france

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 416 pages, profusely illustrated. After years of research, this complete retrospective offers, as no volume before it, an assessment of Le Gray's important place in the history of photography. His work had remained largely unknown by the general public until he was rediscovered in the 1960s and was deemed by connoisseurs to be the Monet of photography. Gustave Le Gray began as a young painter in Rome, then became a fashionable portrait photographer in Paris. He received commissions from Napoleon Ill, and astonished viewers with his painterly landscapes and ravishing seascapes. Facing bankruptcy, he feld Paris with Alexandre Dumas to Palermo, travelled to the Middle East, and finally settled in Egypt, where he became drawing master to the ruler's children and continued to make photographs until his death in 1884. Le Gray's work had remained largely unknown by the general public until he was rediscovered in the 1960s.

Hardcover. NY, Abrams, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages, color and b&w photographs.You know them by their first names: Christy. Naomi. Linda. Kate. Gisele. Their faces are unforgettable. They are supermodels, and the pages of Harper's Bazaar are their stage-and the stage for fashion's biggest names. Harper's Bazaar: Models gives an exclusive look at the top models that have graced the magazine for the last sixty years. Harper's Bazaar editor at large Derek Blasberg has selected twenty-eight women for this book from the publication's rich and diverse history: iconic beauties from Suzy Parker, Dovima, and China Machado to Iman, Patti Hansen, and Cindy Crawford. Alongside essays written by Blasberg, who is a friend and confidant to many of the models, are more than 200 stunning photographs shot by leading photographers including Richard Avedon, Francesco Scavullo, Patrick Demarchelier, Peter Lindbergh, and more. Filled with revealing anecdotes and images from the archives, Harper's Bazaar: Models is a celebration of the gorgeous women who have lent so much inspiration and beauty to the pages of this visionary magazine. Clean in a bright dust jacket.

Softcover. NY, Oxford University Press, 3rd pr., 2005, Book: Very Good, Dust Jacket: None, Softcover, 311 pages. Criminal punishment in America is harsh and degrading--more so than anywhere else in the liberal west. Executions and long prison terms are commonplace in America. Countries like France and Germany, by contrast, are systematically mild. European offenders are rarely sent to prison, and when they are, they serve far shorter terms than their American counterparts. Why is America so comparatively harsh? In this novel work of comparative legal history, James Whitman argues that the answer lies in America's triumphant embrace of a non-hierarchical social system and distrust of state power which have contributed to a law of punishment that is more willing to degrade offenders.

Hardcover. New York, Harry N. Abrams, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 288 pages, illustrated throughout in color and b&w. Brown cloth, pictorial dust jacket. Beautiful copy in shrinkwrap. Like new. The first biography of the couple who created the landmark collection that is still the base of most American museums.

Hardcover. NY, Delano Greenidge Editions, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 396 pages, lavishly illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Guimard is the pre-eminent architect of Art Nouveau in France. He influenced French architecture and design in the first half of the 20th century. He was also the architect of a number of Paris Metro entrances. He was regarded as an architect who wielded the greatest influence on the popular imagination in Paris during the late 19th- and early 20th centuries.

Hardcover. New Haven, Yale University Press, 1st, 1929, Book: Very Good, Dust Jacket: None, 36 pages. Hardcover, decorated blue boards. SIGNED BY AUTHOR AT TOP OF PRELIMINARY PAGE. Previous owner's bookplate on inside front cover. One the Yale Series of Younger Poets. Slight darkening to spine. No dust jacket. Clean, tight copy.

Hardcover. New York , Harry N. Abrams, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 230 pages, published to accompany exhibition show in London, Paris, and Washington. Shows how Rousseau's captivating jungle paintings are best understood in relation to his work in other genres such as portraiture and landscapes. Beautiful color illustrations throughout. Deep green boards with lighter green tiger on front. In publisher's shrinkwrap.

Hardcover. New York , Abrams, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 illustrations, including 29 mounted color plates. 328 pages. Thick 4to, green cloth stamped in yellow. Dust jacket with light edgewear.

Hardcover. Leiden/Boston, Brill, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket, 332 pages. Volume 77 in the 'Studies in Medieval and Reformation Thought Series'. Through the examination of over 250 sermons by the most popular preacher in Paris before the Religious Wars, Francois Le Picart (1504-1556), this book offers a close look at religious mentalites in the French capital in these critical years and offers insight into changing definitions of orthodoxy and heresy.

Hardcover. Baltimore, Johns Hopkins University Press, 1st US, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 394 pages, b&w illustrations. The adventures of Tintin and his dog, Snowy, have captivated people worldwide since they first appeared as an insert in the Belgian Catholic newspaper Le Vintieme Siecle in 1929. Available for the first time in English, this insightful biography delves deep into the psyche of Tintin creator Georges Remi and his public persona Herge. Author of the critically acclaimed Tintin and the World of Herge and the last person to interview Remi, Benoit Peeters tells the complete story behind Herge's origins and shows how and why the nom de plume grew into a larger-than-Remi personality as Tintin's popularity exploded. Drawing on interviews and using recently uncovered primary sources for the first time, Peeters reveals Remi as a neurotic man who sought to escape the troubles of his past by allowing Herge's identity to subsume his own. As Tintin adventured, Herge lived out a romanticized version of life for Remi.

Hardcover. NY, Macmillan Company, 1st, 1932, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth with bright gilt lettering on cover and spine. Illustrated with 56 reproductions of etchings, aquatints, and drawings by John Taylor Arms, each with a captioned tissue-guard.. A delightful travelogue with exquisite artwork of John Taylor Arms. He specialized in portraying the gothic architecture of France and Italy. Traveling the back roads and visiting the then out-of-the-way towns of northern Italy by car, he visually captures the look and feel as his wife provides a charming travelog. Clean, bright copy.

Hardcover. New York, Robert Carter & Brothers, Reprint, 1867, Book: Good, Dust Jacket: None, 184 pages. Previous owners name on front endpaper. Foxing to pages. Cloth covers rubbed along edges and corners. Chipping to cloth at top and bottom of spine.

Hardcover. London, Richard Bentley, 1st, 1854, Book: Very Good, Dust Jacket: None, Two volumes, 503, 474 pages. Bound in calf with raised spine bands, marbled edges, marbled end papers. Spine labels chipped on Volume 1, missing on Volume 2. Spines age-darkened, light wear to top and bottom. Previous owner's inscription otherwise internally clean and bright.

Hardcover. New York, The 77th Division Association, 1st, 1919, Book: Good, Dust Jacket: None, 228 pages, hardcover. History of famed military division. Designed and written in the Field (France). Beautifully illustrated with b&w and color plates. Moderate rubbing and edgewear to boards, as well as some light soiling. Bumping to corners, slightly flayed. Spotting/yellowing to half title page and rear flyleaf. Unmarked. A tight copy.

NY, Random House, 1st US, 1968, Book: Very Good, Hardcover, black cloth stamped in green on front, gilt on spine. 313 pages. Lacouture's biography of Ho Chi Minh examines the North Vietnamese leader's political development from his early years in France, through World War Two, and up until 1968 when this book was first published. Lacouture doesn't avoid the negative aspects of his political career, but these negatives (e.g. harsh control of the starving North Vietnamese in the 50s) only help to put in perspective Vietnam's similarly harsh treatment by Western and Eastern powers alike. A former Le Monde correspondent, author has also written books on Vietnam and DeGaulle. Internally bright and clean.

Hardcover. Boston, MFA Publications, Museum of Fine Arts, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, profusely illustrated. From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists' conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. This beautifully illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of over one hundred posters, decorative calendars, and illustrated books, as well as prints and drawings. With text by Clifford S. Ackley, one of the leading specialists on Dutch prints and drawings, Holland on Paper in the Age of Art Nouveau provides a fascinating and visually rewarding introduction to a rich and creative artistic era.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1968, Book: Very Good, Dust Jacket: None, Limited to 1300 copies in English, this being #521. Two volumes in a slipcase with a label. Dark blue cloth covers, top edge gilt, spines with maroon and gilt design. Vol. 1: The Paintings, 446 pages with 208 b&w plates, 19 b&w text illustrations and tipped-in b&w photo of Daumier by Nadar as frontispiece. Vol. 2: The Watercolours and Drawings, 619 pages with 325 b&w plates(most with multiple images), 31 text illustrations, tipped-in errata slip. Previous owner's signature on front fly leaf of volume 1, otherwise clean, tight set. Slipcase is very good with some rubbing to blue cloth.

Softcover. NY, Feral House, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover. 224 pages. The book Horizontal Collaboration encompasses the Jazz Age, Depression, World War and Occupation, and Liberation. It concludes with the shuttering of the licensed brothels in 1946, which some Parisian intellectuals thought was the final "destruction of French civilization". The term "Horizontal Collaboration" refers to the sexual liaisons between French civilians and German occupiers from 1940 to 1944. These were extremely widespread and included both individual wartime relationships in addition to prostitution. As Allied armies swept across the French countryside, thousands of young women?and some men?were savagely punished by the authorities or by vigilante crowds, becoming a source of deep national shame. Author Gordon redefines the pejorative term to mean something much broader: French men and women "horizontally collaborated" to overcome all social obstacles, divisions, and regulations. These obstacles include married and unmarried couples, straights and homosexuals, foreigners and locals, gun-toting soldiers and their vanquished subjects. The natural yearning for sexual pleasure equally corrupted all cohabitating partners. Clean copy in publisher's shrinkwrap.

Hardcover. New York, Harper & Brothers, 1st, 1888, Book: Very Good, Dust Jacket: None, 176 pages. Illustrated with drawings by R. F. Zogbaum celebrating military life in France, Germany, Great Britain, and United States. Title in gilt on cover with drum and rifle illustration. Cloth missing from top 3/8" of spine. Corners of front and back covers bumped and rubbed. Previous owners name on front endpaper. Clean, tight copy.

Hardcover. Philadelphia, J. B. Lippincott Company, 1st, 1930, Book: Very Good, Dust Jacket: Good, Hardcover, mustard cloth stamped in dark green, in a shelf-worn dust jacket. 208 pages, illustrated by Lyle Justis. Brief gift inscription and previous owner's bookplate inside front cover, otherwise clean.

Hardcover. Chiselbury, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in glossy pictorial boards, 356 pages. An amazing real-life story of espionage, of courage and resistance, and of friendship and love. It pulls back the veil on the hidden history of the struggle for the identity of the Resistance in France. The life of 'André' Joseph Scheinmann is more intriguing and compelling than any work of fiction. His true-life story of derring-do starts as a Jewish youth in Munich, whose family moves to France in 1933 to escape the Nazi tide. He joins the French army at the outbreak of WW2 and escapes from a prisoner-of war camp after the bitterly brief fight for France in the summer of 1940. André becomes a spy and saboteur for the British and Free French whilst working undercover as translator and liaison with the German high command at the Brittany headquarters of the French National Railroads. Summoned by the British, he clandestinely crosses the Channel for initiation and training as an MI6 agent in England. His network betrayed during his absence, he is arrested on his return to France. André then begins an even more perilous journey with interrogation in Gestapo prisons and the little-known Natzweiler concentration camp in Alsace, before being transferred to Dachau and Allach, ahead of the advancing Allies. Illustrated with over 120 vintage and color photographs and letters. Clean copy.

hardcover. NY, Philomel Books, 2nd pr., 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated in color by Ted Lewin. Clean.

Hardcover. New York, Charles Scribner's Sons, 1st Edition, 1899, Book: Good, Dust Jacket: None, 330 pages. Hardcover. Blue cloth bound cover boards, gilt title on spine and front cover board with design. Some age wear to covers (see image). Some fingerprint smudges (see image) and tanning throughout. Original author's name written on title page (see image). In very good shape for its age, no pages missing. True and fictional shortstories about French culture.

Hardcover. US, Frances Lincoln, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. The most widely read British poet of the twentieth century, Philip Larkin was also a keen amateur photographer and through his life he made images of the people, places and things that meant most to him. The Importance of Elsewhere gathers the best of Larkin's photographic work, divided into short thematic chapters arranged in chronological order. Written by Richard Bradford, the acclaimed author of the Larkin biography First Boredom, Then Fear, the book shows how Larkin, as an individual, as a writer and indeed as a photographer, developed an acute sensitivity to all aspects of the world around him, from his love of open uninhabited landscapes and empty churches to his mixed feelings about crowds. There are also fascinating portraits of those people who were closest to Larkin, including his lovers, his mother and his literary peers.The book beautifully reproduces more than 200 images from the Larkin archive at Hull: the majority have never previously been seen in print. A substantial foreword by Mark Haworth-Booth, formerly curator of photography at the V&A, explores what it meant to be a serious amateur photographer of Larkin's generation.