essays

Hardcover. Bostom, Small Maynard & Co., 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in bright gilt. Essays on nature, originally published in the Boston Transcriot in rhe early 1900s. B&w drawings by Charles Copeland. Top edge gilt. An exceptional copy of a scarce title.

Hardcover. NY, Glitterati, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. After becoming captivated by the beauty and originality of a group of nineteenth-century photographs, Robert Flynn Johnson has uncovered more than two hundred vintage images of women who lived and worked at a brothel in Reading, Pennsylvania, circa 1892, and showcases them here for the first time for a wider public. Working Girls details the private, creative archive of commercial photographer William Goldman, whose imagery paints a complete picture of the environments that these women inhabited - from inside the brothel, posing artistically for the camera, to their off-duty routines, such as reading, smoking, and bathing. Taken two decades before the famous E. J. Bellocq photographs of prostitutes in Storyville, New Orleans, circa 1913, Johnson chronicles the aesthetic, historical, and sociological importance of Goldman's artwork in the history of photography, referencing them alongside paintings and photographs by such artists as Degas, Eakins, and Monsieur X. With essays that provide an insightful historical overview of Goldman's work in context of the period in which they were taken, by feminist and cultural luminaries including Dita Von Teese, Ruth Rosen and Dennita Sewell, this extraordinary collection provides a personal visual record of lives of these women while also offering a deeper understanding of the 'working girls' that existed in that era. Clean copy.

Hardcover. Edinburgh, John Grant, 1st, 1927, Book: Good, Dust Jacket: None, 3 hardcover volumes: 351 pages, 400 pages, 600 pages. Brown boards with tan cloth spine. Leather spine labels with gilt lettering. Frontispiece in Vols 1 & 2. Previous owner's sticker front paste-down. Foxing on front paste-down. Previous owner's signature and bookplate in each book.

Hardcover. US, Sansom Foundation, Inc., 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 240 pages. Like new in publisher's shrink-wrap. The painter William Glackens (1870-1938) and his friends were among the liveliest and most influential American artists of the opening decades of the twentieth century. Their continued importance in the history of American art is explored in this informative collection of essays. Colin Bailey chronicles the beginnings of Albert C. Barnes' unparalleled collection of modern art, as well as Glackens' role in forming it, and Avis Berman investigates the friendship of John Sloan, Robert Henri and John Butler Yeats. Carol Troyen examines George Bellows' war paintings and Richard J. Wattenmaker probes the relationship between Glackens' paintings and sketchbooks. H. Barbara Weinberg documents how the leading American Impressionists and members of The Eight dealt with the pressures of economic survival. This profusely illustrated publication is an essential reference for curators, collectors and historians.

Hardcover. NY, Ecco, 6th pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 471 pages. A guide to some of the world's most fascinating places, as seen and experienced by writer, television host, and relentlessly curious traveler Anthony Bourdain. Bourdain saw more of the world than nearly anyone. His travels took him from the hidden pockets of his hometown of New York to a tribal longhouse in Borneo, from cosmopolitan Buenos Aires, Paris, and Shanghai to Tanzania's utter beauty and the stunning desert solitude of Oman's Empty Quarter--and many places beyond. In World Travel, a life of experience is collected into an entertaining, practical, fun and frank travel guide that gives readers an introduction to some of his favorite places--in his own words. Featuring essential advice on how to get there, what to eat, where to stay and, in some cases, what to avoid, World Travel provides essential context that will help readers further appreciate the reasons why Bourdain found a place enchanting and memorable. Clean copy.

Hardcover. Chapel Hill, University of North Carolina, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice dust jacket, unclipped. Literary essays by various writers on growing up in the South. Black & white photos. Contributors include Sheila Bosworth, Robb Forman Dew, Barry Hannah, Josephine Humphreys, James Alan McPherson, Bobbie Ann Mason, T.R. Pearson, Padgett Powell, Dave Smith, Ellease Southerland, and Al Young.

Softcover. Stackpole Books, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 147 pages, color illustrations. Published during the war's centennial, this is the story of the First World War through forty propaganda posters. Essays explain each poster, unpacking the visual imagery and setting the poster within the military, political, social, and cultural history of the war. Clean, bright copy.

Hardcover. London, Hamish Hamilton, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 521 pages, b&w illustrations. Remarkable photographs and fifty essays by renowned contemporary writers--such as Margaret Drabble, P. D. James, and Michael Holroyd--celebrate the British and Irish literary legends of the last four hundred years and takes us through the homes of famous writers- Robert Burns, James Joyce, Kipling, Keats, Dickens, Potter, Virginia Wolff and many more. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 145 pages. Gordimer examines the tension for a writer between life's experiences and narrative creations. She tries to unravel the mysterious process that breathes "real" life into fiction by exploring the writings of revolutionaries in South Africa and the works of Naguib Mahfouz, Chinua Achebe and Amos Oz. Ending on a personal note, Gordimer reveals her own experience of "writing her way out of" the confines of a dying colonialism.

Softcover. Norman OK, University of Oklahoma Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 656 pages. In mythic sagas of the American West, the wide western range offered boundless opportunity to a limited cast of white men. Buffalo roamed, deer and antelope played, and women's voices were never heard. Writing the Range allows us to hear many long-silenced women: Spanish-Mexican settlers and American Indians on New Spain's northern frontiers; Chinese, Basque, Japanese, Korean, Vietnamese, Slavic, and Irish immigrants; film stars Dolores del Rio and Lupe Velez; Navajos and African Americans who moved to western cities during World War II; and the activist Mothers of East Los Angeles, who organized to resist environmental dangers to their community. A valuable introduction to the rapidly changing field of western history, Writing the Range explains clearly how race, class, and culture are constructed and connected. The first section examines issues raised by more than a decade of multicultural western women's histories; following are six chronological sections spanning four centuries. Each section offers a short introduction connecting is essays and placing them in analytic and historical perspective. Clean copy.

Hardcover. NY, Carroll & Graf, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 427 pages. This substantial collection of nonfiction spans over two decades, from 1983 to 2005. It encompasses autobiographical essays, cultural commentary, book reviews, and introductory pieces to significant literary works. Notable inclusions are her reflections on reading Virginia Woolf's To the Lighthouse at nineteen, discussions on the influence of George Orwell's 1984 on The Handmaid's Tale, and her New York Times Book Review piece that contributed to the success of Orhan Pamuk's Snow. The collection also features a poignant Letter to America written after September 11, 2001, and a retrospective on a family trip to Afghanistan prior to the Soviet invasion. Clean copy.

Hardcover. NY, Funk & Wagnalls, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket. 480 pages. Wyndham Lewis was a modernist painter and writer, and a leader of the Vorticist movement and antagonistic collaborator with Ezra Pound in the London years. Essays in four parts: The 'Blast' Period, World War I and the early twenties, The Trough Between the Wars, The forties and after. Clean copy.

Softcover. Toronto, University of Toronto Press, 1st pbk, 2001, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. Xenophanes of Colophon was a philosophical poet who lived in various cities of the ancient Greek world during the late sixth and early fifth centuries BC. In this book, James Lesher presents the Greek texts of all the surviving fragments of Xenophanes' teachings, with an original English translation on facing pages, along with detailed notes and commentaries and a series of essays on the philosophical questions generated by Xenophanes' remarks. Also included are English translations of all the ancient testimonia relating to Xenophanes' life and teachings, and a discussion of how many of the testimonia pose the impediments to achieving a consistent interpretation of his philosophy. The Xenophanes who emerges in this account fully warrants classification as a philosophical thinker: moral critic and reflective student of nature, critic of popular religious belief and practice, and perhaps the first to challenge claims to knowledge about divine matters and the basic forces at work in nature. As with earlier works in the Pheonix series, this volume aims to make an important portion of Presocratic writing accessible to all those interested in ancient philosophy and the first phase of European natural science. This paperback edition contains an updated bibliography. Clean copy.

Hardcover. New York , E. P. Dutton & Co., Inc., 1st, 1952, Book: Good, Dust Jacket: Good, Hardcover, 215 pages. Blue cloth cover, some wear to edges and corners. Dust jacket is price clipped, worn on edges. Previous owner's inscription on front flyleaf. Inside is bright and clean, with b&w decorations by E. H. Shephard. A nice copy. An assembly of articles which Milne likened to a benefit night for the author. arranged as 'a calendar of ideas such as I have often thought it would be pleasant to keep, hence arranged in chapters from January to December', each subject appearing in the appropriate month. The result might best be called Table Talk, on a wide range of themes from grave to gay, from lively to severe.

Hardcover. London, Collins, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, 160 pages, in a bright dust jacket with only minor wear. B&W drawings by John Lawrence. Observations of a rural year in Gloucestershire.

Softcover. New York, Metropolitan Museum of Art, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 192 pages, b&w and color photographs. Light edge wear to wrappers. Small sticker on rear cover, else a clean, tight copy. This book celebrates the first 20 years of Saint Laurent"s fashion house. The essays engage with: fashion & the psychology of art; Saint Laurent"s artist"s statement; a collage of inspiration; Paloma Picasso-Lomez"s, Marellla Agnelli"s and Catherine Deneuve"s eulogies; Duane Michals"s photo essay and an overview of his achievements to 1982.

Softcover. Paris, G. San Lazzaro, 1st, 1939, Book: Very Good, Dust Jacket: None, Softcover. Folio; magazine; 64 pages, with black and white illustrations. Several essays. B&w plates throughout. FRENCH TEXT. Spine paper chipping.