art history

Softcover. NY, Pantheon Books, 1st US, 1979, Book: Good, Dust Jacket: None, 232 pages, illustrated throughout in b&w. Light sun-fade to spine, otherwise a clean, tight copy.

Hardcover. New York, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 284 pages. Clean, unmarked copy with only minor wear to dust jacket. Rachelle Bergstein brings readers along on a unique and delightful romp through the history of shoes, the women who wear them, and the profound impact they have on our lives. Women from the Ankle Down includes interviews and cameos with influential figures ranging from Lisa Mayock of Vena Cava to Oscar Award-winning costume designer Patrizia van Brandenstein, from Doc Martens historian Martin Roach to Fashion Institute of Technology museum director Valerie Steele; from Marilyn Monroe and Jane Fonda to Salvador Ferragamo and Christian Dior; from Judy Garland to Wonder Woman.

Hardcover. NY, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 208 pages, color and b&w illustrations. Hardcover with dust jacket. Like new in publisher's shrink-wrap. A collection of rarely seen black-and-white photographs taken of women in the 1950s and 1960s, captured by the renowned New York City fashion photographer and filmmaker. Designed by Ruth Ansel, this elegantly produced volume captures the romance and glamour of women in the 1950s and 1960s. A mix of fashion and portraiture, it includes intimate and striking portraits of Nico, Faye Dunaway, Edie Sedgwick, Sharon Tate, and Catherine Deneuve. Jerry Schatzberg's moody snapshots of a more innocent and whimsical New York on the brink of the important societal changes of the sixties form a compellingly nostalgic portrait of a stylish moment. Images of jetsetters at an airport terminal, lovers embracing in Central Park, and a woman waltzing in the street in the Financial District portray a time as well as a style. A New York City native, Schatzberg documented the period with the insider's sensibility of Woody Allen or Martin Scorsese, but with the high-fashion style of Irving Penn and Richard Avedon. With a keen eye for the magic of the in-between moment, Schatzberg stealthily captured the elegance and beauty of a woman as her role was redefined in the sixties, while at the same time retaining an element of humor and surprise.

Softcover. Durham NC, Duke University Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 494 pages. Women's Camera Work explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artists linked by time, interaction, influence, and friendship--one that included Gertrude Kasebier, Imogen Cunningham, Dorothea Lange, and Laura Gilpin. Clean copy.

Hardcover. US, Hatje Cantz, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 348 pages, 169 illustrations. Like new in publisher's shrink-wrap. The depictions and roles of women in the paintings of Pablo Picasso (1881-1973), Max Beckmann (1884-1950) and Willem de Kooning (1904-1997) typically give rise to conversations and presumptions about machismo and misogyny. Of course, these artists' portrayals of women cannot be dismissed so easily, and in fact all offer highly nuanced explorations of the theme. This publication explores their depictions of women as more than painterly projections of male longing and desire, treating them as reflections of social and political conflicts and upheavals. Contributions from art historians, sociologists and artists approach the figures of women in these bodies of work from a variety of perspectives: for Picasso, as a catalyst for a confrontation with the artist's own life and history; for Beckmann, as completely independent themes; and for de Kooning, as the force that makes artistic expression itself possible.

Hardcover. New York, Chartwell Books, reprint, 2015, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color, black and white pictures throughout. Despite the fact that she's famous now, Wonder Woman had humble beginnings among a slew of other female super heroes that had their inception in the 1940s, but were seen very little after then. Created during World War II to foil Axis plots and defeat Nazis, she still fights to this day for truth, honor, and the little guy. Wonder Woman: The War Years (1941-1945) details how she used her super speed, strength, and Golden Lasso of Truth during World War II to bring peace and justice to a turbulent world.

Hardcover. London, Sampson Low, Son, and Marston, reprint, undated/c1880, Book: Good, Dust Jacket: None, Hardcover. History of the art of engraving within a European context. Undated, published c1880. Illustrated with 34 black/white reproductions of engravings. Good condition; pages have gilt edges, cloth bound book has some wear to the edges and introductory pages lightly spotted from age.

Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 255 pages, profusely illustrated. Wordless books - stories from the early part of the twentieth century told in black-and-white woodcuts - were imaginatively illustrated, powerful, and iconic, and as relevant to the world of today as they were when they were first published. Covers the period of 1918 through 1951, and includes the works of: Helena Bocho akova-Dittrichova, William Gropper, Milt Gross, Laurence Hyde, Frans Masereel, Otto Nuckel, Giacomo Patri, e.o plauen, Istvan Szegedi-Szuts, Myron Waldman, and Lynd Ward.

Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 255 pages, profusely illustrated. Wordless books - stories from the early part of the twentieth century told in black-and-white woodcuts - were imaginatively illustrated, powerful, and iconic, and as relevant to the world of today as they were when they were first published. Covers the period of 1918 through 1951, and includes the works of: Helena Bocho akova-Dittrichova, William Gropper, Milt Gross, Laurence Hyde, Frans Masereel, Otto Nuckel, Giacomo Patri, e.o plauen, Istvan Szegedi-Szuts, Myron Waldman, and Lynd Ward.

Hardcover. New York, Farrar, Straus and Giroux, 1st, 2008, Dust Jacket: Very Good, Hardcover, 873 pages. Light shelf-wear to dust jacket. Clean, tight copy. Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters-they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing-and often very funny-interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.

Hardcover. NY, Glitterati, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. After becoming captivated by the beauty and originality of a group of nineteenth-century photographs, Robert Flynn Johnson has uncovered more than two hundred vintage images of women who lived and worked at a brothel in Reading, Pennsylvania, circa 1892, and showcases them here for the first time for a wider public. Working Girls details the private, creative archive of commercial photographer William Goldman, whose imagery paints a complete picture of the environments that these women inhabited - from inside the brothel, posing artistically for the camera, to their off-duty routines, such as reading, smoking, and bathing. Taken two decades before the famous E. J. Bellocq photographs of prostitutes in Storyville, New Orleans, circa 1913, Johnson chronicles the aesthetic, historical, and sociological importance of Goldman's artwork in the history of photography, referencing them alongside paintings and photographs by such artists as Degas, Eakins, and Monsieur X. With essays that provide an insightful historical overview of Goldman's work in context of the period in which they were taken, by feminist and cultural luminaries including Dita Von Teese, Ruth Rosen and Dennita Sewell, this extraordinary collection provides a personal visual record of lives of these women while also offering a deeper understanding of the 'working girls' that existed in that era. Clean copy.

Hardcover. Washington DC, Smithsonian Institution Scholarly Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. The tintype, patented in 1856, was a cheap, fast, easy-to-make, practically indestructible type of photograph that became enormously popular among the working class in the late nineteenth century. For common laborers and their families, the opportunity to join the ranks of those who owned pictures of family and friends--the upper classes--was momentous. This collection exhibits more than eighty examples of a specific kind of tintype: occupational portraits, photographs of working people with the tools of their trade. Michael L. Carlebach examines the historical significance of these tintypes and finds that they reveal a great deal about late nineteenth-century values. The subjects of these images are plumbers proudly holding their wrenches and pipe cutters, carpenters with their saws and lathing hatchets, textile workers with their spindles and yarn, icemen with their tongs. These people lived and worked at a time when a depersonalized factory system run by production and efficiency experts was beginning to dominate American industry and culture. Many of the men and women in these tintypes were part of a disappearing class of self-employed artisans and journeymen; their portraits proudly stress their individuality and the essential nobility of their work.

Hardcover. US, Sansom Foundation, Inc., 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 240 pages. Like new in publisher's shrink-wrap. The painter William Glackens (1870-1938) and his friends were among the liveliest and most influential American artists of the opening decades of the twentieth century. Their continued importance in the history of American art is explored in this informative collection of essays. Colin Bailey chronicles the beginnings of Albert C. Barnes' unparalleled collection of modern art, as well as Glackens' role in forming it, and Avis Berman investigates the friendship of John Sloan, Robert Henri and John Butler Yeats. Carol Troyen examines George Bellows' war paintings and Richard J. Wattenmaker probes the relationship between Glackens' paintings and sketchbooks. H. Barbara Weinberg documents how the leading American Impressionists and members of The Eight dealt with the pressures of economic survival. This profusely illustrated publication is an essential reference for curators, collectors and historians.

Hardcover. Boston, Bulfinch, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Celebrates the artistry and graphic design that transformed Joseph Pulitzer's New York World at the turn of the twentieth century, presenting a wide array of cartoons, caricatures, typography, photography, drawings, maps, and other artwork from a variety of legendary illustrators.

Softcover. Stackpole Books, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 147 pages, color illustrations. Published during the war's centennial, this is the story of the First World War through forty propaganda posters. Essays explain each poster, unpacking the visual imagery and setting the poster within the military, political, social, and cultural history of the war. Clean, bright copy.

Softcover. St Paul, MN, Pogo Press, 1st thus, 1992, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 108 pages, b&w illustrations. Presents a series of contemporary articles describing the 1893 Chicago world's fair for the Fargo, N.D., Sunday Argus, and discusses the author's career and the role of women journalists. Shaw's 12 newspaper articles along with contemporary photos are reprinted here.

Hardcover. London, Titan Books , 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages, illustrated in color. The concept: the world's greatest music, presented according to the highest acoustic standard, and illustrated by the brilliance of the Disney studio at the height of its powers. The journey of how Fantasia came to be, beset with almost insurmountable challenges, is one of the most breathtaking in movie history. In 1940, Walt Disney released his third feature film: Fantasia, consisting of eight animated segments set to music by Leopold Stokowski and the Philadelphia Orchestra. The film was groundbreaking: it was the first to record using multiple audio channels in a process called Fantasound, the precursor to surround sound. Apart from its technical achievements, Fantasia is remembered as being the first Disney movie meant not only for children. With emotional depth and innovative techniques that pushed the boundaries of animated storytelling, Fantasia was the first to appeal to an audience of every age. To celebrate The Walt Disney Company's 100th Anniversary, author J.B. Kaufman presents the definitive history of the making of Fantasia, from source material to hundreds of photographs documenting the film's production. In Worlds to Conquer, become a part of the wild ride that was the making of a Disney classic. Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. Philadelphia, PA, Philadelphia Museum of Art in association with Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Very clean, like new in publishers shrinkwrap. Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions of physical torment. The Wrath of the Gods offers an in-depth case study of the Flemish artist's creative process and aesthetic, while also demonstrating why this particular painting has appealed to viewers over time. Many scholars have elaborated on Rubens's affinity for Titian, but his connection to Michelangelo has received far less attention. This study presents a new interpretation of Prometheus Bound, showing how Rubens created parallels between the pagan hero Prometheus and Michelangelo's Risen Christ from the Sistine Chapel's Last Judgment. Christopher D. M. Atkins expands our understanding of artistic transmission by elucidating how Rubens synthesized the works he saw in Italy, Spain, and his native Antwerp, and how Prometheus Bound in turn influenced Dutch, Flemish, and Italian artists. By emulating Rubens's composition, these artists circulated it throughout Europe, broadening its influence from his day to ours.

Hardcover. New Haven, Connecticut, Yale University Press, 1st, 1974, Book: Near Fine, Dust Jacket: Good, Hardcover. Illustrated history of the Yale's 1969 architectural competition. 117 pages, illustrated fully with black/white photographs and drawings, mostly full-page. Book is cloth bound and in near fine condition, dust jacket is in good condition: bottom of the spine and few edges show wear, small rip on the back at the top edge and small stain on the back as well.

Hardcover. NY, Simon and Schuster, 1946, Book: Good, Dust Jacket: None, Hardcover, tan cloth covers stamped in black. A fascinating collection. It features the cartoons of David Low, most from the London Evening Standard, from Japan's invasion of Manchuria in 1931 through the surrender of Japan in 1945, in chronological order. They are each accompanied by text by Quincy Howe, which explains the context of each cartoon. The reader can follow the events in the order that they happen from the build-up to the war through its conclusion, in an easy-to-read format. Howe has also written a chronology of the period, which appears at the end of the book. No dust jacket. The cloth spine has wear to top and bottom, Firm binding and the interior is clean and bright.

Hardcover. NY, Dodd Mead, reprint, 1896, Book: Very Good, Dust Jacket: None, Hardcover, 285 pages, illustrated with many b&w line engravings by various artists. Light tan cloth covers with bright gilt and dark brown design. Copyright page states 1888, so assumed a reprint. Clean, bright copy.

Hardcover. NY, Merrell Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. In the early twentieth century Zaida Ben-Yusuf (1869?1933) was one of the busiest photographers in New York City, maintaining a fashionable studio on Fifth Avenue, exhibiting her distinctly modern portraits across America, Europe and Russia, and publishing work in many magazines. Her self-portraits also challenged traditional perceptions of female identity. This striking book celebrates Ben-Yusuf ?s achievement, showcasing a significant selection of her elegant and compelling portraits featuring prominent artistic and political figures of the day, including Lincoln Steffens, Edith Wharton, Elsie de Wolfe and Robert Henri.

Hardcover. Los Angeles, Reel Art Press, 1sr, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publishers shrink-wrap. The first anthology dedicated to one of the greatest American photographers of the 20th century, Dennis Stock, during his most celebrated period of the 1950s-1970s. Undisputedly one of America's greatest photographers, in early 1955 Dennis Stock captured one of the iconic images of the 20th century: the black-and-white image of the unknown James Dean walking across a deserted Times Square, trademark cigarette in hand, a brooding and introspective figure hunched into his oversized coat, braced against the rain and set against the backdrop of the Manhattan skyline. Stock took a series of photographs in New York, Hollywood and in Dean's hometown of Fairmount, Indiana. Stock went on to photograph Marlon Brando, Marilyn Monroe, Audrey Hepburn resting her head on a car window on the cusp of fame, JFK on the campaign trail. His catalogue of work throughout this period reflects his ability to empathize with his subjects but not become subservient to them. In the late 1950s, Stock's focus shifted to the leading jazz musicians and performers of the day; this book contains some of the best photographs ever taken of artists such as Duke Ellington, Billie Holiday, Charlie Parker, Miles Davies and Louis Armstrong. This book is a beautiful tribute to Stock's timeless legacy and complete access to the Stock Archive was granted for this stunning 288-page edition.

Softcover. Santa Fe, NM, Museum of New Mexico Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 166 pages. Toba Tucker's expressive portraits honoring Pueblo artists were made over a two-and-a-half year sojourn in the Southwest. These photographs form a record for history and art at the end of the twentieth century and portray Tucker's interest in the individuals and families who pass their artistic traditions from one generation to the next. Remainder stamp on bottom edge otherwise clean.