american illustrated

Hardcover. New York , Metropolitan Books, 1st US, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 191 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. Over the past decade, Joe Sacco has increasingly turned to short-form comics journalism to report from conflict zones around the world. Collected here for the first time, Sacco's darkly funny, revealing reportage confirms his standing as one of the foremost war correspondents working today. Journalism takes readers from the smuggling tunnels of Gaza to war crimes trials in The Hague, from the lives of India's "untouchables" to the ordeal of Saharan refugees washed up on the shores of Malta. And in pieces never published before in the United States, Sacco confronts the misery and absurdity of the war in Iraq, including the darkest chapter in recent American history-the torture of detainees.

Hardcover. New York, Argosy-Antiquarian Ltd., Reprint, 1963, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. limited edition (#10 of 750 copies). A diary of the late Emil Teichmann, edited and with an introduction by his son Oskar. Foreword by Ernest Gruening. Illustrated with b/w drawings and maps. Frontis portrait of author. Top edge stained blue. Blue cloth with gilt pictorial front and gilt lettering on spine. Light wear to top and bottom of spine.

Hardcover. Chicago, Albert Whitman & Co, 1st, 1968, Book: Very Good, Hardcover, pictorial cloth/library binding, 32 pages illustrated in color and b&w. Ex-lib with endpaper stamp and residue. Interior is clean. Tales told in the MIddle East travel from storyteller to storyteller, from country to country. Sometimes they cross the ocean, as this story in one form did to be told in Detroit by an Armenian grandmother. An American scholar heard this story told of the Bedouins, while still another version is Turkish.

Softcover. NY, Museum of Modern Art, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 184 pages, illustrated in color and b&w. Just Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art-including David Hammons, Butch Morris, Senga Nengudi, Lorraine O'Grady and Howardena Pindell-as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription.Published in conjunction with the first museum exhibition to focus on this visionary gallery and its ongoing impact, Just Above Midtown: Changing Spaces showcases rarely seen material from JAM's history-artworks, ephemera and photographs-that collectively document the gallery's communal and programmatic activities. This richly illustrated, jacketed paperback catalog includes essays that contextualize JAM and consider its legacy, a conversation between Goode Bryant and Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, a complete exhibition chronology written by MoMA and Studio Museum staff with nearly 50 annotated entries, and excerpts from oral histories with JAM staff and artists conducted especially for this project. Clean copy.

Hardcover. Minneapolis MN, Walker Art Center, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, publisher's light-brown cloth over boards, stamped lettering, and illustration to the spine, and boards. Richly illustrated in black-and-white and color throughout. "Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography." Clean copy.

Hardcover. Scranton PA, Newmarket, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with 72 photos and 19 posters. Based on interviews conducted over a period of 18 months. Fascinating and instructive comments by Kazan on his casting decisions, directorial techniques and perceptions, etc. All 19 of Kazan's films are discussed, including: A Tree Grows in Brooklyn (1947), Gentleman's Agreement (1947), A Streetcar Named Desire (1951), On the Waterfront (1954), East of Eden (1955), etc. Also recounted here are his role in the McCarthy era, his controversial testimony before the House Un-American Activities Committee in 1952, his thoughts about the blacklist, and involvement with the Communist Party. Filmography. Credits. Bibliography. Index. Clean copy.

Softcover. New York, Andre Emmerich Gallery , 1st, 1983, Book: Good, Dust Jacket: None, Exhibition catalog, softcover. Unpaginated, 40 pages, illustrated throughout in color. White stiff wrappers. Slight foxing to covers, light wear to spine, else a very nice, tight copy.

Softcover. NY, Whitney Museum of American Art, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, profusely illustrated in both color and black and white. 300 pages. 4to, glossy pictorial wrappers. Extensive monograph of artist's life and work. Published to accompany the exhibition held in NY: Whitney Museum of American Art, February 29 to June 2, 1996; two additional venues. Two exhibition mailings laid in, one addressed to film director Bob Rafelson. Clean copy.

Hardcover. NY, Coward, McCann & Geoghegan, 4th pr., 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 48 pages illustrated in colors and b&w by Margot Tomes. A lead statue of King George III relates the events leading to the American Rovolution through indignant ratings about what he observes. Clean copy.

Hardcover. New York, G. P. Putnam's Sons, reprint, 1894, Book: Very Good, Dust Jacket: None, Two hardcover volumes. Van Twiller Edition, with b&w illustrations by Edward W. Kemble throughout both volumes. In 1809, New Yorkers were buzzing about a series of classified ads concerning the whereabouts of Dutch historian Diedrich Knickerbocker. They were unaware that Washington Irving had invented the man entirely and placed the ads himself. Knickerbocker's purported manuscript, A History of New York, was Irving's own. Told from Knickerbocker's point of view, A History of New York is a chronicle of New York's fifty years under Dutch rule in the 1600s that plays fast and loose with the facts, to uproarious effect. A History of New York propelled Irving to the heights of literary stardom. Gilt and blue design on beveled covers, spine. Top edge gilt, decorated pages, frontispiece with tissue guard. Slight corner bump, edge wear, age darkening to spine, otherwise,very clean and tight copies.

Hardcover. np, Mid-West Tool Collectors Association / Early American Industries Association, reprint, 1979, Book: Very Good, Dust Jacket: None, Four volume set, brick-red cloth with gilt lettering on spines. A facsimile reprint of volumes published 1876-84, limited to 600 sets. (This one #512) Profusely illustrated with b&w technical drawings of machinery and tools. 2831 plus 960 pages in fourth volume. Heavy set may require extra postage.

Hardcover. East Petersburg PA, Fox Chapel Publishing, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Cigar box labels in the late 19th and early 20th centuries were not only amusing and beautiful to admire, they were a testament to the printing process of chromolithography and an important precursor to today's methods of product advertising. Labeling America: Popular Culture on Cigar Box Labels showcases the unique collection of John Grossman which covers 90 years of cigar box labels and bands printed by four generations of George Schlegel Lithographers. What makes this archive unique is that the Schlegel Company kept meticulous sample albums and files showing an unbroken record of American graphic style evolution. The work of many other lithographers of that era either destroyed or irreversibly dispersed their work.Now housed at the Winterthur Museum in Delaware, the carefully cataloged Grossman collection gives a glimpse into life at the turn of the century, when over 5 billion cigars were being sold in the United States via boxes with colorful labels depicting everything from women, animals, and sports icons to actors, heroes, and political figures. This book takes these beautifully printed slices of American culture and combines them with the history of chromolithography into an interesting story of America's changing tastes. Clean, bright copy.

Hardcover. New York, Harry N. Abrams, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. 330 illustrations, including 150 plates in full color. Black cloth, gilt lettering to spine. Beautiful pictorial dust jacket. A very clean, tight and crisp copy. Like New.

Hardcover. Boston, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, black cloth titled in silver on the spine, in a color pictorial dust wrapper. 183 & 1 pages, profusely illustrated in color and black & white throughout, including many full-page illustrations. Near fine. First edition. Produced in association with The Corcoran Gallery of Art with a foreword by David C. Levy and essays by Barbara Rose and Jacquelyn Days Serwer. Never opened, still in original shrink wrap.

Hardcover. Victor, Pollux Press, 1st, 1983, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover. SIGNED BY BOTH AUTHORS beneath hand numbered #338 of a limited edition of 500. Illustrated with black & white photographs. Clean, tight copy.

Hardcover. New York, Charles Scribner's Sons, reprint, 1986, Hardcover, 372 pages, a classic adventure of the early American frontier. 14 color plates including title page and endpapers illustration by N.C. Wyeth. The definitive edition of the Scribner's Illustrated Classic with the original canvases newly photographed. While not a First Edition it is superior in every way considering the quality of the color plates. Bright, clean copy in a similar dust jacket.

Hardcover. New York, Abrams/Bronx Museum of the Arts, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 343 pages, illustrated throughout in color with brief biographies of artists. Very good, unmarked, in a bright dust jacket.

Softcover. Paris, La Caravelle, 1st, 1929, Book: Very Good, Dust Jacket: None, 169 pages, color frontispiece, b&w text illustrations by Andre Margat. INSCRIBED BY ALI-BERT on front fly leaf to American scholar and professor Stephen Freeman, dated 1945. Clean, tight copy.

Softcover. Paris, Juvisy, 1st, 1935, Book: Very Good, Dust Jacket: None, 1Softcover, 69 pages, 9 b&w text illustrations by Andre Margat. INSCRIBED BY ALI-BERT on front fly leaf to American scholar and professor Stephen Freeman, dated 1945. Clean, tight copy.

Softcover. Paris, Nathan Image, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated. Approximately 175 pages, mostly color reproductions of Avery's storyboard drawings from his glory years at Warner Bros. and MGM. FRENCH TEXT. This lavishly illustrated reference is shot from the original storyboards of Avery's various cartoons shorts. These are annotated by Avery in pencil. For any fan of American cartoon shorts & Tex Avery in particular, this is an essential guide.

Hardcover. Baltimore MD, Johns Hopkins University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 356 pages, b&w illustrations. Starrs offers a detailed and comprehensive look at one of America's most enduring institutions. Richly illustrated with 130 photographs and maps, the book combines the authentic detail of an insider's view (Starrs spent six years working cattle on the high desert Great Basin range) with a scholar's keen eye for objective analysis. Tracing the geography and history of ranching in the United States, Starrs tells how Anglo settlers first encountered the open grasslands of the West - an environment alien to most of the European experience." Clean copy.

Hardcover. York PA, Historical Society of York County,, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering, square, tight unmarked copy, lettering on cover is faded. 185 pages illustrated in color. Foreword by Robert P. Turner; introduction by Donald A. Shelley. In a brown slipcase with a label on front.

Hardcover. Boston, Little, Brown and Company, 1st, 1958, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Volume XII in The History of United States Naval Operations in World War II. 445 pages, illustrated with maps (one fold-out) and b&w photos. Gilt on spine with light fading, light paper residue to front covers, lacks dust jacket, dj flaps pasted onto front endpapers, otherwise clean, tight copy.

Softcover. NY, St. Martins Griffin, 1st Wraps, 1998, Book: Very Good, Dust Jacket: None, Softcover, Illustrated in color, black & white by Crumb, 182 pages. Accolades and Reflections on the Controversial R. Crumb: "Robert Crumb--lurid, pornographic, sexy, twisted, hilarious, and depraved. The greatest American satirist is also its finest draftsman." --Joe Coleman"God bless Crumb. I've always been happy that there was someone as sick and twisted as I am." --George Carlin"I can think of no one more unqualified to say anything about Robert Crumb's artwork than myself. In fact, it's useless for most cartoonists of my generation to do so; without him, there wouldn't "be" any cartoonists of my generation." --Chris Ware, "The Acme Novelty Library"