Film & Movies

Hardcover. NY, Exposition Press, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 115 pages. Foreword by Carl Sandburg, The story of the original Ellie May of Tobacco Road for 2,013 performances. Clean copy.

Hardcover. NY, W. W. Norton & Company, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Written by two members of archaeological expeditions which have excavated at Caesarea, the ancient city on the coast of Israel built by Herod the Great, this book tells the story of the great city, from its beginnings to its destruction in the 13th century. Readers discover this past through archaeologists' eyes, as the text considers not only artifacts and written sources but the processes by which archaeologists reconstruct the past. A companion volume to a traveling exhibition of Caesarean artifacts, this is very highly recommended for both its clarity and creativity. 244 pages illustrated in color plus index. Clean.

Hardcover. NY, Regan Arts, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. The never-before-published edition of Francis Ford Coppola's notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the worlds most iconic films. The most important unpublished work on one of the greatest films of all time, The Godfather, written before filming, by the man who wrote and directed it-Francis Ford Coppola, then only thirty-two years old-reveals the intense creative process that went into making this seminal film. With his meticulous notes and impressions of Mario Puzos novel, the notebook was referred to by Coppola daily on set while he directed the movie. The Godfather Notebook pulls back the curtain on the legendary filmmaker and the film that launched his illustrious career. Complete with an introduction by Francis Ford Coppola and exclusive photographs from on and off the set, this is a unique, beautiful, and faithful reproduction of Coppolas original notebook. Clean, bright copy.

Softcover. Durham NC, Duke University Press, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 340 pages, b&w illustrations. Various critics continue the film lovers' ongoing conversation about the low, the bad, and the sleazy face of cinema, this book examines the ineffable quality of "sleaze" in relation to a range of issues, including the production realities of low-budget exploitation pictures and the ever-shifting terrain of reception and taste.

Softcover. NY, Marlowe and Company, reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 337 pages, b&w photos. More a biography than a study of Fellini's films. Alpert is the author of various books on screen and stage personalities. Clean copy.

Softcover. Philadelphia, Quirk, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 270 pages. The man. The movies. The life. The legend. Hes played a deranged grounds keeper, a bellowing lounge singer, a paranormal exterminator, and a grouchy weatherman. He is William James Bill Murray, Americas greatest national treasure. From his childhood lugging golf bags at a country club to his first taste of success on Saturday Night Live, from his starring roles in Hollywood blockbusters to his reinvention as a hipster icon for the twenty-first century, The Big Bad Book of Bill Murray chronicles every aspect of his extraordinary life and career. Hes the sort of actor who can do Hamlet and Charlies Angels in the same year. He shuns managers and agents, and he once agreed to voice the lead in Garfield because he mistakenly believed it was a Coen Brothers film. Hes famous for crashing house parties all over New York Cityand if he keeps photo bombing random strangers, he might just break the Internet. Part biography, part critical appreciation, part love letter, and all fun, this enormous full-color volume, packed with color film stills and behind-the-scenes photography, chronicles every Murray performance in loving detail, recounting all the milestones, legendary Murray stories, and controversies in the life of this enigmatic performer. Like-new condition.

Hardcover. London, Bloomsbury, 1st UK, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 441 pages. An analysis of the cinematic work of Ingmar Bergman by the director himself. Using scripts, working notes and memory, he comments on his failures as well as his successes; the themes that bind his work together; his concerns and anxieties; and on the relationship between his life and art. Clean copy.

Hardcover. NY, Crown, 1st, 1999, Book: Very Good, Dust Jacket: Good, Hardcover, 218 pages, b&w illustrations. SIGNED BY DUNNE on title page. Mesmerizing, revelatory text combines with more than two hundred photographs -- most of them taken by the author -- in a startling illustrated memoir that will both astonish and move you. He partied with all the stars and big shots. Each weekend he carefully arranged his snapshots along with the week's invitations, telegrams, and news-clippings into a set of scrapbooks. In a bright dust jacket with sticker on front panel.

Softcover. Toronto, Art Gallery of Ontario, Toronto, 1st, 2010, Book: Near Fine, Dust Jacket: None, Like new in publishers shrink-wrap. This survey of Schnabel's career to date presents the artist's painterly production, from the 1970s through to the present, juxtaposing his large-scale paintings with his numerous critically acclaimed movies-'Basquiat' (1996), 'Before Night Falls' (2000), 'The Diving Bell and the Butterfly' (2007) and his newest film 'Miral,' which addresses the Palestinian-Israeli conflict. The complete scripts of each of these movies are featured, punctuated with stills chosen by Schnabel. Published for the Art Gallery of Ontario's 2010 survey, 'Julian Schnabel: Art and Film' is the first appraisal of how Schnabel works across media, bridging painting, writing and cinema. 447 pages.

Softcover. NY, Viking Press , 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 148 pages. Lehman's Oscar nominated screenplay for Hitchcock's great 1959 film. Illustrated with 25 b&w stills. Name on front fly leaf otherwise clean, sharp copy.

Hardcover. Louisville KY, Touchstone Publishing , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, unclipped. Griffith's autobiography was never finished (Griffith died in 1948), here edited and annotated by James Hart, who was a friend of the filmmaker late in his life. Griffith was the leading exponent in the 'blockbuster' genre of popular film, but with style. Chronologic listing of his innovative works, all profusely illustrated. Forward by Frank Capra. Clean copy.

Hardcover. NY, Assouline , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 196 pages. From the motel in Psycho and the bachelor pad in Rear Window to the blonde elegance of Tippi Hedren and Grace Kelly, this is the first book about Hitchcock to explore the great director's style, art direction, and use of fashion. Hitchcock's images reveal an aesthetic as vivid as his suspenseful subject matter. Jean-Pierre Dufreigne explores the world of Hitchcock, examining the director's unique atmospheric sensibilities. Featuring many of the actors, set and costume designers, cameramen, composers, and title creators from Hitchcock's inner circle, this stylistic study ends with a catalogue raisonne of Sir Alfred's entire oeuvre. Well illustrated in color and b&w. Clean copy.

Softcover. Westport CT, Praeger , 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 217 pages. B&w illustrations. Stanley Kubrick's name is widely recognizable; he is revered for making films that are entertaining and intellectually stimulating. This volume offers a detailed analysis of his major films beginning with The Killing (1956) and ending with Full Metal Jacket (1987). Students of film as well as the general public will be interested in learning new strategies for watching these extraordinary films, since there are few instructive books on this master filmmaker.

Hardcover. NY, Flatiron, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 397 pages. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today.

Hardcover. NY, Holt, Rinehart and Winston, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 341 pages, b&w photos. In a nice, unclipped dust jacket. From Margaret Drabble: "[Bogarde]...is also a lively and interesting writer; his books are in a different class from the ghosted, pedestrian or anecdotal memoirs which so many stars of stage and screen produce..."

Hardcover. London, Richard Cohen Books, 1st, 1996, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, unclipped dust jacket. Monumental biography and critical study, 810 pages, 200+ photographs, 16 pages in color. Kevin Brownlow, a film editor in his own right and author of the seminal silent film trilogy initiated with The Parade's Gone By. . ., brings to Lean's biography an exhaustive knowledge of the art and the industry. The life and its biographer provide a landmark work on the cinema. Emerging from a childhood of nearly Dickensian darkness, David Lean found his great success as a director of the appropriately titled Great Expectations.There followed his legendary black-and-white films of the 1940s and his four-film movie collaboration with Noel Coward. Lean's 1955 film Summertime took him from England to the world of international moviemaking and the stunning series of spectacular color epics that would gain for his work twenty-seven Academy Awards and fifty-six Academy Award nominations. All are classics, including The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, and A Passage to India. Ownership name on half-title page, otherwise clean.

Hardcover. London/New York , Faber and Faber, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 164 pages, b&w illustrations. Clean, bright copy in a similar dust jacket.

Softcover. London, Hansom Books, 1st, 1962, Book: Very Good, Dust Jacket: None, Softcover magazine, stapled wrappers, 82 pages, b&w illustrations. Tape repair to rear cover otherwise clean.

Hardcover. NY, Wynwood Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, b&w photos. In a bright, unclipped dust jacket. Rozsa was both a classical composer and extremely successful Hollywood film composer. Hence the title. He scored such films as Ben Hur, El Cid and Lust for Life and many others.

Softcover. NY, E.P. Dutton, 1st, 1973, Book: Good, Dust Jacket: None, Softcover, unpaginated, b&w plates. Illustrated with stills from the 1924 film. compiled and annotated with a foreword by Herman Weinberg. Probably Stroheim"s best remembered work as a director is Greed, a detailed filming of the novel McTeague by Frank Norris. Previous owner's name inside front cover, otherwise clean. Light soiling to wrappers, shelfwear.

Hardcover. New York, Universe Books, 1st, 1975, Book: Very Good, Dust Jacket: Good, 256 pages. Hardcover. Illustrated with 1,500 black & white frame blow-ups, and the entire dialogue. Dust jacket worn with curling/tears along edges. Clean, tight copy.

Softcover. Berkeley CA, University of California Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 274 pages, color illustrations, very good paperback & cover (exhibition catalog) The essays are: the art of visual culture: comics; graphic novels; animated cartoons; computer & video games: anime; manga; visual art.

Hardcover. Boston, Little Brown, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, b&w photos. Biography of the producer who made four great movies: On the Waterfront; African Queen; Bridge on the River Kwai; and Lawrence of Arabia and lots of mediocrities. Most successful when he assembled talent and let them work, he became controlling and destructive. Very good in a bright dust jacket.

Hardcover. NY, Atria Books, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. In this genre-defying work of cultural history, the chief film critic of Slate places comedy legend and acclaimed filmmaker Buster Keatons unique creative genius in the context of his time. Born the same year as the film industry in 1895, Buster Keaton began his career as the child star of a family slapstick act reputed to be the most violent in vaudeville. Beginning in his early twenties, he enjoyed a decade-long stretch as the director, star, stuntman, editor, and all-around mastermind of some of the greatest silent comedies ever made, including Sherlock Jr., The General, and The Cameraman. Even through his dark middle years as a severely depressed alcoholic finding work on the margins of show business, Keatons life had a way of reflecting the changes going on in the world around him. He found success in three different mediums at their creative peak: first vaudeville, then silent film, and finally the experimental early years of television. Remainder mark on top edge, otherwise like-new.

Hardcover. NY, Harper & Row, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 435 pages, b&w illustrations. An illustrated world history of the Yiddish theatre covering five continents and more than 300 years. Mild wear to rear panel of dust jacket, clean copy.

Softcover. Hanover NH, Wesleyan University Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 542 pages. Now, Voyager, Stella Dallas, Leaver Her to Heaven, Imitation of Life, Mildred Pierce, Gilda ...these are only a few of the hundreds of "women's films" that poured out of Hollywood during the thirties, forties, and fifties. The films were widely disparate in subject, sentiment, and technique, they nonetheless shared one dual to provide the audience (of women, primarily) with temporary liberation into a screen dream--of romance, sexuality, luxury, suffering, or even wickedness--and then send it home reminded of, reassured by, and resigned to the fact that no matter what else she might do, a woman's most important job was...to be a woman. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women's films delivered their message. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman's genre--among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as "noble" as it appears. Basinger looks at the stars who played these women and helps us understand the qualities--the right off-screen personae, the right on-screen attitudes, the right faces--that made them personify the woman's film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies.

Hardcover. US, Walt Disney Family Foundation Press, 1sr, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages. Clean, unmarked copy with only minor wear to dust jacket. Black and white & color photographs. In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi's 1883 Italian children's novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry.

Hardcover. NY, Clarkson N. Potter, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket that has some closed tears repaired on the reverse side. A pictorial history of American movie palaces which sprung up after the end of Prohibition and ended by the time of the Great Depression. Per the jacket flap, ". . .the Golden Age of Movie Palaces. . .swept in on a floodtide of splendor, fantastic architecture, music, laughter and dreams." With dozens of black & white photos and illustrations showing the interiors and exteriors of some of these palaces, and many of the actors, theatergoers, advertisements and marquees of them. Also with a few pages of color illustrations showing painted designs for some of the theaters. --- In full red cloth-covered boards with spine titling in yellow. Foreword by Bosley Crowther. Clean copy.

Softcover. Surrey UK, FAB Press, 4th pr., 2022, Book: Very Good, Dust Jacket: None, Softcover, 192 pages, b&w illustrations. A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, 'Cinema Sewer' joyously celebrates the sleaziest aspects of the moviegoing experience, whilst delving deep into bizarre cinematic history. Adults only material. Like new copy.

Softcover. UK, FAB Press, 3rd pr., 2024, Book: Very Good, Dust Jacket: None, Softcover, 191 pages illustrated in b&w. A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, Cinema Sewer joyously celebrates the sleaziest aspects of the moviegoing experience, whilst delving deep into bizarre cinematic history. Author and comic artist Robin Bougie takes a dive to the bottom of the cesspool of sexploitation, doing so in a distinctive manner that has made him famous amongst a loyal following of cult film fans. Issues 17 to 20 of this celebrated underground smash magazine are exhaustively revised and collated in this third wild volume, together with an additional 80 pages of never-before-seen interviews, rants, comics, hard-to-find classic movie advertising, and graphic illustrations by Bougie and a host of his talented friends from both the comic book and animation industries. Clean copy.

Hardcover. New York, Museum of Modern Art, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages, illustrated throughout in color. Spotless and tight copy. 128 Italian film posters that are a rich array of both Italian films and the international cinema. Includes text and notes on each poster. Arranged by genre from the 30's to the late 50's.

Softcover. Edinburgh, National Galleries Of Scotland, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover. Special-effects superstar Ray Harryhausen elevated stop-motion animation to an art during the 1950s to 1980s. With material drawn from his incredible archive, his daughter, Vanessa, selects 100 creatures and objects, in chronological order, that meant the most to her as she watched her father make world-famous films that changed the course of cinema. Ray Harryhausen's work included the Sinbad films of the 50s and 70s, One Million Years B.C. and Mighty Joe Young, as well as a wider portfolio including children's fairy tales and commercials. He inspired a generation of film-makers such as Peter Jackson, Aardman Animation, Tim Burton, George Lucas and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day. Some of the objects featured in the book, such as Talos from Jason and the Argonauts, are world famous, while others are less well known but hold special personal significance to Vanessa. Many newly restored works that have never previously been seen are included.

Hardcover. New York, Harry N. Abrams, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Large format, profusely illustrated review of Polanski's films, from Knife in the Water (1962) to Carnage (2011). Over 200 color and black-and-white images.Light edgewear to dust jacket, else a clean, tight copy.

Hardcover. University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 279 pages, b&w photos. With a career that spanned from the silent era to the 1990s, British screenwriter Charles Bennett (1899-1995) lived an extraordinary life. His experiences as an actor, director, playwright, film and television writer, and novelist in both England and Hollywood left him with many amusing anecdotes, opinions about his craft, and impressions of the many famous people he knew. Among other things, Bennett was a decorated WWI hero, an eminent Shakespearean actor, and an Allied spy and propagandist during WWII, but he is best remembered for his commercially and critically acclaimed collaborations with directors Sir Alfred Hitchcock and Cecil B. DeMille. The fruitful partnership began after Hitchcock adapted Bennett's play Blackmail (1929) as the first British sound film. Their partnership produced six thrillers: The Man Who Knew Too Much (1934), The 39 Steps (1935), Sabotage (1936), Secret Agent (1936), Young and Innocent (1937), and Foreign Correspondent (1940). In this witty and intriguing book, Bennett discusses how their collaboration created such famous motifs as the "wrong man accused" device and the MacGuffin. He also takes readers behind the scenes with the Master of Suspense, offering his thoughts on the director's work, sense of humor, and personal life.

Hardcover. NY, Abradale Press, reprint, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 222 pages profusely illustrated in color and b&w. Reprint of the 1983 edition published by Abrams. A noted film historian presents an informative look at Disney's innovative animation classic, with more than 170 dazzling illustrations. Clean copy.

NBC Television, 1978, Book: Very Good, One glossy b&w photograph showing Belushi in character as Franklin Roosevelt (left) and the Samauri Swordsman.

Hardcover. Chronicle Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages. Explores the artistic vision upon which the film of an ambitious rat was built with a concept art, including storyboards, full-colour pastels, pencil sketches, maquettes, and others. This book includes extensive quotes from the artists and production team and a foreword by director Brad Bird. 300 plates in color.

Atgen PA, Schiffer, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages illustrated in color and b&w. In 1942, Ed Vebell landed with the US Army in North Africa and was recruited by Stars & Stripes, the US armed forces newspaper, as their official staff artist. Daily, he drew illustrations and reported on the progress of World War II throughout Europe. This book offers a selection of his sketches, drawings, paintings, and photographs from that time, and presents one artist's view of the war from North Africa, through the campaigns in Italy, France, and Germany. After the war, the author spent two weeks with the Russians in Berlin, and was then assigned as the courtroom artist during the Nuremberg War Crimes Trials. Along the way are Ed's reminiscences about such personalities as famed war correspondent and artist Bill Mauldin, singers Josephine Baker and Edith Piaf, Charles de Gaulle, Gen. Teddy Roosevelt Jr., and many others. Ed also reminisces about his two years photographing backstage at the Folies Bergere in Paris, as well as his time as an Olympic fencer. Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In this daring reexamination of the connections between national politics and Hollywood movies, Lary May offers a fresh interpretation of American culture from the New Deal through the Cold War and one in which a populist, egalitarian ethos found itself eventually supplanted by a far different view of the nation. Clean copy.

Hardcover. New York, Grosset & Dunlap, 1st, 1927, Book: Very Good, Dust Jacket: Good, 182 pages. Hardcover with dust jacket. Illustrated with 12 photos from the Buster Keaton Silent Comedy. Dust jacket shows heavy chipping and small tears. Lightly darkened pages, otherwise tight copy.

Softcover. NY, Taschen, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover. Barry Lyndon is a cinematic masterwork without equal. At first misunderstood upon its 1975 release, it is now widely considered to be one of Kubrick's finest achievements. Each set in TASCHEN's Making of a Masterpiece series comes in a deluxe LP sized folio and includes a DVD of the remastered film, the original poster, essays, interviews, and extensive behindthescenes materials from Kubrick's archives. Based on William Makepeace Thackeray's picaresque novel of 1844, Barry Lyndon tells the story of a social-climbing opportunist (Ryan O'Neal) who succeeds in marrying a beautiful aristocrat far above his social station (Marisa Berenson), only to see his gains eventually undone by avarice and spite. Meticulously conceived and sumptuously photographed-using a specially-modified lens and almost exclusively lit by candles and natural light-Barry Lyndon is at once a satirical and sympathetic portrayal of a strangely endearing antihero. (Because "he has charm and courage," said Kubrick, "it's impossible not to like him despite his vanity, his insensitivity, and his weakness.")

Hardcover. Berkeley CA, University of California, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 275 pages, b&w photos. In a bright, unclipped dust jacket. Lawyer, educator, novelist, radio and television scriptwriter, film director and screenwriter, wartime intelligence operative, and full-time radical romantic, Abraham Lincoln Polonsky was blacklisted in Hollywood for refusing to be an informer. This biography helps us understand the relationship between art and politics in American culture.

Hardcover. NY/Koln, Taschen, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover. "Bond, James Bond." Since Sean Connery uttered those immortal words in 1962, the most dashing secret agent in the history of cinema has been charming and thrilling audiences worldwide. This impeccably British character created by author Ian Fleming has starred in 25 EON-produced films, played by six different actors over five decades.EON Productions opened their archives of photos, designs, storyboards, and production materials to editor Paul Duncan, who spent two years researching over one million images and 100 filing cabinets of documentation. The result is the most complete account of the making of the series, covering every James Bond film ever made, beginning with Dr. No (1962) and ending with No Time To Die (2021), including the spoof Casino Royale (1967) and Never Say Never Again (1983).The wealth of previously unpublished photography, set designs, storyboards, and production memos is supplemented by an oral history recounted by over 150 cast and crew. From producers to stuntmen, directors to production designers, these personal narratives relate the true inside story from the Bond sets, offering outstanding insight into the personalities and processes behind the most successful and longest-running film franchise in cinema history. " Still in publisher's shrinkwrap. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. San Francisco, Chronicle Books, 1st, 2019, Hardcover, oblong, 208 pages. In the 1970s and 1980s, the Disney animation studio redefined its creative vision in the wake of Walt Disney's death. This latest volume from renowned Disney historian Didier Ghez profiles Ken Anderson and Mel Shaw, whose work defined beloved classic Disney characters from films like The Jungle Book, The Aristocats, Robin Hood, and The Rescuers. Descriptions of passages from the artists' autobiographies and interviews, accompanied by never-before-seen images of their art and process. Like new with a dust jacket.

Hardcover. NY, Viking, 1st, 1951, Book: Very Good, Dust Jacket: Good, Hardcover, b&w photos, dust jacket with light edgewear, chipping.

Hardcover. New York, Warner Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages. Illustrated with full color and black & white photographs. Clean, tight copy. A commemorative volume offers the definitive pictorial history of one of the most popular movies of all time.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, in a bright unclipped dust jacket, b&w illustrations. Noted for his charisma, talent, and striking good looks, director Rex Ingram (18931950) is ranked alongside D. W. Griffith, Marshall Neilan, and Erich von Stroheim as one of the greatest artists of the silent cinema. Ingram briefly studied sculpture at the Yale University School of Art after emigrating from Ireland to the United States in 1911; but he was soon seduced by the new medium of moving pictures and abandoned his studies for a series of jobs in the film industry. Over the next decade, he became one of the most popular directors in Hollywood, directing smash hits such as The Four Horsemen of the Apocalypse (1921), The Prisoner of Zenda (1922), and Scaramouche (1923). n Rex Ingram, Ruth Barton explores the life and legacy of the pioneering filmmaker, following him from his childhood in Dublin to his life at the top of early Hollywood's A-list and his eventual self-imposed exile on the French Riviera. Ingram excelled in bringing visions of adventure and fantasy to eager audiences, and his films made stars of actors like Rudolph Valentino, Ramon Novarro, and Alice Terry-his second wife and leading lady. With his name a virtual guarantee of box office success, Ingram's career flourished in the 1920s despite the constraints of an increasingly regulated industry and the hostility of Louis B. Mayer, who regarded him as a dangerous maverick.Barton examines the virtuoso director's career and controversial personal life-including his conversion to Islam, the rumors surrounding his ambiguous sexuality, and the circumstances of his untimely death. This definitive biography not only restores the visionary filmmaker to the spotlight but also provides an absorbing look at the daring and exhilarating days of silent-era Hollywood.

Hardcover. NY, Disney Press, 1st thus, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 248 pages. A new edition of a book first published by Abrams in 1981 as "Walt Disney's Treasury of Silly Symphonies". The Silly Symphonies were a series of 76 cartoon shorts produced by the Disney Studio between 1929 and 1939. In 1932. one of them became the first ever animated short film produced in color, and over the years eight of them won Academy Awards. This book features 19 of the stories, illustrated with reproductions from the films, and includes an introductory piece, "The Silly Symphonies - How They Came to Be", and a Filmography of the 76 cartoons. Clean copy.

Hardcover. Lanham MD, Scarecrow Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 253 pages. This book is an appreciation of and a close analysis of the films of Stuart Erwin, a versatile, complex actor whose work has for many years been unfairly neglected. Additionally, this study places Erwin's career within a social, cultural, literary, and historical context. Clean, bright copy.

Hardcover. NY, Doubleday Page & Co., 1st, 1927, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn dust jacket with chunks gone from spine. A witty drama critic from the New York Herald-Tribune offers opinions and gossip on the celebrities of the day. 186 pages. Name on inside front cover, otherwise clean.