art drawing

Hardcover. London, John Lane The Bodley Head, 1st, 1925, Book: Fair, Dust Jacket: None, 162 b&w plates by Beardsley with tissue guards. Introduction by C. Lewis Hind, a color plate featuring a caricature of Beardsley by Max Beerbohm. Gray dust jacket worn, chipped. This heavy book has been shaken, the signatures are loose. But it is complete and the interior pages are very good, despite the loose binding.

Hardcover. Athens GA, University of Georgia Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 464 pages, b&w photographs. Light edge wear to dust jacket. Else a very clean, tight copy. This biography offers the most complete and accurate portrait to date of the writer Caroline Gordon (1895-1981). Viewing Gordon's life in the context of female literary tradition, Nancylee Novell Jonza reclaims Gordon's integrity, individuality, and artistic vision from beneath a self-effacing, sometimes detractive, public image carefully fostered by the artist herself. Gordon's nine novels and three short-story collections are a major contribution in their own right to the southern literary renaissance. Despite an enduring readership, however, she still remains in the shadow of her husband, Allen Tate, the Fugitive Poet and Agrarian critic, partially due to her contrived persona of a traditional southern lady turned artist under the tutelage of a gifted, benevolent male writer. Drawing on manuscript drafts, unpublished works, letters, and a significant body of her journalistic writing, Jonza investigates fully the causes and effects of Gordon's self-mythologizing and covers substantially more ground than the thirty years during which she was closest to Tate.

Softcover. Berkeley CA, The Print Mint, 1st, Book: Very Good, Dust Jacket: None, Softcover First Edition July 1970. .50 cent printed price. (28 pages.) Close to near fine in stapled pictorial printed wrappers. Text mildly toned.

Softcover. New York, Doubleday, 3rd pr., 1986, Book: Very Good, Dust Jacket: None, 128 pages. Softcover with Light edgewear to wrappers. Cartoons by Roz Chast. Cartoons use puns and the author's offbeat sense of humor to poke fun at human nature and modern life in the United States. Originally appeared 1978-1981 mostly in The New Yorker magazine.

Softcover. Amsterdam, Van Gogh Museum / Mercatorfonds, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Vincent van Gogh may be the best-loved artist in the world today. His brilliant colors and energetic brushwork have a passionate appeal that touches nearly everyone. Few people, however, are familiar with van Gogh?s drawings. Van Gogh: Master Draughtsman will bring the reader to a new world of this astonishing artist?s imagination, a sensuous world of toned papers, vibrant lines of chalk and pen, veils of watercolor and pastel, and sparkling white highlights. Here we can truly see the artist at work, forming his first ideas, thinking them through, and bringing them to dazzling maturity. Created by the Van Gogh Museum in Amsterdam to accompany a traveling exhibition of the master?s works on paper, this beautiful book will be an indispensable joy and resource for artists and art lovers everywhere. Lavishly illustrated with 163 plates in full color, the panoply of van Gogh drawings is presented here in full flower. Clean copy.

Softcover. Berlin GR, Benedikt Taschen, 1st, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers, 80 pages. Black laminated wraps with 'red Queen' 1954 on the front. Introductory text by Astrid Rossana Conte (grand-niece of Vargas) A monograph dedicated to the Peruvian painter and illustrator Alberto Vargas, famous for his pin-ups and portraits inspired by actresses, which examines four decades of his production, from the 1920s to the 1950s. Parallel texts in German, English and French; well illustrated with two photographs of Vargas, black and white examples of his drawings and many full colour examples of his paintings. Clean copy.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap. 550 pages. Seventeenth-century Delft has traditionally been viewed as a quaint town whose artists painted scenes of domestic life. This important book revises that image, showing that the small but vibrant Dutch city produced fine examples of all the major arts--including luxury goods and sophisticated paintings for the court at The Hague and for patrician collectors in Delft itself. The book traces the history and culture of Delft from the 1200s through the lifetime of the city's most renowned painter, Johannes Vermeer. The authors discuss at length some ninety major paintings (seventeen by Vermeer), forty drawings, and a choice selection of decorative arts, all of which are reproduced in full color. Among the paintings are state portraits, history pictures, still lifes, views of palaces and church interiors, illusionistic murals, and refined genre pictures by Vermeer and Pieter de Hooch. The rich works on paper encompass exquisite drawings by Delft artists and sketches of the town by visiting artists. Included in the decorative arts are tapestries, bronze statuary, silver, Delftware, and glass. The volume concludes with an essay that takes the reader on a walk through seventeenth-century Delft. It is accompanied by maps of the city's neighborhoods that indicate major monuments and the homes of patrons, art dealers, and painters.

Hardcover. Princeton NJ, Princeton University Press, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 372 pages, color plates throughout. Dust jacket protected with a mylar covering.A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435-1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists.Published in association with the National Gallery of Art, Washington, Small white sticker on dj spine, otherwise like new. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. London, Art/Books Hastings Contemporary, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 128 pages illustrated in color. The husband of Paula Rego and a visionary artist in his own right, Victor Willing (1928-1988) creates work that is characterized by dreamlike and hallucinatory imagery. Published to accompany the first major retrospective of his career, this volume traces his life decade by decade, charting his history of creative block and ill health, and analysing his paintings, drawings and sculptures.

Hardcover. Stonehill Publishing/Chelsea House, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. This book presents a representative selection of the best work produced for children during the great flowering of the illustrator's art that began in England in the 1860s. Beautifully crafted drawings of such illustrators as Caldecott, Walter Crane, Kate Greenaway, and Richard Doyle are reproduced with painstaking fidelity to the originals. Commentary by Maurice Sendak.

Hardcover. New York, Rizzoli, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Two volume set. Hardcovers with dust jackets. Both in beautifully illustrated slipcase. Minor fraying to slipcase edges. Hardcovers both clean and unmarked. Color illustrations throughout.

Hardcover. NY, W. H. Freeman & Co., 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket with fading to spine, 354 pages. 411 illustrations (254 in color). "The book contains the complete set of numbered symmetry drawings and two Escher Notebooks (1941-1942) in which he explored the world of symmetry patterns and regular division of the plane." [From the dust wrapper copy]. Clean copy.

Hardcover. NY, St. Martin's Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 128 pages. Brian Nissen's talented art work make this lovely book not only a collection of erotica, but also very humorous. Clean copy.

Hardcover. Smithsonian Institution / Victoria and Albert Museum, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Eighty-two watercolors and drawings selected from the extensive Searight Collection in London present a variety of 19th-century artists' encounters with the diverse cultures and dramatic lands of the fabled Ottoman Empire. Complementing the artworks are essays by experts in Middle Eastern studies elucidating the exchange of ideas and influences between East and West. Artists include Edward Lear, Luigi Meyer, David Roberts etc. 128 pages. Clean copy.

Hardcover. Montreal, Drawn & Quarterly, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, unpaginated. B&w illustrations by Crumb. "Yo! People! Here's yet another book of placemat drawings done while sitting in restaurants. Wow, doesn't this guy ever stop drawing?? Hey, now I have a good reason for making artwork on placemats. I'm no longer simply doodling to pass the time 'til the food arrives. I'm earning money while waiting to be served! I'm getting paid for it! Can you imagine??" (from R. Crumb's forward)

Hardcover. Taschen, 1st thus, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover. On November 18, 1928, the world's most famous Mouse made his very first public debut. Today, we celebrate 90+ years of Mickey in one of the most expansive illustrated publications on the Disney universe. Starting with the first sketches of a character who was almost named Mortimer, we trace the career of Walt Disney's and Ub Iwerks's most famous creation, one met with an explosion of worldwide popularity preceded only by the earlier successes of Charlie Chaplin.With unlimited access to Disney's vast historical collections as well as public and private collections, the authors bring Mickey's success story to life: concept art, story sketches, background paintings, and animation drawings as well as historical photographs trace the origins and evolution of such timeless favorites as Steamboat Willie, The Band Concert, and Brave Little Tailor. They also follow Mickey as he builds on this legendary library of short cartoons by appearing in two historic feature-length films, Fantasia and Fun and Fancy Free.Extensive archival research sheds new light on little-known chapters of Mickey's career, the origins of the Mickey Mouse Club, and his use as a patriotic icon during World War II. Along the way, we encounter the work of all major Mickey artists in both film and comics, including such greats as Ub Iwerks, Win Smith, Ferdinand Horvath, Fred Moore, Floyd Gottfredson, Carl Barks, Manuel Gonzales, Paul Murry, Romano Scarpa, Giorgio Cavazzano, Byron Erickson, and Cesar Ferioli.Mickey Mouse has left an indelible mark on everyday culture as well as high art, becoming a favored subject for Pop artists such as Andy Warhol, Keith Haring, and Roy Lichtenstein.

Hardcover. San Francisco, CA, Walt Disney Family Museum, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A clean, unmarked copy with only minor rubbing to dust jacket. A tight copy. Produced in conjunction with The Walt Disney Family Museum's 2018 exhibition of the same name, Walt Disney's Nine Old Men: Masters of Animation features an array of fascinating artwork and family mementos from each of these accomplished gentlemen, such as sketchbooks, caricatures, and snapshots, as well as original art from the classic films Pinocchio, Bambi, Peter Pan, Lady and the Tramp, and Sleeping Beauty.

Hardcover. San Francisco, CA, Walt Disney Family Museum, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A clean, unmarked copy with only minor rubbing to dust jacket. A tight copy. Produced in conjunction with The Walt Disney Family Museum's 2018 exhibition of the same name, Walt Disney's Nine Old Men: Masters of Animation features an array of fascinating artwork and family mementos from each of these accomplished gentlemen, such as sketchbooks, caricatures, and snapshots, as well as original art from the classic films Pinocchio, Bambi, Peter Pan, Lady and the Tramp, and Sleeping Beauty.

Softcover. New York, St. Martins Press , 1st US, 1975, Book: Very Good, Dust Jacket: None, 122 pages. Softcover. Small marking to front cover. Otherwise clean copy with minor edgewear. 107 illustrations, including 16 in color. Walter Crane, artist of Kensington, was a man of many talents, but is possibly best known for his original and charmingly executed designs which made him the leading illustrator of children's books of the Aesthetic Movement period. In the face of the commercial vulgarity and ugliness of Victorian industrialised society, he created a delicate and escapist fairy world which, with its emphasis on spontaneity and mobility of line, and its clever use of background and colour, popularised a completely new style of tasteful book designs, and brought them within reach of everyone. The influence of Crane's work and his highly novel theories of design make him an important figure in nineteenth century art history. Rodney Engen, American-born painter and lecturer, discusses Crane's style and ideas in a study delightfully arranged after Crane's own rules and book design.

Softcover. Washington DC, National Gallery of Art, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Headline-making in every sense, the myriad works of art in which Andy Warhol used or referenced tabloids throughout his career are explored in this book as a coherent body for the first time. Obsessed with contemporary culture, Warhol celebrated the sensational as well as the mundane in every facet of society. His headline works, which were realized in a range of formats--from two-dimensional to time-based media such as film, video, and television--chart in real time the great shift in the technological means employed to deliver the news from the 1950s until the artist's death in 1987. This companion volume to a riveting exhibition brings together more than 80 works, from Warhol's earliest drawings and paintings of newspaper headlines, to his screen-printed canvases, photographs, and electronic media, and concluding with collaborative works he produced with Keith Haring and Jean-Michel Basquiat. Featuring illuminating essays and abundant reproductions of the headline works, as well as source materials and examples of Warhol's private scrapbooks of clippings, this unique and powerful volume demonstrates the rich intersection of mainstream media and fine art.

Hardcover. Scranton PA, International Textbook Company, reprint, 1919, Book: Very Good, Dust Jacket: None, Hardcover, thin black textured cloth covers with embossed titles, gilt lettering on spine, marbled endpapers, 104 pages. With drawings, illustrations, a few in color, diagrams, a few as foldouts, questions and exorcises, and index. Clean, bright copy.

Hardcover. Philadelphia, J. B. Lippincott, 1st US, Book: Very Good, Dust Jacket: Good, Hardcover, 288 pages, b&w illustrations. In a worn, frayed dust jacket with a darkened spine. Included also are Veterinary Notes by Col. Todd and a chapter on Pig-Sticking by Lieut. Col. Arthur Brooke. Illustrated with black-and-white photographs and drawings. Not an ex-library copy. No remainder marks. No names or marks in the text. No date but probably 1929.

Hardcover. New York, Thames & Hudson, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. Best known for his luscious paintings of pies and ice-cream cones, American artist Wayne Thiebaud (born 1920) has been an avid and prolific draftsman since he began his career in the 1940s as an illustrator and cartoonist. This book of 116 drawings-compiled with the full cooperation of the artist to accompany a major new exhibition at the Morgan Library Museum-explores the wide range of Thiebaud's production on paper, including early sketches, luminous pastels, and watercolors, and charcoal drawings made in connection with his teaching. In subjects ranging from deli counters and isolated figures to dramatic views of San Francisco's plunging streets, Thiebaud's drawings endow the most banal, everyday scenes with a sense of poetry and nostalgia.

Hardcover. NY, Macmillan, 1st US, 1938, Book: Good, Dust Jacket: None, Hardcover, 335 pages, blue cloth stamped with white lettering and sailboat. Endpapers are illustrated map of the voyage of the Goblin showing how she went across and came back. Author's b&w drawings throughout. Part of the Swallows and Amazons series. Front hinge a little tender, clean copy.