Hardcover. Germany, Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, photos in color. Minor shelf-wear to boards, else a clean, tight copy. This book documents the two most recent works by the critically acclaimed British artist and filmmaker, Isaac Julien, both of which continue his investigation of issues of race and global politics. True North, shot in the spectacular landscapes of Iceland and Northern Sweden, is conceived around the expedition writings of the African-American explorer Matthew Henson, one of the key members of Robert E. Peary's 1909 Arctic expedition, and arguably the first person to reach the North Pole. True North's diametric counterpart, Fantome Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, Africa's cinematic center, and the arid spaces of rural Burkina Faso. The film is punctuated by archival footage from early colonial expeditions and landmark moments in African history.
Hardcover. New Haven CT, Yale University Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages. Isaac Murphy, born enslaved in 1861, still reigns as one of the greatest jockeys in American history. Black jockeys like Murphy were at the top of the most popular sport in America at the end of the nineteenth century. Black jockeys were internationally famous - the first African American superstar athletes--and with wins in three Kentucky Derbies and countless other prestigious races, Murphy was the greatest of them all. At the same time, he lived through the seismic events of Emancipation and Reconstruction and formative conflicts over freedom and equality in the United States. And inevitably he was drawn into those conflicts, with devastating consequences. Katherine C. Mooney uncovers the history of Murphy's troubled life, his death in 1896 at age thirty-five, and his afterlife. Clean copy.
Hardcover. Cambridge MA, Harvard University Press, 1st thus., 1972, Two hardcover volumes in bright dust jackets. Folio. [4], v-xl, [2], 1-547, [3]; [7], 548-916 pp. Black cloth with silver lettering on the spine. Illustrated with a facsimile frontispiece portrait of Isaac Newton, taken from the 1726 edition of Newton's Principia. Also illustrated with 67 in-text diagrams, from the original editions. Facsimile half-title, title, and text pages as well, all taken from the first three published editions of Newton's Principia. Assembled and edited by Alexandre Koyre and I. Bernard Cohen with the assistance of Anne Whitman. This edition of Isaac Newton's Principia is the first edition that enables the reader to see at a glance the stages of evolution of the work from the completion of the manuscript draft of the first edition in 1685 to the publication of the third edition, authorized by Newton, in 1726. A series of appendices provides additional material on the development of the Principia; the contributions of Roger Cotes and of Henry Pemberton; drafts of Newton's preface to the third edition; a bibliography of the Principia, describing in detail the three substantive editions and all the known subsequent editions; an index of names mentioned in the third edition; and a complete table of contents of the third edition. Previous owner's name on front fly leaf of both volumes. Otherwise a bright, clean set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. Cambridge UK, Cambridge University Press, 1st pbk, 2004, Book: Very Good, Dust Jacket: None, Softcover, 148 pages. Andrew Janiak examines Newton's philosophical positions and his relations to canonical figures in early modern philosophy through Newton's principal philosophical writings. Janiak's study includes excerpts from the Principia and the Opticks, Newton's famous correspondence with Boyle and with Bentley, and his equally significant correspondence with Leibniz, often ignored in favor of Leibniz's later debate with Samuel Clarke. (Newton's exchanges with Leibniz place their different understandings of natural philosophy in sharp relief.) Clean copy.
Hardcover. Leiden, The Netherlands, Brill, 1st edition, 2012, Book: Near Fine, Dust Jacket: None, 352 pages. Hardcover. Decorated cover boards, excellent. Very clean pages, edges. Biding tight. Spine straight. Like new. most remembered for his biblical criticism, Vossius played a central role in the early modern European world of learning.
Softcover. Berkeley CA, Mizan Press, 1st pbk., 1981, Book: Very Good, Dust Jacket: None, Softcover, 460 pages. This unprecedented collection in English of notable works by Imam Khomeini, ranging in date from 1941 to 1980, makes it possible for non-Iranians to become directly acquainted with hsi ideas and to examine the convictions that underlay his indomitable mien. He was undeniably one of the most important figures of the age, not only for his roles as principle strategist of a successful revolutionary movement and supervisor of the Islamic order it ushered in, but also for his unhesitating promotion of what he saw as a global Islamic mission -- the union of all Muslim peoples. Clean copy.
Hardcover. NY, Knopf, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 360 pages. Published in association with the American Heritage Publishing Co. Text by Bernard Lewis, Richard Ettinghausen, Oleg Grabar, Fritz Meier, Charles Pellat, A. Shiloah, A.I. Sabra, Edmund Bosworth, Emilio Garcia Gomex, Roger M. Savory, Norman Itzkowitz, S.A.A. Rizvi, Elie Kedourie. Illustrated with 495 reproductions, photographs, drawings, and maps, 160 of them in full color.
Softcover. Philadelphia, Temple University Press, 1st pbk, 1993, Book: Very Good, Dust Jacket: None, Softcover, 379 pages. A collection of ten essays covering topics ranging from the expansion of Islamic civilization to gender issues in the Industrial Revolution and European global expansion. Each essay provides an overview of the problems and themes relating to critical processes and periods in global history. Clean copy.
Hardcover. London, Faber and Faber, Reprint, 1967, Book: Very Good, Dust Jacket: None, Hardcover. Orange cloth covers with gilt titles to spine. 93 pages of text followed by 613 monochrome plates, non-paginated. Frontis illustration, Tabriz, Tilework in the Courtyard of the So-called Blue Mosque, A. D. 1465, in full page, full color. Toning to edges. Clean, unmarked. A nice copy.
Hardcover. NY, Oxford University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 199 pages. This book examines Syria's religious, intellectual, and political history during the period of transformation before World War I. Focusing on an attempt to reform Islamic belief and practice at the turn of the century, Commins shows how the reformers used debates over the religious law of Islam to advance their visions of a progressive Islamic state. Based on a wide variety of previously unpublished sources, the book will shed new light on a period that is of considerable importance for the modern history of the Middle East. Clean copy.
Hardcover. Princeton NJ, Princeton University Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 386 pages. In a study of the vitality of Islam in late-nineteenth-century north India, Barbara Metcalf explains the response of Islamic religious scholars ('ulama) to the colonial dominance of the British and the collapse of Muslim political power. Clean bright copy of the first printing.
Hardcover. New York, Da Capo Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 327 pages. Hardcover. Gilt title on spine. Dust jacket unclipped. B/w illustrations throughout. In excellent condition, clean inside and out. Remainder mark on bottom edge. Binding tight, looks barely read.
Softcover. New York, Kraus Reprint Corporation, reprint , 1966, Book: Very Good, Dust Jacket: None, Softcover. 83 pages. This annual edited by George William Harris. Stapled binding. Green covers. Some fading to covers.
Hardcover. New York & London, G. P. Putnam's Sons, reprint, 1905, Book: Good, Dust Jacket: None, Hardcover, 442 pages, b&w illustrations. Maroon cloth, gilt titles to front and spine. Light wear to edges and boards, faint foxing to a few pages. Neat, tight copy.
Hardcover. Syracuse University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 350 pages. Describes Israel's use of spies in Lebanon during the seventies, the secret relations between Israel and Jordan, and U.S. secret channels to the PLO. Posner focuses on violence and terrorism employed by the Palestinians in their quest for nationhood, and on inter-communal violence in the Middle East in general and more specifically in Lebanon. He treats the little-known Circassion community in Jordan, that community's role in the Arab-Israeli conflict, the Sadat peace initiative, and the role of the United States in seeking a peaceful resolution of the civil war in Lebanon. A good book to gain a perspective on contemporary diplomacy and Middle East politics. Clean copy.
Hardcover. Boston, Little Brown, 1st, 1985, Book: Very Good, Dust Jacket: None, Hardcover, 287 pages, 442 b&w illustrations. The famous photojournalist presents, among other events, the abdication of Edward VIII; the Anschluss; the Warsaw ghetto, before and after its destruction; Tito's guerrilla war against the Nazis; and Isr'l's battle for independence. He recorded the fall of Hungary to the Communists; he was with Churchill at Teheran; and with Khrushchev at Belgrade. There are also exotic parties given by Cecil Beaton and Lady Juliet Duff. Portraits of the last glories of the English aristocracy and the old French Bourgeoisie; the industrialists and artists who made Italy's miraculous postwar recovery possible. In 60,000 words of text he captures the extraordinary adventures and bizarre characters that together made up the author's life. The combination of words and pictures provides a rich, powerful portrait of a fascinating career. Missing dust jacket.
Hardcover. Seattle, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. In 1976, the critic Paul Nelson spent several weeks interviewing his literary hero, legendary detective writer Ross Macdonald. Beginning in the late 1940s with his shadowy creation, ruminating private eye Lew Archer, Macdonald had followed in the footsteps of Dashiell Hammett and Raymond Chandler, but ultimately elevated the form to a new level. "We talked about everything imaginable," Nelson wrote-including Macdonald's often meager beginnings; his dual citizenship; writers, painters, music, books, and movies he admired; how he used symbolism to change detective writing; his own novels and why Archer was not the most important character-"my God, everything." It's All One Case provides an open door to Macdonald at his most unguarded. The book is far more than a collection of never-before-published interviews, though. Published in a handsome, oversized format, it is a visual history of Macdonald's professional career, illustrated with rare and select items from one of the world's largest private archives of Macdonald collectibles. Featuring in full color the covers of the various editions of Macdonald's more than two dozen books, facsimile reproductions of pages from his manuscripts, magazine spreads, and many never before seen photos of Macdonald and his friends (such as Kurt Vonnegut), including those by celebrated photojournalist Jill Krementz. It's All One Case is an intellectual delight and a visual feast, a fitting tribute to Macdonald's distinguished career. Full-color illustrations throughout
Hardcover. Chicago, University of Chicago Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 202 pages. Natalia Ginzburg, arguably the most important woman writer of postwar Italy, always spoke of herself with irrepressible modesty. Yet the woman who claimed she "never managed to climb up mountains" in fact wrote the history of twentieth-century Italy with her sparse and captivating prose, chronicling Fascism, war, and the Nazi occupation as well as the intimacies of family life. Intensely reserved, Ginzburg said that she "crept toward autobiography stealthily like a wolf." But she did openly discuss her life and her work in an extraordinary series of interviews for Italian radio in 1990. Never before published in English, It's Hard to Talk about Yourself presents a vivid portrait of Ginzburg in her own words on the forces that shaped her remarkable life-politics, publishing, literature, and family. This fluid translation will join Ginzburg's autobiography, Family Sayings, as one of the most important records of her life and, as the editors write in their preface, "the last, unexpected, original book by Natalia Ginzburg."
Softcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 133 pages illustrated in color. This lavishly illustrated volume offers a unique survey of Italian commercial graphic design during a period of both creative artistic vitality and extreme political turmoil. The first English-language book to showcase the bold typography and streamlined imagery of modern Italian design motifs on commercial products of the day, this fascinating and important resource for designers, history buffs, and collectors includes a discussion of the Futurist influence on the Italian Art Deco style and the success of such individualized expression despite a ruthless Fascist regime. Clean copy.
Hardcover. London, Phaidon, 1st, 1963, Book: Good, Dust Jacket: Fair, Part III of Pope-Hennessy's Introduction to Italian Sculpture. 3 Volumes - Plate Volume - non-paginated. Illustrated with black & white plates. Bump at top of spine. Dust jacket age darkened, wear along edges. Clean, tight copy. Text Volume - 126 pages. Black & white illustrations. Bottom right corner bumped. Dust jacket age darkened, wear along edges. Clean, tight copy. Catalogue Volume - 183 pages. Dust jacket age darkened, wear along edges. Clean, tight copy.
Hardcover. NY, Harry N. Abrams, 1st, 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, cardboard slipcase. 214 pages with 75 mounted color plates, and 100 in-text illustrations. An important study, in which Salmi has gathered works of all schools of miniature painting, much of which had never been published before. Clean copy. Slipcase with minor tape repair. DOMESTIC SHIPPING ONLY.
Hardcover. London, Phaidon Press, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, 222 pages of text, 1478 b&w plates, 39 index pages. Two volume set, textured cloth covers, clean dustjackets, set shows little wear. Cardboard slipcase with paper chipping to edges.
Softcover. Bloomington, Indiana University, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 443 pages, b&w illustrations, index. Traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic - the picturesque. "To read Bertellini's superb book is to enter into an intense, rich, and intricately layered experience of Italian immigrant culture in the New York of the 1900's and 1910's." Clean copy.