american illustrated

Hardcover. New York, John S. Taylor, 2nd pr., 1837, Book: Good, Dust Jacket: None, Hardcover, leather bound with gilt design on front and rear covers, spine also with gilt design with the title Cabinet of Freedom (the series under which the publisher issued this narrative). 517 pages with an extra illustrated title page dated 1836, the regular title page dated 1837. All edges gilt. First published by John Shugert in Lewistown PA a year earlier. Written with the help of Isaac Fisher, a white Philadelphia lawyer, who declares in his preface that he has edited the oral narrative Ball had dictated to him to omit any beliefs or feelings Ball may have expressed about slavery. This declaration of significant editing has led scholars to debate the authenticity of Ball's narrative, but most agree that it represents a true story. Ball describes his experiences as a slave, including the uncertainty of slave life and the ways in which the slaves are forced to suffer harsh and inhumane conditions. In particular, he recounts the qualities of his various masters, and the ways in which his fortune depended on their temperament. The leather has separated from the spine of the book but appears to be very repairable. The first 3 pages loose (a blank leaf and the two title pages), there is a light stain to the illustrated one and light foxing. The interior of the book is clean, tight with minimal foxing throughout.

Hardcover. New York, Harry N Abrams, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Presents selections from comic books from 1938 to 1955 that feature the adventures of characters such as Superman, Batman, Pogo, Captain Marvel, and Donald Duck. A list of comics included: Action Comics #1 (First appearance of Superman); Detective Comics #29 (Origin of Bat-man); All-American Comics #20-#14 (First appearance of the Red Tornado, and other Red Tornado stories); Police Comics #1 and #13 (First appearance of Plastic Man, and Woozy Winks); Captain Marvel Adventures #100 (Captain Marvel Battles the Plot Against the Universe); Sub-Mariner #4 (Dr. Dimwit by Basil Wolverton); Tessie the Typist #8 (Powerhouse Pepper by Basil Wolverton); Jingle Jangle Comics #5, 24#, (The Pie-faced Prince by George Carlson); Little Lulu Four Color 74 and Little Lulu #38, #40, #80; Walt Disney's Christmas Parade #1 (Donald Duck Christmas story by Carl Barks); Animal Comics #1, Pogo Possum #3, #8 (Pogo the Possum and Gang by Walt Kelly); The Spirit supplements August 10, 1941, September 5, 1948, September 11, 1949 (Great Spirit stories by Will Eisner); The EC Collection (Frontline Combat No. #4, Two-Fisted Tales #25, Mad #4 (Superduperman vs. Captain Marbles), Mad # 18, Impact #1).

Hardcover. NY, Philomel, 2nd pr., 2000, Book: Very Good, Dust Jacket: Very Good, 52 pages. Hardcover with dust jacket. SIGNED BY ILLUSTRATOR ON TITLE PAGE. Color illustrations by David Small. Winner of the Caldecott Medal. Clean, tight copy. Second printing, no medal sticker on cover.

Hardcover. New Haven, Yale University Press , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Like new in publisher's shrink-wrap. This beautifully illustrated book highlights the unique history of The Societe Anonyme, Inc., an organization founded in 1920 by the artists Katherine S. Dreier (1877-1952), Marcel Duchamp (1887-1968), and Man Ray (1890-1976). As America's first "experimental museum" for modern art, the Societe Anonyme provided a means for artists, rather than historians, to chronicle the rise of modernism. Led by Dreier and Duchamp, the group eventually assembled a collection of more than one thousand artworks, which it presented to the public in a variety of innovative programs, publications, and exhibitions. The incredible collection of the Societe Anonyme now belongs to the Yale University Art Gallery, a gift from the Societe and Dreier. It features the work of more than one hundred artists, many of whom are among the century's most renowned--including Jean Arp, Duchamp, Max Ernst, Wassily Kandinsky, Paul Klee, El Lissitzky, Piet Mondrian, Man Ray, Kurt Schwitters, and Joseph Stella--as well as works by lesser-known artists whose contributions to modernism are substantial. With new archival information, including personal correspondence between Dreier and the artists whose work she assembled, a host of previously unpublished images, essays by leading scholars, and an interview with artists Robert and Sylvia Mangold about the contemporary significance of this collection, this fascinating book is essential to our understanding of the reception and interpretation of modernism in America.

Hardcover. NY, Society of Illustrators, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Fascinating insights into the lives and works of 82 top artists elected to the Society of Illustrators Hall of Fame make this an inspiring reference and art book. From illustrators such as N.C. Wyeth to Charles Dana Gibson to Dean Cornwell, Al Parker, Austin Briggs, Jon Whitcomb, Parrish, Pyle, Dunn, Peak, Whitmore, Leyendecker, Abbey, Flagg, Gruger, Raleigh, Booth, LaGatta, Frost, Kent, Sundblom, Erte, Held, Jessie Willcox Smith, Georgi, McGinnis, Harry Anderson, Barclay, Coll, Schoonover, McCay...the list of greats goes on and on. A deluxe production from 1997, in a handsome cloth slipcase with a mounted color plate of a nude, a special transparent dust wrapper, gold edging on all the pages, oversized square coffee table format. And of course, the highest quality reproduction all from original art. Profiles and major examples of each artist's work give a sweeping overview of the art of illustration for the last 130 years. 450 color illustrations.

Hardcover. NY, Society of Illustrators, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Fascinating insights into the lives and works of 82 top artists elected to the Society of Illustrators Hall of Fame make this an inspiring reference and art book. From illustrators such as N.C. Wyeth to Charles Dana Gibson to Dean Cornwell, Al Parker, Austin Briggs, Jon Whitcomb, Parrish, Pyle, Dunn, Peak, Whitmore, Leyendecker, Abbey, Flagg, Gruger, Raleigh, Booth, LaGatta, Frost, Kent, Sundblom, Erte, Held, Jessie Willcox Smith, Georgi, McGinnis, Harry Anderson, Barclay, Coll, Schoonover, McCay...the list of greats goes on and on. A deluxe production from 1997, in a handsome cloth slipcase with a mounted color plate of a nude, a special transparent dust wrapper, gold edging on all the pages, oversized square coffee table format. And of course, the highest quality reproduction all from original art. Profiles and major examples of each artist's work give a sweeping overview of the art of illustration for the last 130 years. 224 pages, 450 color illustrations.

Hardcover. NY, Houghton Mifflin Harcourt, 3rd pr., 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Caldecott Honor winner Sweet mixes White's personal letters, photos, and family ephemera with her own exquisite artwork to tell the story of this American literary icon. Readers young and old will be fascinated and inspired by the journalist, New Yorker contributor, and children's book author who loved words his whole life. This authorized tribute, a New York Times bestseller, includes an afterword by Martha White, his granddaughter.

New York, Lothrop, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Sandra Speidel. Unpaginated. A hymn by the author of Moonsong Lullaby offers a gentle reminder that humankind is not the center of the natural world.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Between 1908 and 1917, the American photographer and sociologist Lewis Hine (1874-1940) took some of the most memorable pictures of child workers ever made. Traveling around the United States while working for the National Child Labor Committee, he photographed children in textile mills, coal mines, and factories from Vermont and Massachusetts to Georgia, Tennessee, and Missouri. Using his camera as a tool of social activism, Hine had a major influence on the development of documentary photography. But many of his pictures transcend their original purpose. Concentrating on these photographs, Alexander Nemerov reveals the special eeriness of Hine's beautiful and disturbing work as never before. Richly illustrated, the book also includes arresting contemporary photographs by Jason Francisco of the places Hine documented. Clean copy.

Hardcover. NY, Harper and Brothers, 1st, 1891, Book: Very Good, Dust Jacket: None, Hardcover, decorative blue cloth with gilt lettering and red and black stamped designs. 444 pages plus 4 pages of publisher's ads. Over 100 b&w illustrations by the Harper stable of artists: mostly Thure de Thulstrup along with a number of maps. Front cover with small area of discoloration, front hinge partially cracked, otherwise clean, binding solid.

Softcover. Santa Fe NM, Museum of New Mexico Press, 2nd pr, 1988, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps. Foreword by George Kubler. Profusely illustrated in color and black and white. 127 pages. 81 artists interpret this masterpiece of 19th century Spanish Franciscan architecture. Map of Taos laid in. Clean copy.

Hardcover. Boston, David R. Godine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 273 pages, oblong hardcover illustrated in color and b&w. Frank Benson, a pivotal artist of the American Impressionist movement had three great loves in his long and productive life: his family, his art, and the sporting life. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, after an extremely successful career as a portraitist, he returned to the wildfowl and sporting subjects that were his lifelong passion. Over the next forty years, in etching, lithography, watercolor, and oil and wash, he portrayed birds beloved since childhood, scenes of his hunting and fishing expeditions, and still lives of incomparable delicacy. Whether painting a hunter setting out decoys, a wash of geese by moonlight, a watercolor of a companion poised to gaff a salmon, or an etching of a group of ducks silently gliding in for a landing, Benson conveyed the joy and beauty of a sportsman's life.

Hardcover. NY, Sports Illustrated , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. A fiftieth anniversary compilation of the best from the Sports Illustrated archives features memorable photographs and articles from the pages of the popular sports magazine since its launch in 1954, offering an entertaining and informative look at great moments in American sports history.

Hardcover. New York, Sports Illustrated, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 276 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Celebrates the art of that uniquely American institution, the Sports Illustrated annual swimsuit issue.Beginning with the inaugural issue on January 24, 1964, which featured model Babette March in a modest four-page spread, Knockouts goes on to document the evolution of the swimsuit issue through five decades of models who, largely by virtue of their appearances here, became celebrities, including Elle Macpherson, Cheryl Tiegs, Tyra Banks, and Kathy Ireland.Besides assembling a selection of the best photographs in book form for the first time, Knockouts offers an ample selection of outtakes and other previously unpublished photos, various quotes from models, photographers, art directors, and commentaries on the logistics and technical aspects of the shoots and the exotic ports of call in which they were staged.

Hardcover. NY, Garden City Publishing, 1st, 1940, Book: Very Good, Dust Jacket: Good, Hardcover, pictorial boards in a edgeworn dust jacket, unclipped (1.00). Notable for the illustrations by Ralston Crawford. Ralston Crawford (1906-1978) was an American abstract painter, lithographer, and photographer. Clean copy.

Hardcover. NY, Tudor Publishing, reprint, 1939, Book: Very Good, Dust Jacket: Very Good, Hardcover in an edgeworn dust jacket. 436 pages. A history of American steamboats from its earliest days to the twentieth century. Covers the steamboat vessels on all of America's major waterways and regions with a focus on the eastern seaboard. Many illustrations.

Hardcover. Iowa City, State Historical Society of Iowa, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover, 575 pages. Illustrated with black & white photographs. Some numbered Stickers on front endpaper. Foxing along edges of dust jacket. Clean, tight copy.

Hardcover. London, Chris Boot, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Monograph of color portraits shot with a 5x4 camera at the Folsom Street Fair in SF and Easter weekend in Berlin, about 70 nude and semi-nude fetish gear photos of gay men, near fine limited first edition of 1200 copies.

Hardcover. NY, Parents' Magazine Press, 1st, 1976, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, oblong format, color illustrations by Steven Kellogg. Energetic full-page pictures depict the old standard, written by Edward Bangs, who was a Minuteman at Lexington during his sophomore year at Harvard the year (1775) he adapted the song. Mild musty odor. No dust jacket.

Hardcover. New York, NY, Bulfinch, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 271 pages. Hardcover. Color and B/w illustrations throughout. Dust jacket unclipped, excellent. Decorated cover boards, decorated endpapers. Binding tight, pages clean. Spine straight. In beautiful condition. A lavishly illustrated, fun, and informative look at more than 400 films of the decade of the 1970's. Features an interview with Peter Bogdanovich.

Hardcover. New York, The Museum of Modern Art, New York, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. New York, The Museum of Modern Art, New York, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone).

Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.