art drawing

Hardcover. London, Phaidon Press, 1st, 1945, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 62 pages plus 85 plates. Gift dedication signed by 8 people on the front fly leaf, otherwise clean and tight.

Softcover. Houston / NY, Houston Fine Art Press/MOMA, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 204 pages. Horizontal format. With numerous illustrations, including many in color. Detailed study of the drawings by the American artist better known for his paintings. 184 illustrations with 84 in color. Three pages with light pencil underlining, otherwise a clean, bright copy.

Hardcover. NY, Da Capo Press, reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright yellow price-clipped dust jacket. 18 pages of text, frontis portrait, plus 157 plates. All of the best drawings of Beardsley's early period, including the illustrations for "Salome". Reprinted from the second London edition of 1911. Previous owner's initials on front fly leaf, otherwise clean.

Hardcover. NY, Christie's, 1982, Book: Very Good, Dust Jacket: None, Two hardcover volumes, light blue cloth covers stamped in gilt, auction catalogs illustrated throughout in color. Part 1: Important French Porcelain, 161 pages, 468 items. Part 2: Important French Furniture, Works of Art, Old Master Paintings, Drawings and Chinese Porcelain and Jade. 292 pages, 456 items. Auction held March 21- 23, 1991. Clean bright copies. Scarce in hardcover format. Ms. Firestone was heir to the Firestone Tire and Rubber Co. fortune and considered one of the last great post-war collectors.

Hardcover. NY, Grove Press, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover. Marbled boards and black spine lettered in gilt. the complete set of copper plate engravings Zichy made in an edition of 200 for private sale in 1911. He then destroyed the plates. This is from one of the rare original copies and contains 40 of the most exquisitely executed works of erotica ever made. Claen copy. No dust jacket.

Hardcover. NY, Stein & Day, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, unclipped. Quarter bound in publisher's gray cloth over brick boards, gilt lettering on brown panel on spine, author's facsimile signature, gilt, on cover, green endpapers, 457 pages with 164 black & white plates and 39 black & white line drawings. Red top edge. Corners a bit rubbed. Dust jacket with edgewear, closed tear.

Softcover. NY, Dover Publicastions, 1st pbk, 1968, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. Reprint; The 203 Plates & Text of His Architectura published in 1598. Late Renaissance and early Baroque architectural ornament. Clean copy.

Hardcover. NY, Prestel, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with yellow band, 248 pages. This beautiful book focuses on the distinctive and expressive power of Jackson Pollock's figurative paintings, drawings, and prints; a rarely studied aspect of his artistic career. Jackson Pollock's name has become synonymous with the abstract drip paintings that he famously created on the floor of his studio. Before these paintings, from the 1930s to the late 1940s, Pollock created figurative works, studying at one time under the painter Thomas Hart Benton and with the Mexican muralists Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueiros. Pollock took up figuration again after his famous drip paintings. This book starts with the early decades and also treats Pollock's re-adoption of the figuration after his renowned abstract paintings. The Figurative Pollock features 100 paintings and works on paper. From rolling landscapes to experiments in non-Western totemic painting to sketches and drawings fueled by Jungian analysis, the enormous range of Pollock's early and late work is presented here. Brimming with confidence and a sense of freedom, distinct yet so easily related to Pollock's most famous oeuvre, these works contribute to an understanding of how the artist found his voice.

Softcover. Cincinnati OH, North Light Books, 6th pr., 1997, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, color illustrations throughout. In 17 projects, this book details literally every component of drawing the figure -- from choosing materials to creating a setting. Clean, bright copy.

Hardcover. Bologna IT, Scripta Maneant Editori, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 455 pages. From a private collection in Italy, these previously unpublished works by Francis Bacon are presented here in thematic sections, each of which is preceded by a short introductory text. Nearly 700 drawings, pastels, and collages were gifted by Bacon over the course of many years to his close friend, Italian journalist Cristiano Lovatelli Ravarino. His commentary is included here, along with texts by noted art historians Edward Lucie-Smith and Fernando Castro Florez, and an authentication report from Ambra Draghetti, graphological consultant to the Court of Bologna. The works were photographed expressly for this publication. TEXT IN ENGLISH & ITALIAN. DOMESTIC SHIPPING ONLY.

Softcover. Seattle, Fantagraphics Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 184 pages. Color frontispiece, b&w illustrations. The Great Anti-War Cartoons by Craig Yoe offers a "hard-hitting but hopeful" collection spanning centuries of anti-war drawings by some of the best graphic artists, from Honore Daumier to R. Crumb and many others. As noted in the foreword, the works included in this compilation of responses to war come from both the left and the right, and this is indeed one of the strengths of this book. The insightful, thought-provoking introduction is delivered by none other than Nobel Peace Prize Winner Dr. Muhammad Yunus and proves to be well worth reading in its own right.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 296 pages, b&w illustrations. This is the first full scholarly study of the Great Wall of China to appear in any language, and it challenges many deeply held ideas about Chinese history. Drawing both on primary sources and on the latest archaeology, the book first demonstrates that the standard account of the Great Wall is untrue and misleading and then presents a convincing new account. It begins by tracing the various walls and systems of frontier defences that existed in early Chinese history, and shows how the greatest of these achieved a mythical symbolic stature which long survived the Wall itself. A striking concluding chapter traces how the true history of the Wall was lost in the early twentieth century as it was gradually transformed into a Chinese national symbol explained through historical myth. The book is an important contribution to the history of China's defensive policy, and her ideological attitudes, and will be of interest both to students of Chinese history and of international relations in the pre-modern world. Clean, bright copy.

Hardcover. NY, W. W. Norton & Company, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 24-foot-long black-and-white drawing printed on heavyweight accordion-fold paper and packaged in a deluxe hardcover slip-case. From "the heir to R. Crumb and Art Spiegelman" (Economist) comes a monumental, wordless depiction of the most infamous day of World War I.Launched on July 1, 1916, the Battle of the Somme has come to epitomize the madness of the First World War. Almost 20,000 British soldiers were killed and another 40,000 were wounded that first day, and there were more than one million casualties by the time the offensive halted. In The Great War, acclaimed cartoon journalist Joe Sacco depicts the events of that day in an extraordinary, 24-foot- long panorama: from General Douglas Haig and the massive artillery positions behind the trench lines to the legions of soldiers going "over the top" and getting cut down in no-man's-land, to the tens of thousands of wounded soldiers retreating and the dead being buried en masse. Printed on fine accordion-fold paper and packaged in a deluxe slipcase with a 16-page booklet, The Great War is a landmark in Sacco's illustrious career and allows us to see the War to End All Wars as we've never seen it before. Clean copy.

Softcover. Berkeley CA, University of California Press, 1st pbk, 1981, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers, 258 pages. Examines the unique religious brotherhoods of Morocco, tracing their origins to two saints from the late 17th and early 18th centuries, Sidi Ali ben Hamdush and Sidi Ahmed Dghughi. Known for their dramatic and sometimes controversial rituals, such as trance dances and acts of self-mutilation, the Hamadsha are healers who address spiritual and psychogenic ailments through symbolic and therapeutic practices. Their activities, deeply rooted in the Moroccan cult of saints, reflect a complex interplay of Islamic mysticism, local traditions, and social dynamics. Through these rituals, the Hamadsha incorporate patients into their brotherhoods, providing them with new roles and a symbolic framework to articulate and resolve personal and societal tensions. Drawing on extensive fieldwork, historical analysis, and psychoanalytic perspectives, this study explores the Hamadsha's history, their organizational structure, and their relationship with Moroccan culture and religion. It examines the saints' tombs as focal points of veneration, the social dynamics of the brotherhoods, and their therapeutic methods, including pilgrimages and trance dances. Clean copy.

Hardcover. NY, HarperCollins, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This richly illustrated book celebrates in words and pictures the beautiful work that award-winning artist Alan Lee produced for J.R.R. Tolkiens The Hobbit, and includes dozens of brand-new paintings and pencil drawings exploring the world of Bilbo Baggins.Since The Hobbit was first published in 1937, generations of readers have fallen under its spell. That magic was reignited sixty years later, when Alan Lee was commissioned to produce a special illustrated edition, and his delicate pencil drawings and beautiful watercolour paintings have become for many the definitive vision of J.R.R. Tolkiens Middle-earth.In this sumptuous, large-format hardback Alan Lee reveals in pictures and in words how he created these images, which would prove so powerful, matching perfectly with Tolkiens own vision, that they would eventually define the look of Peter Jacksons film adaptations and earn Alan a coveted Academy Award.The Hobbit Sketchbook is filled with more than 100 of his sketches and early conceptual pieces that reveal how the project progressed from idea to finished art. It also contains a wealth of brand-new full-colour paintings and sketches drawn specially for this book, which unlock the secrets of how Alan creates his own magic and provide a fascinating insight into the imagination of the man who breathed new life into Tolkiens vision.

Hardcover. London, Ward Lock & Co., 4th Ed., nd, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with embossed design and bright gilt decoration, 143 pages plus publisher's ads. A standard mid-century book covering pencil-sketching, figure and object drawing, perspective and isometrical drawings, and engraving on metal and woo with 300 illustrations. Most likely late 1850s, 1860. Name on first blank page, otherwise clean, tight copy.

Softcover. NY, Harcourt Brace Jovanovich, 1st, Book: Very Good, Dust Jacket: None, Illustrated cardboard box housing twelve 11 x 14 inch color prints featuring illustrations from Joan Walsh Anglund's books, including Spring is a New Beginning, A Friend is Someone Who Likes You, Love is a Special Way of Feeling, and Christmas is a Time of Giving. All prints in excellent condition.

Hardcover. NY, John Wiley & Sons, 4th pr., 1002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, illustrated in color and b&w. A national authority on this emerging field offers a comprehensive guide to the art and science of designing, erecting and maintaining an outdoor lighting system. Presents in-depth coverage on how to plan, design and build a project; reviews all technical components and materials; discusses specific issues of landscape design setting and its elements--plants, sculptures and structures, water features, etc. Packed with hundreds of detailed photos, sketches, plans and drawings. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Two large hardcover volumes in bright dust jackets. 940 total pages. John Constable, one of the most beloved of British painters, is renowned for his poetic approach to nature and his extraordinary use of broken color. In this beautiful two-volume set, the dean of Constable scholars, Graham Reynolds, discusses all the paintings and drawings the artist produced between 1790 and 1816, both before and after his breakthrough into the original style that is the basis of his fame. Together with Reynolds`s award-winning The Later Paintings and Drawings of John Constable (1984), the books are a catalogue raisonne, of this artist`s monumental oeuvre.The two volumes, one of text and one of plates, describe and reproduce 1370 paintings and drawings in chronological order. They begin with Constable`s juvenilia and tentative experiments before he went to London in 1799 to become a professional artist. Next are some lesser-known works-elegant figure studies of girls, Constable`s first portraits, and his Lake District watercolors. Finally are the works after 1808-Dedham Vale: morning, Flatford Mill from a Lock on the Stour, A Summerland, The Stour Valley and Dedham Village, and the recently rediscovered The Wheatfield-works that made Constable a major force in British landscape painting. The volumes also include Constable`s numerous sketches of his homeland around East Bergholt and Dedham from this period, drawings on which he based his later masterpieces. An appendix records and reproduces, as addenda to The Later Paintings and Drawings, 94 works produced between 1817 and 1836 that have come to light since those books were published. Small 1/2" closed tear to front corner of dust jacket, otherwise a clean, crisp set. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Da Capo Press, reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright yellow price-clipped dust jacket. Frontis portrait, 174 plates. All of the best drawings from Beardsley's later period, including the illustrations for "The Yellow Book", "The Savoy" and "The Rape of the Lock". Reprinted from the second London edition of 1911. Previous owner's initials on front fly leaf, otherwise clean.

Softcover. NY, New York Review Books, reprint, 2025, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w illustrations. A new edition of Beetle Bailey creator Mort Walker's riotous and immensely influential handbook for drawing and reading cartoons-a book that's both a parody of humorless how-to guides and a genuine (and genuinely instructive) ode to the art of making comics. Both a send-up of lofty how-to-draw books and a sincere and hilarious love letter to the art of drawing cartoons, the Lexicon is a joyously exhaustive cheat sheet to key comics visuals that has been referenced and treasured by generations of cartoonists. This new edition includes a foreword by Chris Ware and a meticulous appendix by Mort's son Brian Walker, who delves deep into the visual language of comics. Clean copy.

Softcover. US, Picture This Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Volume 1: Drawings. Clean, unmarked copy with only minor wear to wrappers. Volume One focuses on Kley's ink drawings, and reprints for the first time a substantial selection of his illustration work for children's books and adult genre fiction, a side of Kley's career previously unexplored in other collections. This volume also includes a wide sampling of Kley's cartoons and magazine work, with newly collected examples taken directly from a variety of rare sources such as "Jugend," "Simplicissimus," and the historic "Der Orchideengarten" (the world's first fantasy fiction magazine). In all, more than 300 Kley illustrations and cartoons fill this first volume.

Hardcover. NY, Books of Wonder, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages. In this 1917 addition to the Oz series, L. Frank Baum delights readers of all ages with a spellbinding mystery that involves nearly every one of the amazing cast of characters that populate America's favorite fairyland. This handsome new edition--featuring all twelve of Oz artist John R. Neill's beautiful color plates and nearly one hundred black-and-white drawings--is the perfect way to join Dorothy and her friends on this exciting journey through the endlessly intriguing Land of Oz. Afterword by Peter Glassman.

Softcover. Cambridge, Komatik Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, oblong format. In 1917, while still in art school, Edward Shenton joined Company B, 103rd Engineers of the Pennsylvania National Guard. He stocked up on art materials, including many canvas-bound sketchbooks and a watercolor set, and went off to train and fight. Much of the war he witnessed made their way into his sketchbooks. When Ed returned home, no one wanted to hear about the war, much less see images of the horrors of battle. He went back to art school and his sketches were put away and forgotten. He had a brilliant career as an illustrator. His drawings graced the cover of Scribner's Magazine for ten years and embellished books by, among others, Hemingway, Fitzgerald and Thomas Wolf.Edward Shenton had a long career as an outstanding illustrator, author, and teacher and, after a very full life, died at the age of eighty-two. Nine decades after they were put away, his son came across Ed's sketchbooks and he and I decided that they, along with his father's wartime story, had to be shared with the world.