NY, Viking Press, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 205 pages. Black & white drawings by Douglas Gorsline. Back & white photos by William Henry Jackson. Dust jacket with chip to spine bottom, closed tear.
Hardcover. NY, Harry N. Abrams, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 143 pages. 44 color, 59 bw plates. One of a series focusing on America's foremost artists from the colonial era to the present, this volume covers the work of American Impressionist, William Merritt Chase (1849-1916). Chase worked mainly in oil, but he also used watercolour and pastel, and produced prints. Includes bibliiographical references and index. Clean copy.
Hardcover. New York, NY, Watson-Guptil Publications, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages with 32 full-page color plates. Includes chronology, bibliography, and index. Biography illustrated in black and white followed by full color plates on right side with author's descriptions on left. Painting on dust jacket. Overall a clean, tight, copy, dust jacket shows slight bit of wear around edges.
Hardcover. Boston, New York Graphic Society, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, profusely illustrated in color and b&w. A study of Morris's life through his own words and work. Contains extracts from his letters, poems, etc. Lavishly illustrated throughout with over 200 color plates. Many of the illustrations have never been reproduced before
Hardcover. New York , E. P. Dutton , 1st U.S., 1913, Book: Good, Dust Jacket: None, Hardcover, 325 pages. Green cloth cover, beveled edges, gilt design,some wear to corners and edges. Light foxing and shadows on front and rear endpages. With an introduction by R. B. Cunninghame Graham. Frontispiece is b&w portrait of William Morris. Binding slightly cocked. Inside pages are bright and clean. A nice copy.
Softcover. Washington, D.C., Corcoran Gallery of Art, 1st, 1962, Book: Very Good, Dust Jacket: None, Biography of American Painter William Ranney with catalog of his works and 53 b&w as well as 2 color reproductions. Softcover with flaps. Some wear along the spine and markings on back cover, overall in very good condition.
Hardcover. NY, HarperCollins, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 48 pages illustrated in color by Aliki. With her characteristically sprightly words and pictures, Aliki brings Shakespeare's life, times, and legacy to life in this highly acclaimed information-packed treasury that is truly for readers of all ages. This nonfiction picture book is an excellent choice to share during homeschooling, in particular for children ages 6 to 8. It's a fun way to learn to read and as a supplement for activity books for children From Hamlet to Romeo and Juliet to A Midsummer Night's Dream, Shakespeare's celebrated works have touched people around the world. Aliki combines literature, history, biography, archaeology, and architecture in this richly detailed and meticulously researched introduction to Shakespeare's world-his life in Elizabethan times, the theater world, and the Globe, for which he wrote his plays. Then she brings history full circle to the present-day reconstruction of the Globe theater.
Hardcover. Chapel Hill NC, University of North Carolina Press, reprint, Book: Very Good, Dust Jacket: None, Hardcover, black cloth, 292 pages, b&w plates. ISBN number on copyright page denotes a reprint. Clean, bright copy, lacks dust jacket.
Hardcover. Chicago, University of Chicago Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 482 pages. William Wells Brown was a Black author and reformer of the nineteenth century, a Kentucky-born slave who became a self-educated writer and advocate of abolition, temperance, and international peace. The author argues for Brown's place alongside that of William Lloyd Garrison, Frederick Douglass, and Wendell Phillips. There's an extensive bibliography and an index. Name on front fly leaf, dj spine faded.
Hardcover. Boston, Twayne Publishers, 1st, 1982, Book: Good, Dust Jacket: None, 191 pages, green cloth covers. A scarce study of the Caribbean writer which has been heavily annotated and underlined by Joyce Adler, the previous owner. Adler was a literary scholar and published two books on Harris herself.
Hardcover. New York, Harry N. Abrams, reprint, 1999, Book: Very Good, Dust Jacket: Very Good, 31 pages. Hardcover with dust jacket. SIGNED BY GRAEME BASE, WILLIAM JOYCE, MICHAEL MCCURDY, ROBERT SABUDA AND SUSAN JEFFERS. Crisp, tight copy.
Hardcover. Boston, Little, Brown and Company, 2nd pr., 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 346 pages, b&w illustrations. Argues that Cook actually did beat Peary to the pole and the assault against Cook was largely led by Peary and his cadre. Clean, bright copy.
Hardcover. New Haven, Yale University, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket issued. Like new in publisher's shrink wrap. Clean, tight copy. One of the greatest American painters of the 19th century, Winslow Homer (1836-1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer's art, this volume exposes Homer's own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer's understanding of the camera's ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America's most original painters.
Hardcover. New Haven, Yale University, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket issued. Like new in publisher's shrink wrap. Clean, tight copy. One of the greatest American painters of the 19th century, Winslow Homer (1836-1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer's art, this volume exposes Homer's own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer's understanding of the camera's ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America's most original painters.
Hardcover. New Jersey, Princeton University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages. illustrated mainly in color. Black cloth. Brand new copy still in original shrink wrap. Beautifully illustrated dust jacket. Gives an insight to Homers artistic growth trough the eyes of his critics.
Hardcover. New York, Harcourt Brace Jovanovich, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 246 pages. Light rubbing, soiling to price-clipped dust jacket. Light foxing to edges. Else a clean, tight copy. The author of This House of Sky provides a magnificent evocation of the Pacific Northwest through the diaries of James Gilchrist Swan, a settler of the region. Doig fuses parts of the Swan diaries with his own journal.
Hardcover. Philadelphia, Penn Publishing , 1st, 1917, Book: Very Good, Dust Jacket: None, 332 pages. Hardcover with no dust jacket. Color illustrations by Frank Schoonover. White stamped lettering, decoration worn on front, light fraying to green cover boards, light soil. Internally good.
Softcover. privately printed, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 375 pages, b&w illustrations. INSCRIBED BY COLE on the title page. Two days are never the same in the life of Billy Cole, a music instrument repairman. Over the course of nearly 50 years in the music business, Billy has become a personal friend and respected repairman to some of the top musicians in the industry. Through his fine craftsmanship and attention to detail, his small music shop is a welcoming haven for musicians to stop by, to gather and be amongst others that share a common interest in music. He has become a friendly face for a musician on the road, year after year. Come with the band, as you're transported to sound stages, studios and shows that tell the story of just another day with the music technician.
Hardcover. Carbondale IL, Southern Illinois University Press, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 524 pages. Top edge gilt. This fifth volume of Horace Traubel's "With Walt Whitman in Camden" is the first to appear in print without the benefit of a final reading by the author. His wife, Gertrude Traubel, corrected only obvious slips and unnecessary repetitions, checking references that seemed unclear. While the manuscript was sometimes difficult to decipher, it was never in disjointed notes, but always a continuous narrative. Final volume of Horace Traubel's compilation of his daily conversations with poet Walt Whitman, capturing much of the poet's philosophy. Traubel was Whitman s intimate friend, biographer, and literary executor. Clean copy.
Hardcover. NY, St. Martin's Press, 1st, 2000, Hardcover in a bright dust jacket, 398 pages. The seventeenth-century philosopher Spinoza was expelled from the Jewish community of Amsterdam the age of twenty-four for 'horrendous heresies', and was eventually reviled by all religious authorities for claiming that human beings are parts of a single, unified nature, that God is identical with nature, and that reason, not revelation, supplies the truth of any aspect of God. Undeterred, he made this thesis the basis for a rational crusade against superstition and prejudice. Dr Gullan-Whur's biography, the first for twenty-eight years, shows how Spinoza's central philosophical beliefs developed within the context of his own life. Drawing on very recent scholary research and making detailed reference to primary sources, some not previously explored, the author focuses on the philosopher's attempt to act solely through reason in the face of turbulent personal and national circumstances. This new approach demolishes the myth that Spinoza was a lofty ascetic. It exposes his emotional and sexual vulnerabilit arrogance and misogyny, yet shows his living philosophical experiment to be shrply relevant today. Clean copy.
Hardcover. NY, Scribner, 2nd pr., 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 475 pages, b&w photos, in a bright, unclipped dust jacket. Remainder line on bottom edge. A biography of Frances Marion, one of the earliest--and for many years the most successful--screenwriters in Hollywood. Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from 1912 through the 1940s.