodes of ratings giants Dallas, Falcon Crest, Hill Street Blues, and Miami Vice, Duke progressed to feature films like A Rage in Harlem, Deep Cover, Hoodlum, and Sister Act 2. In this candid autobiography, Duke recalls the loving but stern presence of his mother and father, acting mentors like Olympia Dukakis, and the pitfalls that nearly derailed his career, notably an addiction to drugs. Along the way, readers will encounter familiar names like Danny Glover, Laurence Fishburne, Forest Whitaker, Arnold Schwarzenegger, and Whoopi Goldberg.
Hardcover. University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 279 pages, b&w photos. With a career that spanned from the silent era to the 1990s, British screenwriter Charles Bennett (1899-1995) lived an extraordinary life. His experiences as an actor, director, playwright, film and television writer, and novelist in both England and Hollywood left him with many amusing anecdotes, opinions about his craft, and impressions of the many famous people he knew. Among other things, Bennett was a decorated WWI hero, an eminent Shakespearean actor, and an Allied spy and propagandist during WWII, but he is best remembered for his commercially and critically acclaimed collaborations with directors Sir Alfred Hitchcock and Cecil B. DeMille. The fruitful partnership began after Hitchcock adapted Bennett's play Blackmail (1929) as the first British sound film. Their partnership produced six thrillers: The Man Who Knew Too Much (1934), The 39 Steps (1935), Sabotage (1936), Secret Agent (1936), Young and Innocent (1937), and Foreign Correspondent (1940). In this witty and intriguing book, Bennett discusses how their collaboration created such famous motifs as the "wrong man accused" device and the MacGuffin. He also takes readers behind the scenes with the Master of Suspense, offering his thoughts on the director's work, sense of humor, and personal life.
Hardcover. NY, Harry N Abrams , Revised Ed., 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 208 pages. This generously illustrated volume, now fully updated, which provides a rare view of the 35-year film collaboration of producer Ismail Merchant, screenwriter Ruth Prawer Jhabvala, and director James Ivory. Merchant Ivory's films have long been distinguished by their literate character, superb ensemble acting, and refusal to bow to passing cinematic trends. This book, originally published in 1991, has been revised to include Merchant Ivory's most recent films -- Howard's End, The Remains of the Day, Jefferson in Paris, Surviving Picasso, and The Proprietor -- as well as a discussion of their upcoming projects. Clean copy.
Hardcover. NY, Atheneum, 2nd pr., 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 330 pages, Foreword by Judith Crist. Dust jacket designed by Milton Glaser. A collection of stories and anecdotes dfrom the golden era when film-making was new. Wilk talks about how life and working was back then. The Squaw Man mentioned in the sub-title refers to the very first movie made in LA, Cecil B. DeMille's "The Squaw Man" (1914) so Wilk's recollections go way back. Clean copy.
Hardcover. Indianapolis/NY, Bobbs-Merrill, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 292 pages illustrated in b&w and color. A detailed look at the making of an ambitious hand-drawn feature. It captures the overlap of Golden Age masters (Art Babbitt, Emery Hawkins, Grim Natwick...), the best of the 1970s New York animation scene (Tissa David, Michael Sporn...) and soon-to-be legends at the start of their careers (Eric Goldberg, Dan Haskett...) as orchestrated by a young Richard Williams. Fascinating and very well put together by the prolific animation historian John Canemaker. Clean copy.
Hardcover. Boston, Little Brown & Company, 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. The dean of Ringling Brothers-Barnum and Bailey Circus' Clown College tells the story of the school and of his life as a clown. 400 pages, b&w drawings by Ballantine. Fading to dust jacket spine.
Hardcover. Scranton PA, Newmarket, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with 72 photos and 19 posters. Based on interviews conducted over a period of 18 months. Fascinating and instructive comments by Kazan on his casting decisions, directorial techniques and perceptions, etc. All 19 of Kazan's films are discussed, including: A Tree Grows in Brooklyn (1947), Gentleman's Agreement (1947), A Streetcar Named Desire (1951), On the Waterfront (1954), East of Eden (1955), etc. Also recounted here are his role in the McCarthy era, his controversial testimony before the House Un-American Activities Committee in 1952, his thoughts about the blacklist, and involvement with the Communist Party. Filmography. Credits. Bibliography. Index. Clean copy.
Hardcover. Pittsburgh PA, Bissell Block Publishing, 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover in tan cloth with gilt lettering. SIGNED BY AUTHOR in pencil, dated 1913 on a prelim page. 192 pages, 29 illustrations: halftone plates of river, scenery, oil, rigs, glass-making, bridges, mills, comic drawings, few signed Syd Smith.
Hardcover. NY, Random House, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 271 pages illustrated in color and b&w. Robert Hanley "Bob" Willoughby (1927-2009) was an American photographer. Popular Photography called him "The man who virtually invented the photojournalistic motion picture still." A collection of his on set pictures taken during filming. Movies featured include From Here to Eternity, The Caine Mutiny, A Star is Born, Rebel Without a Cause, Raintree County, Marnie, The Graduate and more, 22 productions in all. Name on inside front cover, otherwise clean.
Softcover. Durham NC, Duke University Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 384 pages. Noel Burch and Genevieve Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940-44). The authors contend that the films produced from the 1930s until 1956--when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"--are important, both as historical texts and as sources of entertainment. Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that films made in France between 1930 and 1956 created a national imaginary that equated masculinity with French identity. They track the changing representations of masculinity, explaining how the strong patriarch who saved fallen or troubled women from themselves in prewar films gave way to the impotent, unworthy, or incapable father figure of the Occupation. After the Liberation, the patriarch reemerged as protector and provider alongside assertive women who figured as threats not only to themselves but to society as a whole. Still in publisher's shrinkwrap.
Hardcover. Boston, New York Graphic Society, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 187 pages. Written with Busby Berkeley. Foreward by Ruby Keeler. With more than 250 photographs. "The life and works of the Wizard of Oz of the Thirties and Forties with a complete filmography of his meticulously ordered fantasy world."
Softcover. Los Angeles, Paul Monash, N/A, Book: Good, Dust Jacket: None, 141 pages, 3-hole punched pages but blue cover gone, back present. Two brads holding pages. Title page states: ADAPTED from the NOVEL by STEVEN KING (note that STEPHEN KING" is misspelled in this First Draft as "STEVEN KING"). This is an ORIGINAL FIRST DRAFT SCREENPLAY. At this point the film, Carrie, was in early development. This was, perhaps, a spec script under the umbrella of Producer Paul Monash. Stamped with logo and address of the Ziegler Ross Agency.
Hardcover. New York, Universe Books, 1st, 1975, Book: Very Good, Dust Jacket: Good, 256 pages. Hardcover. Illustrated with 1,500 black & white frame blow-ups, and the entire dialogue. Dust jacket worn with curling/tears along edges. Clean, tight copy.
Hardcover. New York , Simon & Schuster , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. B&w photos, 352 pages. Remainder line to bottom edge.
Hardcover. Berkeley/Los Angeles, University of California Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 225 pages, illustrated in b&w. In the first in-depth examination of music written for Hollywood animated cartoons of the 1930s through the 1950s, Daniel Goldmark provides a brilliant account of the enormous creative effort that went into setting cartoons to music and shows how this effort shaped the characters and stories that have become embedded in American culture. Focusing on classical music, opera, and jazz, Goldmark considers the genre and compositional style of cartoons produced by major Hollywood animation studios, including Warner Bros., MGM, Lantz, and the Fleischers. Tunes for 'Toons discusses several well-known cartoons in detail, including What's Opera, Doc?, the 1957 Warner Bros. parody of Wagner and opera that is one of the most popular cartoons ever created.
Hardcover. New York, The Museum of Modern Art, New York, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone).
Metuchen NJ, Scarecrow Press, 1st, 1991, Hardcover, 242 pages, b&w photos. Extensive interview with a veteran assistant director (who actually started out as a cameraman) whose career stretched over six decades, from 1918 to 1970. During the studio era he worked largely at Paramount and then 20th Century-Fox. Fun fact: He was also one of Clara Bow's boyfriends. No dust jacket issued.
Hardcover. NY, St. Martin's Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 448 pages, b&w photos. In a bright, unclipped dust jacket. Remainder dot on top edge, otherwise clean.
Hardcover. NY, Hill and Wang, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, b&w photos. Translated & with additional material by David Robinson. Very good, clean. In a bright, unclipped dust jacket.
Hardcover. NY, Knopf, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages. The definitive biography of Leni Riefenstahl, the woman best known as "Hitler's filmmaker," one of the most fascinating and controversial personalities of the twentieth century. It is the story of huge talent and huger ambition, one that probes the sometimes blurred borders dividing art and beauty from truth and humanity. Relying on new sources--including interviews with her colleagues and intimate friends, as well as on previously unknown recordings of Riefenstahl herself--Bach gives us an exceptional work of historical investigation that untangles the past and is also an objective but unsparing appraisal of a woman of spectacular gifts corrupted by ruthless personal ambition.
London, Faber & Faber, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 384 pages. Orson Welles was a metamorphic man, a magical shape-changer who made up myths about himself and permitted others to add to their store. On different occasions, he likened himself to Christ--mankind's redeemer--and to Lucifer--the rebel angel who brought about the fall. His persona compounded the roles he played--kings, despots, generals, captains of industry, autocratic film directors--and the more or less fictitious exploits with which he regaled other people or which they attributed to him. Hailed in childhood as a genius, he remained mystified by his own promise, unable to understand or control an intellect that he came to think of as a curse; and he ended his days shilling wine and performing magic tricks on talk shows. At times, he saw the collapse of his early ambitions as a tragedy; in other moods, he viewed his life as a humbling comedy, and settled down--like another favorite character, Shakespeare's Falstaff --to eat, drink and be irresponsibly merry. Rather than producing another conventional biography of Welles, Peter Conrad has set out to investigate the stories Welles told about his life--the myths and secret histories hidden in films both made and unmade, in the books Welles wrote and those he read. The result takes us deep into Welles' imagination, showing how he created, then ultimately destroyed himself. Clean copy.
Hardcover. NY, Abrams, 1st, 2021, Book: Very Good, Dust Jacket: None, Two large hardcovers in a slipcase, 512 pages. The Story of Marvel Studios is the first-ever, fully authorized, all-access history of Marvel Studios' creation of the Marvel Cinematic Universe, as told by the producers, writers, directors, concept artists, VFX artists, cast, and crew who brought it to life. Year-by-year, project-by-project, the studio's founding and meteoric growth are described through detailed personal stories, anecdotes, and remembrances of noteworthy challenges, breakthrough milestones, and history-making successes. Featuring archival materials, concept art, film stills, memorabilia from cast and crew, and rare promotional art, these volumes will take fans on a journey through Marvel Studios' creative challenges, breakthroughs, and successes of the past decade. These visuals are joined by exclusive interviews with key producers, studio heads, and core cast members such as Kevin Feige, Robert Downey Jr., Scarlett Johansson, Samuel L. Jackson, Chris Evans, and more. Clean, bright set.
Softcover. NY, Taschen, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover. Barry Lyndon is a cinematic masterwork without equal. At first misunderstood upon its 1975 release, it is now widely considered to be one of Kubrick's finest achievements. Each set in TASCHEN's Making of a Masterpiece series comes in a deluxe LP sized folio and includes a DVD of the remastered film, the original poster, essays, interviews, and extensive behindthescenes materials from Kubrick's archives. Based on William Makepeace Thackeray's picaresque novel of 1844, Barry Lyndon tells the story of a social-climbing opportunist (Ryan O'Neal) who succeeds in marrying a beautiful aristocrat far above his social station (Marisa Berenson), only to see his gains eventually undone by avarice and spite. Meticulously conceived and sumptuously photographed-using a specially-modified lens and almost exclusively lit by candles and natural light-Barry Lyndon is at once a satirical and sympathetic portrayal of a strangely endearing antihero. (Because "he has charm and courage," said Kubrick, "it's impossible not to like him despite his vanity, his insensitivity, and his weakness.")
Hardcover. NY, Thames & Hudson, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 412 pages illustrated in color and b&w. In just a few years, what used to be an immobile piece of living room furniture, which one had to sit in front of at appointed times in order to watch sponsored programming on a finite number of channels, morphed into a glowing cloud of screens with access to a near-endless supply of content available when and how viewers want it. With this phenomenon now a common cultural theme, a writer of David Thomson's stature delivering a critical history, or "biography" of the six-decade television era, will be a significant event which could not be more timely. With Television, the critic and film historian who wrote what Sight and Sound's readers called "the most important film book of the last 50 years" has finally turned his unique powers of observation to the medium that has swallowed film whole. Over twenty-two thematically organized chapters, Thomson brings his provocatively insightful and unique voice to the life of what was television. David Thomson surveying a Boschian landscape, illuminated by that singular glow-always "on"-and peopled by everyone from Donna Reed to Dennis Potter, will be the first complete history of the defining medium of our time. Clean copy.
Hardcover. Angel City Press, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover, profusely illustrated, 208 pages. When Jean Harlow became the Blonde Bombshell, it was all Hollywood's doing. She was the first big-screen sex symbol, the Platinum Blonde, the mold for every famous fair-haired superstar who would emulate her. Yes; even Marilyn Monroe followed Harlow's lead. In her short decade in Hollywood, Harlow created a new genre of movie star--her fans idolized her for her peerless image, her beautiful body, and her gorgeous facade. Harlow in Hollywood is the story of how a town and an industry created her, a story that's never been told before. In these pages, renowned Harlow expert Darrell Rooney and Hollywood historian Mark Vieira team to present the most beautiful--and accurate--book on Harlow ever produced. With more than 280 rare images, the authors not only make a case for Harlow as an Art Deco artifact, they showcase the fabulous places where she lived, worked and played from her white-on-white Beverly Glen mansion to the Art Deco sets of Dinner at Eight to the foyer of the Cafe Trocadero. Still in publisher's shrink wrap.
Atgen PA, Schiffer, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages illustrated in color and b&w. In 1942, Ed Vebell landed with the US Army in North Africa and was recruited by Stars & Stripes, the US armed forces newspaper, as their official staff artist. Daily, he drew illustrations and reported on the progress of World War II throughout Europe. This book offers a selection of his sketches, drawings, paintings, and photographs from that time, and presents one artist's view of the war from North Africa, through the campaigns in Italy, France, and Germany. After the war, the author spent two weeks with the Russians in Berlin, and was then assigned as the courtroom artist during the Nuremberg War Crimes Trials. Along the way are Ed's reminiscences about such personalities as famed war correspondent and artist Bill Mauldin, singers Josephine Baker and Edith Piaf, Charles de Gaulle, Gen. Teddy Roosevelt Jr., and many others. Ed also reminisces about his two years photographing backstage at the Folies Bergere in Paris, as well as his time as an Olympic fencer. Clean copy.
Hardcover. NY, Simon & Schuster, 1st, 1951, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn, chipped dust jacket. Charming book written and illustrated by the late, great Hirschfield on all aspects of the Broadway theatre. Includes chapters on agents, theatres, playwrights and more all of which have been illustrated by Hirschfield with many b&w drawings with color overlays done especially for this book. In addition there is a section of 40 show business drawings that were done for The New York Times and other publications along with nice illustrated pastedowns and endsheets. Previous owner's inscription on a card tipped onto half-title page. Otherwise clean.
Hardcover. NY, Horizon Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 264 pages with index. Carnevali, an Italian poet, came to the USA, suffered poverty and illness, and returned to Italy. Some of his poems are included here. Clean copy.
Hardcover. NY, St Martin's Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 548 pages, b&w illustrations. The book contains a 65 page Filmography, notes and sources and index. Old price sticker on rear of dust jacket, otherwise clean.
Softcover. Baltimore, Johns Hopkins University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 210 pages with index, b&w illustrations. Smoke. Shadows. Moody strains of jazz. Welcome to the world of "noir musical" films, where tormented antiheroes and hard-boiled musicians battle obsession and struggle with their music and ill-fated love triangles. Sultry divas dance and sing the blues in shrouded nightclubs. Romantic intrigue clashes with backstage careers. In her pioneering study, Music in the Shadows, film noir expert Sheri Chinen Biesen explores musical films that use film noir style and bluesy strains of jazz to inhabit a disturbing underworld and reveal the dark side of fame and the American Dream. Clean copy.
Softcover. Bloomington, Indiana University, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 443 pages, b&w illustrations, index. Traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic - the picturesque. "To read Bertellini's superb book is to enter into an intense, rich, and intricately layered experience of Italian immigrant culture in the New York of the 1900's and 1910's." Clean copy.
Softcover. Burbank CA, Mirage Productions, 1st, 1980, Book: Good, Dust Jacket: None, Softcover, 134 pages, printed on 3-hole punched paper and bound with one brass brad and reinforced with tape on the spine. Plain blue paper wraps with title hand-printed on front, on spine tape and bottom edge. No indicated draft but dated September 15, 1980. This was copy #16 distributed, as lettered on title page in corner. The 1981 film was directed by Sydney Pollack and starred Paul Newman and Sally Field. Luedtke won an Academy Award nomination for screenplay written directly for the screenplay.
Hardcover. New York, Warner Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages. Illustrated with full color and black & white photographs. Clean, tight copy. A commemorative volume offers the definitive pictorial history of one of the most popular movies of all time.
Hardcover. NY, Knopf, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 387 pages, b&w photos. Author takes you behind the scenes of Paramount, MGM, Warner Brothers, RKO and Universal in their glory years.
Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.
 "Merely Colossal: The Story of the Movies from the Long Chase to the Chaise Longue by: Mayer, Arthur")
 "Julian Schnabel: Art and Filmby: Moos, David")
 "Cary Grant: A Class Apartby: McCann, Graham")
 "Snakes & Ladders: A Memoirby: Bogarde, Dirk")
 "If This Was Happiness: A Biography of Rita Hayworth by: Leaming Barbara")
 "TWO MOVIE STILLS- Ann Reinking/ All That Jazz/ 8x10 BW and colorby: N/A")
 "Chaplin: His Life and Art by: Robinson, David")
 "Clown Alley by: Ballantine, Bill")
 "Last Days of Alfred Hitchcock, The by: Freeman, David")
 "Film Classics Library Presents: Ernst Lubitsch's Ninotchka, Theby: Anobile (Editor), Richard J.")
 "W.C. Fields & Meby: Monti, Carlotti & Cy Rice")
 "Nobody's Perfect - Billy Wilder - A Personal Biographyby: Chandler, Charlotte")
 "Tunes for 'Toons: Music and the Hollywood Cartoonby: Goldmark, Daniel")
 "Arthur Jacobson: Interviewed by Irene Kahn Atkins (Directors Guild of America Oral History) by: Atkins, Irene Kahn")
 "Vincente Minnelli: Hollywood's Dark Dreamer by: Levy, Emanuel")
 "Cinema in Revolution: The Heroic Era of the Soviet Filmby: Schnitzer, Luda & Jean; Marcel Martin (Eds.)")
 "The Serpent's Egg by: Ingmar Bergman, Photographer: Lars Looschen, Translator: Alan Blair")
 "The Story of Marvel Studios: The Making of the Marvel Cinematic Universeby: Author: Bennett, Tara, Author: Terry, Paul, Illustrator: Marvel Studios, Afterword: Downey")
 "Television: A Biographyby: Thomson, David")
 "Harlow in Hollywood: The Blonde Bombshell in the Glamour Capital, 1928-1937by: Rooney, Darrel/ Vieira, Mark A.")
 "Show Business is No Businessby: Al Hirschfeld")
 "Hollywood Studios,The: House Style in the Golden Age of the Movies by: Mordden, Ethan")
 "Still Movingby: Higgins, Steven")