nature

Hardcover. NY, Knopf, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 185 pages, color and b&w illustrations. With these character sketches of key figures of the American Revolution and illuminating probes of its circumstances, Bernard Bailyn reveals the ambiguities, complexities, and uncertainties of the founding generation as well as their achievements. Using visual documentation--portraits, architecture, allegorical engravings--as well as written sources, Bailyn, one of our most esteemed historians, paints a complex picture of that distant but still remarkably relevant world. He explores the powerfully creative effects of the Founders' provincialism and lays out in fine detail the mingling of gleaming utopianism and tough political pragmatism in Thomas Jefferson's public career, and the effect that ambiguity had on his politics, political thought, and present reputation. And Benjamin Franklin emerges as a figure as cunning in his management of foreign affairs and of his visual image as he was amiable, relaxed, and amusing in his social life. Bailyn shows, too, why it is that the Federalist papers--polemical documents thrown together frantically, helter-skelter, by Alexander Hamilton, James Madison, and John Jay in a fierce political battle two hundred years ago--have attained canonical status, not only as a penetrating analysis of the American Constitution but as a timeless commentary on the nature of politics and constitutionalism.

Softcover. UK, Penguin Books, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 226 pages, profusely illustrated in b&w. This book presents not only formal or professionally taken photos but also a fair amount of ordinary photos taken by soldiers and civilians. The history of the personal camera is tied up into the Boer War and the quality and candid nature of some of the photos are representatives of early personal use. A general pictorial overview of an ugly conflict in the waning days before WW1. Clean copy.

Hardcover. Philadelphia, John C. Winston, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt decoration, 500 pages. Color frontispiece and 246 illustrations, the majority black and white photographic illustrations. 3 maps and endpaper maps. Index. Gifford Pinchot (1865-1946) was an American forester, the first head of the US Forestry Service, the person for whom the Gifford Pinchot National Forest in Washington state is named, and a governor of Pennsylvania. In 1929 Pinchot and family took a seven-month cruise to the South Seas during which time he collected specimens for the National Museum. On board were other naturalists and representatives of scientific institutions. Profusely illustrated.

Hardcover. Barre, Mass., The Imprint Society, 1st thus, 1972, Book: Very Good, Dust Jacket: None, Hardcover, 514 pages, with 25 illustrations, translated by John Reinhold Foster, introduced by Ralph M. Sargent, number 380 of a limited 1500 copies, decorated cover and slipcase, very clean and tight copy.

Hardcover. New York, Blue Rider Press, First Edition, 2016, Book: Very Good, Dust Jacket: Very Good, 267 pages. Hardcover. Full color illustrations throughout. Bright, crisp dust jacket with light, marginal wear to edges. Clean & unmarked. A nice copy.

NY, Pantheon Books, 1st US, 1953, Book: Very Good, Dust Jacket: None, Hardcover. Green cloth binding with brown cloth spine. Illustrated with b&w woodcut drawings by Margaret Wetherbee. 124 pages. Story of a year in the life of a village schoolboy and his dominant elder brother - both are poachers and bird trappers, but both have a certain devotion to their victims. Through the eyes of these boys we see the change of seasons, the habits of birds and animals. Clean copy. No dust jacket.

Hardcover. NY, Harper & Row, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket with mild edgewear. A little boy & girl enjoy all of nature- a field, a cow, a fence, a kittycat. Wonderful color art by Weisgard. Clean copy.

Hardcover. Chicago, University Of Chicago Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 187 pages. Summary: Tuhami is an illiterate Moroccan tilemaker who believes himself married to a camel-footed she-demon. A master of magic and a superb story-teller, Tuhami lives in a dank, windowless hovel near the kiln where he works. Nightly he suffers visitations from the demons and saints who haunt his life, and he seeks, with crippling ambivalence, liberation from 'A'isha Qandisha, the she-demon. In a sensitive and bold experiment in interpretive ethnography, Crapanzano presents Tuhami's bizarre account of himself and his world. In so doing, Crapanzano draws on phenomenology, psychoanalysis, and symbolism to reflect upon the nature of reality. Two pages with check mark/lines in margin, otherwise clean.

Softcover. UK, Trustees of the Uganda National Parks, 1957, Book: Good, Dust Jacket: None, Softcover, 102 pages plus ads in rear. Also has a small folded map of Uganda in back pocket. B&w illustrations throughout.

Hardcover. New York, Sirecox, 2nd pr., 1991, Book: Very Good, Dust Jacket: Very Good, 243 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout. Illustrated with color photographs by Jose Luis Gonzalez Grande. Translation by Louis Bourne. Foreword by Sam K. Sebagereka, Minister for Tourism and Wildlife of Uganda. Preface by Luis Yanez-Barnuevo. A photographic safari of Uganda.

Hardcover. Boston, L.C. Page, rep, 1922, Book: Very Good, Dust Jacket: Poor, 271 pages. Hardcover with dust jacket. A Book of animal life in the Guiana Wilds, 59 plates by Bull. Dj with wear, chunks missing from top and bottom spine, front bottom, and rear bottom. Gutter cracked in several spots.

Softcover. New York, Doubleday, 3rd pr., 1986, Book: Very Good, Dust Jacket: None, 128 pages. Softcover with Light edgewear to wrappers. Cartoons by Roz Chast. Cartoons use puns and the author's offbeat sense of humor to poke fun at human nature and modern life in the United States. Originally appeared 1978-1981 mostly in The New Yorker magazine.

Softcover. Chicago, University of Chicago Press, reprint, 2008, Book: Very Good, Dust Jacket: None, Softcover, 370 pages. Democrat and Republican. Meat Eaters and Vegetarians. Black and White. As human beings we sort ourselves into groups. And once we identify ourselves as a member of a particular group--say, Red Sox fans--we tend to feel more comfortable with others of our own kind, rather than, say, Yankees fans. Yet we all belong to multiple groups at the same time--one might be a woman, a mother, an American, a violinist. How do we decide which identities matter and why they matter so much? And what makes us willing to die for, or to kill for, a religion, a nation, or a race? In this award-winning book, David Berreby describes how twenty-first-century science is addressing these age-old questions. Ably linking neuroscience, social psychology, anthropology, and other fields, Us and Them investigates humanity's "tribal mind" and how this alters our thoughts, affects our health, and is manipulated for good and ill. From the medical effects of stress to the rhetoric of politics, our perceptions of group identity affect every part of our lives. Science, Berreby argues, shows how this part of human nature is both unexpectedly important and surprisingly misunderstood. Clean copy.

Softcover. Cambridge MA, The MIT Press, 1st, 1997, Book: N, Softcover, 119 pages. Ultimately, Viewing Olmsted is a savvy and thought-provoking, yet diminutive picture book. The collaboration of three brilliant photographers under the sponsorship of the Canadian Centre for Architecture, it guides the reader down three highly personal, present day tours of legendary parks designed by Olmsted, the patron saint of American landscape architecture. Happily, though, its readers are left to intellectually fend for themselves as to meanings or implications of Frederick Olmsted's work, genius, and lasting influence as the man who designed such famous spaces as Central Park. Academics and artists will appreciate the fresh visual perspectives offered on the man's legacy, the sometimes soothing, sometimes haunting nature-by-design retreats for the urban soul. Those with more than a passing interest in the ways in which man interacts with his `natural' surroundings will appreciate vistas evocative of place rather than time. To the authors' credit, the book raises more questions than it answers, and is of a scale to fit neatly into a travel case. Far from definitive, the book is, nevertheless, a must have for architects, landscape architects, photographers, and Olmsted aficionados.

Hardcover. Seattle, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Only a few months after the devastating attack on Pearl Harbor and the same year that Albert Camus offered the world his bleak vision of man's existence by introducing his philosophical dictum of The Absurd, Virgil Partch burst onto the scene with his own twist on the phrase. Partch was a cartoonist who offered comic counterpoint to the grim headlines and a unique perspective on human nature in the pages of the nation's most popular magazines. Known to millions by his jazzy signature, VIP, this comic genius ushered in a new era of the gag cartoon-zany, sometimes surreal, always hilarious-that inspired a generation of fellow cartoonists starting in the 1940s and '50s. His madcap style of humor was reflected in the cutting-edge comedic sensibilities of Burns & Allen, Jack Benny, Ernie Kovacs, Bob & Ray, Stan Freberg, and Jean Shepherd, and would position Partch as one of the most prolific "gag-men" of his day. VIP contributed to an astonishing array of magazines, wrote gags for other cartoonists, illustrated books, album covers, and advertisements, and adorned merchandise including, appropriately, cocktail glasses.VIP: The Mad World of Virgil Partch is the first time Partch's life and career has been treated in full, collecting amazing artwork from the entire range of his inspired career and featuring his own writings.

Softcover. Cambridge UK/US, Cambridge University Press, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 321 pages. Virgil's agricultural poem, the Georgics, forms part of a long tradition of didactic epic going back to the archaic poet Hesiod. This book explores the relationship between the Georgics and earlier works in the didactic tradition, particularly Lucretius' De Rerum Natura ("On the Nature of Things"). It is the first comprehensive study of Virgil's use of Lucretian themes, imagery, ideas and language; it also proposes a new reading of the poem as a whole, as a confrontation between the Epicurean philosophy of Lucretius and the opposing world views of his predecessors. Clean copy.

Hardcover. New York , Basic Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 651 pages, landmark biography of photographer Walker Evans, once labeled a propagandist, but in reality, was an observer of the true nature of things. Based on unrestricted access to all of Evan's diaries, letters, work logs and contact sheets as well as the diaries of Lincoln Kirstein. Clean copy in an unclipped dust jacket.

Hardcover. NY, Knopf, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Color illustrations by Thomas B. Allen. Nice, new-looking condition. Hardbound, dust jacket.

Softcover. New Haven CT, Yale University Press, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 292 pages. This fascinating book examines Western perceptions of war in and beyond the nineteenth century, surveying the writings of novelists, anthropologists, psychiatrists, poets, natural scientists, and journalists to trace the origins of modern philosophies about the nature of war and conflict. Daniel Pick compares philosophical and historical models of conflict with fictions of invasion and biological speculation about the nature and value of conquest. He discusses the work of such familiar commentators on war as Clausewitz, Engels, and von Bernhardi, and examines little-known writings by Proudhon, De Quincey, Ruskin, Valery, and many others. He explores nineteenth-century English fears of French contamination through the Channel Tunnel and the widespread continuing dread of German domination. And he analyzes the history of the widely-shared European belief that war is beneficial or at least functionally necessary. Clean copy.

Hardcover. NY, Roaring Brook Press], 3rd pr., 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This spare, poetic picture book follows a group of kids as they move through all the different phases of the water cycle. From rain to fog to snow to mist, author Miranda Paul and artist Jason Chin combine to create a beautiful and informative journey in this innovative nonfiction picture book. Clean copy.

Hardcover. Stewart Tabori & Chang, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A wild duck narrator looks at the past when the environment was bountiful, searches through today's polluted environment for a home, and encourages saving and restoring the environment for the future

Hardcover. NY, Parent's Magazine Press, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth. Tells what a whisper is, and what a secret is -- so a whispery secret is a very special thing. A gentle, cuddly read-aloud story for bed-time reading memories. Each page has illustrations by Martha Alexander that are in soft and soothing blues, grays, and greens with cute little faces on all the characters focusing on nature. Pages not numbered. Clean copy.

Hardcover. Ames IA, University Museums at Iowa State, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 398 pages. Mainly b&w illustrations with a small color section in center. In 1927, President Raymond Hughes began planning aesthetic improvements to the Iowa State campus. In 1933, at the depth of the Great Depression, and in an act that dramatically illustrates his artistic commitment, he began discussion with Grant Wood and Christian Petersen for each to create a significant mural cycle for the Iowa State College campus in Ames. The federal New Deal s Public Works of Art Project began in 1934 and offered a grand opportunity to employ artists in executing Grant Wood s painted mural for the library, When Tillage Begins, Other Arts Follow, and Christian Petersen s sculpted mural for the Dairy Industry Building, The History of Dairying. This book presents the first history of the Public Works of Art Project in Iowa and the first in-depth examination of the Grant Wood and Christian Petersen murals at Iowa State College. It also discusses the co-operative painting group that Grant Wood developed and illuminates the collaborative nature of the Iowa Project among its artists, as well as between the State University of Iowa in Iowa City and Iowa State College in Ames. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. London, Quiller Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 432 pages. Profusely illustrated in color and b&w, folding map in rear pocket. The story of Lake Rudolph/Turkana, and its exploration by numerous expeditions of explorers from the earliest days. The author has spent his life in Kenya and roamed the Northern Frontier District for over 35 years. Clean copy.