nature

1972, Book: Very Good, Color art of children viewing specimens in nature camp setting. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Frederick A. Stokes, 1st, 1918, Book: Very Good, Dust Jacket: None, Hardcover, terra-cotta cloth with a color paste-down on cover, 263 pages, A collection of 35 Native American animal folklore tales. Wood-lore (or, the ways of wild things) are told in an engaging format - a wise old chief holds evening "story-time" sessions with his very curious grandson, Little Beaver. Running through the linked narrative is the little black bear Moween, of whom Little Beaver is particularly fond. Illustrated with 8 color plates, a color title page and an endpapers drawing by Paul Bransom. Light shelf wear.

Hardcover. NY, Frederick A. Stokes, 1st, 1918, Book: Good, Dust Jacket: None, Hardcover, terra-cotta cloth with a color paste-down on cover, 263 pages, A collection of 35 Native American animal folklore tales. Wood-lore (or, the ways of wild things) are told in an engaging format - a wise old chief holds evening "story-time" sessions with his very curious grandson, Little Beaver. Running through the linked narrative is the little black bear Moween, of whom Little Beaver is particularly fond. Illustrated with 8 color plates, a color title page and an endpapers drawing by Paul Bransom. Light shelf wear.

Hardcover. University of Washington Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 285 pages. Over the Line: The Art and Life of Jacob Lawrence includes essays by eight distinguished art historians examining the ways in which Jacob Lawrence's art speaks so powerfully to different audiences. It is the first multi-author, in-depth probe of the artist's entire career: the nature of his work, his education, the critical climate in which he worked, and his use of materials and techniques. It reproduces, in full color, more than 200 works, most of which have not been published in color, or at all, in other books on the artist.

Hardcover. NY, John Day, 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, edgeworn dust jacket, 372 pages. This book is sub-titled: "A true account, rich in detail about man and nature, of Oklahoma when it was the United States last frontier".

Hardcover. New York, Knopf, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. INSCRIBED BY PECK on front fly leaf, black & white drawings by Betty Fraser. Small chip to dust jacket front panel otherwise very good condition.

Hardcover. Boston, Houghton Mifflin, reprint, 1892, Book: Very Good, Dust Jacket: None, Hardcover, 260 pages. Gilt top edge. Light edge wear, rubbing to covers. Bookplate inside front cover. Else a clean, tight copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial covers with a die-cut hole for title. 316 pages in color and b&w. Perfect Nonsense tells the complete story behind one of the most innovative and under-rated Golden Age artists, classic children's illustrators, and nonsense poets in American history. For more than 50 years, George Carlson created thousands of distinctive and dynamic cartoons, comics, riddles, and games that thrilled both children and adults with their fanciful spirit and nonsensical humor. Perfect Nonsense focuses on Carlson's prolific work as a gag cartoonist, children's illustrator, commercial designer, and art instructor from 1907 to just before World War II. Decades before his celebrated Jingle Jangle Comics, Carlson forever altered the nature of children's publishing during his tenure as chief artist and designer for the pioneering children's pulp, John Martins Book. Carlson turned the magazine itself into a toy, filled with seasonal games, holiday cut-outs, curious crosswords, graphic exercises, puzzles, riddles, rebuses, and more. Clean copy.

Softcover. Duke University Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 381 pages, color and b&w illustrations. Photography is one of the principal filters through which we engage the world. The contributors to this volume focus on Walter Benjamin's concept of the optical unconscious to investigate how photography has shaped history, modernity, perception, lived experience, politics, race, and human agency. In essays that range from examinations of Benjamin's and Sigmund Freud's writings to the work of Kara Walker and Roland Barthes's famous Winter Garden photograph, the contributors explore what photography can teach us about the nature of the unconscious. They attend to side perceptions, develop latent images, discover things hidden in plain sight, focus on the disavowed, and perceive the slow. Of particular note are the ways race and colonialism have informed photography from its beginning. The volume also contains photographic portfolios by Zoe Leonard, Kelly Wood, and Kristan Horton, whose work speaks to the optical unconscious while demonstrating how photographs communicate on their own terms. The essays and portfolios in Photography and the Optical Unconscious create a collective and sustained assessment of Benjamin's influential concept, opening up new avenues for thinking about photography and the human psyche. Clean, bright copy.

Softcover. NY/London, Routledge, reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover, 470 pages. Forty of the world's most active art historians and theorists, including Victor Burgin, Joel Snyder, Rosalind Krauss, Alan Trachtenberg, Geoffrey Batchen, Carol Squiers, Margaret Iversen and Abigail Solomon-Godeau in animated debate on the nature of photography. Photography has been around for nearly two centuries, but we are no closer to understanding what it is. For some people, a photograph is an optically accurate impression of the world, for others, it is mainly a way of remembering people and places. Some view it as a sign of bourgeois life, a kind of addiction of the middle class, whilst others see it as a troublesome interloper that has confused people's ideas of reality and fine art to the point that they have difficulty even defining what a photograph is. For some, the whole question of finding photography's nature is itself misguided from the beginning. This provocative second volume in the Routledge The Art Seminar series presents not one but many answers to the question what makes a photograph a photograph? Clean copy.

Hardcover. Charlotte VT, Camden House Publishing, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages. Extensive color photography by Richard Brown throughout. Offers advice on photographing people, landscapes, and animals, discusses composition, light, and equipment, and discusses the background of a variety of photographs. Clean copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. First edition of this collection of pieces penned in the first half of the 1970s, by four-time Pulitzer nominee. Included are reflections on man and nature in rural Georgia ("Travels in Georgia"), a profile of an Arkansas horseman hoping to make it big in an important horse race ("Ruidoso"), a quest to discover the true location that inspired the "Marvin Gardens" square in the Monopoly game, ("In Search of Marvin Gardens"), and more. Very bright, clean copy.

Hardcover. London, Jonathan Cape, 1st, 1930, Book: Good, Dust Jacket: None, Hardcover, light pink cloth soiled, worn, 251 pages, B&w illustrations by Nancy Bankart Gurney. Interior clean and bright. The tales and adventures of Toby Tottel. An interwoven series of adventures very much of the "fantastical" and colorful, there are more colors than the pink the title mentions and much more wordplay. Visit the island of Purganda, Hedgehog Market, The Magical Forester, The Sinful Miller, etc.

Hardcover. UK, Cambridge University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 249 pages. Plato's late dialogues have often been neglected because they lack the literary charm of his earlier masterpieces. Charles Kahn proposes a unified view of these diverse and difficult works, from the Parmenides and Theaetetus to the Sophist and Timaeus, showing how they gradually develop the framework for Plato's late metaphysics and cosmology. The Parmenides, with its attack on the theory of Forms and its baffling series of antinomies, has generally been treated apart from the rest of Plato's late work. Kahn shows that this perplexing dialogue is the curtain-raiser on Plato's last metaphysical enterprise: the step-by-step construction of a wider theory of Being that provides the background for the creation story of the Timaeus. This rich study, the natural successor to Kahn's earlier Plato and the Socratic Dialogue, will interest a wide range of readers in ancient philosophy and science. Name and date on front fly leaf otherwise clean.

Hardcover. UK, Oxford University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 238 pages. The Laws is Plato's last and longest dialogue. Although it has been neglected (compared to such works as the Republic and Symposium), it is beginning to receive a great deal of scholarly attention. Book 10 of the Laws contains Plato's fullest defence of the existence of the gods, and his last word on their nature, as well as a presentation and defence of laws against impiety (e.g. atheism). Plato's primary aim is to defend the idea that the gods exist and that they are good - this latter meaning that they do not neglect human beings and cannot be swayed by prayers and sacrifices to overlook injustice. As such, the Laws is an important text for anyone interested in ancient Greek religion, philosophy, and politics generally, and the later thought of Plato in particular. Robert Mayhew presents a new translation, with commentary, of Book X of the Laws. His primary aim in the translation is fidelity to the Greek. His commentary focuses on philosophical issues (broadly understood to include religion and politics), and deals with philological matters only when doing so serves to better explain those issues. Knowledge of Greek is not assumed, and the Greek that does appear has been transliterated. It is the first commentary in English of any kind on Laws X for nearly 140 years. Light pencil notations to about 15 pages.

Hardcover. Boston, Houghton Mifflin , 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 204 pages. Analyzes the nature and power of poetry and the different responses of Yeats, Dickinson, Keats, and Rimbaud to the world. Name on front fly leaf, otherwise clean.

Hardcover. Boston, Little, Brown, and Company, 1st, 1891, Book: Good, Dust Jacket: None, Hardcover set. Two Volumes, Vol. 1: the land birds, 473 pages, and Vol. 2: game and water birds, 431 pages. Minor spine edge fray and corner wear. Volume 1 has one inch tear along spine and loose pages in front. Otherwise, both volumes have clean pages and are in good condition.

Hardcover. NY, University Books, 1sr, 1966, Book: Good, Dust Jacket: None, Hardcover, orange cloth stamped in black, 400 pages. Discusses The Nature and State of Possession, Exorcism, and Shamanism. Looks at the history of possession, and its importance to religious psychology. With an appendix on Parapsychology. Traugott Konstantin Oesterreich [1880-1949] was a German psychologist and philosopher at the University Tubingen. He published numerous works on parapsychology and the occult. This is an ex-lib copy with stamping, residue to endpapers. No dust jacket, small sticker on spine, clean interior.

Hardcover. New York, Harper and Brothers, 1st, 1874, Book: Very Good, Dust Jacket: None, Hardcover, 378 pages plus 6 pages of publisher's ads. Profusley illustrated with 35 b&w line drawings, many full page. Bright green cloth with black and gilt design. Tight, clean copy.

Hardcover. Lincoln NE, University of Nebraska Press, 1st thus, 1978, Book: Very Good, Dust Jacket: None, Hardcover, 193 pages, illustrated throughout in b&w. Blue cloth, no dust jacket. Lovely copy in excellent condition.

Hardcover. Oxford, Oxford University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 193 pages, 8 color and 100 b&w plates. Examines the approach of the Pre-Raphaelite Brotherhood and their associates to the natural world. It is the first serious examination of the consequences of the Pre-Raphaelite creed of 'exact truth to nature', which led to the ever increasing importance of natural detail in Pre-Raphaelite school of landscape painting. Following a discussion of the developing interest in the precise depiction of nature by the Pre-Raphaelites from 1848 to 1851, chapters on individual artists, many hitherto almost forgotten, trace the history of the Pre-Raphaelite landscape in the 1850s and 1860s and its relation to earlier and later art in England and abroad. Much new light is cast on Ruskin's central role as theorist, patron, and critic of mid Victorian art.

Softcover. NY, Routledge, 1st pbk, 1989, Book: Very Good, Dust Jacket: None, Softcover, 486 pages, b&w illustrations. Haraway's discussions of how scientists have perceived the sexual nature of female primates opens a new chapter in feminist theory, raising unsettling questions about models of the family and of heterosexuality in primate research.

Softcover. UK, Oxford University Press, Revised Ed., 2001, Book: Very Good, Dust Jacket: None, Softcover, 384 pages. Published here for the first time is much of a final and long-anticipated work on the philosophy of history by the great Oxford philosopher and historian R. G. Collingwood (1889-1943). The original text of this uncompleted work has only recently been discovered and is accompanied here by Collingwood's shorter writings on historical knowledge and inquiry. Besides containing entirely new ideas, these incredible writings discuss many of the issues which Collingwood famously raised in The Idea of History and in his Autobiography. This book also includes two conclusions written by Collingwood, which were eventually revised and published as The Idea of Nature. and a lengthy editorial introduction that puts Collingwood's writings in their context and discusses the philosophical questions they initiate. A landmark publication, this work will appeal not only to those studying Collingwood but also to anyone broadly curious about philosophy of history. Clean copy.