art pop

Hardcover. Damiani, 1st, 2007, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 200 pages. FunkyTown digs into British photographer Dean Freeman's archive--it goes way beyond Beckham--to gather published and unpublished portraiture, fashion and reportage spanning three decades of youth culture, from the 1980s to the present. His star portrait subjects include Liz Hurley, Sandra Bullock, Rachel Weisz, Dennis Hopper, Harold Pinter and Guy Ritchie. But beyond glamour and stardom, beyond Freeman's understanding of and comfort with the models, pop stars and writers for whom he has been a talent scout and icon-maker, he turns out to be a sensitive observer of people and landscapes in Africa, Asia and the Middle East. On his own time, he has chronicled a richly diverse world with great humanity and wit.

Softcover. Univ of Washington Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 111 pages. America between 1885 and 1905 was in the heat of a poster craze. The country's finest artists and illustrators were commissioned to design advertising posters whose popularity soon overshadowed the products they were meant to promote. Designed to Sell presents vintage posters by 45 artists, including Maxfield Parrish, Blanche McManus, and Maurice Prendergast. Essays describe innovations in printing, compare American and European posters, and explain the emergence of a new profession -- graphic design. Biographical notes on the artists include eight women. Special technical notes outline historic printing methods and explain how an artist's drawing becomes a poster.

Hardcover. NY, Assouline Publishing, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Diane von Furstenberg arrived in the fashion world in 1972 with her simple knit jersey wrap dresses. By 1976, Diane had sold more than 5 million of her signature wrap dresses, which had come to symbolize female power and liberation to an entire generation. Almost 20 years later, with the nostalgia for '70s fashion at its peak, Diane re-emerged on the New York fashion scene with her signature wrap modified for a new generation of chic young women. Now with smaller collars than the original wrap, the new version has been enthusiastically adopted by today's trendsetters and celebrities. This volume looks at the history of the "wrap" phenomenon, from its revolutionary early days to its ever-popular present.

Softcover. NY, Harry N. Abrams, 2nd pr., 1981, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. 117 illustrations including 50 plates in full color. Clean, tight copy. Included here are paintings and descriptions of more than 100 diners from every part of the United States. The artist's own captions introduce each diner - many of which no longer exist - and describe their food specialties, their sometimes quirky histories, and their owners, managers, or patrons. In the first edition 50 paintings were reproduced in color; for this new, revised, and updated edition, there are 69 in color. The artist has selected forty recent paintings to replace earlier works, most of which were shown only in black and white. New reminiscences, new anecdotes, and new facts accompany the paintings. Written by Baeder in his inimitable, conversational style, these brief texts tell the reader much about diner history, fashions in food and popular architecture, and about the amiable, slightly nutty man who pursues diners obsessively, yet views them with a perception that rivals that of a connoisseur of haute cuisine.

Softcover. NY, Harry N. Abrams, reprint, 1981, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. 117 illustrations including 50 plates in full color. Clean, tight copy. Included here are paintings and descriptions of more than 100 diners from every part of the United States. The artist's own captions introduce each diner - many of which no longer exist - and describe their food specialties, their sometimes quirky histories, and their owners, managers, or patrons. In the first edition 50 paintings were reproduced in color; for this new, revised, and updated edition, there are 69 in color. The artist has selected forty recent paintings to replace earlier works, most of which were shown only in black and white. New reminiscences, new anecdotes, and new facts accompany the paintings. Written by Baeder in his inimitable, conversational style, these brief texts tell the reader much about diner history, fashions in food and popular architecture, and about the amiable, slightly nutty man who pursues diners obsessively, yet views them with a perception that rivals that of a connoisseur of haute cuisine.

Hardcover. New York, Disney Editions, Revised Ed., 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, illustrated in color. Very good in a bright, unclipped dust jacket. While the literary Pooh continues to win new generations of fans, an on-screen Pooh was destined to expand the appeal of the Hundred-Acre Wood. In 1961, Walt Disney acquired the exclusive film rights to Milne's Pooh stories. Since then, The Walt Disney Company has produced numerous shorts, features, and television shows about the Silly Old Bear, and that tradition continues with the release of the 2011 film, Winnie the Pooh. Winnie the Pooh: A Celebration of the Silly Old Bear is a tribute to the wonder of Pooh, from his origin and literary success to his brilliant animated career and continued popularity. This is his story; but, moreover, it is his art--including more than 200 illustrations that detail the evolution of Pooh and his friends from stuffed toys to animated characters.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1960-1954: Design Goes Pop. This volume concentrates on the architecture and design of the first half of the 1960s, characterized by the coexistence of a number of different styles. The aftermath of the International style and Good Design were still noticeable whereas Organic Design, which had developed in parallel since the late 1940s, gradually lost its influence. From the early 1960s onwards, a new force took its place, geared toward Pop Art and popular culture, leading to Pop Design. This trend is particularly recognizable in interior design, where a variety of new synthetics and foam plastics replaced traditional materials such as metal, glass or wood, pointing the way to completely new designs. Volume V documents this with examples of designs by Ray and Charles Eames, Verner Panton, Achille and Pier Giacomo Castiglioni, and Joe Colombo. On the architectural side, the impressive buildings of Gio Ponti, Carlo Scarpa, Angelo Mangiarotti, James Stirling, and others./// Hardcover, 580 pages. 1960-1954: Design Goes Pop. This volume focuses on the architecture and design of the first half of the 1960s. A new force lead to Pop Design. This trend is particularly recognizable in interior design, where a variety of new synthetics and foam plastics replaced traditional materials such as metal, glass or wood.

Hardcover. Norwalk CT, Easton Press, 1st Ltd. Ed., 1996, Book: Very Good, Dust Jacket: None, Hardcover, 189 pages. full gilt-decorated brown leather, pictorial pastedown on front board, silk endpapers, silk book ribbon, all edges gilt. SIGNED BY THE ARTIST on the half-title. Collection of Troiani's popular Civil War art in full color. No dust jacket issued.

Softcover. New York, Popular Library Mystery, 2nd, 1953, Book: Very Good, Dust Jacket: None, 190 pages. Popular Library Mystery # 1478. Moderate wear to paper wrappers. Pages tanned. Moderate soil on rear. Cover Art by Walter Popp. Tight copy.

Softcover. Philadelphia, PA, Running Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 256 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. Donuts are America's favorite treat and, in Donut Nation, Ellen Brown travels the United States in search of the best donut shops. From beloved mom-and-pop establishments and roadside cafes to innovative boutiques and artisanal restaurants, there are more than seventy hand-crafted donut shops to take you from Maine to Arizona.

Hardcover. NY, American Heritage Press, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Gary Trudeau's first book of Doonesbury cartoons, which originally appeared in the Yale Record and Yale Daily News. Subtitled: The popular cartoon strip featuring B.D., star Quarterback; Megaphone Mark, campus radical; and Michael J. Doonesbury, would-be lover. Written and illustrated by G.B. (Gary) Trudeau; foreword by Erich Segal. Dust jacket with light edge wear, clean copy.

Hardcover. NY, Harper Design, 1st, 2023, Hardcover in pictorial boards, 223 pages illustrated in color. From longtime fashion director, consultant, media personality, and author, Hal Rubenstein, comes a lush, full color, illustrated guide to the most influential fashion on television from the 1950s to today, revealing the surprising ways our favorite shows have significantly reflected and often shaped the way we dress. From Mary Tyler Moore's capri pants on The Dick van Dyke Show and Emma Peel's dominatrix jumpsuit on The Avengers to Olivia Pope's trademark white trench on Scandal and Don Drapers' grey sharkskin suits on Mad Men Dressing the Part is a rich history of popular American fashion and culture in the modern age. In this gorgeous compendium, the longtime fashion director and expert identifies the most stylish television shows of the past 70 years, highlighting the ways they have affected and often inspired ordinary Americans' wardrobes. Combining his decades of fashion expertise and insider knowledge with lush photographs, archival sketches, fascinating interviews with over two dozen of television's best costume designers, commentary from showrunners and co-stars, and little-known backstories, Rubenstein reveals with insight and wit how television has shaped everyday fashion, guiding and often elevating how we dress. Clean copy.

Hardcover. NY, Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. From its first issue in April, 1970, the National Lampoon blazed like a comet, defining comedy as we know it today. To create Drunk Stoned Brilliant Dead, former Lampoon illustrator Rick Meyerowitz selected the funniest material from the magazine and sought out the survivors of its first electrifying decade to gather their most revealing and outrageous stories. The result is a mind-boggling tour through the early days of an institution whose alumni left their fingerprints all over popular culture: Animal House, Caddyshack, Saturday Night Live, Ghostbusters, SCTV, Spinal Tap, In Living Color, Ren & Stimpy, The Simpsons--even Sesame Street counts a few Lampooners among its ranks. 320 pages, mostly color.

Hardcover. NY, Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. From its first issue in April, 1970, the National Lampoon blazed like a comet, defining comedy as we know it today. To create Drunk Stoned Brilliant Dead, former Lampoon illustrator Rick Meyerowitz selected the funniest material from the magazine and sought out the survivors of its first electrifying decade to gather their most revealing and outrageous stories. The result is a mind-boggling tour through the early days of an institution whose alumni left their fingerprints all over popular culture: Animal House, Caddyshack, Saturday Night Live, Ghostbusters, SCTV, Spinal Tap, In Living Color, Ren & Stimpy, The Simpsons--even Sesame Street counts a few Lampooners among its ranks. Long before there was The Onion and Comedy Central news shows, there was the National Lampoon, setting the bar in comedy impossibly high!

Hardcover. San Francisco, Chronicle Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages, illustrated throughout in color and b&w. Beautiful copy in a dust jacket, Like new. "Mucking up the pages of the New Yorker , the New York Times , Rolling Stone , Forbes , the Atlantic Monthly , Blab , and more, Gary Baseman has populated the finest publications with his inimitable brand of illustration. Now Dumb Luck , presents the first complete collection of his work, spanning more than ten years. According to Baseman himself, his art inhabits "that muddy spot where the line between genius and stupidity has been smudged beyond recognition."

San Francisco, Chronicle Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages, illustrated throughout in color and b&w. Beautiful copy in a dust jacket, Like new. "Mucking up the pages of the New Yorker , the New York Times , Rolling Stone , Forbes , the Atlantic Monthly , Blab , and more, Gary Baseman has populated the finest publications with his inimitable brand of illustration. Now Dumb Luck , presents the first complete collection of his work, spanning more than ten years. According to Baseman himself, his art inhabits "that muddy spot where the line between genius and stupidity has been smudged beyond recognition."

Hardcover. NY, Calla/Dover, reprint, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages. These Scandinavian fairy tales have had many interpretations through the years, but never have they been so beautifully illustrated as in this sumptuous edition. Golden Age artist Kay Nielsen, a master of fantasy, lavished the text with 25 intricately detailed color and numerous black-and-white images that glow with his phantasmagorical style. With 15 stories that include the popular "Billy Goat's Gruff," this is one of the most stunning children's books ever produced. A Calla Edition, originally published by George H. Doran Company, New York, 1914.

Hardcover. NY, D.A.P./Distributed Art Publishers, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a slipcase, 192 pages. Transforming words into icons and images into wide-screen epics, Ed Ruscha has wholly reconceived the terms of painting for our era. Tagged variously as a Conceptualist, Pop artist or latter-day Surrealist, Ruscha flouts category, or rather incorporates all categories, always surprising and experimenting with both subject and method. His paintings are steeped in our times: cinema, advertising, logos, late capitalism and the twists and turns of postwar art have all informed his iconography since the early 1960s, arriving on the cool surfaces of his canvases with magnetic detachment. Ruscha eschews process and focuses exclusively on the final product: "the means to the end has always been secondary in my art," he has said. Ruscha has also reinvented the use of words in art, finding disquieting ways to invest language with a weird, throbbing, ambient static, never aspiring to what he calls "word gestures," since "each word is an excursion unto itself." Fifty Years of Painting focuses on Ruscha's majestic oeuvre of paintings. A magnificent publication, it comes housed in a slipcase that sports the artist's classic painting "Standard Station" (1966), and, alongside fantastic reproductions, it contains a preface by novelist James Ellroy, essays by Ralph Rugoff, Alexandra Schwartz and Ulrich Wilmes, a text by novelist Bruce Wagner, an interview with the artist by Kristine McKenna, an illustrated chronology and an exhibition history.

Hardcover. US, Dark Horse, 1st, 2013, Book: Very Good, Dust Jacket: None, Elephant folio, hardcover, 104 pages in color. Like new in publishers shrink-wrap. One of comics' greatest artistic achievements gets its due in this deluxe 15" x 20" hardcover collecting the first two years of Tarzan Sunday strips by Hal Foster! Beautifully restored and printed at giant size, this first volume in Dark Horse's comprehensive collection of Foster's Tarzan Sundays reprints over one-hundred strips on high-quality paper and in eye-popping color, replicating when they first appeared! Includes a historical essay on Tarzan and Foster by comics scholar, Mark Evanier.

Hardcover. New York, The Museum of Modern Art, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 236 pages, color illustrations. Like new in publisher's shrink-wrap. Elizabeth Murray has radically altered the structure of Modernist painting. Her shaped and constructed canvases, often topologically modeled in three dimensions or fitted together out of multiple jigsaw-like parts, treat figure and ground in unprecedented ways, giving the elastic shapes of classic Surrealism a space in their own image. The alternatively comfortable and cataclysmic world that her images depict would crack irrevocably if it followed Euclidean logic; instead; it constantly metamorphoses under stress. With a chaptered essay by Robert Storr, plate section, and in-depth interview, the book explores Murray's relation to artists such as Joan Miro, Stuart Davis, Claes Oldenburg and Frank Stella, as well as to the mainstream and opened up options for rising generations. This book accompanies the most detailed examination of Murray's art yet mounted, showing its development from Pop-oriented reliefs in the 1960s to the extraordinary volumetric of her recent work.

Hardcover. Seattle, University of Washington Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, color illustrations; 7.2 X 0.9 X 10.3 inches; 272 pages. Tang dynasty (618-907) China hummed with cosmopolitan trends. Its capital at Chang'an was the most populous city in the world and was connected via the Silk Road with the critical markets and thriving cultures of Central Asia and the Middle East. In Empire of Style, BuYun Chen reveals a vibrant fashion system that emerged through the efforts of Tang artisans, wearers, and critics of clothing. Across the empire, elite men and women subverted regulations on dress to acquire majestic silks and au courant designs, as shifts in economic and social structures gave rise to what we now recognize as precursors of a modern fashion system: a new consciousness of time, a game of imitation and emulation, and a shift in modes of production. This first book on fashion in premodern China is informed by archaeological sources-paintings, figurines, and silk artifacts-and textual records such as dynastic annals, poetry, tax documents, economic treatises, and sumptuary laws. Tang fashion is shown to have flourished in response to a confluence of social, economic, and political changes that brought innovative weavers and chic court elites to the forefront of history. Still in publisher's shrinkwrap.

Softcover. Germany, Hatje Cantz, 1st, 2011, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Like new in publisher's shrink-wrap. For the last 50 years, Erro has been creating paintings that make equal use of art history, cartoons, comic books, politics, popular culture and social tableaux. This publication features Erro's series Scapes, and for the first time, presents the entire 1968 Monster cycle--double portraits that contrast the official likenesses of celebrities with monstrously distorted visages.