china

Hardcover. NY, Macmillan, 3rd pr., 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. On a rainy afternoon, a woman shares with three restless granddaughters her "earliest memory" from her childhood in China. Adapted from Tan's The Joy Luck Club , the haunting tale that unfolds is worthy of retelling--and of repeated rereading. The narrator, Ying-ying, recalls waking up at the age of seven on the morning of the Moon Festival; it was a steamy day, and "the sun drove rays through the bamboo curtains like knives." Filled with similarly vivid images, Tan's lilting text conveys Ying-ying's contagious excitement about the festivities. These include the appearance of the Moon Lady, who can fulfill one's secret wish. Later, celebrating with her family on a "floating teahouse," Ying-ying loses her balance and falls into the lake, where she is caught in a fisherman's net. He returns her to shore, where her secret wish is granted: she is found by her family, and thus learns a lesson about which kind of wishes come true. Tan has done a superb job of distilling this incident for young readers, who will be as mesmerized by the expressive narrative as by Schields's ornately detailed paintings, ablaze with luminous color.

Softcover. NY, Archipelago Books, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 79 pages. The first full flowering of Chinese poetry occurred in the illustrious T'ang Dynasty, and at the beginning of this renaissance stands Meng Hao-jan (689-740 c.e.), esteemed elder to a long line of China's greatest poets. Deeply influenced by Ch'an (Zen) Buddhism, Meng was the first to make poetry from the Ch'an insight that deep understanding lies beyond words. The result was a strikingly distilled language that opened new inner depths, non-verbal insights, and outright enigma. This made Meng Hao-jan China's first master of the short imagistic landscape poem that came to typify ancient Chinese poetry. And as a lifelong intimacy with mountains dominates Meng's work, such innovative poetics made him a preeminent figure in the wilderness (literally rivers-and-mountains) tradition, and that tradition is the very heart of Chinese poetry. This is the first English translation devoted to the work of Meng Hao-jan. Meng's poetic descendents revered the wisdom he cultivated as a mountain recluse, and now we too can witness the sagacity they considered almost indistinguishable from that of rivers and mountains themselves. Clean, bright copy.

Hardcover. NY/Beijing, Chambers Fine Arts, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover copy in black boards with the artists' name embossed in darker black on the front cover, in a bright red dust jacket, with some edge-wear. This is the most complete catalog of Lu Shengzhong's works to date. The catalog was prepared to accompany the exhibition at the University at Albany Art Museum. Text In English and Chinese. Essays by a dozen scholars. Biographical sketch. 34 page illustrated chronology, records Lu Shengzhong's artworks from 1980 to 2005. Illustrated throughout in color, some black & white, vintage photographs. 11" high X 8" wide, 155 pages.

Hardcover. Lockport NY , self-published, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 204 pages. Illustrated in color and b&w. Scrupulously detailed guide to over 600 North American railroad china patterns. Each pattern is clearly illustrated with a close-up photo of the logo, border and backmarks. Illustrated throughout with black and white photos plus almost 40 pages of color photos showing 300 of the patterns. The Guide also covers railroad station restaurant and eating house ware, electric street railway and streetcar china, and select patterns from railroad connected ferry boat services. With pricing information for each pattern, rarity scale, information on manufacturers and how to decode their marks, and advice for the beginner on how and what to collect. Still in publisher's shrink wrap.

Hardcover. NY, Columbia University Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a small closed tear to front panel. 187 pages, 117 b.w. photos, index, bibliography, 187p., notes. A scholarly monograph, addressing our image of the Chinese artist, the painters' livelihood, studio & hand. A grand essay, giving us the kind of insights to really appreciate the full art of Chinese painters & paintings.

Softcover. Armonk NY, M.E. Sharpe, 1st pbk, 1993, Book: Very Good, Dust Jacket: None, Softcover, 272 pages. "The Political Economy of Chinese Socialism" re-conceptualized the political economy of China by highlighting the changing character of urban-rural and state-society conflicts in the era of Mao Zedong's leadership and in the contemporary post-Mao reforms. The economic and social crises that engulfed China - and indeed much of the rest of the socialist world - in the late 1980s, culminating in the 1989 democratic movement and its suppression, stimulated a rethinking of central propositions of the first edition. It particularly led the author to inquire anew into the meaning of socio-political as well as economic development in a populous and poor agrarian nation. This volume, then, assesses the economic performance and social consequences of China's political economy over four decades, with a focus on China's countryside and city-countryside relations.

Hardcover. Boston, Little Brown, 1st, 1960, Hardcover, 336 pages, b&w drawings by Lea. Dust jacket with light edgewear, chipping. Novel about Hank Spurling, a Marine hero of the war in the Pacific, who returned to the Cloudrock Mountains in Wyoming. In the early days of World War II, Lea became a war correspondent for Life magazine, executing paintings of action in the North Atlantic, the South Pacific, China, North Africa, and Europe. Lea's career thereafter involved both painting and writing, on a variety of subjects but generally reflective of his roots in the Southwest. Clean copy.

Hardcover. Honolulu, University of Hawaii Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 340 pages. Few thinkers have stood as squarely at both the center and the periphery of an intellectual movement as has Shao Yung (1011-1077). Ethical model and eccentric, socialite and eremite, Shao Yung is perhaps not only the greatest enigma of early Neo-Confucianism, but also one of its undisputed giants. In this impressive life-and-thought study, Don J. Wyatt painstakingly sifts through all available evidence relating to Shao Yung and his scholarship to provide a portrait that fully exposes the moral center of the man and his work. Clean copy.

Hardcover. NY, Knopf, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 333 pages. With his marvelous eye for detail and his contagious enthusiasm, Ted Conover explores six key byways worldwide. In Peru, he traces the journey of a load of rare mahogany over the Andes to its origin, an untracked part of the Amazon basin soon to be traversed by a new east-west route across South America. In East Africa, he visits truckers whose travels have been linked to the worldwide spread of AIDS. In the West Bank, he monitors highway checkpoints with Israeli soldiers and then passes through them with Palestinians, witnessing the injustices and danger borne by both sides. He shuffles down a frozen riverbed with teenagers escaping their Himalayan valley to see how a new road will affect the now-isolated Indian region of Ladakh. From the passenger seat of a new Hyundai piling up the miles, he describes the exuberant upsurge in car culture as highways proliferate across China. And from inside an ambulance, he offers an apocalyptic but precise vision of Lagos, Nigeria, where congestion and chaos on freeways signal the rise of the global megacity. Clean copy.

Hardcover. NY, St. Martin's, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 342 pages. Dark blue cloth covers, gilt titles, color-illustrated dust jacket, profusely illustrated with b&w plates. A comprehensive chronicle of the various arctic expeditions, lasting from the sixteenth to the twentieth century, that searched for a Northern route by sea to China, includes accounts of the ill-fated John Franklin effort and Amundsen's eventual success. Clean copy.

Hardcover. NY, John Day, 1st US, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly edgeworn, price-clipped dust jacket. Another in the author's popular series of early-mid-20th-century travel guides from an Asian perspective, this one representing his first trip across the Atlantic where he brings New York City to life with 120+ of his own pen-and-ink drawings & 17 full-color plates, created using traditional Chinese technique & media, painting on both absorbent paper & sometimes silk. His observations on the life and scenery of America are as oblique and charming as ever, while his experiences round Times Square, along Fifth Avenue, in Chinatown, Greenwich Village, the Bowery, and Harlem are depicted with the postwar charm that would soon be lost forever. In 281 pages with map endpapers, this is the First American Edition (no date in book, but research places it at 1950).

Softcover. Princeton NJ, Princeton University Press, 3rd pr., 2008, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 375 pages, maps. A decade after the Soviet Union and the People's Republic of China established their formidable alliance in 1950, escalating public disagreements between them broke the international communist movement apart. In The Sino-Soviet Split, Lorenz Luthi tells the story of this rupture, which became one of the defining events of the Cold War. Identifying the primary role of disputes over Marxist-Leninist ideology, Luthi traces their devastating impact in sowing conflict between the two nations in the areas of economic development, party relations, and foreign policy. The source of this estrangement was Mao Zedong's ideological radicalization at a time when Soviet leaders, mainly Nikita Khrushchev, became committed to more pragmatic domestic and foreign policies. Using a wide array of archival and documentary sources from three continents, Luthi presents a richly detailed account of Sino-Soviet political relations in the 1950s and 1960s. He explores how Sino-Soviet relations were linked to Chinese domestic politics and to Mao's struggles with internal political rivals. Furthermore, Luthi argues, the Sino-Soviet split had far-reaching consequences for the socialist camp and its connections to the nonaligned movement, the global Cold War, and the Vietnam War. Clean copy.

Hardcover. London, Routledge & Kegan Paul, 3rd pr., 1950, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering on spine. 439 pages, b&w illustrations with fold-out map of Polo's travels in rear. First published in 1931, this is the 1950 third printing. None of the manuscripts which have come down to us represents the original form of Marco Polo's narrative, but it is clear that certain texts are closer to the lost original than others. Entrusted with the task of preparing a new Italian edition of Marco Polo, Benedetto discovered many unknown manuscripts. He carefully edited the most famous of the manuscripts (the Geographic text) and collated it with the other best known ones. * An invaluable index has been added to Aldo Ricci's of Benedetto's text, which includes all the identifications made in the Geographic text and also later editions by Marsden (1818), Pauthier (1865) and Yule (1871). * The difficulty of following Polo on his many journeys has also been simplified by the process of distinguishing between those places on his main route to China and his return journey by sea to Persia and those places which he visited during his stay in China and those he never visited at all. Clean copy.

NY, Hawthorn Books, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 143 pages. Yellow cloth, blue design/lettering. Color pictorial dust jacket shows very minor edgewear. Spine of dust jacket is slightly toned. B/W illustrations throughout by Marvin Besunder. Previous owners' names in ink on a blank page at back otherwise clean. " Lin Li-ti, parted from his family during the tumultuous evacuation from mainland Communist Chino to the Nationalist island of Formosa, found himself hungry and alone in a land where no one seemed to care about a lost boy." Written by a woman who lived in Taiwan, as well as other places in the world, who is a teacher and author.

Hardcover. NY, Columbia University Press, 2nd pr., 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 364 pages. Tells of the Americans who came to China, openly and in secret, and their role in the ultimate U. S. decision to spurn Chinese Communist overtures of friendship and throw greater support to the sinking regime of Chiang Kai-shek. Name on front fly leaf, otherwise a clean copy.

Hardcover. NY, Green Tiger Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Chi Chung.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 391 pages. How Maoism captured the imagination of French intellectuals during the 1960s. Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who's who of French thinkers, writers, and artists, spurred by China's Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless expose of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life.

Hardcover. NY, Knopf , 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. The author's first book about growing up in Stockton, California with her immigrant parents from a small peasant village in China.

Softcover. Cambridge MA, The M.I.T. Press, reprint, 1967, Book: Very Good, Dust Jacket: None, Softcover, 268 pages, b&w illustrations. Marco Polo was the first Westerner to describe the old capital of China in its grand design, and the early Jesuits were the first to appraise its architectural values. George Kates is one of the last Westerners to take its measure. After his seven leisurely, abundant years in Peking, by the end of which the Japanese had come to occupy it, the old China had finally disintegrated under the blows of warfare and social revolution.What Kates reveals cannot be found today. Kates describes the city with a special competence because he made it a particular object of scholarly research. He wormed out of the Imperial City itself every secret of its hidden courts and deserted harems; and in this book he brings to life again the people and the system that created it.

Hardcover. Boston, Houghton Mifflin, 1st, 1947, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. Drawings by Saul Steinberg. Mississippi author, and war correspondent, who toured the World during WWII for the US Army Service Forces (Supply). Foreword says "This book is a personal record. It has to do with a journey that I made in 1944-45 to Great Britain, France, Belgium, Corsica, Italy, Egypt, Palestine, Iraq, Iran, India, Burma, China."

Hardcover. Boston, Little, Brown and Company, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, bright green cloth with gilt and black stamping, 548 pages. Illustrated from photographs, facsimiles, plates. Study of Jefferson's mind based on contributions of "French thinkers" on his political philosophy. Inscription on inside front cover, otherwise a clean, tight copy.

Hardcover. Bologna, Italy, Damiani Editore, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Like new in publisher's shrink-wrap. One of today's foremost fashion and celebrity photographers, Tom Munro has been making defining images since the mid-1990s. Munro achieves his results by encouraging his subjects to reinterpret their personalities for his lens, reveling in seductive roleplay or darkly-lit melodrama. The subjects gathered here include some of the biggest names in pop culture today-Ashton Kutcher, Brooke Shields, Charlotte Gainsbourg, Christina Ricci, Courtney Love, Daniel Craig, Dustin Hoffman, Ewan McGregor, Isabella Rossellini, Jake Gyllenhaal, Jennifer Aniston, Johnny Depp, Jude Law, Julianne Moore, Justin Timberlake, Lauren Hutton, Leonardo DiCaprio, Linda Evangelista, Madonna, Marion Cotillard, Matt Dillon, Matthew McConaughey, Naomi Campbell, Patrick Dempsey, Rob Lowe, Scarlett Johansson, Stephanie Seymour and Tom Cruise, to name only a few. This volume-Munro's first monograph-affirms his status as a portraitist of the first rank.English by birth, Tom Munro moved to New York in 1990, embarking on his own career as a photographer in 1997, and achieving overnight success with his early editorial shoots for British Vogue and Harper's Bazaar. Over the last ten years, Munro has contributed to some of the world's most prestigious magazine publications including Vogue, Italian Vogue, L'Uomo Vogue, Russian Vogue, China Vogue and Details. Munro's dedication to his craft has attracted some of the fashion and beauty industries' most prestigious names, including Armani, Banana Republic, Burberry, Calvin Klein, Converse, Gap, Givenchy, Hugo Boss, Lacoste, L'Oreal, Moschino, as well as music icons such as Beyonce, Justin Timberlake and Madonna.

Hardcover. Bologna, Italy, Damiani Editore, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Like new in publisher's shrink-wrap. One of today's foremost fashion and celebrity photographers, Tom Munro has been making defining images since the mid-1990s. Munro achieves his results by encouraging his subjects to reinterpret their personalities for his lens, reveling in seductive roleplay or darkly-lit melodrama. The subjects gathered here include some of the biggest names in pop culture today-Ashton Kutcher, Brooke Shields, Charlotte Gainsbourg, Christina Ricci, Courtney Love, Daniel Craig, Dustin Hoffman, Ewan McGregor, Isabella Rossellini, Jake Gyllenhaal, Jennifer Aniston, Johnny Depp, Jude Law, Julianne Moore, Justin Timberlake, Lauren Hutton, Leonardo DiCaprio, Linda Evangelista, Madonna, Marion Cotillard, Matt Dillon, Matthew McConaughey, Naomi Campbell, Patrick Dempsey, Rob Lowe, Scarlett Johansson, Stephanie Seymour and Tom Cruise, to name only a few. This volume-Munro's first monograph-affirms his status as a portraitist of the first rank.English by birth, Tom Munro moved to New York in 1990, embarking on his own career as a photographer in 1997, and achieving overnight success with his early editorial shoots for British Vogue and Harper's Bazaar. Over the last ten years, Munro has contributed to some of the world's most prestigious magazine publications including Vogue, Italian Vogue, L'Uomo Vogue, Russian Vogue, China Vogue and Details. Munro's dedication to his craft has attracted some of the fashion and beauty industries' most prestigious names, including Armani, Banana Republic, Burberry, Calvin Klein, Converse, Gap, Givenchy, Hugo Boss, Lacoste, L'Oreal, Moschino, as well as music icons such as Beyonce, Justin Timberlake and Madonna.

Hardcover. NY, Harper & Row, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages. Black & white illustrations by William Pene du Bois. Dust jacket price-clipped with light soiling, HarperCrest label on spine.