art pop

Hardcover. NY, Canongate , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, 694 pages. Destined to become a classic on the subject alongside Legs McNeil's Please Kill Me , Babylon's Burning is a groundbreaking, definitive account of punk rock, one of the most influential and lasting music movements in history--a movement that ironically was built on self-annihilation. Acclaimed critic Clinton Heylin seamlessly weaves together the lives of disparate artists who had in common not the music (there was no distribution) but the pictures, words, and fashions depicted in magazines like Creem and NME . It was a sound that eschewed conventional lyrics, promoted a gutteral musicality but yet contained a keen pop sensibility. Whether exploring the work of early progenitors like Suicide, The New York Dolls, and Patti Smith or charting the progress of the bands who legitimately took up the mantle in the eighties and nineties, Clinton Heylin brings to life the strands of a global artform. From the Sex Pistols's clarion call of a record, "Never Mind the Bollocks," to Kurt Cobain's songs of an alienated youth, Babylon's Burning is the brilliant, exhaustively researched story that once and for all defines what Punk is and is not.

Softcover. Tokyo, Kasuga Boeki KK, 13th pr., 1954, Book: Good, Dust Jacket: None, Softcover. 128 pages. A collection of b&w cartoons by Hume. Tanned pages are unmarked with b/w illustrations and jokes that didn't age well. More than a bit racist and chauvinistic. But very popular with the GIs of the period. One page torn, tape repaired.

Hardcover. Seattle, Fantagraphics, 1st, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages. Crockett Johnson is best known today for his children's books, notably 1955's Harold and the Purple Crayon, but his paramount creation was the celebrated if obscure newspaper strip Barnaby, which, from its distinct visual look (minimalist, Thurberesque drawings; typeset word balloons) to its wry, understated humor, was unlike anything else ever to hit the comics page. When five-year-old Barnaby Baxter wishes for a fairy godfather, what he gets instead is Mr. O'Malley, a pint-size, minimally magical sprite sporting an overcoat, tiny pink wings, and an ever-present cigar (his "fine Havana magic wand"). These initial 20 months of strips also introduce other characters: Barnaby's concerned parents (who, naturally, never see their child's supernatural companion), his young friend Jane, Gorgon the talking dog, and Gus the ghost. Praised by the intelligentsia (Dorothy Parker called Barnaby and his cast members "the most important additions to American arts and letters in Lord knows how many years") but never widely popular, the strip ran for a decade, from 1942 to 1952. This first volume collects all the strips from 1942 and 1943.

Hardcover. Boston, Little Brown , 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover. Pop-up color diorama with punch-out characters from the animated TV show. Adventures in which Batman encounters his arch enemies - Two-Face, Poison Ivy and The Joker in order to rescue Catwoman. It opens up into four separate play areas - the Bat Cave, the Joker's secret headquarters, Two-Face's hideout and Poison Ivy's greenhouse.

Hardcover. New York, Harry N. Abrams, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 356 pages. Hardcover with dust jacket. Clean, unmarked copy Like new in publisher's shrink-wrap. This monumental survey is the first to do justice to Cecil Beaton's astonishing photographic career spanning six decades, from the 1920s to the 1970s. To create it, Mark Holborn thoroughly explored Beaton's vast studio archive, revealing an artist of extraordinary energy and ambition who made definitive portraits of the leading figures of his time, including Pablo Picasso, Gertrude Stein, Greta Garbo, Audrey Hepburn, Lucian Freud, Francis Bacon, David Hockney, and Mick Jagger. Beaton immerses the reader in memorable social and cultural scenes, including the ceremony of the British royal family, the society of the 1920s, the glamour of Hollywood, the drama of World War II, the high artistic bohemia of Paris and London, and the pop royalty of the 1960s. Holborn contributes an introductory essay, and Annie Leibovitz offers an appreciation of Beaton as a portrait photographer.

Hardcover. NY, W. W. Norton & Company, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly rubbed dust jacket, 560 pages, b&w illustrations. In this first major biography since Fitzgerald's death, music historian Judith Tick draws on deep archival research, family interviews and newly available recordings and concert footage to show how Fitzgerald fused a Black vocal aesthetic with mainstream popular repertoire to revolutionise American music. From Fitzgerald's first audition at the Apollo Theatre to swing-era success at the Savoy, Tick shows how this 'girl singer' broke new ground: as a female bandleader, as a ground-breaking bebop improviser and as the arbiter of the American canon with her Song Book recordings. Yet even as she electrified concert halls and sold millions of records, jazz critics belittled her as 'naive'. Tick reveals instead an ambitious risk-taker with a stunningly diverse repertoire, whose exceptional musical spontaneity (often radically different on stage than in the studio) made her a transformational artist. Remainder dot to top edge otherwise a clean copy.

Softcover. NY, Skyhorse, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 361 pages, b&w illustrations. Burlesque was one of America's most popular forms of live entertainment in the first half of the 20th century. Gaudy, bawdy, and spectacular, the shows entertained thousands of paying customers every night of the week. And yet the legacy of burlesque is often vilified and misunderstood, left out of the history books.By telling the intimate and surprising stories from its golden age through the women (and men!) who lived it, Behind the Burly Q reveals the true story of burlesque, even as it experiences a new renaissance. Lovingly interviewed by burlesque enthusiast Leslie Zemeckis who produced the hit documentary of the same name, are former musicians, strippers, novelty acts, club owners, authors, and historians--assembled here for the first time ever to tell you just what really happened in a burlesque show. From Jack Ruby and Robert Kennedy to Abbott and Costello--burlesque touched every corner of American life. The sexy shows often poked fun at the upper classes, at sex, and at what people were willing to do in the pursuit of sex. Sadly, many of the performers have since passed away, making this their last, and often only interview. Behind the Burly Q is the definitive history of burlesque during its heyday and an invaluable oral history of an American art form. Funny, shocking, unbelievable, and heartbreaking, their stories will touch your hearts. We invite you to peek behind the curtain at the burly show.

Softcover. Cambridge MA, MIT Press, 1st, 2000, Book: Very Good, Dust Jacket: None, 184 pages, illustrated in color, essays and an interview with the photographer. From his provocative Cover Girl series featuring photographic portraits of himself on the covers of popular magazines, to his writings on sexuality and identity, the work of Nigerian-born Ike Ude explores a world of dualities: African/postnationalist, photographer/performance artist, artist/spectator, male/female, mainstream/marginal, seduction/narcissism, and fashion/art. As an artist from Nigeria working in New York City, connected to the world of fashion and celebrity, Ude gives the political aspects of performance and representation a new vitality, melding his own theatrical selves and multiple personae with his art.

Hardcover. Lanham MD, Rowman & Littlefield, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen--as a talented director, producer, entrepreneur, and humanitarian. Bill Duke: My 40-Year Career on Screen and behind the Camera is the memoir of a Hollywood original. In an industry that rarely embraces artists of color, Duke first achieved success as an actor then turned to directing. After helming episodes of ratings giants Dallas, Falcon Crest, Hill Street Blues, and Miami Vice, Duke progressed to feature films like A Rage in Harlem, Deep Cover, Hoodlum, and Sister Act 2. In this candid autobiography, Duke recalls the loving but stern presence of his mother and father, acting mentors like Olympia Dukakis, and the pitfalls that nearly derailed his career, notably an addiction to drugs. Along the way, readers will encounter familiar names like Danny Glover, Laurence Fishburne, Forest Whitaker, Arnold Schwarzenegger, and Whoopi Goldberg.

Hardcover. NY, Norton, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages. The definitive biography of the greatest cartoonist of the Greatest Generation. "The real war," said Walt Whitman, "will never get in the books." During World War II, the truest glimpse most Americans got of the "real war" came through the flashing black lines of twenty-two-year-old infantry sergeant Bill Mauldin. Week after week, Mauldin defied army censors, German artillery, and Patton's pledge to "throw his ass in jail" to deliver his wildly popular cartoon, "Up Front," to the pages of Stars and Stripes. "Up Front" featured the wise-cracking Willie and Joe, whose stooped shoulders, mud-soaked uniforms, and pidgin of army slang and slum dialect bore eloquent witness to the world of combat and the men who lived-and died-in it. This taut, lushly illustrated biography-the first of two-time Pulitzer Prize winner Bill Mauldin-is illustrated with more than ninety classic Mauldin cartoons and rare photographs. It traces the improbable career and tumultuous private life of a charismatic genius who rose to fame on his motto: "If it's big, hit it."

Hardcover. Seattle, Fantagraphics Books, 1st, 2024, Hardcover, very large format-15 X 19", 176 pages. Bill Ward's glamour girls were the staples of countless men's and humor magazines, where they shared the pages with cult models like Bettie Page, Tina Louise, and Julie Newmar, and cartoons by fellow "good girl" artists such as Archie's Dan Decarlo and Playboy's Jack Cole. Imagine if you will, an innocent but stunning young woman boasting wildly exaggeratedly Barbie-like proportions poured into a wisp of lingerie or clingy cocktail dress and adorned in diamond necklaces and opera-length gloves, all perched on top of a pair of dangerously high stiletto heels, and you've got the recipe for the quintessential Bill Ward glamour girl. What set Ward apart-and above-his talented contemporaries in terms of sheer image-making was his use of the conte crayon. When drawn on simple newsprint stock, this potent combination created Ward's trademark gossamer sheen on his women's thigh-high stockings. This Fantagraphics Studio edition showcases the best of Ward's Humorama work and includes a healthy number of what became known as his "telephone girls." Tame by today's standards, Ward's telephone girls were always caught in candid moments when they just happened to be talking on the phone dressed in gossamer lingerie in innocently provocative poses. And did they ever talk on the phone when they weren't in bed? The majority of the images in this volume were drawn between 1955 and 1965 when Ward was at the height of his skill. They have been scanned in super high-solution from original art and reproduced to highlight every sheen and accentuate every curve to its fullest. The book not only reproduces more than 150 of Ward's most beautifully rendered illustrations, but also serves as a time capsule to a more innocent moment in pop culture when these images were shocking. The Fantagraphics Studio Edition also features an introduction by fashion/style icon and burlesque superstar Dita Von Teese. Like new. DOMESTIC SHIPPING ONLY.

Hardcover. Seattle, Fantagraphics Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, oversize format, pictorial boards. Vintage glamour girl artist extraordinaire Bill Ward gets the full Fantagraphics Studio Edition treatment featuring Ward's most polished, fully-realized pinups from the 1950s and 1960s.Bill Ward's glamour girls were the staples of countless men's and humor magazines, where they shared the pages with cult models like Bettie Page, Tina Louise, and Julie Newmar, and cartoons by fellow "good girl" artists such as Archie's Dan Decarlo and Playboy's Jack Cole. What set Ward apart-and above-his talented contemporaries in terms of sheer image-making was his use of the conte crayon. When drawn on simple newsprint stock, this potent combination created Ward's trademark gossamer sheen on his women's thigh-high stockings. This Fantagraphics Studio edition showcases the best of Ward's Humorama work and includes a healthy number of what became known as his "telephone girls." Tame by today's standards, Ward's telephone girls were always caught in candid moments when they just happened to be talking on the phone dressed in gossamer lingerie in innocently provocative poses. The majority of the images in this volume were drawn between 1955 and 1965 when Ward was at the height of his skill. They have been scanned in super high-resolution from original art and reproduced to highlight every sheen and accentuate every curve to its fullest. The book not only reproduces more than 150 of Ward's most beautifully rendered illustrations, but also serves as a time capsule to a more innocent moment in pop culture when these images were shocking. DOMESTIC SHIPPING ONLY.

Hardcover. New York , Norton, 1st US, 2009, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards, 98 pages. 13 graphic interpretations of Dylan's lyrics illustrated in color by various artists. No dust jacket issued. Clean, bright copy.

Hardcover. London, National Gallery, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages in color. In a long career that spanned the French Revolution, the rise and fall of Napoleon, and the Bourbon Restoration, Louis-Leopold Boilly (1761-1845) created innovative and daring paintings in the midst of the most turbulent times. Bringing together two dozen of Boilly's works--the majority of which have never before been published--this handsome volume includes portraiture, scenes of seduction, and groundbreaking representations of raucous Parisian street life. A master technician with acute powers of observation and a wry sense of humor, Boilly invented the term trompe l'oeil and popularized the genre through his stunningly realistic compositions. In this first English-language publication on Boilly in more than 20 years, Francesca Whitlum-Cooper vividly brings the artist and the period he lived in to life, shedding new light on Boilly's work and expanding our understanding of how art functioned within France's rapidly changing political environment.

Hardcover. San Francisco, Chronicle Books, 1st, 2003, Hardcover in pictorial boards, color illustrations throughout. From the creators of Emily the Strange and Oopsy Daisy comes Bon Bon, the half-Japanese and half-French girl who possesses a sophisticated and mysterious imagination. From Vespas to Verner Panton, Pucci to Pop Art, space age lounge to 1960s sound, Bon Bon is always looking for the next intoxicating adventures. Leaf through the psychedelic and highly designed Bon Bon on the Go-Go to watch her transform the mod, mod, mod world she lives in. Clean copy.

Hardcover. NY, Pantheon, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 495 pages. Boogaloo--the synonym of choice among the cognoscenti for rhythm and blues--is a stylish and profound meditation on the art, influence, and commerce of black American popular music. At once deeply knowing and keenly observant, Arthur Kempton reveals the tensions between the sacred and the profane at the heart of "soul music," and the complex centrality of "Aframericans" in the evolution of our mass musical culture. What that culture is all about, who owns it, and who gets paid--these are issues of moment in his epic narrative. Kempton brilliantly traces the interconnections among a century's worth of signal personalities, events, and achievements: from Thomas A. Dorsey, the so-called Father of Gospel Music, whose career ("Got to Know How to Work Your Show") sheds light on Mahalia Jackson, Aretha Franklin, and James Brown, among others, to the rise of that "handsome Negro lad," Sam Cooke (perhaps the greatest of soul singers) and his definitive crossover dreams; from Berry Gordy Jr.'s infatuation with Doris Day and his sharp business plan to capture and exploit the sounds of young America through Motown ("It's What's in the Grooves That Counts") to the founding of Stax Records and Memphis Soul by a white farm kid who grew up dreaming of being a country fiddler; from the visionary funk of George Clinton to the ascendancy of hip hop ("Sharecropping in Wonderland"), the murders of Tupac Shakur and Biggie Smalls, and the story of Death Row Records. Clean copy.

Hardcover. Atglen PA, Schiffer Publishing, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 133 pages plus bibliography and appendix. A thoroughly researched reference by an impassioned aficionado to a type of artwork that became popular around 1900 and lasted until roughly 1940. About 1,000 etchings and lithographs were created in France by some 100 engravers (Louis Icart was the pioneer); the pictures depict sensual, dreamy women lounging seductively in lingerie or various stages of undress a kind of softer-than-soft porn. Abundantly illustrated. 9.25x12.25". Like new, clean.

Hardcover. New York , Pantheon, 1st, 1993, Book: Very Good, Dust Jacket: None, Hardcover. Illustrated paper over boards. Pages clean and colorful. Using the Pop paintings of the artist, Hendra conjures the Adventures of Brad, shy young man from New Jersey, A wannabe Artist who Yearns to Be Famous, To be Loved, to move to NYC. Clean, bright copy. Issued without a dust jacket.

Hardcover. NY, Little Simon, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover. View Brooklyn's famous past and present landmarks--including the Prospect Park Carousel, Coney Island, and the Brooklyn Bridge--in this lively pop-up book. Brooklyn Pops Up" celebrates the diverse borough of Brooklyn with 8 pop-ups by the world's best illustrators and paper engineers. In this dimensional tour of Brooklyn icons you will find Brooklyn Children by Maurice Sendak * Brooklyn Brownstones by David A. Carter and Tor Lokvig * Grand Army Plaza & Brooklyn Public Library by Bruce Foster * Brooklyn Museum of Art & Brooklyn Children's Museum by Robert Sabuda * Brooklyn Botanic Garden by Ken Wilson-Max and Keith Finch * Prospect Park & the Carousel by Biruta Akerbergs Hansen * Brooklyn Bridge by Iain Smyth * Flavors of Brooklyn by Kees Moerbeek and Carla Dijs * Coney Island by Chuck Murphy.

Hardcover. NY, Little Simon, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover. View Brooklyn's famous past and present landmarks--including the Prospect Park Carousel, Coney Island, and the Brooklyn Bridge--in this lively pop-up book. Brooklyn Pops Up" celebrates the diverse borough of Brooklyn with 8 pop-ups by the world's best illustrators and paper engineers. In this dimensional tour of Brooklyn icons you will find Brooklyn Children by Maurice Sendak * Brooklyn Brownstones by David A. Carter and Tor Lokvig * Grand Army Plaza & Brooklyn Public Library by Bruce Foster * Brooklyn Museum of Art & Brooklyn Children's Museum by Robert Sabuda * Brooklyn Botanic Garden by Ken Wilson-Max and Keith Finch * Prospect Park & the Carousel by Biruta Akerbergs Hansen * Brooklyn Bridge by Iain Smyth * Flavors of Brooklyn by Kees Moerbeek and Carla Dijs * Coney Island by Chuck Murphy. Remainder line through ISBN number on rear cover, otherwise clean, in excellent working order.

Hardcover. Neshannock PA, Hermes Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Included in this volume are two more years of the strip, from 1934 to 1936 and features five complete adventures. Volume Four also features a special 16-page introductory essay by noted science-fiction writer and pop culture historian Ron Goulart, and an afterword detailing interesting details about the history of the strip and its impact on science fiction.

Hardcover. NY, Harry N Abrams, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 208 pages illustrated in color. A surprising look at who designed for Disney: Michael Graves, Frank Gehry, Aldo Rossi, Robert Venturi etc. Based on interviews with those involved plus original photos and drawings. From fairy-tale castles to extraordinary buildings designed by the world's most distinguished architects, The Walt Disney Company has set new standards for the imaginative use of popular imagery in architecture. The company's enormously influential architectural philosophy, first expressed more than fifty years ago at Disneyland, draws on characters and settings from the world's most compelling legends and stories, especially Disney's own remarkable animated films. Clean copy.

Hardcover. Ithaca NY, Cornell/ Phaidon, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, large format. Profusely illustrated in color, b&w. Giovanni Antonio Canal (1697-1768), known as Canaletto, is one of the most popular of all old master painters. His views of Venice and London are much celebrated and admired. The author traces Canaletto's career from his beginnings as a scene-painter with his father to the work of his later years.

Hardcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. In Captain Easy Vol. 2: The Complete Sunday Newspaper Strips, Roy Crane's Soldier of Fortune, Captain Easy, fights for gold in the frozen north, is mistaken for a bandit, protects a formula for artificial diamonds, is stranded on a desert island, visits the tiny Balkan country of Kleptomania, and faces a firing squad. Captain Easy hobnobs with millionaires and bums and beautiful girls (of course), and winds up in the middle of a full-scale war. In short, it's another rousing series of adventure and humor encapsulating the gallantry, derring-do, and rough-and-tumble innocence of a bygone era and a bygone genre, written and drawn with panache, and practically painted in a vibrant spectrum of colors that you have to see to believe.