american illustrated

Hardcover. NY, The Monacelli Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 640 pages, pofusely illustrated. In the late nineteenth century, Chicago -- the birthplace of modern architecture in the United States -- was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered young draftsmen an unprecedented opportunity to influence the design of the American skyscraper. The Chicago Architecture Club: Prelude to the Modern documents the history of these draftsmen, the organization they founded, and its role in shaping architectural education and modern architectural practice.

Hardcover. NY/Cleveland, World Publishing Company, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. First American edition 8.25 x 7.75". Unpaginated [52 pages]. Essentially an artists' book created by the noted Italian futurist, Munari, widely regarded as one of the most influential book-designers of the 20th century. Illustrations feature translucent overlays and brightly colored pages with die cut edges and windows. Voted the New York Times Best Illustrated Children's Book 1969 winner. Previous owner;s inscription on front fly leaf, otherwise clean.

Center for American Places, 1st, Book: Very Good, Dust Jacket: None, Softcover, 180 pages, profusely illustrated in b&w. Foreword by Bill Kurtis. Contemporary Photographs by Judith Bromley and James Iska. Historic images from the Chicago Park District's Special Collections. Even Chicagoans who routinely enjoy its diverse open spaces -from the magnificent lakeshore parks to intimate neighborhood settings- may be surprised about their parkland legacy. The City in a Garden, developed in association with the Chicago Park District, is the first official history of Chicago's parks and it reveals why they are second to none in America and abroad. Clean copy.

Softcover. Houston, TX, Museum of Fine Arts Houston, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 93 pages, illustrated throughout in color and b&w. White stiff wrappers, black/red titles. Light wear to edges and spine, front cover slightly sunned, small tear to spine, else a very nice, clean, tight copy.

Softcover. Tucson AZ, Patrice Press, reprint, 1993, Book: Very Good, Dust Jacket: None, Softcover, 536 pages. This is a facsimile printing of the 1924 edition, profusely illustrated including original advertisements. The book gives detailed information on the 414 cities and towns through which the famous highway passed, from Times Square in New York City to San Francisco's Lincoln Park, on the Pacific Ocean. Advice to readers includes "Don't forget the colored goggles," and "Don't stop to cool motor at top of a hill, put car in gear and coast down to cool motor." The trip was thrilling in 1924. The book is thrilling today. Mild nick to top of rear cover otherwise clean and bright copy.

Hardcover. NY, Macmillan, 2nd pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 127 pages; black and white illustrations. Discusses American birds of prey, such as eagle, hawk, osprey, and falcon, giving technical information as well as anecdotes of the author's experience with them. Clean copy.

Hardcover. Cambridge MA, The MIT Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The daguerreotype, invented in France, came to America in 1839. By 1851, this early photographic method had been improved by American daguerreotypists to such a degree that it was often referred to as "the American process." The daguerreotype-now perhaps mostly associated with stiffly posed portraits of serious-visaged nineteenth-century personages-was an extremely detailed photographic image, produced though a complicated process involving a copper plate, light-sensitive chemicals, and mercury fumes. It was, as Sarah Kate Gillespie shows in this generously illustrated history, something wholly and remarkably new: a product of science and innovative technology that resulted in a visual object. It was a hybrid, with roots in both fine art and science, and it interacted in reciprocally formative ways with fine art, science, and technology. Gillespie maps the evolution of the daguerreotype, as medium and as profession, from its introduction to the ascendancy of the "American process," tracing its relationship to other fields and the professionalization of those fields. She does so by recounting the activities of a series of American daguerreotypists, including fine artists, scientists, and mechanical tinkerers. She describes, for example, experiments undertaken by Samuel F. B. Morse as he made the transition from artist to inventor; how artists made use of the daguerreotype, both borrowing conventions from fine art and establishing new ones for a new medium; the use of the daguerreotype in various sciences, particularly astronomy; and technological innovators who drew on their work in the mechanical arts.

NY, Penguin Press, 2005, Book: Very Good, Dust Jacket: None, Hardcover, no dj issued. Illustrated by Maira Kalman in color. The Elements of Style is a prescriptive American English writing style guide in numerous editions. The original was composed by William Strunk Jr., in 1918, and published by Harcourt, in 1920, comprising eight "elementary rules of usage", ten "elementary principles of composition", "a few matters of form", a list of 49 "words and expressions commonly misused", and a list of 57 "words often misspelled".

Hardcover. NY, Penguin Press, 1st thus, 2005, Book: Very Good, Dust Jacket: None, Hardcover, no dj issued. Illustrated by Maira Kalman in color. The Elements of Style is a prescriptive American English writing style guide in numerous editions. The original was composed by William Strunk Jr., in 1918, and published by Harcourt, in 1920, comprising eight "elementary rules of usage", ten "elementary principles of composition", "a few matters of form", a list of 49 "words and expressions commonly misused", and a list of 57 "words often misspelled".

Softcover. Austin TX, University of Texas Press, 3rd Pr., 1994, Book: Very Good, Dust Jacket: None, Softcover, 264 pages including appendices, bibliography and index. Profusely illustrated with b&w and color photographs. Superb images, portraits of individuals and family groups, and their arts, convey a quality of intimacy and serenity. Scenes of daily activity show many details of the way the Navajos life has been lived. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Franklin Watts, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, 83 pages. Black & white illustrations by Douglas Gorsline. Dust jacket has light edgewear. Dust jacket is protected by a mylar cover.

Hardcover. NY, Viking Press, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated red paper covered boards over black cloth spine; illustrated endpapers. Illustrated stylistically in black and white by Richard M. Powers. 64 pages, "the exaggerated nonsense, the bellylaugh humor, and the colorful salt-water lingo of Miss Ritchie's story clearly stem from the well-loved American traditional tale. But it is also as modern as today, and Richard M. Powers has designed and illustrated it with the bold, freewheeling vigor of our times." Clean copy.

Hardcover. Chicago, Playboy Press, 1st, 1975, Hardcover, purple cloth in an edgeworn dust jacket. An American figurative painter, specializing most often in paintings of female nudes, whose work incorporates elements of realist and abstract art. Text by Elizabeth Claridge. 158 pages. Some light peeling of laminate on dust jacket. Otherwise very good, clean copy.

Hardcover. NY, Doubleday, Page & Co. , 1st, 1908, Book: Very Good, Dust Jacket: None, Hardcover, rust colored cloth binding decorated in silver and gilt. Color illustrated end papers. Four color plates by C. Cole Phillips. Gertrude Franklin Horn Atherton (October 30, 1857 - June 14, 1948) was an American author. Many of her novels are set in her home state of California. Her bestseller Black Oxen (1923) was made into a silent movie of the same name. In addition to novels, she wrote short stories, essays, and articles for magazines and newspapers on such issues as feminism, politics, and war. Light smudge to blank prelim page, otherwise clean.

Hardcover. Baltimore, Johns Hopkins University, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 350 pages, b&w illustrations. This illustrated account of the impact of the English Gothic revival on American church architecture in the mid-nineteenth century finds that this fundamentally conservative movement provided the foundation for a new, influential aesthetic. Clean copy.

Hardcover. NY, Alfred A Knopf, 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 324 pages plus index. Illustrated with 17 halftone reproductions from various sources and with line drawings by Nick Eggenhofer. A comprehensive history of the slaughter of the buffalo, the battles between the hunters and Indians. Also tells of the buffalo hunting for sport by Washington Irving and the Russian Prince Alexis. Describes Buffalo Bill's killing buffaloes to feed the men who were building a railroad across the plains. Most of the book, however chronicles the hide hunters who swarmed over the ranges in 1871 and reduced the herds of nearly forty million buffaloes to fewer than one-thousand, taking the hides and leaving the meat to rot. Bookplate on inside front cover, otherwise clean.

Softcover. Boston, The Horn Book, Inc, 1970, Book: Fair, Dust Jacket: None, Softcover, b&w illustrations, ads, reviews. Articles include No Laughter in Heaven by Lloyd Alexander, Three Times Lonely: The Plight of the Mexican Child in the American Southwest, The Art of Elizabeth Enright, others. Light stamp to front wrapper, otherwise clean.

Hardcover. NY, David McKay Company, 1st, 1965, Book: Very Good, Dust Jacket: None, Hardcover, terra-cotta cloth stamped in black, 175 pages illustrated in b&w by Elizabeth Black Carmer. A collection of American folk tales. Clean copy, no dust jacket.

Hardcover. Charlottesville, VA, University Press of Virginia, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, 185 pages. Black cloth cover with silhouette of Jefferson's head embossed to front and gilt lettering to spine, b&w illustrated dust jacket, 60 b&w figures, 8 b&w plates. Light wear to dust jacket; otherwise a very tight, clean copy.

Softcover. Barcelona/NY, Actar, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover with pictorial wrappers, 251 pages, illustrated in color and b&w. Once the greatest American example of a modern city served by infrastructure, Los Angeles is now in crisis. Infrastructure has ceased to support architecture's plans for the city. This provocative collection looks at infrastructure as a way of mapping residents' place in the city, remaining optimistic about the role of architecture to affect change. Clean copy.

Hardcover. Boston, Little, Brown and Company, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Volume XI in The History of United States Naval Operations in World War II. 360 pages, illustrated with maps (one fold-out) and b&w photos. Gilt on spine with light fading, lacks dust jacket, dj flap copy pasted inside front cover, otherwise clean, tight copy.

Hardcover. NY, Super Genius, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 180 pages. Everyone knows Superman, but not everyone knows the story of two youngsters from Cleveland who created Superman. Based on archival material and original sources, "Truth, Justice, and the American Way: The Joe Shuster Story" tells the story of the friendship between writer Jerry Siegel and illustrator Joe Shuster, and puts it into the wider context of the American comicbook industry. Told in graphic novel format in color.

Hardcover. Seattle, Fantagraphics, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 484 pages illustrated in color. In the 1950s, between his legendary EC work and his celebrated Marvel comics, John Severin joined with Mad artist Will Elder and Two-Fisted Tales writer Colin Dawkins to introduce a new level of historical accuracy to the comic-book Western. While Native Americans had generally been vilified or left in the shadows of gun-slinging cowboy heroes, the American Eagle stories featured in Prize Comics Western were built around action-packed tribal intrigues and a heroic Crow warrior.Collected here for the first time are all of the American Eagle stories drawn by Severin from Prize Comics Western #85-#113. Plus Severin-drawn stories featuring The Fargo Kid, Black Bull and The Lazo Kid. More than 55 exciting, gorgeous, Western tales of bullets vs. arrows, stampedes, tribal warfare, prospectors, buffalo hunters, broken treaties, gun battles, cavalry charges, wagon trains, and warriors on horseback. Thanks to Severin's famously exacting art, you'll be able to smell the leather and gunpowder. With commentary by comics historian Howard Leroy Davis. Clean, bright copy.

Hardcover. New York, Harper Design, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Illustrated with 75 gorgeous b&w photographs of John F. Kennedy, Jacqueline and their children by Richard Avedon. Foreword by Robert Dallek. Text by Shannon Thomas Perich.