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Hardcover. Boston, DeWolfe, Fiske & Co., 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with yellow cloth spine, 344 pages. Undated, circa 1900 with name and 1902 date on front fly leaf. Well kept copy generously illustrated throughout with black and white engravings. Mild edgewear to boards. Clean, tight copy.

Hardcover. New York , E. P. Dutton & Co., 1st, 1941, Book: Good, Dust Jacket: None, Hardbound, 205 pages. Black & white illustrations by Howard Simon. Review slip laid in. Residue from paper clip front endpaper. Top corners a bit bumped. Light soiling to covers.

Hardcover. Northridge, CA, Lord John Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. Ltd to 275 copies (#269) SIGNED BY BOTH ERDRICH & DORRIS. No dust-jacket issued. Clean, bright copy.

Hardcover. Hatje Cantz, 1st, 2010, Book: Very Good, Hardcover, 208 pages. Between 1961 and 1968, at the height of the Pop art movement, Roy Lichtenstein (1923-1997) created about 50 large black-and-white drawings. Not only was their imagery, culled from consumer culture, entirely new--baked potatoes, ads for foot medication and BB Guns--but so was their treatment, which drew on the rudimentary character of cheaply printed commercial drawings. Conceived independently from Lichtenstein's paintings, these drawings recast illustrations from newspaper ads and comic books into works of keen visual intensity, curiously echoing the clean-edge aesthetic of 1960s geometric abstraction. "Drawing is the basis of my art," Lichtenstein later affirmed; "It is where my thinking takes place." Published for an exhibition at the Morgan Library in New York, this richly illustrated publication offers 120 color illustrations, plus essays on Lichtenstein's technique and on his little-known 1967 Aspen project, in which the artist transformed a room into a black-and-white cartoon drawing.

Hardcover. East Yorkshire UK, PS Artbooks, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Black and white pictures throughout. In matching slipcase.

Hardcover. London, PS publishers, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. Rulah first appeared in Zoot Comics #7 back in June 1947 and she's generally regarded as being the brainchild of Matt Baker and, some time later, Jack Kamen and Ghastly Graham Ingels. Collects Rulah #17-27, August 1948 to June 1949. These are typical Good Girl stories of simplistic morality and mega-violence, with a bit of erotic sizzle. Rulah defends people's rights and fights evil. But she was a bit different than the standard "Good Girl Art" stuff of that era. Most of her stories feature a bad girl so there are a lot of catfights.

Hardcover. London, PS publishers, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. Originally published in magazine form in All Top Comics 8-18, Tegra/Zegra Aug 1948 - Apr 1949, and Seven Seas Comics 1-6.

Hardcover. US, PS publishers, 1st, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout.

Hardcover. UK, PS publishers, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. She may still be everyone's favourite yellow-tressed leopard-skin-clad Jungle Jane but, having made her first appearance almost 80 years ago (courtesy of Will Eisner and 'Jerry' Iger in the British mag Wags #1), Sheena, Queen of the Jungle could be forgiven for being somewhat less spritely swinging through the trees righting wrongs and wielding her knife. In 1938, she made it Stateside with her first showing in Jungle Comics #1 where she settled happily in every issue (plus a decade in her own title) until April 1953. There have been other incarnations, of course, but it's this classic material that strikes at the very heart of Good Girl Art! Collects issues #11-18, Spring 1951 to Winter 1952.

Hardcover. US, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 240 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color, Black and white pictures throughout.

Hardcover. New York, Viking, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 28 pages. Color illustrations by James Stevenson. Dust jacket unclipped, very good. King Gordo is such a light sleeper that when he takes his afternoon nap, all commotion must absolutely cease, and when an unfortunate potscrubber comes down with a bad case of hiccups, the king despairs of ever getting his beauty sleep.

Hardcover. NY, Minton Balch & Co., 1st, 1932, Book: Very Good, Dust Jacket: None, 224 pages, illustrated in b&w by Diana Thorne. Blue cloth covers with black decoration. Previous owner's signature on front fly leaf.

Hardcover. London/Boston, Foulis Books/Le Roy Phillips, 1st thus, 1916, Book: Very Good, Dust Jacket: Fair, Hardcover, gray cardboard covers with black lettering. Features 8 tipped-in color plates on gray pages by Frank Brangwyn, each with a tissue guard. Dust jacket present but chipped with half of spine gone. Previous owner's signature on front fly leaf otherwise a clean copy.

Softcover. NY, Pierpont Morgan Library,, 1979, Book: Very Good, Dust Jacket: None, Softcover, stiff paper wrappers. 298 pages. Catalogue of Rubens and Rembrandt drawings in the Pierpont Morgan Library, New York. Introduction, indexed by artists and former owners. 130 black and white plates. Index of artists. Illustrations of 57 watermarks.

Hardcover. Chicago, Ivan R. Dee, reprint, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 287 pages. Illustrated with black & white portraits and paintings. When Peter Paul Rubens died in 1640 he left an indestructible reputation as one of the world's great painters. In every sense Baroque, his paintings have a wonderful fluidity, a powerful sensuality, a beauty and richness of color and texture. His prolific output included some 1,300 paintings (compare this with Leonardo's twenty and Vermeer's thirty-six) as well as books of engravings, architectural drawings, and sketches. He also left a beautiful young wife, a vast personal fortune, a palatial house in Antwerp, and collections of old masters, antiquities, precious stones, and silver work. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 64 pages, illustrated by Paul Giovanopoulos. Dust jacket with mild edgewear. Tale of the young son of a Georgia sharecropper who loves animals & wants to be a zoologist. Clean copy.

Hardcover. New York, Clarkson N. Potter, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 197 pages + index, illustrated throughout in b&w. Maroon cloth spine, black boards. Pictorial dust jacket. Light wear to edges and spine, slight scratch to front cover, else a very nice, tight, clean copy.

hardcover. London, SelfMadeHero, 1st, 2015, Book: Very Good, Dust Jacket: None, 256 pages. Hardcover with NO dust jacket. Color comic illustrations make up this graphic novel. Bottom corner bumps otherwise, bright, and lean, unmarked copy in excellent condition. Red decorative staining to page block and black satin ribbon marker.

Hardcover. NY, Doubleday Doran, 1st, 1928, Book: Very Good, Dust Jacket: Good, 279 pages. Hardcover with dust jacket. Color, black & white illustrations by Will Crawford. Dust jacket with some heavy chipping.

Hardcover. NY, Oxford University Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 455 pages, b&w illustrations. From John Hope Franklin, America's foremost African American historian, comes this groundbreaking analysis of slave resistance and escape. A sweeping panorama of plantation life before the Civil War, this book reveals that slaves frequently rebelled against their masters and ran away from their plantations whenever they could.For generations, important aspects about slave life on the plantations of the American South have remained shrouded. Historians thought, for instance, that slaves were generally pliant and resigned to their roles as human chattel, and that racial violence on the plantation was an aberration. In this precedent setting book, John Hope Franklin and Loren Schweninger demonstrate that, contrary to popular belief, significant numbers of slaves did in fact frequently rebel against their masters and struggled to attain their freedom. By surveying a wealth of documents, such as planters' records, petitions to county courts and state legislatures, and local newspapers, this book shows how slaves resisted, when, where, and how they escaped, where they fled to, how long they remained in hiding, and how they survived away from the plantation. Of equal importance, it examines the reactions of the white slaveholding class, revealing how they marshaled considerable effort to prevent runaways,meted out severe punishments, and established patrols to hunt down escaped slaves. Clean copy.

Hardcover. NY, Grosset & Dunlap, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, 46 pages. Line drawings by Lucy Dawson. Corners bumped. Edgewear to cardboard spine edges. Red lettering with black & white illustrations on front book cover.

Hardcover. Philadelphia, David McKay, 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with white lettering and drawing of horse's head on cover. 144 pages. Black & white drawings and color frontispiece by Willy Pogany. Pink top edge. Previous owner's signature front end paper. Rubbing, light soiling to endpapers. The story of an old dapple-grey workhouse, Nebuchadnezzar, or Nebby, for short, and the two siblings who love him, Marigold and Noel, who live with their mean old aunt-in-law.

Hardcover. New York, PowerHouse, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photography by Larry Fink. Introduction by Guy Trebay. Unpaignated. A collection of black and white photographs set in and around the fashion industry. Clean. tight copy.

Hardcover. Madison, WI, The University of Wisconsin Press, 1st, 1948, Book: Good, Dust Jacket: None, Volume dedicated to the rural art originating in Wisconsin. Discusses 30 different artists and contains illustrations (color and black/white) of their pieces. Good condition; cloth bound book shows some wear on the edges of the covers. No dust jacket. Commemorates the 100th Anniversary of the founding of the University of Wisconsin by means of the work of rural Wisconsin artists such as Ambrose G. Ammel, Joan Arend, John M. Black, WIlliam H. Boose, Frances Burt, Frank H. Engebretson, Francis D. Grady, Louis Grebetz, Rachel Gertrude Grimm, Lois Ireland, Arthur Johnson, and many more.