essays

Hardcover. London, Burns, Oates & Washbourne, 1st, 1923, Book: Very Good, Dust Jacket: None, 194 pages. Dark blue cloth covers, gilt titles to spine, titles and border blind stamped to front. Light rubbing and edgewear, spine slightly faded, previous owner's short ink inscription to front endpaper, pencil underlining and markings to some page margins, pencil notations to rear endpaper; otherwise a clean, tight copy.

Hardcover. Boston, Houghton Mifflin Harcourt, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 134 pages. Hardcover with dust jacket. SIGNED BY HALL ON BOOKPLATE ON FRONT END PAPER. Gutter crack on page 132, otherwise tight copy. Newspaper clipping laid in.

Hardcover. NY, D. Appleton & Company, 1st, 1852, Book: Good, Dust Jacket: None, Hardcover, red cloth with black title to front board and to spine. 261 pages, publisher's ads. Contains of an early review of Harriet Beecher Stowe's bestselling novel, Uncle Tom's Cabin, as well as accounts of travels to the Nubian Desert and Arctic, a history of Spanish literature, and literary essays and reviews of works by Dickens, Tennyson, Thackeray, and Hawthorne. Mild foxing, some light chipping and wear to spine.

Hardcover. Boston, Little, Brown, and Company, 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover, maroon boards with gold-color lettering on spine, xii, 392 pages. Clean, bright copy.

Hardcover. Gainesville, University Press of Florida, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, 306 pages. Red cloth, no dust jacket issued. Light wear to edges, else a clean, tight copy.

Hardcover. London, Longmans, Green, Reader, and Dyer, 2nd, 1874, Book: Very Good, Dust Jacket: None, 164 pages, plus 24 pages of new works from publishers. Green cloth covers, gilt titles to spine, blind stamped titles and border to front cover. Light edgewear and rubbing to covers, spine cracked at inside of front hinge, previous owner's inscription to front endpaper, Edinburgh Medical Society stamp to title page, short pencil notations to rear endpaper; otherwise a very neat, tight copy.

Hardcover. UK, Oxford University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 284 pages. Thirteen original essays by leading scholars explore aspects of Spinoza's ethical theory and, in doing so, deepen our understanding of the richly rewarding core of his system. Given its importance to his philosophical ambitions, it is surprising that his ethics has, until recently, received relatively little scholarly attention. Anglophone philosophy has tended to focus on Spinoza's contribution to metaphysics and epistemology, while philosophy in continental Europe has tended to show greater interest in his political philosophy. This tendency is problematic not only because it overlooks a central part of Spinoza's project, but also because it threatens to present a distorted picture of his philosophy. Moreover, Spinoza's ethics, like other branches of his philosophy, is complex, difficult, and, at times, paradoxical. The essays in this volume advance our understanding of his ethics and also help us to appreciate it as the centerpiece of his system. Clean copy.

Hardcover. Lawrence KS, Coronado Press, 1st, 1972, Book: Very Good, Dust Jacket: None, 217 pages, green cloth over boards. Limited to 400 copies. The author was a scholar on the banking business in the early American west, especially Kansas.

Hardcover. Austin TX, University of Texas Press, 1stt, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Three essays (on the Shelterbelt Project, New Deal critics, and FDR's attempt to expand the Supreme Court) make up the second annual Walter Prescott Webb Memorial Lectures; foreword by C. B. Smith; edited by Harold M. Hollingsworth and William F. Holmes. Bound in bright green cloth-covered boards with silver lettering on the front board and spine.

Hardcover. Oxford University Press, reprint, 1944, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 480 pages. Reprint of the 1914 first edition. Later essays by this important British philosopher, mostly published in Mind in the 1900s & 1910s. Bradley is best-known for his influential book Appearance & Reality; in a brief concluding remark he notes the essays appearing here are all linked by his idea of Reality, which, he says, his opponents have failed to understand.

Hardcover. London, England, Oxford at the Clarendon Press, Reprint, 1962, Book: Very Good, Dust Jacket: None, 480 pages. Hardcover. Previous owner's bookplate on front endpaper and names written on front flyleaf. Light pencil notes and underlining. Spine straight. Black cover boards, gilt title on spine. Split at gutter on title page, but binding good. Bradley was a leading member of the philosophical movement known as British idealism.

Hardcover. London, SCM Press Ltd., 1st, 1955, Book: Very Good, Dust Jacket: Poor, Hardcover, bound in original publishers gray fleck cloth, with black title/design labels. 337 pages. Dust jacket chipped, bottom third of spine gone. Internally clean.

Hardcover. New York, Rockefeller Institute Press, 1st, 1960, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth stamped in gilt and black, 395 pages. Previous owners name on inside front cover. Clean, tight cover.

Softcover. London, Olive Press, Reprint, 1986, Book: Very Good, Dust Jacket: None, 178 pages. Softcover. Illustrated in sepia tones, copious illustrations throughout. Light foxing top edge. Toning to covers & spine. Otherwise clean & unmarked.

Hardcover. NY, Random House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 387 pages. These essays originated in a series of lectures and seminars held by the Graduate School of Contemporary European Studies and the Centre for the Advanced Study of Italian Society of the University of Reading in 1966-1967. The countries covered include Italy, Germany, Austria, Hungary, Rumania, Poland, Finland, Norway, Great Britain, France, Spain, and Portugal. Name on front fly leaf otherwise clean.

Softcover. NY, Solomon Guggenheim Museum, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 114 pages. This posthumous exhibition presents not only a deeper look into Eva Hesse's work but also undertakes an examination of her biography to discern her working practices and artistic motivations. The catalogue includes two essays. Critic Robert Pincus-Witten begins with an examination of Hesse's Post-Minimalist aesthetic, while curator Linda Shearer explores the last of Hesse's work before her untimely death. Both essays highlight excerpts from the artist's notes and personal writings on her art and process. The catalogue also includes a section of images depicting Hesse's works in color and black and white, a brief chronology of the artist's life, a bibliography, a list of works in the exhibition, and a list of past exhibitions.

Softcover. New Haven, Yale University Art Gallery, 1at, 1992, Book: Very Good, Dust Jacket: None, Softcover, 253 pages, b&w and color illustrations, illustrated end paper. Bottom front left corner slightly bumped. Light marks to bottom edge. Else a very clean, tight copy. The book includes essays by five noted authorities: Linda Norden discusses Hesse's early career in New York following her years as a student of Josef Albers; Maria Kreutzer writes on Hesse's work in Germany in the mid-sixties, when she moved from two to three dimensions; Robert Storr places Hesse in relation to the central American artistic concerns of the 1960s, focusing on her links to such artists as Jasper Johns, Sol LeWitt, and Claes Oldenburg; Anna Chave analyzes Hesse's mature work in light of contemporary feminist theory on authorship and subjectivity; and Maurice Berger examines Hesse's radical and personal approach to the sculptural object following her rejection of painting. In addition, Helen Cooper draws on the artist's extensive diaries, notebooks, and correspondence for a chronology detailed as much as possible in Hesse's own words.

Hardcover. NY, Jewish Museum / Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Eva Hesse: Sculpture focuses on the artist's large-scale sculptures in latex and fiberglass and provides a rare opportunity to look at Hesse's artistic achievement within the historical context of her life in never-before-seen family diaries and photographs. Essays consider Hesse's art from a variety of angles: Elisabeth Sussman discusses the sculptures shown in the 1968 solo exhibition; Fred Wasserman delves into the Hesse family's life in Nazi Germany and in the German Jewish community in New York in the 1940s; Yve-Alain Bois examines Hesse's works within the context of the art and aesthetic theories of the 1960s; and Mark Godfrey analyzes the importance of Hesse's celebrated hanging sculptures of 1969-70. In addition to color reproductions of the artist's sculpture, the book features a copiously illustrated chronology of the artist's life.

Hardcover. Knoxville TN, University of Tennessee Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 235 pages. Evelyn Scott was a significant literary figure in American letters of the 1920s and 1930s, an important contributor in the experimental forms and techniques of the modernist movement. She wrote and published in many genres -- the novel, short fiction, poetry, memoir, criticism, and drama. Since that time, Scott's work has been forgotten by most readers and critics, and her reputation as an important writer of her day has been obscured. This collection, which features an introduction and thirteen critical essays, is the first volume to focus on Scott's work rather than her intriguing yet troubled life and initiates a long-needed examination of Scott's innovations in fiction, memoir, and other genres. The various essays take diverse critical approaches to Scott's canon, including her best-known works -- Escapade and The Wave -- and explore her views on topics such as women, politics, religion, art, and the South. Clean copy.

Hardcover. Chicago, University Of Chicago Press, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 236 pages. A butler school in Houston, a livestock auction in Little Rock, a home for "frozen guys" in California, JFK's humidor in Manhattan--all are jumping off points for Friedman's baleful and sharply satirical scrutiny of American life and behavior in the second half of the twentieth century. Travel with Friedman from Harlem to Hollywood, from Port-au-Prince to Etta's Eat Shop in Chicago. In these pieces, which were published in literary and mass-circulation magazines from the 1960s to the 1990s, you'll meet such luminaries as Castro and Clinton, Natalie Wood and Clint Eastwood, and even Friedman's friends Irwin Shaw, Nelson Algren, and Mario Puzo. Friedman is a master of the essay, whether the subject is crime reporting ("Lessons of the Street"), Hollywood shenanigans ("My Life among the Stars"), or his outrageous adventures as the editor of pulp magazines (the classic "Even the Rhinos Were Nymphos"). We could sing his praises as a journalist, humorist, and social critic. But, as Buckley tells us, being Bruce Jay Friedman is enough. Clean copy.

Hardcover. Boston, Ticknor and Fields, 1st, 1863, Book: Very Good, Dust Jacket: None, Hardcover, 319 pages. Portrait of Thoreau on frontispiece with tissue guard. First edition, one of 1,558 copies printed. Original publisher's blue-green pebbled cloth with blind-stamped borders and center wreath. Spine lettered in gilt. Brown-coated end papers. Ten essays including a 33 page biographical sketch by Emerson of Thoreau and nine essays by Thoreau, among them the famous "Walking."

Hardcover. NY, Simon & Schuster, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket with mild tanning, 254 pages. Bound in bright blue cloth in white dust jacket printed in red and black. First Printing stated. A collection of Isherwood's writings from nearly four decades. Clean copy.

Softcover. Albany NY, State University of New York Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Engaging the Philosophical Contributions of Calvin O. Schrag. Softcover, 214 pages. Providing developments and advancements concerning the thought of Calvin O. Schrag, this book includes the first full-length interview with the American continental philosopher and covers his long and illustrative philosophical contribution to thinking about the consequences of communication. The influence of Schrag's work is significant and broad, and these nine thought-provoking pieces by leading scholars whose work has been influenced by his philosophy presents the best contemporary thought on communicative praxis. Encompassing questions of democracy, the public and private spheres, and relations inside organizational structures, to questions of giving and ethics, rhetoric and narrative, suffering and love, this is a wellspring of insight and provocation for both those already familiar with Schrag's work and those seeking a keen invitation to his many critical reflections. Clean, bright copy.

Softcover. London, Methuen & Co, Ltd, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 405 pages. Black stiff wrappers. Light wear to edges and slight bump to upper edge of spine. Small crease to lower front corner. Clean, tight copy.