Hardcover. Zurich, Lars Muller, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. The photographer Andreas Seibert accompanied Chinese workers to document their everyday lives and their journey to the high-population centers. Their stories are told in a collection of striking photographs that provide a close-up portrait to complement the current discussion of economic growth in China.
Softcover. NY, Kelly O'Quinn, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover magazine, 70 pages. Very light wear. A periodical devoted to scientific speculation about the future. This issue contains: Jane Fonda's China Syndrome by Nancy Naglin; War in Space by Stella Morris; The Great H. G. Wells Film Revival by Joseph Kay; H. G. Wells Revival - Return of the Time Traveler by Barbara Lewis; Interview: Timothy Leary by Robin Snelson; The 23rd Century: A Vision for Star Trek by Jesco von Puttkamer; Building the First Space Colonies by Gerard O'Neill; The Sound of the Future by Todd Rundgren; and How to Design a Getaway Special to Space by G. Harry Stine; along with the usual features, including a painting of Titan by Don Davis.
Softcover. Berkeley CA, University of California Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 210 pages. In this rich comparative ethnography, Lee describes how two radically different factory cultures have emerged from a period of profound economic change. In Hong Kong, "matron workers" remain in factories for decades. In Guangdong, a seemingly endless number of young "maiden workers" travel to the south from northern provinces, following the promise of higher wages. Whereas the women in Hong Kong participate in a management system characterized by "familial hegemony," the young women in Guangdong find an internal system of power based on regional politics and kin connections, or "localistic despotism." Having worked side-by-side with these women on the floors of both factories, Lee concludes that it is primarily the differences in the gender politics of the two labor markets that determine the culture of each factory. Posing an ambitious challenge to sociological theories that reduce labor politics to pure economics or state power structures, Lee argues that gender plays a crucial role in the cultures and management strategies of factories that rely heavily on women workers. Clean copy.
Hardcover. NY, Harper, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A major historical biography of George C. Marshall--the general who ran the U.S. campaign during the Second World War, the Secretary of State who oversaw the successful rebuilding of post-war Europe, and the winner of the Nobel Peace Prize--and the first to offer a complete picture of his life. While Eisenhower Patton, Bradley, Montgomery, MacArthur, Nimitz, and Leahy waged battles in Europe and the Pacific, one military leader actually ran World War II for America, overseeing personnel and logistics: Chief of Staff of the U.S. Army from 1939 to 1945, George C. Marshall. This interpretive biography of George C. Marshall follows his life from his childhood in Western Pennsylvania and his military training at the Virginia Military Institute to his role during and after World War II and his death in 1959 at the age of seventy-eight. It brings to light the virtuous historical role models who inspired him, including George Washington and Robert E. Lee, and his relationships with the Washington political establishment, military brass, and foreign leaders, from Harry Truman to Chiang Kai-shek. It explores Marshall's successes and failures during World War II, and his contributions through two critical years of the emerging Cold War--including the transformative Marshall Plan, which saved Western Europe from Soviet domination, and the failed attempt to unite China's nationalists and communists.
Hardcover. New York , Golden Press, 1st, 1973, Book: Very Good, Dust Jacket: None, 45 pages illustrated in color by Greg and Tim Hildebrandt. Glazed boards, A-J line on rear end paper. Clean, bright copy.
Hardcover. NY, Crown Publishers, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover, color illustrated boards. Color illustrations by Robert Andrew Parker. Tangrams are ancient Chinese puzzles that are still used today by adults as well as children. Author became intrigued by the challenge of the puzzles and began making up her own tangrams and stories about them. Clean copy, no dust jacket.
Hardcover. Boston, Houghton Mifflin Company, 1st, 1949, Book: Very Good, Dust Jacket: Good, 211 pages. Hardcover. Not ex-library. Black and white illustrations by Paul Brown. Front and rear endpapers illustrated in red. Part of the Clara Ingram Judson "They Came From" series. Green cloth covers with title in black on front cover and spine. Dust jacket with chipping and some tape repaired tears along edges - Jacket now protected with clear plastic cover. Book listed on rear inside flap is "The Lost Violin". A few rough page edges from closed pages being opened by original owner. Clean, unmarked pages.
Hardcover. Damiani, 1st, 2015, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap, 156 pages. Outside the Studio is photographer Greg Gorman's tenth monograph. This book takes Gorman (born 1949) outside the reaches of his studio portrait and figure-study work, for which he is best known, and onto the streets of Southeast Asia-uncharted territory for the artist. Traveling initially on behalf of Epson, giving symposiums on fine art digital printing throughout Singapore, Malaysia, China and India, Gorman got a firsthand look at these very different cultures at the very beginning of the digital revolution. The transition from analogue to digital cameras was another new experience for Gorman, who had shot film for more than 30 years. For Gorman, being in the studio with the likes of Marlon Brando or Robert De Niro was second nature, but being thrust in front of strangers in China, Kuala Lampur, India, Thailand, Cambodia and Vietnam was a new adventure.
Hardcover. London, Fourth Estate, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 362 pages, SIGNED BY AW on title page. Set in Malaysia in the 1930s and 40s, with the rumbling of the Second World War in the background and the Japanese about to invade, The Harmony Silk Factory is the story of four people: Johnny, an infamous Chinaman -- a salesman, a fraudster, possibly a murderer -- whose shop house, The Harmony Silk Factory, he uses as a front for his illegal businesses; Snow Soong, the beautiful daughter of one of the Kinta Valley's most prominent families, who dies giving birth to one of the novel's narrators; Kunichika, a Japanese officer who loves Snow too; and an Englishman, Peter Wormwood, who went to Malaysia like many English but never came back, who also loved Snow to the end of his life. A journey the four of them take into the jungle has a devastating effect on all of them, and brilliantly exposes the cultural tensions of the era. Haunting, highly original, The Harmony Silk Factory is suspenseful to the last page. Clean copy.
Hardcover. NY, Abrams, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages, color and b&w photographs.You know them by their first names: Christy. Naomi. Linda. Kate. Gisele. Their faces are unforgettable. They are supermodels, and the pages of Harper's Bazaar are their stage-and the stage for fashion's biggest names. Harper's Bazaar: Models gives an exclusive look at the top models that have graced the magazine for the last sixty years. Harper's Bazaar editor at large Derek Blasberg has selected twenty-eight women for this book from the publication's rich and diverse history: iconic beauties from Suzy Parker, Dovima, and China Machado to Iman, Patti Hansen, and Cindy Crawford. Alongside essays written by Blasberg, who is a friend and confidant to many of the models, are more than 200 stunning photographs shot by leading photographers including Richard Avedon, Francesco Scavullo, Patrick Demarchelier, Peter Lindbergh, and more. Filled with revealing anecdotes and images from the archives, Harper's Bazaar: Models is a celebration of the gorgeous women who have lent so much inspiration and beauty to the pages of this visionary magazine. Clean in a bright dust jacket.
Hardcover. London/NY, Thames & Hudson, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket The first visual chronicle of a little-known chapter in the career of Henri Cartier-Bresson--one of the great photographers of the twentieth century.In December 1948, Henri Cartier-Bresson traveled to China at the request of Life magazine. He wound up staying for ten months and captured some of the most spectacular moments in China's history: he photographed Beijing in "the last days of the Kuomintang," and then headed back to Shanghai, where he bore witness to the new regime's takeover. Moreover, in 1958, Henri Cartier-Bresson was one of the first Western photographers to go back to China to explore the changes that had occurred over the preceding decade. The "picture stories" he sent to Magnum and Life on a regular basis played a key role in Westerners' understanding of Chinese political events. Many of these images are among the best-known and most significant photographs in Cartier-Bresson's oeuvre; his empathy with the populace and sense of responsibility as a witness making them an important part of his legacy. This volume allows these photographs to be reexamined along with all of the documents that were preserved: the photographer's captions and comments, contact sheets, and abundant correspondence, as well as the published versions that appeared in both American and European magazines. Clean copy. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Cambridge University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 346 pages, b&w photographs. This book shows how Henry Robinson Luce used his famous magazines to advance his interventionist agenda in Cold War China, Korea, Japan, and above all, Vietnam. This is the first balanced work on Luce and his influence, using hitherto undiscovered or inaccessible sources. Luce saw the American Century as the heir to the fading British Empire; he failed to see the hubris and cultural blindness that would lead to disaster in Vietnam - a disaster for which his magazines paved the way. Remainder mark on top edge. Else a very clean, tight copy.
Hardcover. H. F. Ullmann, 1st Edition, 2008, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover. Color illustrations throughout. Dust jacket unclipped, has very small tear on back cover bottom right, patched with tape (see image), otherwise dj in excellent condition. Clue cover boards with some slight shelf wear about the edges. Pages and edges clean and unmarked. Decorated endpapers. Binding tight, spine straight. In beautiful condition. Swiss photographer, Alessandra Meniconzi successfully shot on countless expeditions through the remote regions of China studying the little-known ethnic minorities of that region.
Hardcover. NY, Sotheby's New York, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 579 lots, color photos throughout. Maroon cloth. Includes silver, miniatures, watches, prints and illustrations, maps, small statuary, a few paintings and marble busts, furniture, painted portraits, more furniture, clocks, chairs, Indian artifacts, more clocks, china, brassware, more furniture, a few paintings, samplers, embroidered items, carved ivory, more furniture, and some folk-art items. Lots of annotation on the more expensive items. Small dent to lower edge of front board, light shelf-wear to dust jacket, else a clean, tight copy. DOMESTIC SHIPPING ONLY.
Hardcover. Annapolis MD, Naval Institute Press, 2nd pr., 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 313 pages. Red cloth covers, gilt titles, red dust jacket with color illustration, b&w maps and illustrations. Slight wear to dust jacket, pages crisp and unmarked, tight binding; overall, a clean, tight copy. In 1949, as the Chinese Civil War was about to enter its final, explosive stage, the small British frigate HMS Amethyst was sent on a dangerous mission up the Yangtze River to protect British citizens in Nanking. En route it was attacked by the Chinese Communists and held hostage on the river for several months before the crew managed to make a daring escape. The Amethyst captured news headlines around the world and became an unlikely symbol of the cold war in Asia. This dramatic episode, hailed in the West as a triumph of the human spirit but bitterly condemned by the Chinese Communists, was to prejudice Anglo-Chinese relations for years to come.
Hardcover. New York, P.F. Volland Company, 1st, 1920, Book: Good, Dust Jacket: None, Nonpaginated. Hardcover in decorative box. Color illustrations throughout. In good condition considering its age. Previous owner's dated inscription on title page. Bright yellow covers with illustration. Touch of foxing to covers and a few pages, but doesn't affect text or illustrations. Binding still quite tight. Beautiful old children's book.
Hardcover. NY, Philomel, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color by Young. Doko is only a simple basket. It is not only grain from the field that he carries--he has also carried his master's child, and wood for the fire. He was there when the child became a man and married. And he very nearly had to carry the grandfather away forever. Luckily, someone wise beyond their years spoke up and made it possible for Doko to carry the grandfather home again instead. As ever, Ed Young has taken a simple fable and made it into a masterpiece of stunning illustration and expert storytelling. This beautiful and unique book celebrates the generations with great originality.
Hardcover. Berkeley CA, Ten Speed Press, Revised Ed., 2000, Book: Very Good, Dust Jacket: Very Good, Revised Edition of a book first published in 1990 in London. 204 pages illustrated with detailed color and b&w photographs. Court fashion of the Qing Dynasty (1644-1911).
Hardcover. Hong Kong, Christie's Inc., 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages, photographs throughout with English and Chinese text. Very slight corner and edge wear, otherwise, very clean and tight copy.
Hardcover. New York , Dodd Mead and Company, reprint, 1909, Book: Good, Dust Jacket: None, 447 pages. Red cloth, gilt lettering to front and spine, no dust jacket issued. Light sunning and small tears to edges of spine. Slight stain to front cover. Faint foxing to end papers and title page.
Softcover. Hong Kong, Bonhams, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 111 pages illustrated in color. Auction catalogue for Bonhams Hong Kong 29 May 2023 Sale 28699, Lots 101 - 183. Text in English/Chinese. Printed in Hong Kong. Clean copy.
Hardcover. Chicago, International Harvester Company, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover in green cloth with light yellow lettering on front cover, 259 pages, b&w photos. A report by the International Harvester Company that followed a trip to China. The Chinese government invited 25 American firms to help advance the country's agriculture programs. Clean, bright copy.
Hardcover. New Haven CT, Yale University Press;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.