france

Hardcover. Boston, MA, Richardson & Lord, 1st edition, 1826, Book: Fair, Dust Jacket: None, 125 pages plus publisher ads. Hardcover. Small: 4.5" W x 5.5" L. Previous owners' names on front endpapers. Brown, marbled cover boards, brown quarter cloth, rubbing and chipping to cover boards (see image). Tanning and some foxing to pages from age (see image), doesn't affect text. Binding tight. Spine straight. Charming old, tiny textbook.

Hardcover. NY, Simon & Schuster, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 512 pages. B&w illustrations. With this handsome book, David Sweetman, a biographer of Vincent van Gogh and Paul Gauguin, brings together the dissolute lives of various artists who came to represent decadent fin-de-siecle Paris: Oscar Wilde, Felix Feneon, Alfred Jarry, and, of course, Henri de Toulouse-Lautrec. As the author reminds us, imitations of the latter's work adorn the walls of French-themed bars worldwide and have become a shorthand for sanitized debauchery. Toulouse-Lautrec--absinthe drinker and brothel frequenter--was instrumental in the development of the poster, but what is his artistic legacy? Although Toulouse-Lautrec dominates the book's subtitle, Sweetman's sweep is much grander. In much the same way as his main subject was, Sweetman proves a sympathetic host to the women of Montmartre, tragic figures such as La Goulue, Jane Avril, and Suzanne Valadon, and he is particularly insightful on the singer Aristide Bruant's influence on the fledgling artist. Clean copy.

Hardcover. Paris, Librairie d'Art, 1st, 1889, Book: Good, Dust Jacket: None, Hardcover, 348 pages, half leather with decorated cloth, raised bands on spine, red leather label with gilt title. Profusely illustrated throughout in b&w with FRENCH TEXT. Minor corner and edge wear and fade, otherwise, very clean and tight copy.

Hardcover. San Diego/NY, Harcourt Brace Jovanovich, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 274 pages, b&w photos. "A shy, bald, myopic, gay albino from an ethnic Pittsburgh suburb and a beautiful, convent-educated heiress from France: This is the story of Andry Warhol and 'the girl in Andy's soup,' Isabelle Collin Dufresne, also known as Ultra Violet. It is suggested that Dali, Dufresne's companion for five years, introduced her to Andy Warhol in 1963. 'Leave Dali', said Andy. 'He's too old'. Soon after, Isabelle metamorphosed into Ultra Violet becoming an intimate of Warhol's underground scene, here recollected. Clean copy.

Hardcover. NY, Franklin Watts, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, colorful wraparound dust jacket, price-clipped. 192 pages illustrated in color and b&w by Charles Mozley.

Hardcover. NY, Carroll & Graf, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 556 pages, b&w illustrations. In a bright, unclipped dust jacket. Robert Louis Stevenson's biographers are sharply divided over his American wife Frances (Fanny) Van de Grift (1840-1914), depicting her either as a muse, a saintly martyr or a dominating shrew. In this spellbinding biography, which is written like a romance novel, French novelist Lapierre portrays the Indiana-born farmer's daughter as an intrepid woman of rash energy, courage, violent emotion and charisma who sublimated her career as a painter in her possessive love for the tubercular Scottish novelist, children's writer and poet.

Hardcover. Boston , MFA Publications, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 223 pages, Like new in publisher's shrink-wrap. 145 illustrations. Both a historical overview and an up-to-the-minute spectacular, "Fashion Show" explores the ever-fascinating world of Paris couture-the history of the Paris fashion industry from its beginnings through the mid-twentieth century.

Softcover. Createspace Independent Publishing, 1st, 2018, Book: Very Good, Dust Jacket: None, Sodtcover, 254 pages. Actor, director, writer Evans connect his dots and long dashes through a life both creative and chaotic. Family, career, and cancer bump heads in a runaway boxcar full of colorful entanglements with the famous and the foolish. Tracing his family history through the years from the Dust Bowl and the Great Depression to the tragedy of the Hindenburg, and his early childhood in Japan before WW2, Evans cleverly sets the stage for what follows. His career as an actor ultimately clashed with an early marriage and fatherhood, providing many temptations that carried Evans to Mexico, Arizona, Ohio, Delaware, Kauai, Hawaii, and points beyond. Working in films with stars Jack Nicholson, George C. Scott, David Hemmings, and Michael J. Pollard were high points in his 50-year career that led to a love affair with France and La Nouvelle Vague and the writing, production and direction of his own films and plays. After a season as series regular Paul Hanley opposite Mia Farrow in tv's Peyton Place, Evans moved from early shows like Mr. Novak, Gunsmoke, and Bonanza to an episode of Star Trek with Shatner and Nimoy. Countless other roles sent him on his way to features including major roles in Islands in the Stream, The Nickel Ride, Dirty Little Billy and Synanon, productions that brought him together with many of Hollywood's top directors including Richard Rush, Robert Mulligan, Stan Dragoti and Richard Quine. As his wife, Jo, frequently reminds us, "Dick has made many things, but never without the help of others." Clean copy.

Hardcover. Paris, Editions Jafont, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, French text. 185 pages, illustrated throughout in color and b&w. Grey cloth. Light shelf-wear to dust jacket. Overall, a tight clean copy.

Hardcover. Paris, J. Schemit, 1st, 1924, Book: Very Good, Dust Jacket: None, Hardcover, red leather spine and corners. gilt lettering on spine, black cloth boards. Text is in French. 208 b&w plates containing 2300 documents. A stunning and comprehensive presentation of pre-industrial wrought iron items on display at Musee Le Secq des Tournelles, France (the museum is housed in in a 16th-century church). This is Volume 2 ONLY of a two-volume set. Architect ALBERT KAHN'S COPY with his ownership signature on the half title page in pencil. Light wear to top of spine and a small sticker at base of spine. Previous owner's bookplate on front fly leaf. Otherwise clean. DOMESTIC SHIPPING ONLY.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 255 pages, b&w illustrations. Contents: The Prince of Wales and the Shadow of St Paul's, Joseph Wright and the spectacle of power; Humphrey Repton and the improvement of the estate; J. M. W. Turner and the circulation of the state; Thomas Cole and the course of empire; Frances Palmer and the incorporation of the continent; John Constable and the making of Constable country. Clean copy.

Hardcover. Paris, Hachette, 1st Canadian, Book: Very Good, Dust Jacket: None, illustrated boards, Illustrations in line & 12 color plates by Maurice Boutet de Monvel. Small water stain to top of covers, w/ mild wrinkle to paper covering boards o/w bright & clean.

Hardcover. London, Frances Lincoln, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 10 x 12", 304 pages. Over 300 color plates. A comprehensive document of the talent and artistry that went into the design and making of European fashion images from the second half of the sixteenth century to the first half of the twentieth century. No dust jacket issued.

Hardcover. NY, Crown, 1st, 1999-12-08, Book: Very Good, Dust Jacket: Very Good, 132 pages, illustrated throughout in b&w. Light edgewear and rubbing to dust jacket, else a clean, tight copy. SIGNED BY MILLER.

Hardcover. New York, Crown, 1st, 1999, Book: Very Good, Dust Jacket: Good, Hardcover, 132 pages, illustrated throughout in b&w. INSCRIBED BY AUTHOR on title page. Previous owner's bookplate on front end paper, light shelf-wear and rubbing to dust jacket. Clean, tight copy. As a serviceman in Paris after World War II, Peter Miller served as a US Army Signal Corps photographer. By day, he would snap one-star generals greeting four-star generals, and the innumerable grip and grins of Congressmen visiting soldiers. By night, Miller traversed the city of light, capturing the resilient spirit of Parisians in the wake of the devastating war. Miller's photographs reflect the vision of a sparkling city while his recollections document the wonder and enchantment felt by a young man from Vermont. From pictures of the Latin Quarter brimming with American jazz and blues to alluring models on the runways of Christian Dior; from romantic courtships in the streets to hobos along the River Seine, Miller captures these sights and impressions in dynamic compositions and sensitive recollections that are striking, compassionate, and a joy to all lovers of the city of light.

Hardcover. NY, Viking, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 374 pages.Translated by Joan Pinkham, notes, bibliography, index, b/w photo plates, white boards/black cloth. Originally published Librairie Flammarion, Paris, 1988. First American Edition.

Hardcover. NY, E.P. Dutton, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover, 219 pages, b&w photos. The author was the owner/manager of famous girl revue for 40 years and gives us this history. Preface by Maurice Chevalier. Dust jacket shoes wear, chipping.

Hardcover. San Francisco, Harper & Row, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 363 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Recounts the life of the prolific author, inveterate explorer, pioneer feminist, and world authority on Tibetan Buddhist tantric rites.

Hardcover. New York, Frederick A Stokes, 1st, 1914, Book: Very Good, Dust Jacket: None, Hardcover, 215 pages. Red cloth, gilt lettering. Very minor wear to spine. Full illustrated plates by Edwards, some with tissue guard. Frontispiece illustration. Illustrated end papers. Top edge gilt. Some pages uncut.

Hardcover. NY, William Morrow & Co., 1st US, 1933, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth stamped in red. When the family's inn burns down, Father Fortune decides to purchase a caravan so the family can travel through France making their living as a circus. 120 pages, illustrations (some color) by Maggie Salcedo. Covers with light soil/darkening to areas. interior bright and clean.

Hardcover. Chicago, Rand McNally & Co , reprint, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, The squirrel family leaves their home in the woods, which is threatened by woodsmen, and seek refuge in a nearby garden. 64 pages with eight color plates and additional b&w drawings by Frances Beem. Several of the drawings have been colored by a child.

Hardcover. New York, Pantheon, 1st, 1945, Book: Very Good, Dust Jacket: Very Good, Hardcover. Limited to 1,200. 137 plates, 80 pages of commentary & description, minor chipping to dust jacket .

Hardcover. NY, Metropolitan Museum of Art, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An exquisitely illustrated volume that emphasizes the importance of drawing in Fragonard's creative process One of the most forward-looking artists in 18th-century France, Jean-Honore Fragonard (1732-1806) is considered the preeminent draftsman of his time. This fresh assessment of the artist focuses on the role of drawing in his creative process and showcases Fragonard's mastery and experimentation with drawing in a range of media, from vivid red chalk to luminous brown wash, as well as etching, watercolor, and gouache. Unlike many old master painters, Fragonard explored the potential of drawings as works of art in their own right, ones that permitted him to work with great freedom and allowed his genius to shine. Still in publisher's shrink wrap.

Hardcover. NY, Thames & Hudson, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "While it seems we've already seen photographs of every centimeter of Paris from every angle, it's a pleasure to look at the postwar city through Child's viewfinder. A trained draftsman, painter and lithographer, he had strong theories about composition and light, as well as a desire to distill 'some aspect of each place,' whether it be fishermen on the Seine, geometrically framed by the overlapping arches of a bridge, or an old woman unwittingly anchoring an angular shadow in the South of France. As accomplished as the photographs are, and as engaging a character as Paul Child is revealed to be, the real draw here will undoubtedly be his intimate portraits of Julia Child before she was, well, Julia Child. What ultimately makes this enjoyable celebration of his work an important part of the Child archive is that it illuminates the third side of that fabled triangle, connecting us to his love of Julia - and France." (NYTimes) Clean copy.