Hardcover. NY, Aperture, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In Migrations, Sebastiao Salgado turns his attention to the staggering phenomenon of mass migration. Photographs taken over seven years across more than 35 countries document the epic displacement of the world's people at the close of the twentieth century. Wars, natural disasters, environmental degradation, explosive population growth and the widening gap between rich and poor have resulted in over one hundred million international migrants, a number that has doubled in a decade. This demographic change, unparalleled in human history, presents profound challenges to the notions of nation, community, and citizenship. The first extensive pictorial survey of the current global flux of humanity, Migrations follows Latin Americans entering the United States, Jews leaving the former Soviet Union, Africans traveling into Europe, Kosovars fleeing into Albania and many others. Clean copy. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Aperture, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover. In Migrations, Sebastiao Salgado turns his attention to the staggering phenomenon of mass migration. Photographs taken over seven years across more than 35 countries document the epic displacement of the world's people at the close of the twentieth century. Wars, natural disasters, environmental degradation, explosive population growth and the widening gap between rich and poor have resulted in over one hundred million international migrants, a number that has doubled in a decade. This demographic change, unparalleled in human history, presents profound challenges to the notions of nation, community, and citizenship. The first extensive pictorial survey of the current global flux of humanity, Migrations follows Latin Americans entering the United States, Jews leaving the former Soviet Union, Africans traveling into Europe, Kosovars fleeing into Albania and many others. The images address suffering while revealing the dignity and courage of the subjects. With his unique vision and empathy, Salgado gives us a picture of the enormous social and political transformations now occurring in a world divided between excess and need. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.
Hardcover. Poughkeepsie, New York, Abraham Tomlinson, 1st, 1855, Book: Fair, Dust Jacket: None, 128 pages, gilt title on cover and frontispiece illustration, with numerous illustrative notes throughout and a supplement containing official papers on the skirmishes at Lexington and Concord. Ex-library residue, front cover loose and binding needs new back strip. Internal pages are clean and bright.
Hardcover. NY, The Burns Archive Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, laminated boards, measures 6 x 6 3/4". SIGNED AND INSCRIBED BY BURNS on the title page. Mirror, Mirror features an extraordinary scope of early photography from one of the most important and comprehensive private collections in the world. Over 250 daguerreotypes presented in full-color reproductions illustrate the depth and beauty of this special medium. Showcasing a wide range of American, British and French images, revealing the clear distinctions in the style and presentation of each country, makes this book an excellent guide for novice collectors as well as a resource for connoisseurs and curators. Clean copy.
Hardcover. NY, The Burns Archive Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, laminated boards, measures 6 x 6 3/4". SIGNED AND INSCRIBED BY BURNS on the title page. Mirror, Mirror features an extraordinary scope of early photography from one of the most important and comprehensive private collections in the world. Over 250 daguerreotypes presented in full-color reproductions illustrate the depth and beauty of this special medium. Showcasing a wide range of American, British and French images, revealing the clear distinctions in the style and presentation of each country, makes this book an excellent guide for novice collectors as well as a resource for connoisseurs and curators. Clean copy.
Hardcover. Essex, Pequot Press, First Edition, 1971, Book: Very Good, Dust Jacket: Very Good, 69 pages. Hardcover. Gray cloth boards with gilt titles to spine. Black & white illustrations throughout. Frontis illustration, The Harpist, A Portrait of Miss Florence by Alphonse Jonghers, tipped-in & in full color. Dust jacket with same full color image on bright blue background. Dj has age related wear to edges. Clean, unmarked. A nice copy.
Hardcover. Santa Fe NM, Twin Palms Pub, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Like new in publishers shrink-wrap. Limited to 3000. 162 pages with 60 illustrations. The cyanotypes reproduced in Mississippi Blue come from an album of photograhs taken by Henry P. Bosse for the Army Corps of Engineers. They show the Mississippi River between Minneapolis and St. Louis, and were taken from 1882 to 1892 as part of the Corps' effort to document and understand the ever-changing river.
Hardcover. Santa Fe NM, Twin Palms Pub, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Limited to 3000. 162 pages with 60 illustrations. The cyanotypes reproduced in Mississippi Blue come from an album of photograhs taken by Henry P. Bosse for the Army Corps of Engineers. They show the Mississippi River between Minneapolis and St. Louis, and were taken from 1882 to 1892 as part of the Corps' effort to document and understand the ever-changing river.
Hardcover. NY/Cambridge MA, The Architectural History Foundation/The MIT Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This is the first complete biography of the inimitable society architect Addison Mizner, whose Spanish Revival buildings created a new style of resort architecture for Palm Beach and south Florida during the boom years of the 1920s. Clean copy.
Hardcover. NY, Hill and Wang, BC Ed., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, with illustrations. Minor dust jacket edge wear, otherwise, very clean and tight copy. In the middle of a frigid Sunday night in January 1856, a twenty-two-year-old Kentucky slave named Margaret Gamer gathered up her family and raced north, toward Cincinnati and freedom. But Margaret's master followed just hours behind and soon had the fugitives surrounded. Thinking all was lost, Margaret seized a butcher knife and nearly decapitated her two-year-old daughter, crying out that she would rather see her children dead than returned to slavery. She was turning on her other three children when slave catchers burst in and subdued her.Margaret Garner's child-murder electrified the United States, inspiring the longest, most spectacular fugitive-slave trial in history. Abolitionists and slaveholders fought over the meaning of the murder, and the case came to symbolize the ills of the Union in those last dark decades before the Civil War.
Softcover. Helena MT, FarCountry Press, 2nd pr., 2009, Book: Very Good, Dust Jacket: None, Softcover, 295 pages, b&w illustrations. In this remarkable and important book, Sarah Carter introduces us to some of Montana's first women homesteaders through their journals and other writings. By shedding light on these determined nineteenth- and early twentieth-century pioneers, Carter reveals inspiring stories filled with joy, tragedy, and redemption.
Hardcover. Boston, Little, Brown, and Company, reprints, 1899, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes, blue cloth covers with bright gilt decoration on spines. and front covers. Top edge gilt. Both volumes with original blue CLOTH dust jackets. Illustrated Holiday Edition with 45 photogravure plates. Vol. 1. Chapters I-XV (xix, 529 pages) - Vol. 2. Chapters XVI-XXXII (xv, 562 pages). Clean bright set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Thomas Jefferson Foundation, reprint, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, oblong format, 80 pages. Each year approximately 500,000 people journey up the winding, narrow road from Charlottesville, Virginia, to visit Monticello, the home of Thomas Jefferson. In 1990 a team of architects from the Historic American Buildings Survey (HABS) made this same journey to record Jefferson's residence inside and out. Monticello in Measured Drawings presents HABS' unique set of plan, elevations, sections, and details of the house as it was actually built. They expose many of Monticello's behind-the-scenes mysteries. Seeral reveal the house's complex facade, while others details the relationship of individual floors and the fascinating array of architectural elements found throughout the house.
Softcover. Greensburg PA, privately printed, 1st, 1913, Book: Very Good, Dust Jacket: None, Softcover, octavo, 25 pages, sparsely illustrated in b&w. Book near fine with mild general shelfwear to wrap, stapled binding tight, text clean and unmarked. Includes a b/w sketch by John Trumbull.
Hardcover. NY/Munich, Hirmer Publishers, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 208 pages, color illustrations. Monuments and Myths is the first publication to trace the intersecting work of Augustus Saint-Gaudens (1848-1907) and Daniel Chester French (1850-1931), the leading American sculptors of the Gilded Age. Featuring provocative essays, stunning photographs, and an in-depth illustrated chronology, the catalog brings a contemporary perspective to sculptures that have defined and defied notions of American identity. This critical look at the artists' public and private works considers evolving ideas about race and representation, Indigeneity, civic space, memory, and American history. Clean copy.
Hardcover. Seattle, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 184 pages. This is the sequel to caricaturist Drew Friedman's collection of portraits of famous comics creators.Spanning the birth of the industry to its first few decades, this book has approximately 100 full-color portraits of the legends of American comic books-publishers, editors, and artists. Its subjects are popular and obscure, men and women, and it includes several pioneering artists of color. Full-color illustrations throughout.
Hardcover. NY, C.M. Saxton & Company, 1st, 1857, Book: Good, Dust Jacket: None, Hardcover, 340 pages+ 2 pages of ads at rear. Worn and soiled brown leather boards with "Presented by the Vermont State Agricultural Society" stamped in gilt on front board. Marbled endpapers. Black spine label with gilt lettering. Many illustrations. Traces the pedigree of the Morgan horse from the original Justin Morgan with hints for breeding, breaking and general use and management. Front hinge cracked, interior clean, binding tight.
Hardcover. Boston, Thomas and Andrews, Abridged, 1798, Book: Fair, Dust Jacket: None, 388 pages. Hardcover. Printing date: June, 1798. "An Abridgment of the American Gazetteer..." Previous owners name on rear endpaper. All pages darkened with varied amounts of foxing. Fold-out map at front separated at fold. Leather covers with heavy wear, chipped at top and bottom of spine. Corners rubbed, bumped.
Hardcover. NY, Time Life, reprint, 1982, Book: Very Good, Dust Jacket: None, 389 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy. The commander of a Georgia regiment through much of the Civil War mused later in his memoirs that the heaviest burden fell not upon the man at the front, but upon the woman who waited and prayed for victory: "While the men were carried away with the drunkenness of the war, she dwelt in the stillness of her desolate home." Sallie Brock Putnam spoke for Southern womanhood. She was a native of Madison County, Virginia, and seems to have come from a family of good social standing. The book contains an unexpectedly full history of the Civil War; the author exhibits a strong grasp of strategy and tactics. But at its heart is an incisive eyewitness account of life in a capital that was swollen to four times its normal population by the exigencies of war. Brock's descriptions of Jefferson Davis' inauguration and the Richmond Bread Riot of 1863 are dramatic, but no more so than her accounts of nameless refugees, race relations, opportunistic merchants and blockade runners. Confederate prisons and family matters. In contrast to other female Southern writers of the period, she was more sober and factual, less gossipy and speculative. She wrote with shrewdness and maturity, and with a remarkable lack of self-pity and exaggeration. Yet the reader cannot miss her courage, sacrifice and suffering. Sallie Brock Putnam died in 1911.
Hardcover. New York, Ralph Kenyan, 1st Edition, 1896, 511 pages. Hardcover. Over 200 b/w illustrations throughout. Cover boards bound in gray cloth, beveled at edges, gilt title/decoration on spine, gilt title and decoration on front cover board, designed engraved on back cover board. cover boards have some rubbing and light soil, a touch of fraying to top and bottom of spine. Previous owner's inscription on front preliminary page. Binding tight. Spine slightly cocked. "...From the Diary of a Private, Supplemented and Verified with Official Reports of Federal Officers and Also of Mosby; With Personal Reminiscences, Sketches of Skirmishes, Battles and Bivouacs, Dashing Raids and Daring Adventures, Scenes and Incidents in the History of Mosby's Command."
Hardcover. New York, Baker and Taylor, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering, b&w illustration on cover pastedown, 220 pages. Black & white illustrated. Previous owners stamp on inside front cover.
Hardcover. Albany NY, State University of New York Press, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and tanned dust jacket, 208 pages with index. This book attempts to throw new light on that early labor movement, mainly by answering the questions that modern critics have raised concerning its authenticity, but the major concern of the volume is with the labor leaders' views regarding American society. If these were uncommon labor leaders, they were also uncommon Jacksonians. At a time when the mass of Americans seemed to be engaged in a frenzied contest for material gain, and increasingly optimistic about their chances, the labor leaders stood apart both from the pursuit of the main chance and from its moralistic critics. Name on front fly leaf otherwise clean.