art drawing

Softcover. New York, N.Y. (21 E. 70th St., Hirschl & Adler Galleries, 1st, 1992, Book: Good, Dust Jacket: None, Softcover, 64 pages, illustrated throughout in color and b&w. Light wear and rubbing to spine with slight tear to upper edge. Clean, tight copy.

Softcover. New York, NY, Hirschl & Adler Galleries, 1st, 1989, Book: Good, Dust Jacket: None, Softcover, 79 pages. Exhibition catalog. Black-and-white and color illustrations. Some shelf-wear on rear cover. Light sun-fade to spine. A little soiling to bottom edge. Otherwise, clean, tight copy.

Hardcover. New York, Dutton, 1st, 1926, Book: Very Good, Dust Jacket: Very Good, Hardcover, 203 pages. Illustrated with black & white drawings by Don Herold. Light wear to covers. Clean, tight copy.

Hardcover. San Francisco, CA, Chronicle Books, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. A very clean, unmarked copy like new in publishers shrink-wrap. The 1940s ushered in an era of musical experimentation and innovation at the Walt Disney Studios. For this volume, author Didier Ghez has unearthed hundreds of enchanting images--from early sketches to polished concepts for iconic features--by five exceptional artists who shaped the style of the Studio's animation during this period of unbridled creativity. With evocative descriptions and excerpts from the artists' journals and autobiographies, this magnificent collection offers a rare look at the visionaries who breathed life into some of the most beloved films of our time.

Hardcover. Philadelphia, PA, Philadelphia Museum of Art, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 488 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Lavishly illustrated with more than 250 of Eakins's most significant paintings, watercolors, drawings, photographs, and sculpture, the book features essays by prominent scholars who place his art in the context of the history and culture of late nineteenth-century Philadelphia, where he lived.

Softcover. Washington DC, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 237 pages, b&w illustrations, color plates. A very clean, tight copy.

Hardcover. Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover, 176 pages. Text in English and German. Hardcover, pages. Thomas Zipp, born in 1966, studied under Martin Kippenberger in Frankfurt and then continued at the Slade School of Fine Art in London. His imagery blends New Age thought patterns with provocative spiritual irony: religion, cults, myths, drugs and violence. Achtung! Vision presents his paintings, drawings, collages and installations since 2003, including a number of very new and never-before-seen works.

Hardcover. Ipswitch UK, Limited Editions Club, 1st thus, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover. Horizontal quarto (10-7/8" x 9") in a three-piece binding of linen sides printed in a pattern of scarlet, slate, and yellow vertical stripes with a shelfback of ochre buckram stamped in gold leaf; 224 pages. Introduction by Stella Gibbons. Designed by John Lewis and printed by W. S. Cowell Ltd. Illustrated by John Griffiths with 2 double-spread color drawings and numerous black-and-white part-page and marginal sketches. Copy #1370 of 2000 SIGNED by the artist on the colophon page. Clean, bright copy.

Hardcover. NY, Harcourt Brace & Company, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with white title on spine. A collection of humorous drawings by James Thurber with a preface by Dorothy Parker.Most originally appeared in The New Yorker. No dust jacket, clean copy.

Hardcover. NY, Books of Wonder, reprint, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. Join Tik-Tok, the Shaggy Man, and a host of other friends--both old and new--on an exciting, imaginative journey through the world of Oz. Capturing all the fun are twelve color plates and nearly eighty black-and-white drawings by Oz artist John R. Neill, as well as a facsimile of Neill's full-color map endpapers of Oz and the enchanted realms that surround it--the first maps of Oz ever published. Tik-Tok of Oz is the eighth Oz novel and the first to bring a girl other than Dorothy to Oz. Now, in this beautiful reproduction of the rare first edition, a whole new generation can discover the enchantment and joy that have made the Oz series such an enduring favorite. Afterword by Peter Glassman.

Softcover. NY, MOMA, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, 54 color illustrations. Published to accompany a major retrospective at The Museum of Modern Art, New York, this volume considers Burton's career as an artist and filmmaker. It narrates the evolution of his creative practices, following the current of his visual imagination from his earliest childhood drawings through his mature oeuvre. Illustrated with works on paper, moving-image stills, drawn and painted concept art, puppets and maquettes, storyboards, and examples of his work as a graphic artist for his nonfilm projects, this publication sheds new light on Burton and presents previously unseen works from the artist's personal archive. Clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. In 1972, underground cartoonists Joyce Farmer and Lyn Chevli produced Tits & Clits - a funny, rowdy, raucous underground comix series about female sexuality that one reviewer described as "the ultimate in vaginal politics" - and became the first American women ever credited with writing, drawing, and publishing their own comic books. A feminist answer to Zap, Tits & Clits quickly became an anthology showcase for other women cartoonists, featuring the work of Mary Fleener, Roberta Gregory, Krystine Kryttre, Lee Marrs, Carel Moiseiwitsch, Trina Robbins, Dori Seda, among others. Like other underground comix, Tits & Clits leaned into being lewd in order to satirize women's experiences with so-called sexual liberation. Featuring stories about birth control, abortion, menstruation, masturbation, and more, Tits & Clits featured intimate politics which occasionally clashed with contemporaneous feminist concepts about sex and sexuality. As Chevli put it: their work had something to offend everyone. (In 1973, conservative legal authorities in Orange County deemed their work pornographic and even threatened the two editors with arrest on obscenity charges.)Now, for the first time in half a century, a new generation of readers will be shocked, entertained, enlightened, and scandalized by the bold satirical cartoonists that comprised the band of sisters in Tits & Clits. In addition to reprinting the seven-issue run of the Tits & Clits series, this collection also includes in their entirety two classic solo comics from 1972 written and drawn by Farmer and Chevli - Abortion Eve and Pandora's Box. Also included is an introductory essay providing context to Tits & Clits' place in the history of women's cartooning by the book's editor, Samantha Meie

Softcover. Yonkers, NY, Hudson River Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, b&w illustrations. Light rubbing to wrappers. Else a very clean, tight copy. Issued in conjunction with a 1984 exhibition of drawings by Hudson River School artist Frederic Edwin Church (1826-1900). With an essay by Elaine Evans Dee and foreword by Rick Beard. The annotated and illustrated catalogue presents 107 works. This is the only publication that examines in detail the preparatory studies of this master Hudson River School artist. Shows Church's drawings that were intended to provide preliminary detail for his oil paintings. The extensive notations on the drawings themselves are clear evidence of this intent. This provides a special insight into the processes of artistic creation as employed by one of 19th century American's greatest landscape painters.

Softcover. Yonkers, NY, Hudson River Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, b&w illustrations. Light rubbing to wrappers. Else a very clean, tight copy. Issued in conjunction with a 1984 exhibition of drawings by Hudson River School artist Frederic Edwin Church (1826-1900). With an essay by Elaine Evans Dee and foreword by Rick Beard. The annotated and illustrated catalogue presents 107 works. This is the only publication that examines in detail the preparatory studies of this master Hudson River School artist. Shows Church's drawings that were intended to provide preliminary detail for his oil paintings. The extensive notations on the drawings themselves are clear evidence of this intent. This provides a special insight into the processes of artistic creation as employed by one of 19th century American's greatest landscape painters.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2017, Book: Very Good, Dust Jacket: None, 380 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear to dust jacket. To Laugh That We May Not Weep is a sweeping career retrospective, reprinting -often for the first time in 60 or 70 years- over 800 of Young's timeless, charming, and devastating cartoons and illustrations, many reproduced from original artwork, to create a fresh new portrait of this towering figure in the worlds of cartooning and politics.

Hardcover. London, Souvenir Press, 1st UK, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 192 pages. First-person accounts of life in a Japanese POW camp are not common, and illustrated memoirs are rare indeed. Searle, a young British art student, was captured at the fall of Singapore and spent the next four years covertly sketching his captors and fellow prisoners. His work matured as the war progressed, growing from merely facile to totally captivating. He grew skilled at suggesting personality, and many of his drawings are unforgettable. A brief personal narrative accompanies the portfolio, placing the works into historic perspective. Artistically as as well as historically, this book is a treat.

Hardcover. Scarsdale NY, Bradbury Press, 1st, 1974, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth stamped in black. Folklore about a Japanese farmer who digs up a huge imo (yam). Ed Young style pencil drawings by Japanese artist Mitsu Yashima. No dust jacket. Clean copy.

Hardcover. Columbia MO, University of Missouri Press , 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, Illustrated in color and b&w. Bright, clean copy. Blue cloth with gilt lettering to the spine. Includes footnotes, list of illustrations, notes on illustrations, and index. In a bright, unclipped dust jacket.

Softcover. NY, Farrar, Straus and Giroux, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover. A collection of drawings by Tomi Ungerer on the themes of men, women, and sex. Unpaginated [112 pages]; 109 full-page b&w illustrations; 9.25 x 12.25 inches. Previous owner's inscription on front endpaper, otherwise clean.

Hardcover. New York, Abrams, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover, 368 pages plus fold-out list of plates. Hardcover. 54 full color plates plus hundreds of black & white works by Toulouse-Lautrec. Dust jacket protected with clear plastic cover. Clean, tight copy. Complete coverage of works in lithography and drypoint including fine prints, posters, illustrations, book jackets, sheet music, etc.

Hardcover. New York, Barse and Hopkins, 1st, Book: Very Good, Dust Jacket: None, Hardcover, 184 pages plus publisher's ads, 4 color plates and many b&w drawings by uncredited artist (but appears to be Campbell). Appears to be collected material from earlier books so copyright date make be earlier than published date. Bright blue cloth covers with red lettering, color illustration label on front. Previous owner's gift inscription in pencil on front fly leaf with 1927 date. A clean, bright copy.

Hardcover. Conway NH, TMC Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 131 pages, illustrated throughout in color. SIGNED BY AUTHORS on title page. This is the story of what happens when big people decide to be kids again and they have tools and lumber. A beautifully written tale about building an elaborate two story treehouse in the Maine woods, Treehouse Chronicles is reflective and insightful, and carries the reader along as a dream is made real. We meet the author's family, and friends, and a squirrel with an attitude, and you will be captivated by this poignant and humorous story of process, a house is hung in the sky. Packed with over 180 spectacular photographs, evocative watercolors, and line drawings. Clean, tight copy.

Hardcover. New York, Harry N. Abrams, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages. 176 b&w and color plates, fold outs. Biography of Ernst Trova, self-taught painter and contemporary sculpture artist, known especially for his series entitled Falling Man. White cloth, gilt lettering to spine, gilt design on front, Very nice, clean and well preserved copy. Looks as good as new.

Softcover. Rome, Libreria dello Stato, 1st, 1992-01-01, Book: Very Good, Dust Jacket: None, Softcover, 429 pages, illustrated throughout in b&w. Folio. Light edgewear and rubbing to wrappers, else a clean, tight copy.