china

Hardcover. Chicago, University of Chicago, 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in dark green, 290 pages with index. Includes six life-histories of Chinese gentry families by Yung-teh Chow. Illustrations based on drawings by Hames K. Y. Kuo. Studies the social role of the scholar-gentry in imperial and modern China. Clean copy, no dust jacket.

Softcover. Honolulu, University of HawaiinPress, 2nd pr., 2000, Book: Very Good, Dust Jacket: None, Softcover, 362 pages, b&w illustrations and photos. China's Old Dwellings is the most comprehensive critical examination of China's folk architectural forms in any language. It begins by tracing the interest in Chinese vernacular buildings in the twentieth century. Early chapters detail common and distinctive spatial components, including the interior and exterior modular spaces that are axiomatic components of most Chinese dwellings as well as conventional structural components and building materials common in Chinese construction. Later chapters examine representative housing types in the three broad cultural realms--northern, southern, and western--into which China has been divided. Knapp completes his survey with an exploration of China's old dwellings in the context of the rapid economic and social changes that are destroying so

Hardcover. NY, Aperture, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages. Photographs by Robert Capa, Lois Conner, Stuart Franklin, Zhang Hai-er, Wu Jialin, Wang Jinsong, Hiroji Kubota, Sebastiao Salgado, Liu Heung Shing, and others. This magnificent volume unfolds a series of in-depth portfolios by twenty of the most important Chinese and Western photographers of the era, conveying the extent of their involvement in politics, culture, and everyday life.

Hardcover. Philadephia, Temple University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 275 pages. Min Zhou examines how an ethnic enclave works to direct its members into American society, while at the same time shielding them from it. Focusing specifically on New York's Chinatown, a community established more than a century ago, Zhou offers a thorough and modern treatment of the enclave as a socioeconomic system, distinct form, but intrinsically linked with, the larger society. Zhou's central theme is that Chinatown does not keep immigrant Chinese from assimilating into mainstream society, but instead provides an alternative means of incorporation into society that does not conflict with cultural distinctiveness. Concentrating on the past two decades, Zhou maintains that community networks and social capital are important resources for reaching socioeconomic goals and social positions in the United States; in Chinatown, ethnic employers use family ties and ethnic resources to advance socially. Relying on her family's networks in New York's Chinatown and her fluency in both Cantonese and Mandarin, the author, who was born in the People's Republic of China, makes extensive use of personal interviews to present a rich picture of the daily work life in the community. Clean copy.

Hardcover. NA, NA, Reprint, Book: Very Good, Dust Jacket: None, 1022 pages. Red cloth covers with titles in gilt. Clean, tight copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1951, Book: Very Good, Dust Jacket: None, Hardcover, 258 pages. The beginnings of the Chinese Communist Party, and the personalities and backgrounds of the two party founders, Ch'en Tu-hsiu and Li Ta-chao. Analyses of the perculiar nature of the Communist-Kuomintang alliance of 1924. Very good, no dust jacket.

Singapore, Asiapac Books, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover 121 pages. The infamous and powerful eunuchs of the Ming and Qing Dynasties come to life in this graphic novel. Illustrated in b&w line.

Softcover. Washington, Smithsonian Institution, 1st, 1973, Book: Very Good, Dust Jacket: None, 236 pages. Paperback with faded paper wrappers. Black and white and colored pictures throughout. Tight copy

Hardcover. London ; Boston, Unwin Hyman, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 226 pages. Maroon cloth, gilt lettering to spine. Light shelf-wear to dust jacket, previous owner's signature in front, faint foxing to top edge, else a very neat, tight copy.

Hardcover. Cleveland OH, World Publishing Co., 1st, 1968, Book: Good, Dust Jacket: None, Hardbound. A top-flip book rather than side-flip. Color illustrations by Ed Young. Soilng to covers. Spinewear.

Hardcover. London/NY, Castle Books (Thomas Nelson & Sons), 1st, nd, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket with some light spotting to rear panel. 204 pages, 24 color plates, 96 b&w illustrations and 9 Figure illustrations. "Previous books on the subject have often been based on inaccurate and varying translations of Chinese writings. Mr. Thiel, on the other hand, has carefully and studiously avoided speculation and fantasies, confining himself absolutely to the facts. Beginning with Chou and Ha Dynasties of 1122-206 B.C. and covering the periods up to and including the Ch-ing Dynasty of 1644-1912 A.D.; all that a collector needs to know about style, workmanship, color, texture, glaze is included here with stress on exact information. chapters are devoted to the all-important T-ang and Ming Dynasties."

Hardcover. London, Ernest Benn, 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcovers, four volume set complete. Matching gray-brown buckram cloth with gilt front cover decoration and gilt spine lettering. Set from architect Albert Kahn's library with his pencil signature on each fly leaf. Vol. 1 Text, cxlvi plus 168 page index with detailed descriptions of plates. B&w frontispiece. Vol. II Plates 1-205. Vol. III Plates 206-421. Volume IV Plates 422- . Small stickers on bottom of spine. An exceptional set and reference. Very heavy volumes. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Macmillan, 1st , 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrations by Gretchen Schields. SIGNED BY BOTH AUTHOR & ILLUSTRATOR. Clean, tight copy in a bright, unclipped dust jacket.

Softcover. Beijing, Zhaohua Publishing House, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 40 pages. Lovely color illustrations throughout by Zhu Chengliang. Clean copy. An adventure story set in old China.

Hardcover. UK, Cambridge University Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 298 pages. Commodifying Communism is an ethnographic study of the role of personal ties between private entrepreneurs and local officials in the organization of China's emerging market economy. It is based on almost two years of fieldwork in Xiamen City, Fujian, one of China's five special economic zones. A close examination of how private business is conducted through these ties sheds light on the dynamism of China's market economy and its political consequences. Clean copy.

Softcover. NY, Basic Books, reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover, 359 pages. Stanley Crouch-MacArthur "genius" award recipient, co-founder of Jazz at Lincoln Center, National Book Award nominee, and perennial bull in the china shop of black intelligentsia- has been writing about jazz and jazz artists for over thirty years. His reputation for controversy is exceeded only by a universal respect for his intellect and passion. As Gary Giddons notes: "Stanley may be the only jazz writer out there with the kind of rhinoceros hide necessary to provoke and outrage and then withstand the fulminations that come back." Now, in a long-awaited collection, Crouch collects fifteen of his most influential, and most controversial pieces (published in Jazz Times, The New Yorker, the Village Voice, and elsewhere), and includes two new essays as well. The pieces range from the introspective "Jazz Criticism and its Effect on the Art Form" to a rollicking debate with Amiri Baraka, to vivid, intimate portraits of the legendary performers Crouch has known. The first, autobiographical essay reflects on his life in jazz as a drummer, a promoter, a critic, and most of all a lover of this quintessentially American art form. And the closing essay, about a young Italian saxophonist, expresses undaunted optimism for the worldwide vibrancy of jazz.Throughout, Crouch's work reminds us not only of why he is one of the world's most important living jazz critics, but also of why jazz itself remains, against all odds, an elemental component of our cultural identity. Clean, bright copy.

Hardcover. UK, Cambridge University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 407 pages. Color and b&w illustrations. Details the history of cotton and how it has impacted the textile and garment trade. Today's world textile and garment trade is valued at a staggering $425 billion. We are told that under the pressure of increasing globalisation, it is India and China that are the new world manufacturing powerhouses. However, this is not a new phenomenon: until the industrial revolution, Asia manufactured great quantities of colorful printed cottons that were sold to places as far afield as Japan, West Africa and Europe. Cotton explores this earlier globalized economy and its transformation after 1750 as cotton led the way in the industrialization of Europe. By the early nineteenth century, India, China and the Ottoman Empire switched from world producers to buyers of European cotton textiles, a position that they retained for over two hundred years. This is a fascinating and insightful story which ranges from Asian and European technologies and African slavery to cotton plantations in the Americas and consumer desires across the globe. Clean copy.

Softcover. NY, Soft Skull Press, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 287 pages. It's 1983. Scott Savitt, one of the first American exchange students in Beijing, picks up his guitar and begins strumming Blackbird. He's soon surrounded by Chinese students who know every word to every Beatles song he plays. Scott stays on in Beijing, working as a reporter for Asiaweek Magazine. The city's first nightclubs open; rock 'n' roll promises democracy. Promoted to foreign correspondent for the Los Angeles Times then United Press International, Scott finds himself drawn into China's political heart.Later, at 25 years old, Scott is the youngest accredited foreign correspondent in China with an intimate knowledge of Beijing's backstreets. But as the seven week occupation of Tiananmen Square ends in bloodshed on June 4, 1989, his greatest asset is his flame-red 500 cc. Honda motorcycle--giving Scott the freedom to witness first-hand what the Chinese government still denies ever took place. After Tiananmen, Scott founds the first independent English language newspaper in China, Beijing Scene. He knows that it's only a matter of time before the authorities move in, and sure enough, in 2000 he's arrested, flung into solitary confinement and, after a month in jail, deported. Clean copy.

Hardcover. Garden City NY, Doubleday, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Dust jacket and covers completely illustrated, acetate-protected dust jacket, gorgeous full page color illustrations by Ed Young. Dust jacket, covers and pages crisp, clean and unmarked; a beautiful book.

Hardcover. NY, Margaret K. McElderry Books, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated in color by Warwick Hutton. Clean copy.

Hardcover. New York, Margaret K. McElderry Books, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Warwick Hutton. Clean, tight copy.

Hardcover. Vista CA, Ibis Publishing, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 315 pages. As Financial Advisor to China, Arthur N. Young had an intimate insight as an on-the-spot observer of events during the critical 18 years leading to the fall of the Nationalists and the Communist takeover. Along with Generalissimo Chiang Kai-shek, Dr. Young worked closely with the highest-ranking officials of the National Government in carrying out monetary and fiscal reforms prior to World War II, and stayed through the war to aid with problems of war finance, including procurement of American aid. As the Pacific Rim gains increasing international prominence, this book will prove to be of particular importance to students, scholars, business and political leaders with an interest in Asian affairs. Clean copy.

Hardcover. Bew Haven CT, Yale/Fine Arts Museums of San Francisco, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Coming of age in the 1960s, the photographer Danny Lyon (b. 1942) distinguished himself with work that emphasized intimate social engagement. In 1962 Lyon traveled to the segregated South to photograph the civil rights movement. Subsequent projects on biker culture, the demolition and redevelopment of lower Manhattan, and the Texas prison system, and more recently on the Occupy movement and the vanishing culture in China's booming Shanxi Province, share Lyon's signature immersive approach and his commitment to social and political issues that concern those on the margins of society. Lyon's photography is paralleled by his work as a filmmaker and a writer. Danny Lyon: Message to the Future is the first in-depth examination of this leading figure in American photography and film, and the first publication to present his influential bodies of work in all media in their full context. Lead essayists Julian Cox and Elisabeth Sussman provide an account of Lyon's five-decade career. Alexander Nemerov writes about Lyon's work in Knoxville, Tennessee; Ed Halter assesses the artist's films; Danica Willard Sachs evaluates his photomontages; and Julian Cox interviews Alan Rinzler about his role in publishing Lyon's earliest works. With extensive back matter and illustrations, this publication will be the most comprehensive account of this influential artist's work. Clean copy. Still in publisher's shrinkwrap.

Hardcover. Bew Haven CT, Yale/Fine Arts Museums of San Francisco, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Coming of age in the 1960s, the photographer Danny Lyon (b. 1942) distinguished himself with work that emphasized intimate social engagement. In 1962 Lyon traveled to the segregated South to photograph the civil rights movement. Subsequent projects on biker culture, the demolition and redevelopment of lower Manhattan, and the Texas prison system, and more recently on the Occupy movement and the vanishing culture in China's booming Shanxi Province, share Lyon's signature immersive approach and his commitment to social and political issues that concern those on the margins of society. Lyon's photography is paralleled by his work as a filmmaker and a writer. Danny Lyon: Message to the Future is the first in-depth examination of this leading figure in American photography and film, and the first publication to present his influential bodies of work in all media in their full context. Lead essayists Julian Cox and Elisabeth Sussman provide an account of Lyon's five-decade career. Alexander Nemerov writes about Lyon's work in Knoxville, Tennessee; Ed Halter assesses the artist's films; Danica Willard Sachs evaluates his photomontages; and Julian Cox interviews Alan Rinzler about his role in publishing Lyon's earliest works. With extensive back matter and illustrations, this publication will be the most comprehensive account of this influential artist's work. Clean copy. Still in publisher's shrinkwrap.