art drawing

Hardcover. Seattle, Fantagraphics, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 712 pages. These superb stories from the nearly 20-year run of Love and Rockets define a world of Hispanic gang warfare, '80s California, punk rock, women wrestlers and the subtle battle to stay true to oneself. Hernandez's main characters are Maggie and Hopey, two adorable lesbian rockers who start out in a somewhat vague relationship and are then are separated by adventures both grand and demeaning. Maggie is a magnificent comics character, a tempestuous naif who wears her heart on her sleeve when she's not throwing it at a succession of bad boys who ignore her, even though Hopey is secretly the love of Maggie's life. Hopey, a mohawked imp, is more opaque, a symbol of the youthful rebellion of punk rock that all the characters are trying to return to in some way, even as real life sweeps them further away from their dreams. Maggie's weight gain over the years sends her self-esteem on a downward spiral, while Hopey goes on an endless tour with a band. Along the way, Hernandez gradually peels away the strip's early sci-fi trappings (dinosaurs and rocket ships) to create a devastatingly naturalistic world. Sharp b&w drawings capture the characters in minute detail with a wide range of emotions. Finally collected into one volume, these stories are among the greatest comics ever put to paper, and an essential piece of the literature of the punk movement.

Hardcover. New York, Hill and Wang , 1st, 1966, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover. Extensive b&w drawings by Paul Hogarth throughout. Gilt titles on spine. Clean, tight copy.

Hardcover. NY, Hill and Wang, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 144 pages. B&w drawings throughout by Paul Hogarth. Small ownership stamp to front fly leaf, otherwise clean.

Softcover. Burlington, VT, Lund Humphries , 1st, 2008, Book: Very Good, Dust Jacket: None, 240 pages. Softcover. A very clean, unmarked copy. Color illustrations throughout. London Transport Posters celebrates a century of outstanding graphic design commissioned by the Underground, London Transport, and its present-day successor, Transport for London. Drawing on newly researched sources in the archives of the London Transport Museum and Transport for London, the book discusses and illustrates the different styles and themes emerging from the posters over the last hundred years. It includes examples of over 250 posters from all periods and will be an invaluable reference book and visual resource for all those with an interest in 20th-century design.

Hardcover. NY, Assouline, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Lost Fish is a stunning collection of antique illustrations featuring endangered marine life, published by luxury book publisher Assouline. With over 200 detailed illustrations, this book offers a unique opportunity to appreciate the beauty of life underwater while reflecting on the changing aquatic environment. The illustrations are taken from the nineteenth-century scientific anthology of The Count de Lapecede, a leading authority on aquatic species at the time. Through these intricate prints, readers are reminded of the fragility of our environment and provided with a visual history. The ornate details and lavish colors pay homage to the fleeting species of the ocean and serve as a poignant reminder of the importance of conservation. Clean copy.

Softcover. Washington DC, Hirshhorn Museum and Sculpture Garden and Smithsonian Institution Press, 1st, 1978, Book: Near Fine, Dust Jacket: None, Softcover exhibition catalog. 108 pages, illustrated in color and b&w. Gray pictorial stiff wrappers. Minor wear to edges and spine, else like new.

Softcover. Seattle WA, Fantagraphics Books, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, over 100 b&w drawings. A generous collection of drawings from two cartoonists who revolutionized the medium. A fascinating look into the work processes of two of comics' most talented artists, allowing readers to witness the creative process, from the earliest ideas through roughed-out pages all the way to finished artwork (including several completed sequences that were edited out of continuity, seen here for the first time!) -- plus dozens of pages of beautiful character sketches, as well as the requisite sketchbook section of just goofing around, all annotated by Los Bros.

Hardcover. NY, Viking, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 422 pages. Poets of the twentieth century Elizabeth Bishop's friend James Merrill once observed that 'Elizabeth had more talent for life--and for poetry--than anyone else I've known.' This new biography reveals just how she learned to marry her talent for life with her talent for writing in order to create a brilliant array of poems, prose, and letters--a remarkable body of work that would make her one of America's most beloved and celebrated poets. In Love Unknown, Thomas Travisano tells the story of the famous poet and traveler's life. Bishop moved through extraordinary mid-twentieth century worlds with relationships among an extensive international array of literati, visual artists, musicians, scholars, and politicians -- along with a cosmopolitan gay underground that was then nearly invisible to the dominant culture. Drawing on fresh interviews and newly discovered manuscript materials, Travisano illuminates that the 'art of losing' that Bishop celebrated with such poignant irony in her poem 'One Art' --perhaps her most famous-- was linked in equal part to an 'art of finding,' Like new.

Hardcover. New York, Farrar, Straus & Young, 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover, Illustrated throughout, previous owner's inscription on front fly leaf, dust jacket price clipped, minor dust jacket edge wear, otherwise, very clean and bright.

Hardcover. New York, Farrar, Strauss & Young, 1st, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Paper-covered pictorial boards with black cloth spine & same design dust jacket. A collection of b&w Osborn cartoons. Caustic, witty, and at times deadly serious, these scalpel drawings leave humanity naked and exposed, the result is a cartoonist"s version of a Morality Play. Clean copy.

Hardcover. NY, Rizzoli, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages. Lucian Freud is widely regarded as one of the greatest living artists, and drawing is fundamental to his development as an artist and to how he sees. Speaking recently about his early years he claimed, "I would have thought I did 200 drawings to every painting in those early days. I very much prided myself on my drawing." Drawing became an important part of Freud's life from the start and a famous sketchbook, The Freud-Schuster Book, has survived dating back to January 1940, when Freud was in Snowdonia with Stephen Spender, as do sketches from Freud's life as a merchant seaman on a cargo vessel in the Atlantic in 1941. His then surreal style lent itself to illustrations and his fascination with animals, birds, and fish was revealed in the famous line drawings he produced for Nicholas Moore's book of poems, The Glass Tower (1944). This volume charts Freud's work on paper, including the etchings, over his entire career. It includes the formative early work, the sketches in preparation for painting his masterpiece, Large Interior W11 (after Watteau) (1983), the sketches of the completed painting in the studio and the astonishing later studies of his mother. The book ends with the etchings of recent years.

Softcover. London, National Portrait Gallery London, 1st, 2012, Book: Very Good, Dust Jacket: None, 256 pages. Softcover. Color photographs Clean, unmarked copy with only minor wear to wrappers. This new, authoritative survey of Freud's portraits and figure paintings explores his work across seven decades, from the early 1940s to his death in 2011. The book features over 130 paintings, drawings and etchings selected in close collaboration with the artist.

Hardcover. Boston, Museum of Fine Arts, 1st, 1962, Book: Very Good, Dust Jacket: None, Two hardcover volumes, quarto, 337 + 352 pages., indices, well illustrated in color and b&w. Organized by academic artists, folk artists, visiting foreign artists and artists of the Civil War, with detail biographical information on the artists, this has become an indispensable reference work. near fine copies in gilt decorated gray boards with terra-cotta cloth spines. Clean copies.

Hardcover. Boston, Houghton Mifflin , 1st US, 1932, Book: Very Good, Dust Jacket: None, Hardcover, 176 pages, end papers drawing, b&w illustrations by Arthur E. Becher. Red cloth covers with gilt design.

Hardcover. NY, Random House Studio , 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations throughout by Claire Keane. SIGNED BY KUNKEL on the title page. In the beginning, there was a boy named Robert McCloskey, growing up in Ohio, his hands always moving, always creating. Many years later, after attending art school in Boston, he would reflect on his days wandering through Boston Garden and write the classic picture book Make Way for Ducklings. In the beginning, there was also a girl named Nancy Sch n. She grew up in Newton, Massachusetts, working in her father's greenhouse, twisting wire and boughs into wreaths. Many years later, Nancy would look at Robert's drawings in Make Way for Ducklings and get the seed of an idea. That seed became the beloved bronze sculptures of Mrs. Mallard and her eight ducklings that stand in Boston Garden today. This stunning and clever picture book biography intertwines the lives of two phenomenal artists--who were contemporaries and friends--and reveals the extraordinary impact they've had on generations of children.

Hardcover. Chicago, Swallow Press, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 86 pages. Collection of 116 black-and-white & 26 color plates showing the satirical political cartoonist at his best. Introduction by Jessica Mitford. Bright, clean cop in a price-clipped dust jacket.

Hardcover. New York, E.P. Dutton, 1st, 1966, Book: Good, Dust Jacket: Good, 120 pages. Hardcover with dust jacket. Gutter cracked in preliminary pages. SIGNED ON HALF TITLE PAGE BY AUTHOR. Dust jacket shows chipping and small tears. Small sticker on front end paper bottom.

Hardcover. La Fabrica, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 391 pages, profusely illustrated. This excellent catalog contributes a wealth of new information, providing a valuable contribution to our understanding of Man Ray. The treasure trove of images and objects collected here is drawn from the large archives of the Man Ray Trust in Long Island, New York, and includes little known early works, documents and objects from his private life, working drawings and sketches for major works as well as innumerable familiar masterpieces.

Hardcover. NY, Random House, 1st, 2003, Book: Very Good, Dust Jacket: None, This set by the best-selling artist/author of Manhattan Unfurled includes: A full-color 22-foot-long drawing, in an accordion fold-out format, which provides an amazing 360-degree view of the Manhattan skyline as seen from within Central Park; A separate, enlightening personal journal about the method, philosophy, and evolution of the work, an unprecedented, dramatic re-envisioning of the relationship between the city and its geographical center and escape; and a Visual legend and diagram identifying the city s landmarks and streets. In beautiful slipcase.

Softcover. New York, The Monacelli Press, 1st, 2010-10-12, Book: Very Good, Dust Jacket: None, Softcover, 200 pages, Like new in publishers shrink-wrap. Color illustrations of women's shoes by Blahnik. Here, more than 130 of Blahnik's witty, seductive drawings are collected into one inspiring volume. Manolo's New Shoes is organized thematically to express his current inspirations and passions.

Hardcover. NY, Harry N. Abrams, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover, 217 pages. White cloth stamped with maroon lettering. This is a very good copy of the First American edition of this extraordinary oversize folio volume that reproduces Duchamp's handwritten notes and drawings in facsimile in the original French with English translations. The acetate dust jacket is not present. Mild fraying to top of spine, previous owner's inscription on front fly leaf, otherwise clean copy. DOMESTIC SHIPPING ONLY.

Softcover. Hanover NH/ New York, Hood Museum of Art/Hudson Hills Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 282 pages. with 82 color plates and 270 halftones. Catalogue to accompany the centerpiece exhibition of a year-long celebration commemorating the Hood's 20th anniversary and its permanent collection. Thorough text accompanies each plate, and the essay material includes an overview of the collection. Clean, like new. DOMESTIC SHIPPIG ONLY.

Hardcover. New Haven CT, Yale University Press, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, color plates. Considered to be among the greatest early American modernists, the painter Marsden Hartley (1877-1943) traveled the United States and Europe in his search for a distinctive American aesthetic. His stay in New Mexico resulted in an extraordinary series of landscape paintings--created in New Mexico, New York, and Europe between 1918 and 1924--that show an evolution in style and thinking that is important for understanding both Hartley's oeuvre and American modernism in the postwar years. Marsden Hartley and the West examines this pivotal stage of the painter's career, drawing upon his writings and providing illustrations of rarely seen and previously unpublished works. The author considers Hartley's involvement with the Stieglitz circle and its "soil-and-spirit" philosophy, the Taos art colony, New York Dada, and the impact of historical events such as World War I. Within this setting she analyzes the pastels and oil paintings that suggest Hartley's increasingly ambivalent response to the land. Beginning with optimistic, naturalistic views, the New Mexico works grew progressively darker and more tumultuous, increasingly reflecting a sense of loss brought on by war. The paintings become a site where the landscapes of memory, self, and nation merge, while reflecting broader modernist debates about "American-ness" and a usable past.

Softcover. New York, American Federation of Arts, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 199 pages, b&w illustrations. Introduction by Victor Carlson; catalogue entries by Carol Hynning Smith. Light edge wear, small tear on spine, else a very clean, tight copy.