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Hardcover. NY, Assouline, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Black & White photos.

Hardcover. NY, Abrams, 1st, 1975, Book: Very Good, Dust Jacket: None, Hardcover, off-white cloth over boards; b&w image on front cover and black lettering on spine; 200 pages. 52 color, 240 b&w plates and figures. Includes a chronology of Brancusi's life, as well as an essay, by Geist; Wonderfully illustrated and with a tipped-in plate opposite the title page. Lacks dust jacket.

Hardcover. New York, Grosset & Dunlap, Reprint, 1923, Book: Very Good, Dust Jacket: Good, 301 pages. Hardcover. Orange cloth covered boards with black graphic & orange titles to cover & spine. Frontis illustration, "....Let that hand down slowly, keeping it away from that gun," in black & white. Original dust jacket with the same illustration in full color, tears to edges, now protected with a plastic sleeve. Tight binding, light age toning, clean & unmarked pages throughout.

Hardcover. Paris, Flammarion, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 167 pages, illustrated in color and b&w. A rare discovery of more than 150 previously unpublished photographs in black and white and in color, from a legendary photographer. Despite strong personal and professional ties in the U.S.--Henry Miller, Harper's Bazaar's Carmel Snow, and Edward Steichen, who featured Brassai's work in many MoMA exhibitions--Brassai remained reticent about travel to the U.S. until 1957 when Holiday magazine offered generous compensation (and artistic freedom) to photograph New York and Louisiana. From the first symbolic image of this voyage--the Statue of Liberty appearing over the ship's prow--Brassai came under the spell of America and his photographs innately captured his new perspective. In New York, he was captivated by the graphic skyscrapers and the rhythmic to-ing and fro-ing of the crowds. Unlike his static photographs of Paris--posing prostitutes, embracing lovers, sleeping street people--here he captured sequences of movement--children playing, fashionable women parading by, or the effects of light filtering through the urban architecture. In Louisiana, he continued to photograph more languorous sequences, but here he reveled in color--the copper skin of sunbathers, the pastel tones of prom dresses, the vibrant neon of amusement park attractions. The New Orleans music halls, nightlife, women, and exotic vegetation recall scenes from 1930s Paris. This exuberant study of 1950s America offers the reader unprecedented access to Brassai's work, including previously unpublished color photography. Front dj flap with mild wear otherwise a clean, bright copy.

Hardcover. NewYork, Viking Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with price-clipped dust jacket. Black and white photographs throughout. Covers lightly bowed.

Hardcover. New York, Museum of Modern Art, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 79 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Introductory essay by Lawrence Durrell. Includes 61 black and white photographs, many of which are some of his more iconic images.

Hardcover. New York, Dodd Mead, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, 277 pages, black cloth spine over beige color boards. Lettering on spine faded, light fraying to top of spine. Front pastedown with previous owner's bookplate and small bookstore sticker. Otherwise clean, tight copy of a scarce book.

Hardcover. Atlas, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. In the spring and summer of 1961, several hundred Americans--blacks and whites, men and women--converged on Jackson, Mississippi, to challenge state segregation laws. The Freedom Riders, as they came to be known, were determined to open up the South to civil rights: it was illegal for bus and train stations to discriminate, but most did and were not interested in change. Over 300 people were arrested and convicted of the charge "breach of the peace." Collected here in a richly illustrated, large-format book featuring over seventy contemporary photographs, alongside the original mug shots, and exclusive interviews with former Freedom Riders, is that testament: a moving archive of a chapter in U.S. history that hasn't yet closed.

Hardcover. US, Atlas & Co, 6th, 2008, 240 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Hardcover. New York, Harper and Row, reprint, Book: Very Good, Dust Jacket: Poor, Hardcover, illustrated boards with black cloth spine, 32 pages illustrated in 3-colors by Lillian Hoban. Copyright page states 1964 but also has an ISBN which means it's probably early 1970s. Previous owners 2-line notation on inside cover, otherwise clean. Tattered dust jacket included.

Hardcover. NY, Viking, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. SIGNED BY WATSON on title page. A history of the winter of 1912 in Lawrence, Massachusetts that began when thousands of workers stormed out of the massive textile mills that lined the Merrimack River north of Boston. After receiving their paychecks that morning, they were protesting a pay cut, but were really on strike for their lives. Black and white photographs. Remainder line bottom edge, otherwise clean.

Hardcover. Chicago, Henry Regnery, 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers, slightly faded gilt title on spine. INSCRIBED BY AUTHOR on front fly leaf and dated in 1953. Preface by William Butler Yeats; Epilogue by Oliver St. John Gogarty Frontispiece drawing by Diego Rivera. For more than 20 years, the manuscript of this book, including the preface by Yeats and the epilogue by Gogarty, had been lost. Includes several poems originally published in 'Poetry' under the pseudonyms Wesley Ames, Stanley Blackpool, Everett Owens and John Creigh. 62 pages. No dust jacket.

New York, Viking Press, 1st US, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover. 209 pages. Black & white illustrations by David Rook. In a very nice turquoise dust jacket.

Hardcover. Zaltbommel NL, European Library, 1st, 1989, Book: Very Good, Dust Jacket: None, Hardcover, green cloth boards with black lettering to spine and front board, no dustwrapper. Old Photograph inlaid into front cover. Introduction followed by 108 old photographs (one to a page) with short caption notes. Bookplate on inside front cover, small name stamp on front fly leaf.

Hardcover. Charta, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap.Black and white photos, 72 pages. New Zealand-born, New York-based photographer Brian Sweeney moves between long-distance reverie and the documentation of pattern and motif in landscape. Of this work, essayist Stuart McKenzie writes that "you can't look at Sweeney's photographs in Paradise Road and find paradise in and of itself. Instead, they carefully send you on your way, deflecting any pretense of essentiality."

Hardcover. Charta, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Black and white photos, 72 pages. New Zealand-born, New York-based photographer Brian Sweeney moves between long-distance reverie and the documentation of pattern and motif in landscape. Of this work, essayist Stuart McKenzie writes that "you can't look at Sweeney's photographs in Paradise Road and find paradise in and of itself. Instead, they carefully send you on your way, deflecting any pretense of essentiality."

Hardcover. NY, McGraw-Hill, 11th ed., 1946, Hardcover, black cloth in a worn, chipped dust jacket. Small sticker on dj spine. 169 pages, b&w illustrations, Practical reference data on materials, design, and construction methods employed in brick construction; for contractors, builders, architects, engineers, and students...".

Hardcover. Franklin Center PA, Franklin Library, reprint, 1989, Book: Very Good, Dust Jacket: None, Hardcover, 213 pages, color frontispiece illustration by Gary Kelley. Deluxe edition by the Franklin Library. Bound in jet black cloth with attractive gilt decorations and titles. Three raised bands to the spine. All edges gilt. Printed on high quality, acid free paper. After a bridegroom is shot on the steps of the church on his wedding day, his widow traces the group of men responsible and eliminates them one by one.

Hardcover. Boston, Ginn & Co, 1st, 1906, Book: Good, Dust Jacket: None, 296 pages. Bookseller's label on rear end paper. Black & white illustrations by Charles Copeland and color frontispiece. Green cloth covers with gold decoration and lettering. Rubbing to spine and corners. No dust jacket. Gilt top edge.

Hardcover. Norwalk, CT, Easton Press, Collector's Ed., 1987, Book: Very Good, Dust Jacket: None, 199 pages. Black leather bound, gilt lettering and design. Raised bands. All edges gilt. Patterned end papers. Collector's notes laid in. Introduction by Larry Niven. Illustrated with full-color, full-page, plates by A. C. Farley, printed on glossy stock. A 1953 novel of alternate history. The point of divergence occurs when the Confederate States of America wins the Battle of Gettysburg and subsequently declares victory in the "War of Southron Independence" on July 4, 1864 after the surrender of the United States of America.

Softcover. Oxford UK, Clarendon Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, green paper wraps, 449 pages. A study of the West Indies in the mid-nineteenth century, this book draws together the experiences of more than a dozen different sugar colonies and forms them into a coherent historical account. The first part of the book examines the West Indies on the eve of emancipation in 1830-1865, a key passage in West Indian history. Green presents a clear general picture of the sugar colonies, and places British governmental policy toward the region in the context of Victorian attitudes toward colonial questions.

Hardcover. London, England, Adam and Charles Black, Reprint with corrections, 1954, Book: Good, Dust Jacket: Good, 269 pages. Hardcover. B/w illustrations throughout. Dust jacket price clipped, has some agewear (see image), covered in protective clear, plastic brodart. Some light tanning to edges and pages, otherwise unmarked. Cover boards bound in blue cloth, white title on spine and front cover board. Binding tight, spine straight. in great shape. A comprehensive and authoritative book on the British submarine and its place in the Royal Navy.

Hardcover. NY, Citadel Press, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 246 pages, b&w illustrations. Indiana-born Vivian Gordon fluttered to New York in 1920 looking for fame and fortune. Before long, the flame-haired chorus girl parlayed her youth, beauty, and ambition into more profitable means as a tough and glamorous symbol of Prohibition-era excess. She was a speakeasy owner, blackmailer, high-end escort, extortionist, racketeer, and con woman. But given her dangerously intimate associations, Vivian was also a woman who knew too much and who rightfully feared for her life. On February 26, 1931, Vivian's bludgeoned and garroted body was found dumped in Van Cortland Park in the Bronx. Now, in the first in-depth biography of its kind, Pulitzer Prize and Emmy Award-winning journalist Anthony M. DeStefano unravels her tumultuous life and the headline-making murder that became an obsession for many. Clean copy.

Hardcover. New York, Dodd, Mead & Company, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Full color and black & white illustrations by Edward Gorey. Price clipped dust jacket shows light wear along edges. Clean, tight copy.