france

Hardcover. NY, Penguin Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket., 310 pages, color and b&w illustrations. In Montparnasse begins on the eve of the First World War and ends with the 1936 unveiling of Dali's Lobster Telephone. As those extraordinary years unfolded, the Surrealists found ever more innovative ways of exploring the interior life, and asking new questions about how to define art. In Montparnasse recounts how this artistic revolution came to be amidst the salons and cafes of that vibrant neighborhood. Sue Roe is both an incisive art critic of these pieces and a beguiling biographer with a fingertip feel for this compelling world. Beginning with Duchamp, Roe then takes us through the rise of the Dada movement, the birth of Surrealist photography with Man Ray, the creation of key works by Ernst, Cocteau, and others, through the arrival of Dali. On canvas and in their readymades and other works these artists juxtaposed objects never before seen together to make the viewer marvel at the ordinary--and at the workings of the subconscious. We see both how this art came to be and how the artists of Montparnasse lived. Roe puts us with Gertrude Stein in her box seat at the opening of The Rite of Spring; with Duchamp as he installs his famous urinal; at a Cocteau theatrical with Picasso and Coco Chanel; with Breton at a session with Freud; and with Man Ray as he romances Kiki de Montparnasse.

Hardcover. NY, Charles Scribner's Sons, 1st US, 1900, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt and three colors, 384 pages plus publisher's ads in rear. 12 b&w illustrations by Charles Sheldon. Desmond Kennedy is a young Irish lad who left Ireland to join the Irish Brigade in the service of Louis XIV of France. In Paris he incurred the deadly hatred of a powerful courtier from whom he had rescued a young girl who had been kidnapped, and his perils are of absorbing interest. Captured in an attempted Jacobite invasion of Scotland, he escaped in a most extraordinary manner. As aid-de-camp to the Duke of Berwick he experienced thrilling adventures in Flanders. Transferred to the Army in Spain, he was nearly assassinated, but escaped to return, when peace was declared, to his native land, having received pardon and having recovered his estates. Previous owner's signature on a blank prelim page, otherwise clean.

Hardcover. NY, Oxford University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In contemporary France, Charles de Gaulle has become a figure of legend, consistently acclaimed as the nation's pre-eminent "historical" figure. But paradoxes abound. For one, his personal popularity sits oddly with his social origins and professional background. Neither the nobility, nor the Catholic Church, nor the Army is particularly well-regarded in France today, as they are seen to represent antiquated traditions and values. So why, then, do the French nonetheless identify with, celebrate, and even revere this austere and devout nobleman, who remained closely wedded to military values throughout his life? In the Shadow of the General resolves this mystery and explains how de Gaulle has come to occupy such a privileged position in the French imagination. Sudhir Hazareesingh's story of how an individual life was transformed into national myth also tells a great deal about the French collective self in the twenty-first century: its fractured memory, its aspirations to greatness, and its manifold anxieties. Indeed, alongside the tale of de Gaulle's legacy, the author unfolds a much broader narrative: the story of modern France. Clean copy.

Hardcover. NY, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 288 pages. Witty, playful, and effortlessly chic, Inge Morath: On Style reveals the vital forms of fashion and self-expression that blossomed into existence in England, France, and the United States in the postwar decades. The book follows the photojournalist Inge Morath (1923-2002) through intimate sessions with Ingrid Bergman and Audrey Hepburn; scenes of window-shopping on Fifth Avenue; American girls discovering Paris; the frenetic splendor of society balls; and working women--from actresses to seamstresses to writers--everywhere taking their place in the world. The photographs in On Style focus on an extraordinary period of Morath's creativity, from the early 1950s to mid- 1960s, with a coda of work from later years. Here are the fundamental humanism, joy, and unerring eye for life's brilliant theatricality that characterized her work and made her one of the most celebrated photographers of her time. Clean copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. Inge Morath: On Style reveals the vital forms of fashion and self-expression that blossomed into existence in England, France, and the United States in the postwar decades. The book follows the photojournalist Inge Morath (1923-2002) through intimate sessions with Ingrid Bergman and Audrey Hepburn; scenes of window-shopping on Fifth Avenue; American girls discovering Paris; the frenetic splendor of society balls; and working women--from actresses to seamstresses to writers--everywhere taking their place in the world. The photographs in On Style focus on an extraordinary period of Morath's creativity, from the early 1950s to mid- 1960s, with a coda of work from later years. Here are the fundamental humanism, joy, and unerring eye for life's brilliant theatricality that characterized her work and made her one of the most celebrated photographers of her time.

Hardcover. UK, Cambridge University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 334 pages. Spanning his renunciation of the Salon in 1834 until his large retrospective at the crucial 1855 Universal Exposition, this book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres. It demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. While enjoying the benefits of his affiliation with the Academy, the artist also pursued certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself from the embattled world of artistic officialdom.

Hardcover. NY, Warner Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The saucy and often humorous memoir of New York magazine food critic Gael Greene. From the glamorous restaurants of Manhattan to the culinary shrines of France, Greene's fierce wit and sensuous prose reveal the humor, obsession, and insatiable desires behind fine dining. Greene's love for life and food shine through in the pages of this book. From her midwestern roots to her position as a powerful critic for one of New York's most respected magazines, Greene brings readers on a quest to satisfy an insatiable hunger. 368 pages, b&w photos. Clean copy.

Hardcover. Chicago, Henry Regnery Company, 1st, 1950, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. Map endpapers, 176 pages, b&w photos. The first book by a German general published in America after the war, a German account of the D-Day & Normandy 'invasion' by Allied forces; the author was Rommel's Chief-of-Staff and therefore had an inside view of Rommel's efforts to get Hitler to negotiate a peace in the face of overwhelming Allied superiority. Speidel was a career military officer and trained historian; a German nationalist, he disagreed with racist Nazi policies, was involved in the 20 July plot to kill Hitler, and was important in rebuilding Germany's army after the war. Clean copy.

Hardcover. Cambridge MA, MIT, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. The story of how hysterics were "invented" in 19th-century Paris is a fascinating one. All the more so because the staged performances that Freud witnessed at the famous Salpetriere asylum were to form the basis of his theory of hysteria, a theory which had a lasting impact on both psychiatry and medicine. Photography played an important role in the way doctors learned about so-called hysteria, often under the guise of objectivity.

Softcover. Italy, Charta/Fondazione Pitti Immagine Discovery, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 396 pages illustrated in color. Italian Eyes presents the most important fashion magazines in the world and the advertising campaigns photographed for Italian and international designers--a sort of visual atlas of Italian evolution of fashion photography. Various chapters unfold with images accompanied by texts analyzing fashion photography according to different themes: portrait, narration, the fashion photo set, the evolution of masculine and feminine images, and others. Clean, very good.

Softcover. Reunion des Musees Nationaux, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 287 pages. FRENCH TEXT. Illustrated in b&w, some color. Clean, bright copy.

Hardcover. NY, Harcourt, Brace & World, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover, 117 pages, in a worn, chipped dust jacket. Many B/W photos, Preface by Simone De Beauvoir, Index. White boards w/green cloth spine. Lightly bumped corners. This volume offers a glowing record of a great writer, of a city he loved, and of a literary epoch that came to an end with the outbreak of World War II. In a sequence of photographs taken in 1938 by distinguished French photographer Gisele Freund, interspersed with views of Paris taken in the thirties, and portraits of Joyce's friends and contemporaries, a man and his milieu come vividly alive.

Softcover. NY, Archipelago Books, 1st transl. thus, 2023, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 114 pages. "This debut novel--by an acclaimed Argentinean writer, and first published in 1958--centers on a sixteen-year-old who becomes pregnant after an assault by an older man. Setting the story in the sweltering heat of Argentina's Pampas, Gallardo re-creates the world of ranchers and missionaries from the perspective of the girl, with her adolescent confusion and private sense of guilt. Gallardo juxtaposes her solitary desperation--she visits a local medicine woman for an abortion, and gallops recklessly on horseback to induce a miscarriage--with the conservative Catholic society that closes ranks against her." Clean, bright copy.

Hardcover. Paris, Hachette, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear to rear panel. Beautifully illustrated volume on the extraordinary gardens of Paris, past and present. FRENCH TEXT. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Stanford CA, Stanford University Press, 1988, Book: Very Good, Dust Jacket: None, Softcover, 230 pages. Jean Baudrillard is one of the most topical and controversial theorists in France today. He has played a major role in the development of critical social theory and cultural sociology, and his writings are currently at the center of the 'post-modernism' debate. This volume makes his most important work widely available in English for the first time. It includes selections from the entire range of his writings, from his early work on advertising and commodity culture to his most recent writings on simulation and desire. Throughout the selections Baudrillard stresses the ways in which our lives are embedded in a world if images which have no clear reference and which are reproduced by the new mechanisms of cultural production in contemporary societies. Clean copy.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 289 pages, b&w illustrations. The son of music hall performers, the Paris-born actor grew up in the entertainment business. His onscreen debut in the 1930's marked the beginning of many memorable roles in films such as La Grande Illusion (1937) and Emile Zola's La Bete Humaine (1938). His performances would earn him international recognition and establish his reputation as one of the greatest stars of film noir. Pausing his performances on screen, Gabin joined the Allied struggle of WWII. Serving under General Charles De Gaulle in the Free French Forces as a tank commander, Gabin was awarded several medals for his service. Upon his return to acting after the war, he became the embodiment of the uniquely French spirit a persona that would define his future roles. In Jean Gabin: The Actor Who Was France, Joseph Harriss tells the story of this French icon. This well-researched biography documents Gabin's life from his start as a reluctant singer and dancer in Parisian music halls to his rise to film superstardom. Clean copy.

Softcover. Paris / London, Paul Holberton, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 216 pages in color. Jean Helion (1904-1987) became a leading member of the international Abstraction-Creation group in the early 1930s. He then took abstraction to New York, where he advised the avant-garde collector A. E. Gallatin on purchases for his Gallery of Living Art, a crucial influence on the early phases of the developing New York School. In France after World War II, however, he evolved a unique language of painting, employing people and objects that are both contructivist and naturalistic--his own language of signs populated by shop-window dummies, newspaper readers, and startling nudes. In his return to figuration he may be compared to his close friends Balthus and Alberto Giacometti, even though his style is unique. This book is the first in English on the artist for some thirty years. Mild crease to front cover, otherwise a clean, bright copy. DOMESTIC SHIPPING ONLY.

Softcover. Philadelphia, Ratpac/Running Press, 1st US, 2016, Book: Very Good, Dust Jacket: None, Softcover, 942 pages, b&w photos. Clean, bright copy. Renoir made more than forty films from the silent era to the late '60s and today he is revered by filmmakers and seen by many as one of the greatest of all time. Previously unknown information including Renoir's close affiliation with Communism in the '30s is detailed in this definitive biography.

Hardcover. Paris, France, E. Plon, Nourrit , unk, nd, Book: Good, Dust Jacket: None, Hardcover. 47 pages. Color illustrations by the author. Red top edge. Yellow covers with green and gold decoration. Corners and spine rubbed. Light soiling to covers. Spine a bit loose.

Hardcover. New York, Harcourt Brace and Co., 1st, 1932, Book: Very Good, Dust Jacket: None, 197 pages. Hardcover with no dust jacket. B&w illustrations by Lattimore. Bright blue decorated cloth. Bottom of spine has fraying, scuffing to edge otherwise very good, clean.

Hardcover. Paris, Maeght Editeur, 1st Ltd. Ed., 1977, Book: Very Good, Dust Jacket: Very Good, 217 pages, #647 of 5000, off-white cloth covers with black lettering on spine. Color and b&w illustrations including 5 original lithographic plates and lithographic wrap-around dust jacket. Dust jacket with minor edgewear, acetate wrapper chipped, worn.

New York, Grosset & Dunlap, 1st, 1933, Book: Very Good, Dust Jacket: Good, Hardcover, pictorial boards, 60 pages, illustrated in color by O.D.V. Guillonnet. Large format in a edgeworn, lightly chipped dust jacket.

Hardcover. Philadelphia, David McKay, reprint, 1918, Book: Good, Dust Jacket: None, Oblong hardcover, 28 unnumbered pages. Previous owner's name and date on front end paper, binding cracked. Stamped cloth covers with dark blue lettering. Illustrated cover. Illustrated by author. Reduced in size from the French and Century Co. editions with fewer illustrations. This edition with 10 pages in full color.

Hardcover. New York , DK Publishing/Dorling Kindersley, 1st US, 1998, Book: Very Good, Dust Jacket: Very Good, 128 pages, illustrated throughout in color by Burningham. Clean hardcover in a bright, unclipped dust jacket. SIGNED BY BURNINGHAM on a bookplate pasted to the front fly leaf.