biography

Hardcover. New York, Philomel Books, 1st, 2007, Book: Very Good, Dust Jacket: Good, 105 pages. Hardcover. Extensive color illustrations by various artists throughout. Dust jacket price clipped. Otherwise clean, tight copy.

Hardcover. Fort Worth, TX, Amon Carter Museum, 1st Edition, 1970, Book: Very Good, Dust Jacket: Very Good, 102 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped, excellent. Pages and edges clean and unmarked. Binding tight, spine straight. Cover boards bound in tan cloth, gilt title on spine. In beautiful condition. More than a biography of an important western artist, it is a saga of the times as related through an artist's eyes, along with a timely account of the artist's life on the frontier.

Hardcover. US, Dark Horse Books, 2nd, 2007, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. The culmination of more than fifteen years of photography by renowned photographer Greg Preston, this book is a living history of the men and women who have shaped the imaginations of countless millions of people around the world through their work in the fields of animated cartoons, comic books, comic strips and editorial cartooning. The list of more than two hundred artists includes such luminaries as Frank Miller, Al Hirschfeld, Joe Barbera, Jack Kirby, Joe Simon, Moebius, Walter and Louise Simonson and many more, all in photographs exclusive and shot expressly for this book.

Hardcover. NY, American Artists Group / Duell, Sloan & Pearce, 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with faded gilt lettering on spine. 304 pages. SIGNED BY THE AUTHOR on the half-title page. An autobiography by the artist and writer. He was an important part of the American art scene in the 1920's and 30's. He was an art critic, writer and editor of art magazines as well as an artist. Two color plates, others in b&w. No dust jacket, clean copy.

Hardcover. Cambridge MA, The MIT Press, 1sr, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright gold foil dust wrapper, 476 pages. The artist Francis Picabia -- notorious dandy, bon vivant, painter, poet, filmmaker, and polemicist -- has emerged as the Dadaist with postmodern appeal, and one of the most enigmatic forces behind the enigma that was Dada. In this first book in English to focus on Picabia's work in Paris during the Dada years, art historian and critic George Baker reimagines Dada through Picabia's eyes. Such reimagining involves a new account of the readymade -- Marcel Duchamp's anti-art invention, which opened fine art to mass culture and the commodity. But in Picabia's hands, Baker argues, the Dada readymade aimed to reinvent art rather than destroy it. Picabia's readymade opened art not just to the commodity, but to the larger world from which the commodity stems: the fluid sea of capital and money that transforms all objects and experiences in its wake. The book thus tells the story of a set of newly transformed artistic practices, claiming them for art history -- and naming them -- for the first time: Dada Drawing, Dada Painting, Dada Photography, Dada Abstraction, Dada Cinema, Dada Montage.Along the way, Baker describes a series of nearly forgotten objects and events, from the almost lunatic range of the Paris Dada "manifestations" to Picabia's polemical writings. Clean copy.

Hardcover. London, Merrell, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover. Orange cloth with black lettering on the spine; 176 pages; 125+ color and bw plates and figures. Includes essays on the artist and his work by Donald Kuspit, James Wechsler, Susan Power, Michael Betancourt, Helen A. Harrison, David Craven, and Rachel Garfield; Artist biography also included.

Hardcover. London, Thames and Hudson, 1st UK, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages, 128 duotone plates. Introduction by Ann Beattie. John Loengard, one of the great LIFE magazine photographers, sums up his fifty-year career in this handsome volume.

Softcover. NY, Picador, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 259 pages. The story of the model, actress, and American icon Edie Sedgwick is told by her sister with empathy, insight, and firsthand observations of her meteoric life.

Hardcover. NY, Harcourt, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 292 pages, b&w illustrations. It's very possible that the only thing more peculiar and arresting than Edward Gorey's books and illustrations is Gorey himself. This collection of chronologically arranged interviews with Gorey (1925-99) spans three decades and shines light into many corners of his eccentric life and work. Gorey ponders his own bizarre dress (floor-length fur coats and sneakers), his obsession with the New York City Ballet, and his life with six cats and even manages to delve into some of the inspirations that fuel his enigmatic and strangely endearing work. This assembly by Wilkin reveals a charming, extremely intelligent, articulate, and eminently likable artist and writer. A thoughtful self-portrait thus emerges from the mist of questions and answers, one that helps to counter the paucity of recent Gorey scholarship. Gorey's own words clarify his peculiar and macabre worldview more succinctly than any biographer could hope to. Note: small bump to bottom corner of book, evident to the first half of the pages. Otherwise clean and bright.

Hardcover. New York, The Monacelli Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. A beautifully produced monograph devoted to the paintings and drawings of John Altoon, a central figure in the Los Angeles art scene of the 1950s and 1960s. Haunting and erotic, Altoon's colorful paintings and intimate drawings capture the magical moment in postwar California between the Beat Generation and the sexual and psychedelic revolution of the late '60s.

Hardcover. Frances Lincoln Children's Books, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a black cloth spine. Part of the Little People, Big Dreams series, the author tells the inspiring story of the Swedish author and creator of Pippi Longstocking, Astrid Lindgren. Color illustrations by Linzie Hunter. Clean copy.

Softcover. self-published, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 267 pages. INSCRIBED BY AUTHOR on title page. The autobiography of an American missionary recalling her travel and adventures in China and later Africa. Clean copy with mild warp to book.

Hardcover. New York, Playbill/ Applause Thetre& Cinama Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 357 pages. Hardcover with dust jacket. Clean, tight copy. Minor wear to dust jacket. Minor rubbing to top spine. Light soil on rear. This is the ultimate backstage tour of Broadway! AT THIS THEATRE tells the complete history of Broadway in the 20th century, theatre by theatre. This gorgeous book is now updated, revised and with a larger format, covering 1900 to 2001. PLAYBILL's columnist, Louis Botto, along with Robert Viagas, opens the doors and lets readers explore the 40 active Broadway theatres in New York. From the conception and design of the buildings, to their original creators, and on to the theatres' transformation, often under duress, from legitimate houses to vaudeville and Burlesque, to movie houses and then back to their original purpose, this book captures the magical world of Broadway. It is a complete and authoritative history that only Botto, the curator of PLAYBILL's incomparable 116-year-old archives, can tell.

Hardcover. NY, Clarkson Potter, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 223 pages in b&w. In honor of the magazine's 100th birthday, this celebratory collection captures the brilliantly quirky personalities behind some of The New Yorker's most iconic cartoons. Filled with striking portraits by world-renowned photographer Alen MacWeeney, captivating profiles by long-time New Yorker contributor Michael Maslin, and a sampling of each artist's work, these pages offer an exclusive peek inside the creative brains of over fifty prominent cartoonists, both seasoned and newly minted. From legends like Roz Chast and Jack Ziegler to contemporaries like Liana Finck and Jeremy Nguyen, this landmark volume is a beautiful homage to the artists who have long brought joy, humor, and satire to our lives. Clean copy.

Hardcover. New York, NYU Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 387 pages. Minor wear to dust jacket. Else very good.

Hardcover. NY, Grove Press, 1st US, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 b&w plates. Nine page comprehensive introduction and biography by John Russell.

Hardcover. London, Secker and Warburg, 1st thus, 1949, Book: Very Good, Dust Jacket: None, Hardcover, 408 pages, orange cloth with gilt lettering on spine. B&w plates including frontispiece, spine sunned, ownership signature, otherwise clean.

Hardcover. Atria Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 230 pages with color and b&w illustrations. A portrait of the celebrated movie actress, as presented by her son, recounts her most noted performances, her work as a goodwill ambassador for UNICEF, and her role as a dedicated wife and mother, in a tribute complemented by previously unpublished photographs and Hepburn's own paintings. NOTE: A light musty odor.

Hardcover. New York, Skira Rizzoli, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Remainder mark on bottom of the text block. Clean, unmarked copy with only minor wear to dust jacket. Large black & white and color photographs throughout. Tight copy. Many portraits ranging throughout Audrey's life.

Softcover. Berkeley CA, University of California Press, 1st pbk., 1969, Book: Very Good, Dust Jacket: None, Softcover, 463 pages. This classic biography has established itself as the standard account of Saint Augustine's life and teaching. The remarkable discovery recently of a considerable number of letters and sermons by Augustine has thrown fresh light on the first and last decades of his experience as a bishop. These circumstantial texts have led Peter Brown to reconsider some of his judgments on Augustine, both as the author of the Confessions and as the elderly bishop preaching and writing in the last years of Roman rule in North Africa. Clean copy.

Hardcover. Somogy Editions D'Art , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Still in publisher's shrinkwrap. Full color exhibition catalogue of the new retrospective exhibition of Saint-Gaudens' work, the first in Europe since 1900. Venues include the Muse des Augustins, in Toulouse (February 2-May 30, 1999), and the Muse national de la Cooperation Franco-Americaine, at Blrencourt (June 26-October 18, 1999). The artwork covers Saint-Gaudens' entire career, from the cameos done during his youth, to sophisticated portrait reliefs, public monuments and coins. The essays contribute new scholarship on the sculptor's career and art, including his decorative art designs for Tiffany's, personalized pencil caricatures for friends, and the development of the monument to Charles Stewart Parnell in Dublin, the last public monument Saint-Gaudens saw to completion.

Hardcover. NY, Charles Scribner's Sons , 1st, 1899, Book: Very Good, Dust Jacket: None, Hardcover. 199 pages. Biographical notes by Douglas Taylor. the subject was an American actress, friend of Fanny Kemble, Edwin Booth, Edwin Forrest (all 3 pictured in the book) and many others. Illustrations, hardcover bound in coarse tan cloth with mounted leather spine label. Previous owner's bookplate, inscription on front endpapers, otherwise clean.

Softcover. New York, Multiples Inc & Lois and Michael K. Torf , 1st, 1980, Book: Very Good, Dust Jacket: None, 126 pages, paperback. Hundreds of b&w photographs documenting the personal belongings in LeWitt's living and working space in New York City in 1980. Fascinating look into the private life of one of the pioneers of minimal and conceptual art. Age toning to spine. Light rubbing, slight soiling, and mild age toning to wraps. Unmarked. Very scarce. A tight copy.

Softcover. Wesleyan University Press, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 166 pages. This book, first published in Italy in 1988 as Autoritratto di gruppo, documents the intricate web of individual and communal experiences in the political movements of the '60s. Luisa Passerini, internationally known for her work in memory, oral history, and their intersections with social movements, sets out to rescue the "forgotten memory" of her generation and to give it literary status. The year 1968 is symbolic in Italy of a whole decade of struggles by students, women, workers, intellectuals, and technicians. Framed and illuminated by sessions of psychoanalysis, this absorbing narrative weaves episodes of Passerini's autobiography - including her involvement in the 1968 uprisings - oral histories of other participants, and Passerini's sociological observations. It raises critical questions about how we reconstruct the past and vividly illustrates the forces that shaped a generation. Clean copy.