history

Hardcover. San Francisco, CA, Chronicle Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 298 pages. Dark blue cloth covers, embossed titles to spine, dark blue dust jacket with photographic illustration, profusely illustrated with gorgeous color photographs. Light rubbing to dust jacket, small nick to dust jacket at mid-spine, pages crisp and unmarked, clean boards; a beautiful book in great condition. Author Harvey H. Kaiser spent ten years exploring the historic architecture of the Western National Parks, from the rain forrests of the Olympic Peninsular to the awesome wonder of the Grand Canyon, and from rough-hewn travelers' cabins to Yosemite's spectacular Ahwahnee Hotel and Mount Hood's Timberline Lodge. Organized by region and park, and rich with historic detail.

Hardcover. Athens GA, University of Georgia Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 254 pages, b&w illustrations. George Alexander Grant is an unknown elder in the field of American landscape photography. Just as they did the work of his contemporaries Ansel Adams, Edward Weston, Eliot Porter, and others, millions of people viewed Grant's photographs; unlike those contemporaries, few even knew Grant's name. Landscapes for the People shares his story through his remarkable images and a compelling biography profiling patience, perseverance, dedication, and an unsurpassed love of the natural and historic places that Americans chose to preserve. A Pennsylvania native, Grant was introduced to the parks during the summer of 1922 and resolved to make parks work and photography his life. Seven years later, he received his dream job and spent the next quarter century visiting the four corners of the country to produce images in more than one hundred national parks, monuments, historic sites, battlefields, and other locations. He was there to visually document the dramatic expansion of the National Park Service during the New Deal, including the work of the Civilian Conservation Corps. Grant's images are the work of a master craftsman. His practiced eye for composition and exposure and his patience to capture subjects in their finest light are comparable to those of his more widely known contemporaries. Nearly fifty years after his death, and in concert with the 2016 centennial of the National Park Service, it is fitting that George Grant's photography be introduced to a new generation of Americans.

Hardcover. New York, M.E. Sharpe, 1st, 1979, Book: Very Good, Dust Jacket: None, 410 pages, white cloth covers with brown lettering. INSCRIBED BY CHIANG, one of the editors, on the half-title page. Clean, tight copy. No dust jacket.

Softcover. New York, Princeton Architectural Press, 1st, 2006, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. A very clean, unmarked copy with only minor wear to edges. Black and white portraits of citizens of Indiana, taken over 4 decades.

Hardcover. Boston NY, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages, 83 color plates, 53 duotone plates. Foreword by David Levy. Rivers, one of the original Pop artists on the 1950s art scene, is known for his bold and eclectic style. Inspired by sources as diverse as the impressionists, Napoleon, and Hollywood movies, Rivers' work shows a keen sense of history and an adventurous spirit.

Softcover. Newbury, MA, Newburyport Press, 1st, 2007, Book: Very Good, Dust Jacket: None, 62 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Hardcover. New York, Lovell, Coryell & Co., 2nd pr., 1850, Book: Very Good, Dust Jacket: None, 2 Volumes. 293 and 292 pages. 3/4 leather covers w/ gilt lettering and design on spine. Gilt top edges. Marbled end paper. Rough-cut pages. Light rubbing, edge wear to covers. Front hinge on Volume II slightly cracked. Else very clean, tight copies.

Hardcover. London, Sampson Low, Marston, Searle Rivington, 1st, 1885, Book: Very Good, Dust Jacket: None, Hardcover, 328 pages, frontispiece engraving of Napoleon. Chronicles the political intrigue that propelled Napoleon from military leader to Emperor. Bound in three-quarter black leather over blue cloth, raised bands on spine, gilt decorations and lettering on spine. Top edge gilt, light corner wear.

Hardcover. Victor, Pollux Press, 1st, 1983, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover. SIGNED BY BOTH AUTHORS beneath hand numbered #338 of a limited edition of 500. Illustrated with black & white photographs. Clean, tight copy.

Softcover. London, Reaktion Books,, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 223 pages, 144 illistrations, most in color. An exploration of the cult and celebration of death, loss and memory. Tracing the history and design of burial places throughout Europe and the USA, Ken Worpole ranges from village churchyards to tightly packed cities of the dead, such as the Jewish Cemetery in Prague and Pere Lachaise in Paris.

Hardcover. Barre, Mass., Barre Publishers, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover, 281 pages, with b&w illustrations throughout. Minor dust jacket edge wear and small tear on top spine edge. Otherwise, clean and tight copy. The story of the end of the windship era in New England waters, about the commercial sailing ships which were active from 1935 onwards. The book tells of the two-, three, four-, and five-mast schooners, the carriers of the heavy coal and lumber cargoes, and of the few remaining square-riggers which occasionally were seen during this period. Also the Brava Packets, little sailing passenger ships and a chapter is devoted to the last of the Grand Bankers, the great fishing schooners of yesteryear. Not forgotten are the small colorful 'dude schooners', the windjammers which even today still take vacationers on weekly cruises.

Hardcover. Boston, Godine, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 210 pages. Hilary Masters' memoir Last Stands exhibits uniqueness in writing with a universal appeal. Whether it be upper class zeal, lower class pride, war stories, grandparents, grandchildren, health, humor, abuse, neglect, tolerance, strength, or even food, there is something in it for everyone. Overall, Last Stands is a patchwork piece--a memoir and indirect autobiography glittered with several familial biographies. Masters constantly switches scenes and elements of focus, but he overlaps his storyline, keeping the reader grounded, despite a sequence of simultaneous events. Thus, history is tied together in a busy but logical manner. Although Masters reveals disturbing events, he adds tidbits of humor to lighten the mood. In addition, he compares and contrasts fictitious characters, such as Odysseus, to events in his own life--a technique that grants him boundless points-of-view. Furthermore, his ingenuity unfolds with his use of secondary sources: letters, poems, epitaphs, and invitations. Finally, his use of dialogue carries the story where it might otherwise seem bland.

Hardcover. Friendship ME, Friendship Sloop Society], 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards in 2-colors, 209 pages. Originally developed in the late 1800s as a working boat and fishing platform, the Friendship sloop has survived as a type and has become recognized as an American sailing classic. This is the story of a family of boats and how they weathered more than a century of change and transition, and why they still have a passionate following today. With hundreds of photographs, both contemporary and historical, sidebars from multiple authors Uncommon hardcover edition. No dj issued.

Hardcover. Leiden/Boston, Brill, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, decorated cloth covers, 610 pages. This book on medieval and early modern corpuscular matter theories presents the research results of nineteen scholars, who show that his modern model of matter has some of its roots in physical, medical, mathematical, alchemical, and theological conceptions developed in the Middle Ages. Clean, bright copy.

Hardcover. London, England, Oxford at the Clarendon Press, 2nd Edition, 1955, Book: Very Good, Dust Jacket: None, 479 pages plus maps and fold-out family tree/timeline. Hardcover. Paste down presentation label on front flyleaf. Previous owner's signature on front flyleaf. Blue cloth cover boards, gilt title on spine (slightly faded). A touch of tanning to pages. In very good condition.

Hardcover. Philadelphia, University of Pennsylvania Press, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover ina worn, rubbed dust jacket. 340 pages. Essays exploring the impact of Church law on medieval legal theory. Clean copy.

Hardcover. Spokane, WA, Arthur H. Clark Company, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 343 pages. Hardcover. B/w illustrations throughout. Covers bound in red, gilt title on spine. Binding tight. Dust jacket unclipped. Dust jacket has a touch of fading, otherwise no rips, in very good condition. Very clean inside and out.

Hardcover. Chicago, University of Chicago Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. The City of Refuge complex--commissioned by the Salvation Army as part of its program to transform social outcasts into spiritually renewed workers--represents a significant confluence of design principles, technological experiments, and attitudes on reform. It also provides rare insights into the work of one of the twentieth century's greatest architects, Le Corbusier. Brian Brace Taylor draws on extensive archival research to reconstruct each step of the architect's attraction to the commission, his design process and technological innovations, the social and philosophical compatibility of the Salvation Army with Le Corbusier's own ideas for urban planning, and finally, the many modifications required, first to eliminate defects and later to accommodate changes in the services the building provided. Throughout, Taylor focuses on Le Corbusier's environmental, technological, and social intentions as opposed to his strictly formal intentions. He shows that the City of Refuge became primarily a laboratory for the architect's own research and not simply a conventional solution to residents' requirements or the Salvation Army's program.

Hardcover. Paris, Editions Albert Morance, 1st, 1953, Book: Very Good, Dust Jacket: Fair, 320 pages. Hardcover. Text in French. Illustrated with black & white photographs and drawings of decorative cast iron. Previous owners name and date written on front interior hinge flap. Dust jacket worn with tape repair, chipping along edges - jacket now protected with clear plastic cover. Clean, tight copy.

Softcover. Paris FR, Centre National de la Photo Graphie, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 96 unnumbered pages, 40 b&w plates. FRENCH TEXT. The panoramic photography of Jacques-Henri Lartigue, taken between 1922 and 1929; the catalogue for an exhibition. Wonderful work. Text by Michel Frizot. Unpaginated, 40 full-page duo-toned b&w plates; 11 x 10.25 inches. Bibliography, chronology, exhibitions list.

Hardcover. Lawrence KS, University Press of Kansas, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Through the shadowy persona of Deep Throat, FBI official Mark Felt became as famous as the Watergate scandal his leaks helped uncover. Best known through Hal Holbrook's portrayal in the film version of Bob Woodward and Carl Bernstein's All the President's Men, Felt was regarded for decades as a conscientious but highly secretive whistleblower who shunned the limelight. Yet even after he finally revealed his identity in 2005, questions about his true motivations persisted.Max Holland has found the missing piece of that Deep Throat puzzle--one that's been hidden in plain sight all along. He reveals for the first time in detail what truly motivated the FBI's number-two executive to become the most fabled secret source in American history. In the process, he directly challenges Felt's own explanations while also demolishing the legend fostered by Woodward and Bernstein's bestselling account. Clean copy.

Hardcover. NY, Powerhouse Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages, color illustrations. The history of American comics through the stories of comics' most important and influential creators -- tracing the medium's journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Featuring artists such as Jerry Siegel, Will Eisner, Jerry Robinson, Al Jaffee, Neal Adams, Peter Kuper, Stan Lee and many more.

Softcover. UK, Cambridge University Press, 2nd pr., 2018, Book: Very Good, Dust Jacket: None, Softcover, 512 pages. Learn Latin from the Romans is the only introductory Latin textbook to feature texts written by ancient Romans for Latin learners. These texts, the 'colloquia', consist of dialogues and narratives about daily life similar to those found in modern-language textbooks today, introducing learners to Roman culture as well as to Latin in an engaging, accessible, and enjoyable way. Students and instructors will find everything they need in one complete volume, including clear explanations of grammatical concepts and how Latin works, both British and American orders for all noun and adjective paradigms, 5,000 easy practice sentences, and over 150 longer passages (from the colloquia and a diverse range of other sources including inscriptions, graffiti, and Christian texts as well as Catullus, Cicero, and Virgil). Written by a leading Latin linguist with decades of language teaching experience, this textbook is suitable for introductory Latin courses worldwide. Clean copy.