biography

Hardcover. New York, Alfred A. Knopf, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 79 pages. Hardcover with dust jacket. SIGNED BY STEADMAN. Clean, tight copy with light edge wear on covers.

Hardcover. London, England, William Pickering, 1st, 1994, Book: Very Good, Dust Jacket: None, 188 pages. Hardcover. Previous owner's name and information on front flyleaf. Some light notations throughout (pencil). Dark blue cover boards, gilt title on red on spine. Binding good. Spine straight. Pages bright. In very good condition. "Robert Boyle was the doyen of the new, experimental science in late seventeenth-century England, author of over forty books on science, religion and their mutual relationship."

Hardcover. New York, Da Capo Press, Reprint, 1969, Book: Very Good, Dust Jacket: None,

Hardcover. NY, Henry Holt, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 524 pages. Robert Graves was astonishingly prolific and worked in many genres. He wrote lyric poetry, scholarly studies of mythology, drama, criticism, and journalism, he translated from Latin, and is probably best known for his potboilers "I, Claudius" and "Claudius the God," works that he considered purely commercial and took little interest in. And, as Miranda Seymour makes clear, he was as odd a duck as ever walked. His life was defined by the women to whom he devoted himself. "Abased himself" would perhaps be the better term. The first and most influential was the American Laura Riding, a second-rate poet who fancied herself some sort of prophetess who would save the world from war and turned Graves into her adoring puppy. Later in life Graves devoted himself to a series of young women, each of whom he claimed embodied "the goddess" in whose service he thought he dwelled. Seymour (a novelist herself) writes beautifully, and with the cooperation of key members of the Graves family she has produced what will surely be the definitive biography of Graves for years to come.

Hardcover. Berkeley CA, University of California Press, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. Foreword by Luella Cole Lowie. Illustrated with 24 b/w photographs. Chronological biography, bibliography. Lowie wrote this book to document ethnographic study in the early 20th century; to put his own professional life on record; to stress methods of field work and their application under very different circumstances.

Hardcover. New Haven, Yale University Press, 1st, May 11, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 pages, illustrated throughout. Very clean and tight copy. Although lumped together with Pop artists such as Roy Liechtenstein and Andy Warhol, and often the movement's spokesperson, Indiana and his paintings actually have an uneasy fit in Pop company, mostly because his work isn't grounded in the commodity-oriented (Campbell Soup) realism of most Pop Art. Instead, his work engages with literature and poetry and with the popular rhetoric of the American dream-all permeated by the particularities of his upbringing and life. Ryan's dual accomplishments are in articulating the dynamics of Indiana's art-especially the connections between the artworks and the sources of imagery and themes in his own biography-and in rendering a sophisticated and judicious roundup of the Pop Art movement.

Hardcover. Boston, Little, Brown and company, 1st, 1972, Book: Very Good, Dust Jacket: Good, 120 pages. Hardcover with dust jacket. Brodart covering dust jacket has two blue lines that bled through onto dust jacket. Internally clean and tight copy.

Hardcover. New York, Macmillan Company, 1st, 1903, Book: Good, Dust Jacket: None, Hardcover, 372 pages, with illustrations, gilt top edge and faded gilt title on spine, gold cloth bound. Light spine edge fray and corner bumps, minor rubbing, light tape repair to front fly leaf with previous owner's bookplate. Overall, internally clean, bright and tight copy.

Hardcover. New York, Random House, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 585 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Black & white photographs throughout.

Softcover. New York, Solomon R. Guggenheim Museum, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 629 pages. B&w and color images throughout. Slight shelf wear to covers. Otherwise, tight clean copy.

Hardcover. NY, Columbia University Press, 1st, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacker with a closed tear. 297 pages, color plates. Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century's great artists through a series of interviews with key figures in his life-family, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators' reminiscences in conversation, with a focus on the relationship between Rauschenberg's intense social life and his art. The book opens with a prologue by Rauschenberg's sister and then shifts to New York City's 1950s and '60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenberg's eventual move to Florida's Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others' art.

Hardcover. New York , Harry N. Abrams, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 229 pages, illustrated in b&w and color. Autobiography, bibliography. Book designed by Rauschenberg. Acetate dust jacket with chip to top of spine, small tear to rear panel at bottom. Otherwise crisp, clean copy.

Hardcover. New York, Rizzoli/Gagosian Gallery , 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. 156 pages, profusely illustrated in color and b&w. Designed by Dan Miller Design. With a biography and exhibition history. This is the elegantly produced, copiously illustrated hardbound catalogue published in conjunction with Los Angeles-based sculptor Robert Therrien's elaborate 2008 Gagosian Gallery New York installation.

Softcover. Berkeley CA, University of California, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 425 pages, b&w illustrations. Previous owner's signature, otherwise clean, very good. The definitive study o the career of this Italian filmmaker first published in 1987.

Kansas City, Sheed Andrews and McMeel, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 285 pages. Hardcover with dust jacket. Color and black & white photos and Illustrations. Clean, tight copy. Dust jacket has small chip missing on front bottom.

Hardcover. Sydney Australia , Macmillan, reprint, 2013, Book: Very Good, Dust Jacket: Very Good, 398 pages. Hardcover with dust jacket. SIGNED BY ROD LAVER on title page. 32 pages of b&w and color photography. Light edge wear to dust jacket, otherwise clean, tight copy.

Hardcover. NY, Doubleday & Company/MOMA, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 228 pages illustrated in b&w, some color. Although falling well short of a definitive biography, this treatment of Rodin is chronologically sound, contains some evocative photographs, and a good bibliography, and serves as a solid point of departure for the student of monumental sculpture, and of turn-of-the-20th century French art. Biographical Outline, Selected Bibliography, List of Illustrations, and Index; [Notes] at the end of most topics. Clean copy.

Hardcover. NY, Henry Holt , 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 738 pages, Illustrations. Notes. Bibliography. Index. Auguste Rodin (1840-1917) was arguably the world's greatest sculptor, known for such works as "The Thinker, The Kiss, The Hand of God" and dozens of others. Beautifully written and illustrated, "Rodin" is the definitive biography of a man whose influence on sculpture was as profound as Michelangelo's. Clean copy.

Hardcover. New York, Harcourt, Brace, Jovanovich, Inc., 2nd Printing, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 448 pages. Illustrated with 16 pages of black & white photographs. Dust jacket with wear and darkening along top edge. Clean, tight copy.

Hardcover. NY, William Morrow, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 461 pages. The film director describes his youth in Nazi Poland, his film directing career, the murder of his wife, Sharon Tate, his arrest on a morals charge, his new acting career, and his films. INSCRIBED BY POLANSKI on the front fly leaf.

Hardcover. Philadelphia, University of Pennsylvania Press, 1st, 1937, Book: Very Good, Dust Jacket: Very Good, 296 pages, b&w illustrations, dark blue cloth with gilt design on spine. In a bright, price-clipped dust jacket.

Hardcover. San Francisco, Pomegranate Communications, 1st US, October 2004, Book: Very Good, Dust Jacket: Very Good, Oversized. Black cloth cover, very little wear. Dust jacket has minor wear to edges and corners. Inside is bright and clean, many b&w photographs throughout. A nice copy.

Hardcover. San Francisco, Pomegranate Communications, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, Like new in publisher's shrink-wrap. Hardcover, 136 pages, b&w photos of the artist at work. Foreword by David Driskell, introduction by Ruth Fine.

Hardcover. Boston, Little, Brown and Co., 1st, 1921, Book: Good, Dust Jacket: None, Hardcover, green cloth covers with gilt lettering on spine, 375 pages. With a frontispiece portrait of Roosevelt, and 10 other illustrations. "A biography, written con amore (with love) by a Harvard classmate, that is full of illuminating anecdotes and memories of this great American." Ink name on front fly leaf and following page. Covers show wear to edges, top of spine. Interior clea, binding solid.