Hardcover. Indianapolis/NY, Bobbs-Merrill, 1st, 1976, Book: Very Good, Dust Jacket: Good, Hardcover in a bright but edgeworn dust jacket. In this, his illustrated life, Groucho Marx shares the glories of the most beloved and durable career in show business, offers glimpses of his private life, and tells never-before-published anecdotes about the great people of his time. Groucho's inimitable words complement the more than 700 photographs, line drawings, posters and letters that have been culled from the massive Groucho Marx collection. 384 pages, index. Light spotting to rear cover, otherwise clean.
London, Faber & Faber, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 384 pages. Orson Welles was a metamorphic man, a magical shape-changer who made up myths about himself and permitted others to add to their store. On different occasions, he likened himself to Christ--mankind's redeemer--and to Lucifer--the rebel angel who brought about the fall. His persona compounded the roles he played--kings, despots, generals, captains of industry, autocratic film directors--and the more or less fictitious exploits with which he regaled other people or which they attributed to him. Hailed in childhood as a genius, he remained mystified by his own promise, unable to understand or control an intellect that he came to think of as a curse; and he ended his days shilling wine and performing magic tricks on talk shows. At times, he saw the collapse of his early ambitions as a tragedy; in other moods, he viewed his life as a humbling comedy, and settled down--like another favorite character, Shakespeare's Falstaff --to eat, drink and be irresponsibly merry. Rather than producing another conventional biography of Welles, Peter Conrad has set out to investigate the stories Welles told about his life--the myths and secret histories hidden in films both made and unmade, in the books Welles wrote and those he read. The result takes us deep into Welles' imagination, showing how he created, then ultimately destroyed himself. Clean copy.
Hardcover. NY, Atlantic Monthly Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip "Little Nemo in Slumberland," itself inspired by Freud's recent research on dreams. McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.' Chuck Jones. Their origin stories, rivalries, and sheer genius, as Reid Mitenbuler skillfully relates, were as colorful and subversive as their creations-from Felix the Cat to Bugs Bunny to feature films such as Fantasia-which became an integral part and reflection of American culture over the next five decades. Pre-television, animated cartoons were aimed squarely at adults; comic preludes to movies, they were often "little hand grenades of social and political satire." Early Betty Boop cartoons included nudity; Popeye stories contained sly references to the injustices of unchecked capitalism. "During its first half-century," Mitenbuler writes, "animation was an important part of the culture wars about free speech, censorship, the appropriate boundaries of humor, and the influence of art and media on society." During WWII it also played a significant role in propaganda. The Golden Age of animation ended with the advent of television, when cartoons were sanitized to appeal to children and help advertisers sell sugary breakfast cereals.
Hardcover. NY, Flatiron, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 397 pages. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today.
Hardcover. New York, Liveright Publishing Corp. , 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 210 pages. Hardcover. Dust jacket unclipped, excellent. B/w illustrations throughout. Red cover boards, gilt title on spine and decoration on front cover board. Binding tight, like new. Clean inside and out. Looks barely read. "An indispensable and entertaining guide to a visionary new form of moviemaking that can be appreciated by the avid film buff and general movie lover alike."
Hardcover. NY, Knopf, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages plus index. Generally considered to be the best book on the early years of filmmaking. Illustrated with nearly 300 rare photos. A narrative and photographic history of the early days of the movies, combining fact, anecdote, and reminiscence in a critical survey of films, actors, directors, producers, writers, editors, technicians, and other participants and hangers-on. Light shelf wear, inked price on front fly leaf blacked out otherwise clean, in a lightly worn jacket that's price-clipped.
Softcover. New York, Mirage Enterprises, N/A, 1982, Book: Very Good, Dust Jacket: None, Paper wrappers, screenplay xeroxed on 3-hole punched paper and bound with metal brads. No draft mentioned but dated March 8 1982, 145 pages. The copied title page has the signature of Jessica Lange (NOT THE ORIGINAL). The orange paper cover has "Tootsie" written in pen. Possible name covered by "white-out" on top corner of title page. Otherwise, clean, very good.
Hardcover. NY, Knopf, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 331 pages, b&w illustrations. Very good in a bright, unclipped dust jacket.
Hardcover. Berkeley/Los Angeles, University of California Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 225 pages, illustrated in b&w. In the first in-depth examination of music written for Hollywood animated cartoons of the 1930s through the 1950s, Daniel Goldmark provides a brilliant account of the enormous creative effort that went into setting cartoons to music and shows how this effort shaped the characters and stories that have become embedded in American culture. Focusing on classical music, opera, and jazz, Goldmark considers the genre and compositional style of cartoons produced by major Hollywood animation studios, including Warner Bros., MGM, Lantz, and the Fleischers. Tunes for 'Toons discusses several well-known cartoons in detail, including What's Opera, Doc?, the 1957 Warner Bros. parody of Wagner and opera that is one of the most popular cartoons ever created.
Hardcover. New York, Viking Studio, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 271 pages including an Index and a Chronology of Hanna-Barbera Animated Series. Color illustrations throughout. SIGNED BY BOTH HANNA AND BARBERA.
Hardcover. NY, Knopf, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 332 pages, b&w photos. How the formation of the Screen Writers Guild and the political passions it aroused among Hollywood's writers, actors, directors, and producers in the 1930s and 40s shattered the closely knit community and led to the blacklist years. Clean in a bright dust jacket with light edgewear.
Softcover. Republic of Macedonia, Slovo, 2nd, 1995, Book: Very Good, Dust Jacket: None, 309 pages, SIGNED BY AUTHOR on title page, bilingual English/Russian text. Light edge wear, otherwise, very clean and bright.
Hardcover. NY, Harcourt Brace and World, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 178 pages. The first biographical and critical study of the most prolific and widely read living author. Clean copy.
Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages, b&w illustrations, index. He was, according to Pauline Kael, "the greatest American screenwriter." Jean-Luc Godard called him "a genius" who "invented 80 percent of what is used in Hollywood movies today." Besides tossing off dozens of now-classic scripts--including Scarface,Twentieth Century, and Notorious--Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe, and later he became a fierce propagandist for pre-1948 Palestine's Jewish terrorist underground. Whatever the outrage he stirred, this self-declared "child of the century" came to embody much that defined America--especially Jewish America--in his time. Hecht's fame has dimmed with the decades, but Adina Hoffman's vivid portrait brings this charismatic and contradictory figure back to life on the page. Hecht was a renaissance man of dazzling sorts, and Hoffman--critically acclaimed biographer, former film critic, and eloquent commentator on Middle Eastern culture and politics--is uniquely suited to capture him in all his modes.
Hardcover. NY, Mason/Charter, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 181 pages, b&w photos. The life story of the 1930's Hollywood superstar, who is still popular today. Clean copy.
Hardcover. New York, Holt, Rinehart and Winston, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 239 pages. Illustrated with full color and black & white photographs. Clean, tight copy. Important career study of the late director that was first published in France. The book covers his films through "The Shining." Includes essays, interviews 100's of b&w & color stills & photos along with filmog. & biblio.
Softcover. Durham NC, Duke University Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 384 pages. Noel Burch and Genevieve Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940-44). The authors contend that the films produced from the 1930s until 1956--when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"--are important, both as historical texts and as sources of entertainment. Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that films made in France between 1930 and 1956 created a national imaginary that equated masculinity with French identity. They track the changing representations of masculinity, explaining how the strong patriarch who saved fallen or troubled women from themselves in prewar films gave way to the impotent, unworthy, or incapable father figure of the Occupation. After the Liberation, the patriarch reemerged as protector and provider alongside assertive women who figured as threats not only to themselves but to society as a whole. Still in publisher's shrinkwrap.
Softcover. Chicago, Chicago Review Press , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 320 pages, b&w illustrations. The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and The Simpsons' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for Rugrats, Alf Clausen about composing for The Simpsons, Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about Casper the Friendly Ghost, Richard Stone about his music for Animaniacs, Joseph Lanza about Ren and Stimpy, and much, much more. Clean copy.
Softcover. Prima Publishing, 3rd pr., 1997, Book: Very Good, Dust Jacket: None, Softcover, 239 pages, b&w illustrations. The campy, quasi-classical, pun-intended orgy for the eyes is the top-rated action hour on syndicated TV. But did you know that Xena star Lucy Lawless is a woman of many talents in her own right? Author Nadine Crenshaw tells all about the star and the show. Xena X-Posed reveals everthing you want to know about Xena, including: Biographies of Lucy Lawless, Renee O'Connor, and others from the Xena clan - A behind-the-scenes look at the origins and production of the show - A complete episode guide to the first two seasons. Clean copy.
Softcover. Berkeley, University of California, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 251 pages, illustrated throughout with photos in b&w. Light wear to pictorial wrappers, else a very neat, tight copy. Carl Dreyer is recognized as one of the great master stylists of the cinema whose works exhibit his rigorous, austere and powerful cinematography. David Bordwell analyses how Dreyer confronts the viewer with problems of attention, orientation and narrative comprehension.
Hardcover. San Francisco, CA, Walt Disney Family Museum, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A clean, unmarked copy with only minor rubbing to dust jacket. A tight copy. Produced in conjunction with The Walt Disney Family Museum's 2018 exhibition of the same name, Walt Disney's Nine Old Men: Masters of Animation features an array of fascinating artwork and family mementos from each of these accomplished gentlemen, such as sketchbooks, caricatures, and snapshots, as well as original art from the classic films Pinocchio, Bambi, Peter Pan, Lady and the Tramp, and Sleeping Beauty.
Softcover. NY, British Film Institute/Palgrave, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 119 pages, b&w photos, Cleo de 5 a 7, Agnes Varda's classic work of 1962 depicts, in near real time, ninety minutes in the life of Cleo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda, the only major female French director of the period, never considered herself a member of the core Cahiers du Cinema group of critics turned filmmakers. Ungar provides a close reading of the film and situates it in its social, political and cinematic context, tracing Varda's early career as a student of art history and a photographer, the history of post-war French film, and the lengthy Algerian war to which Cleo's health concerns and ambitions to become a pop singer make her more or less oblivious. His study is the first to set a reading of Cleo's formal and technical complexity alongside an analysis of its status as a document of a specific historical moment.
Hardcover. Chicago, University of Chicago Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, hardcover in a bright dust jacket, 224 pages. Roger Ebert was the most influential film critic in the United States, the first to win a Pulitzer Prize. For almost fifty years, he wrote with plainspoken eloquence about the films he loved for the Chicago Sun-Times, his vast cinematic knowledge matched by a sheer love of life that bolstered his appreciation of films. Ebert had particular admiration for the work of director Werner Herzog, whom he first encountered at the New York Film Festival in 1968, the start of a long and productive relationship between the filmmaker and the film critic. Herzog by Ebert is a comprehensive collection of Ebert's writings about the legendary director, featuring all of his reviews of individual films, as well as longer essays he wrote for his Great Movies series. The book also brings together other essays, letters, and interviews, including a letter Ebert wrote Herzog upon learning of the dedication to him of "Encounters at the End of the World;" a multifaceted profile written at the 1982 Cannes Film Festival; and an interview with Herzog at Facet's Multimedia in 1979 that has previously been available only in a difficult-to-obtain pamphlet. Herzog himself contributes a foreword in which he discusses his relationship with Ebert.
Hardcover. NY, Harry N. Abrams, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 288 pages. An illustrated mid-career monograph exploring the 30-year creative journey of the 8-time Academy Award-nominated writer and director Paul Thomas Anderson has been described as "one of American film's modern masters" and "the foremost filmmaking talent of his generation." Anderson's films have received 25 Academy Award nominations, and he has worked closely with many of the most accomplished actors of our time, including Lesley Ann Manville, Julianne Moore, Daniel Day-Lewis, Joaquin Phoenix, and Philip Seymour Hoffman. In Paul Thomas Anderson: Masterworks, Anderson's entire career--from Hard Eight (1996), Boogie Nights (1997), Magnolia (1999), Punch Drunk Love (2002), There Will Be Blood (2007), The Master (2012), Inherent Vice (2014), and Phantom Thread (2017) to his music videos for Radiohead to his early short films--is examined in illustrated detail for the first time. Anderson's influences, his style, and the recurring themes of alienation, reinvention, ambition, and destiny that course through his movies are analyzed and supplemented by firsthand interviews with Anderson's closest collaborators--including producer JoAnne Sellar, actor Vicky Krieps, and composer Jonny Greenwood--and illuminated by film stills, archival photos, original illustrations, and an appropriately psychedelic design aesthetic. Masterworks is a tribute to the dreamers, drifters, and evil dentists who populate his world.
Hardcover. Bath, England, Parragon Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Movie Stars uses stunning pictures from the Daily Mail archives, many reproduced here for the first time, Movie Stars Unseen Archives features a stellar cast of acting greats, from the stars of the silent era to those taking the honors at the 2005 Oscars.
Hardcover. Lanham MD, Rowman & Littlefield , 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 314 pages. A fascinating history of motion pictures through the lens of the Academy Awards, the Best Picture winners, and the box-office contenders. In Best Pick: A Journey through Film History and the Academy Awards, John Dorney, Jessica Regan, and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony, and who won and why. Twenty films are reviewed in-depth, alongside ten detailed "making-of" accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinized to answer the ultimate question: "Did the Academy get it right?" Full of wonderful stories, cogent analysis, and fascinating insights, Best Pick is a witty and enthralling look at the people, politics, movies, and trends that have shaped our cinematic world. Clean copy.
Hardcover. NY, Thunder's Mouth Press; Nation Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 464 pages, b&w photos. In a bright, unclipped dust jacket. As the McCarthyite witch hunt gathered momentum in the postwar years, screenwriter Norma Barzman and her husband were driven from Hollywood into an emotionally difficult thirty-year exile in France. The Red and the Blacklist is a unique record of the political tempests of the time, marked by the author's dazzling power of reflection and insight, and animated by a larger-than-life cast of supporting characters including Pablo Picasso, Harold Robbins, Sophia Loren, Charlton Heston, Ingrid Bergman, Joseph Losey, John Wayne, Anthony Quinn, Groucho Marx and--in a delightful cameo--a very young Marilyn Monroe.
Hardcover. NY, Harpercollins , 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 509 pages, color photos. Woke Up This Morning is the definitive behind-the-scenes history of the groundbreaking HBO series that became a worldwide cultural phenomenon, ushered in a new Golden Age of Television, and to this day continues to be one of the most binged shows of all time. Michael and Steve tell all the incredible stories that The Sopranos fans have been waiting to hear for over twenty years. The book covers the entire history of The Sopranos series from the original concept pitch and casting to the infamous cut to black. Clean copy.
Softcover. NY, Random House, 1st US, 1986, Book: Very Good, Dust Jacket: None, Softcover, unpaginated. Color throughout. Max Headroom, as you may remember, is the hipper alter ego of Edison Carter (Matt Frewer) and his adventures in the future. Carter is a top notch tv reporter, the lovely Theora Ward, the controller, is played by the lovely Amanda Pays. The show gives you a dark smoky view of the future - and this book, the starting movie of the series, replicates that look It has the script from the movie, as well as action shots. Clean, bright copy.
Softcover. Berkeley CA, University of California, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 425 pages, b&w illustrations. Previous owner's signature, otherwise clean, very good. The definitive study o the career of this Italian filmmaker first published in 1987.
Hardcover. NY, Thames & Hudson, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 412 pages illustrated in color and b&w. In just a few years, what used to be an immobile piece of living room furniture, which one had to sit in front of at appointed times in order to watch sponsored programming on a finite number of channels, morphed into a glowing cloud of screens with access to a near-endless supply of content available when and how viewers want it. With this phenomenon now a common cultural theme, a writer of David Thomson's stature delivering a critical history, or "biography" of the six-decade television era, will be a significant event which could not be more timely. With Television, the critic and film historian who wrote what Sight and Sound's readers called "the most important film book of the last 50 years" has finally turned his unique powers of observation to the medium that has swallowed film whole. Over twenty-two thematically organized chapters, Thomson brings his provocatively insightful and unique voice to the life of what was television. David Thomson surveying a Boschian landscape, illuminated by that singular glow-always "on"-and peopled by everyone from Donna Reed to Dennis Potter, will be the first complete history of the defining medium of our time. Clean copy.
Softcover. Berkeley CA, University of California Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 274 pages, color illustrations, very good paperback & cover (exhibition catalog) The essays are: the art of visual culture: comics; graphic novels; animated cartoons; computer & video games: anime; manga; visual art.
Hardcover. American Icon Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 302 pages, color and b&w photos. In the 1960s, Steve McQueen was the biggest movie star of his generation and one of the coolest men to ever walk the planet. In this book, Greg Laurie follows Steve McQueen's fearless life of fast cars, women, and drugs all the way up to his dramatic life-change and terminal cancer diagnosis. Very good in a bright dust jacket.
Softcover. Chicago, Chicago Review Press, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 322 pages, b&w illustrations. An essential piece of Disney history has been unreported for eighty years.Soon after the birth of Mickey Mouse, one animator raised the Disney Studio far beyond Walts expectations. That animator also led a union war that almost destroyed it. Art Babbitt animated for the Disney studio throughout the 1930s and through 1941, years in which he and Walt were jointly driven to elevate animation as an art form, up through Snow White, Pinocchio, and Fantasia.But as America prepared for World War II, labour unions spread across Hollywood. Disney fought the unions while Babbitt embraced them. Soon, angry Disney cartoon characters graced picket signs as hundreds of animation artists went out on strike. Adding fuel to the fire was Willie Bioff, one of Al Capones wiseguys who was seizing control of Hollywood workers and vied for the animators union.Using never-before-seen research from previously lost records, including conversation transcriptions from within the studio walls, author and historian Jake S. Friedman reveals the details behind the labour dispute that changed animation and Hollywood forever. Clean copy.
Hardcover. NY, Harper, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 741 pages. From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly three thousand interviews, involving four hundred voices from the industry, Hollywood: The Oral History, lets a reader listen in on candid remarks from the biggest names in front of the camera-Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd-to the biggest behind it-Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the lesser known individuals that shaped what was heard and seen on screen: musicians, costumers, art directors, cinematographers, writers, sound men, editors, make-up artists, and even script timers, messengers, and publicists. The result is like a conversation among the gods and goddesses of film: lively, funny, insightful, historically accurate and, for the first time, authentically honest in its portrait of Hollywood. Its the insiders story.Clean, bright copy.
Hardcover. NY, Viking Press , 3rd pr., 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. The misadventures of the author, W. C. Fields, John Barrymore and John Decker in attempting to write the biography of the colorful Hollywood character, Sadakichi Hartmann. Clean copy.
Hardcover. Pittsburgh PA, Bissell Block Publishing, 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover in tan cloth with gilt lettering. SIGNED BY AUTHOR in pencil, dated 1913 on a prelim page. 192 pages, 29 illustrations: halftone plates of river, scenery, oil, rigs, glass-making, bridges, mills, comic drawings, few signed Syd Smith.
Softcover. New York, Simon and Schuster, 1st, 1969, Book: Very Good, Dust Jacket: None, 188 pages. Softcover. Illustrated with black & white photographs. Darkening to spine, light wear. Clean, unmarked text.
Hardcover. NY, Henry Holt, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. An up close and personal portrait of a legendary filmmaker, theater director, and comedian, drawing on candid conversations with his closest friends in show business and the arts-from Dustin Hoffman and Meryl Streep to Natalie Portman and Lorne Michaels. The work of Mike Nichols pervades American cultural consciousness-from The Graduate and Who's Afraid of Virginia Woolf? to Angels in America, The Birdcage, Working Girl, and Primary Colors, not to mention his string of hit plays, including Barefoot in the Park and The Odd Couple. If that weren't enough, he was also one half of the timelessly funny duo Nichols & May, as well as a founding member of the original improv troupe. Over a career that spanned half a century, Mike Nichols changed Hollywood, Broadway, and comedy forever. Most fans, however, know very little of the person behind it all. Since he never wrote his memoirs, and seldom appeared on television, they have very little sense of his searching intellect or his devastating wit. They don't know that Nichols, the great American director, was born Mikail Igor Peschkowsky, in Berlin, and came to this country, speaking no English, to escape the Nazis. They don't know that Nichols was at one time a solitary psychology student, or that a childhood illness caused permanent, life-altering side effects. They don't know that he withdrew into a debilitating depression before he "finally got it right," in his words, by marrying Diane Sawyer. Remainder dot to bottom edge otherwise clean.
Softcover. NY, Taschen, 2019, Book: Very Good, Dust Jacket: None, Softcover. 12 X 12". 96 pages, color throughout. In 1968, when 2001: A Space Odyssey was released, the world was watching and waiting for man to take his first step on the moon. Stanley Kubrick's seminal film, with its innovative special effects and haunting score, offered audiences what felt like a realistic glimpse of the future. It served, more importantly, as a humbling testament to the limitations of human capabilities in the face of other life forms. From the dawn of man to outer space to contact with mysterious alien forces, 2001 takes the viewer on an epic, unforgettable, mind-expanding journey. This collection is part of the Making of a Masterpiece series, offering a behind-the-scene glimpse into cinematic milestones. This set includes: film stills, behind-the-scenes photographs, screenplay drafts, and other exclusive material from Stanley Kubrick's archives, background about the making of the film, interviews with Kubrick, and an illustrated biography and a fold-out film poster and DVD of the re-mastered film. Still in shrinkwrap.
Hardcover. Jefferson NC, McFarland & Company, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, 271 pages. Maroon cloth with silver lettering to front and spine. No dust jacket. Clean, tight copy.
Hardcover. London, Bloomsbury, 1st UK, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 441 pages. An analysis of the cinematic work of Ingmar Bergman by the director himself. Using scripts, working notes and memory, he comments on his failures as well as his successes; the themes that bind his work together; his concerns and anxieties; and on the relationship between his life and art. Clean copy.
Hardcover. New York, Crown, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 463 pages, b&w photos. In a bright, unclipped dust jacket. 16 pages of b&w photos. McDonough persuasively argues that Russ Meyer, creator of such epic films as Super Vixens and Faster, Pussycat! Kill! Kill! is the father of the modern porn industry, a pop cultural icon in his own right, and something of an auteur who may be appreciated more by film historians of the future than he is now. Meyer achieved technical excellence in low-to- no-budget productions that reveal his "oddly passionate vision of the world," says McDonough. In so doing, Meyer was "a pioneer who represents what's most seductive and what's most repulsive about the USA." McDonough proceeds to compare Meyer to, among others, Elvis (seductive and repulsive, after all) and incorporates vivid, well-referenced anecdotes and observations from Meyer's friends, associates, and stars, including most notably, perhaps, movie critic Roger Ebert (co-conspirator for Meyer's crowning achievement, Beyond the Valley of the Dolls) and porn-parodist director John Waters. Four Meyer movies have been among Variety's 100 all- time top grossers.
Softcover. NY, Sarpedon Publishers, 1st US, 1992, Book: Very Good, Dust Jacket: None, Softcover, 196 pages, b&w illustrations. Includes biographies of the women of the Nazi era, along with rare photos, synopses and credits of their most important films.
Hardcover. San Francisco, CA, Walt Disney Family Museum, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A clean, unmarked copy with only minor rubbing to dust jacket. A tight copy. Produced in conjunction with The Walt Disney Family Museum's 2018 exhibition of the same name, Walt Disney's Nine Old Men: Masters of Animation features an array of fascinating artwork and family mementos from each of these accomplished gentlemen, such as sketchbooks, caricatures, and snapshots, as well as original art from the classic films Pinocchio, Bambi, Peter Pan, Lady and the Tramp, and Sleeping Beauty.
Hardcover. NY, McGraw-Hill Book Company, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. "[This book] represents a selection of the most beautiful photographs to ever come out of Hollywood's Golden Years. The motion pictures of that era, stumbling perhaps across a new poetics, projected gorgeous fantasies which soared beyond the plots and elaborate sets, even beyond the luminous glamour of the stars." Black and white photographs of film actors and actresses. DOMESTIC SHIPPING ONLY.
 "Live Cinema and Its Techniquesby: Coppola, Francis Ford")
 "Wild Tigers & Tame Fleasby: Ballantine, Bill")
 "Anita Loos: A Biographyby: Carey, Gary")
 "Cary Grant: A Class Apartby: McCann, Graham")
 "Tunes for 'Toons: Music and the Hollywood Cartoonby: Goldmark, Daniel")
 "Hollywood Writers' Wars, Theby: Schwartz, Nancy Lynn")
 "Xena X-Posed: The Unauthorized Biography of Lucy Lawless and Her On-Screen Characterby: Nadine Crenshaw")
 "Herzog by Ebertby: Roger Ebert / Werner Herzog")
 "Paul Thomas Anderson: Masterworksby: Adam Nayman")
 "Red and the Blacklist, The: The Intimate Memoir of a Hollywood Expatriate by: Barzman, Norma")
 "Max Headroom, 20 Minutes Into The Futureby: Roberts, Steve")
 "Roberto Rosselliniby: Brunette, Peter")
 "Television: A Biographyby: Thomson, David")
 "Garbo - Her Storyby: Gronowicz, Antoni")
 "Steve McQueen: The Salvation of an American Iconby: Marshall Terrill, Greg Laurie"){kind=icon}
 "The Disney Revolt: The Great Labor War of Animation's Golden Ageby: Friedman, Jake S.")
 "Minutes of the Last Meetingby: Gene Fowler")
 "Stanley Kubrick's 2001: A Space Odyssey: The Making of a Masterpiece by: Alison Castle (Editor)")
 "Big Bosoms and Square Jaws: The Biography of Russ Meyer, King of the Sex Filmby: McDonough, Jimmy")
 "Tainted Goddesses: Female Film Stars of the Third Reichby: Cinzia Romani")
