essays

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 303 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. This catalogue raisonne of Picasso's lithographic work contains 855 pieces with entries for every printed sheet as an individual work, including test and state printings, and unpublished sheets. Scholarly essays from various contributors. Light fraying to bottom spine cover.

Hardcover. US, Getty Publications, 1st, 2011, Book: Very Good, Dust Jacket: None, 352 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Like new in publisher's shrink-wrap. Documents the burgeoning Southern Californian post-war art scene, with several essays following a more or less chronological order, and hundreds of illustrations of artworks, but also of art people (a wonderful 1963 photograph of Marcel Duchamp playing chess with a naked Eve Babitz in front of a replica of his Large Glass in Pasadena, photographs of artists working in their studios, etc). Some names are well known, others less so, but it is the versatility, the creativity and, above all, the richness and depth of this LA art scene that strike the reader-viewer through these richly illustrated pages. The birth of a genuine pop art in California (thanks to some of the most gifted artdealers in the US), of conceptual art, the creation of a new way of making sculpture, all those aspects are tackled in an informative and erudite (sometimes too erudite, though...)text that makes this book a more than valuable addition to the literature on post-war American art.

Hardcover. NY, Metropolitan Museum of Art , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Painters of Reality, titled after an exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. It builds on the work of the art historian Roberto Longhi. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the North Italian predecessors whose influence is apparent either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism": the important schools of paintings that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century.Among the 136 paintings and drawings, many never before seen outside of Italy, are influential drawings by Leonardo and major paintings by Caravaggio. Other acknowledged masters in the history of European art are represented, including Lorenzo Lotto, Giovanni Girolamo Savoldo, Giovanni Battista Moroni, and Giacomo Ceruti. Works also appear from significant but less widely known artists such as Sofonisba, Anguissola, Vincenzo Campi, Moretto da Brescia, and Fra' Galgario.

Hardcover. New York, Merrell Holberton, 1st, 2007, Book: Near Fine, Dust Jacket: Near Fine, 224 pages, illustrated in color and b&w. Still in publisher's shrinkwrap. Punk is most commonly associated with music, fashion and graphics, but its rebellious and iconoclastic spirit also found expression in the visual arts. Panic Attack! reveals the vibrant art scene that exploded in Britain and the United States between 1974 and 1984, when visual artists shared some of the radical attitudes and aesthetics of punk and post-punk musicians and designers.Featuring essays by both British and American commentators, a detailed chronology of the art and music scenes of the time and stunning reproductions of works by over thirty leading artists, Panic Attack! is an account of one of the most exciting periods in modern art.

Hardcover. New York, Knopf, Reprint, 1991, Book: Very Good, Dust Jacket: Very Good, 129 pages. Color illustrations by James McMullan. Dust jacket unclipped with slight rubbing. Otherwise, clean and tight copy.

Hardcover. University Press of Kentucky, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 338 pages. Nobel Laureate Seamus Heaney, author of nine collections of poetry and three volumes of influential essays, is regarded by many as the greatest Irish poet since Yeats. Passage to the Center is the most comprehensive critical treatment to date on Heaney's poetry and the first to study Heaney's entire body of work (including his recent volumes. It is also the first to examine the poems from the perspective of religion, one of Heaney's guiding preoccupations. According to Tobin, the growth of Heaney's poetry may be charted through the recurrent figure of "the center," a key image in the relationship that evolved over time between the poet and his inherited place, an evolution that involved the continual re-evaluation and re-vision of imaginative boundaries. In a way that previous studies have not, Tobin's work examines Heaney's poetry in the context of modernist and postmodernist concerns about the desacralizing of civilization and provides a challenging engagement with the work of a living master. Clean copy.

Hardcover. Orlando FL, Academic Press, 1st, 1984, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with some discoloration along edges. 299 pages, b&w illustrations. This book contains a selection of papers from the Third International Conference on Hunting and Gathering Societies held in Bad Homburg, Germany, in 1983; these papers combine archaeology, history, and ethnography to explore the relationship between prehistoric and living hunter gatherer societies; they look for both continuity in these societies through time and for the effects of changing degrees of contact with surrounding farmers, herders, traders, and settlers. Clean copy.

Softcover. Philadelphia, Owlswick Press, 1st pbk, 1989, Book: Very Good, Dust Jacket: None, Softcover, 180 pages. Foreword by L. Sprague de Camp, with essays, bibliography and index. Four b&w plates by Tim Kirk. Clean copy.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, illustrated paper-covered boards; no dust jacket as issued. Photographs by Paul Pfeiffer. 80 pages with 35 four-color plates and 2 black-and-white plates. Essays (in German and English) by Valeria Liebermann and Stefano Basilico. Conversation with the artist (in German and English) by Thomas Ruff. Includes a list of works, biography, list of awards, exhibition history and publications. Clean copy.

Softcover. Boston, The Paul Revere Memorial Association, 1st pbk, 1988, Book: Very Good, Dust Jacket: None, Hardcover, pictorial black wrappers, 191 pages. Issued in conjunction with a 1988-1989 exhibition featuring the silver work of Paul Revere (1735-1818). With illustrated essays by Patrick M. Leehey, Janine E. Skerry, Deborah A. Federhen, Edgard Moreno, and Edith J. Steblecki. Includes a bibliography and many views of Revere's silversmithing capabilities. 236 b&w illustrations. Clean copy.

Softcover. Cambridge University Press, reprint, 1992, Book: Very Good, Dust Jacket: None, Softcover, 314 pages. Essays on language, action and interpretation. This is a collection in translation of essays by Paul Ricoeur which presents a comprehensive view of his philosophical hermeneutics, its relation to the views of his predecessors in the tradition and its consequences for the social sciences. The major theme that unites his writings is that of a philosophical anthropology. This anthropology, which Ricoeur came to call an anthropology of the "capable human being," aims to give an account of the fundamental capabilities and vulnerabilities that human beings display in the activities that make up their lives.

Hardcover. New York, Aperture, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket. Black and white photographs throughout. A tight copy.

Hardcover. NY, Longmans Green & Co., 1st US, 1947, Book: Very Good, Dust Jacket: Fair, Hardcover in a chipped, worn dust jacket, 303 pages."Charles Pierre Peguy (1873- 1914) was a noted French poet, essayist, and editor. His two main philosophies were socialism and nationalism, but by 1908 at the latest, after years of uneasy agnosticism, he had become a believing but non-practicing Roman Catholic. From that time, Catholicism strongly influenced his works. From his earliest years, he was influenced by socialism. He joined the Socialist Party in 1895. From 1900 until his death in 1914, he was the main contributor to and the editor of the literary magazine Les Cahiers de la Quinzaine, which at first supported the Socialist Party director Jean Jaures. However, Peguy ultimately ended this support after he began viewing Jaures as a traitor to the nation and to socialism. In the Cahiers, Peguy published not only his own essays and poetry, but also works by important contemporary authors such as Romain Rolland. His free-verse poem, "Portico of the Mystery of the Second Virtue", has gone through more than 60 editions in France."Charles Pierre Peguy (1873- 1914) was a noted French poet, essayist, and editor. His two main philosophies were socialism and nationalism, but by 1908 at the latest, after years of uneasy agnosticism, he had become a believing but non-practicing Roman Catholic. From that time, Catholicism strongly influenced his works. From his earliest years, he was influenced by socialism. He joined the Socialist Party in 1895. From 1900 until his death in 1914, he was the main contributor to and the editor of the literary magazine Les Cahiers de la Quinzaine, which at first supported the Socialist Party director Jean Jaures. However, Peguy ultimately ended this support after he began viewing Jaures as a traitor to the nation and to socialism. In the Cahiers, Peguy published not only his own essays and poetry, but also works by important contemporary authors such as Romain Rolland. His free-verse poem, "Portico of the Mystery of the Second Virtue", has gone through more than 60 editions in France.

Hardcover. New York, Whitney Museum of American Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Color and b/w illustrations throughout. Gilt titles to spine and front cover. Red fabric covered. Some age wear to dust jacket, otherwise very clean copy, bright pages. Previous owner signature on front flyleaf. Published to accompany an exhibition. From the front flap: "The photographs are presented to the greatest advantage in full-color plates and stunning tritone and duotone black-and-white reproductions. The 22 essays by leading historians, novelists, journalists, and environmentalists trace the shifting perceptions of the arid lands of the American West from a wide range of literary and scholarly perspectives.

Softcover. Brookville NY, Hillwood Art Museum, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, stapled wrappers, 44 pages. Full-color catalog featuring essays and images of traditional and contemporary African sculpture depicting mother and child. Clean copy.

Softcover. Albany, State University of New York Press , 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 317 pages. Phenomenology in a Pluralistic Context contains papers selected from three years of meetings of the Society for Phenomenology and Existential Philosophy (SPEP). The essays are representative of the most current thinking among North American philosophers who have been influenced by the phenomenological movement. A majority of the selections reveals a considerable mutual influence between phenomenology and other philosophical currents. Special emphasis is given to issues in social and political theory; the philosophy of medicine, of art, of language, and of religion; phenomenology's relationship to Kantianism and to Marxism; and the figures of Merleau-Ponty, Sartre, and Heidegger. Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 207 pages. Clean copy.

Softcover. Rochester NY, University of Rochester Press, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover, 539 pages. The essays in this collection illustrate the interdisciplinary approach to the history of ideas fostered by the Journal of the History of Ideas. Science, philosophy and religion were closely connected in the 17th and 18th centuries, and common threads run through all the articles. A number of essays revolve around Locke: the implications of his doctrines for religion, and their relation to and support of the new science; several of these articles refer to Descartes, Leibniz andHume. There are essays on optics and vision in the work of Berkeley, Reid and Newton, and on the relation between biology and physiology, especially as these disciplines contribute to the science of man. The authors include HENRY GUERLAC, MARGARET C. JACOB, SHIRLEY ROE, L. LAUDAN, NICHOLAS JOLLEY, JAMES FORCE, G. A. J. ROGERS and CATHERINE WILSON. Name on front fly leaf, otherwise clean.

Hardcover. Oxford UK, Cambridge University Press, 1st, 1992, Book: Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 287 pages. This collection of essays looks at the distinctively English intellectual, social and political phenomenon of Latitudinarianism, which emerged during the Civil War and Interregnum and came into its own after the Restoration, becoming a virtual orthodoxy after 1688. Dividing into two parts, it first examines the importance of the Cambridge Platonists, who sought to embrace the newest philosophical and scientific movements within Church of England orthodoxy, and then moves into the later seventeenth century, from the Restoration onwards, culminating in essays on the philosopher John Locke. These contributions establish a firmly interdisciplinary basis for the subject, while collectively gravitating towards the importance of discourse and language as the medium for cultural exchange. The variety of approaches serves to illuminate the cultural indeterminacy of the period, in which inherited models and vocabularies were forced to undergo revisions, coinciding with the formation of many cultural institutions still governing English society. Name on front fly, pencil marking to about 20 pages.

Hardcover. NY, The Viking Press, 1st, 1936, Book: Good, Dust Jacket: None, Hardcover, bound in black cloth with design of a phoenix on the front cover. No dust jacket. First edition with Published in October 1936 on copyright page and no additional printings noted. Fading to the spine. 852 pages. A complete collection of D H Lawrence's unpublished essays. Discoloration to black cloth along bottom of front cover and spine, Interior is bright and clean.

Hardcover. Boston, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Featuring eighty-seven photographs, all drawn from the collection of the J. Paul Getty Museum, that span nearly 150 years of image making.

Softcover. Duke University Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 381 pages, color and b&w illustrations. Photography is one of the principal filters through which we engage the world. The contributors to this volume focus on Walter Benjamin's concept of the optical unconscious to investigate how photography has shaped history, modernity, perception, lived experience, politics, race, and human agency. In essays that range from examinations of Benjamin's and Sigmund Freud's writings to the work of Kara Walker and Roland Barthes's famous Winter Garden photograph, the contributors explore what photography can teach us about the nature of the unconscious. They attend to side perceptions, develop latent images, discover things hidden in plain sight, focus on the disavowed, and perceive the slow. Of particular note are the ways race and colonialism have informed photography from its beginning. The volume also contains photographic portfolios by Zoe Leonard, Kelly Wood, and Kristan Horton, whose work speaks to the optical unconscious while demonstrating how photographs communicate on their own terms. The essays and portfolios in Photography and the Optical Unconscious create a collective and sustained assessment of Benjamin's influential concept, opening up new avenues for thinking about photography and the human psyche. Clean, bright copy.

Softcover. NY, Ziff-Davis Publications,, 1st, 1957, Book: Very Good, Dust Jacket: None, Softcover, magazine format. 250 pages of b&w and color photographs by various photographers from the previous year. Bright, clean copy. . Photographers' Index. Photographic essays : Ansel Adams "Master of Daylight", Ed Feingersh "Master of Available Light", Philippe Halsman "Master of Artifical Light", and more

Hardcover. Boston, J. Paul Getty Museum, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Photography as Fiction includes seventy-six color plates illustrating works from the J. Paul Getty Museum's collection that embrace theatricality and are unconcerned with documenting the world as it exists.