nature

Hardcover. Oxford UK, Oxford University Press, 2nd Ed., 1939, Book: Good, Dust Jacket: None, Blue cloth covers with gilt lettering on spine. Ex-library copy with light stamping, label on spine. 182 pages. Except for library stamping text pages are clean, firm binding. Originally published in 1906, this with a new preface by author.

Hardcover. New York, Reynal & Hitchcock, 1st, 1938, Book: Very Good, Dust Jacket: None, 2 Hardcover volumes. Volume 1 - 655 pages. Black & white illustrations. Moderate fading to spine of red cloth covers. Light wear. Clean, tight copy. Volume 2 - 640 pages. Black & white illustrations. Moderate fading to spine of red cloth covers. Light wear. Clean, tight copy.

Hardcover. NY, Doubleday, 1st trade, 1974, Book: Very Good, Dust Jacket: None, Hardcover in a lightly worn slipcase. First trade edition limited to 3000 copies. 278 pages with 58 color plates plus many drawings by Karl Karalus, text by Allan Eckert. Clean copy.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The seventh volume of the Papers of Frederick Law Olmsted presents the record of his last years of residence in New York City. It includes reports on the design of Riverside and Morningside parks and Tompkins Square in Manhattan, as well as his comprehensive plan for the street system and rapid transit routes of the Bronx. It records his continuing work on Central Park and presents his final retrospective statement, The Spoils of the Park. In addition, volume seven contains an annotated version of the journal in which Olmsted recorded instances of political maneuvering and patronage politics in the years before his dismissal from the New York parks department in 1878. Later documents chronicle the early stages of his planning of the Boston park system--the Back Bay Fens, Arnold Arboretum, and Riverway. Other major commissions, each with its own political complications, were the grounds of the U.S. Capitol, the completion of the new state capitol in Albany, the designing of a park on Mount Royal in Montreal, and construction of the park system of Buffalo, New York. The volume also presents Olmsted's commentary on issues of the times including federal Reconstruction policy and civil-service reform.

Softcover. NY, Stone Street Press, 1st , 1984, Book: Very Good, Dust Jacket: None, Softcover, green paper wrappers with illustrated label on front. SIGNED BY MCCORMICK on (C) page Lino cut Illustrations, calligraphy & translation by McCormick. Clean, bright copy.

Hardcover. NY, Harper and Brothers, 1st, 1869, Book: Good, Dust Jacket: None, Hardcover, maroon cloth with beveled edges. Engraved frontispiece with tissue guard and profusely illustrated throughout with 163 wood-engravings. The author of several other scientific works here gives a description of the Arctic and Antarctic regions of the globe in both a popular and scientific way. He gives a succinct history of the several polar expeditions, American and European. Covers with edge wear and fraying to spine, gilt blindstamped scene of dog sled on front cover, gilt kayak scene and lettering on spine faded. Interior of book very good, no markings.

Hardcover. Giles , 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with a color illustration label, 64 pages. Marking the 350th anniversary of the death of Rembrandt van Rijn, this fourth volume in the Frick Diptych series offers fresh insight into one of the artist's most romantic and enigmatic portraits-The Polish Rider. This painting has been on view at The Frick Collection since the museum opened to the public in December 1935, and has inspired countless theories about its subject, meaning and history. An illuminating essay by Xavier F. Salomon, the Frick's Peter Jay Sharp Chief Curator, addresses the many questions of provenance, attribution, and historical and artistic context. In a creative, vibrant piece, New York based author and illustrator Maira Kalman, captures the elusive nature of the painting; an imaginary musing about Rembrandt, being Polish, a traveller, and her enduring fascination with the Frick. Still in publisher's shrinkwrap.

Softcover. NY/London, Palgrave , 2nd Ed., 2002, Book: Very Good, Dust Jacket: None, Softcover, 244 pages. Taking into account recent developments in historical and ecological criticism, and incorporating fresh research into poetry and politics in the 1790s, the second edition of The Politics of Nature enlarges and updates Nicholas Roe's acclaimed study of Romanticism. Hitherto marginal figures are restored to prominence, and there is new material on William Wordsworth's radical years.

Softcover. Boston, Shambhala, 1st, 1981, Softcover, 160 pages. The Power of Limits was inspired by those simple discoveries of harmony. The author went on to investigate and measure hundreds of patterns--ancient and modern, minute and vast. His discovery, vividly illustrated here, is that certain proportions occur over and over again in all these forms. Patterns are also repeated in how things grow and are made--by the dynamic union of opposites--as demonstrated by the spirals that move in opposite directions in the growth of a plant.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 305 pages. A very clean, tight copy.

Hardcover. NY, Garden City Books, BC Ed., 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Book Club edition, 216 pages. Bright, clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine. No dust jacket. Profusely illustrated throughout in black & white and color. 433 pages. This book examines the technical and aesthetic experimentation that went into printmaking, workshop practices, and the material and social contexts of print production, and it gives the fullest account ever written of the ways in which Renaissance prints were produced, distributed, and acquired. David Landau and Peter W. Parshall pose a range of practical questions about the production of prints. They investigate, for example, what materials were used, how they were acquired, and how a Renaissance printmaker's workshop operated. They explore the evidence that individual prints were beginning to be esteemed as works of art rather than as inexpensive substitutes for them, and the relationship between prints made to be collected and those of a more ephemeral nature intended for a wider audience. They discuss how prints were valued during the period, including the relative value of woodcuts to engravings, and engravings to etchings. And they investigate how prints evolved in relation to the pictorial arts of the Renaissance generally. Clean, bright copy. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Pantheon, 6th pr., 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 338 pages. Argentine poet Jorge Luis Borges was madly in love when his life was shattered by painful heartbreak. But the breakdown that followed illuminated an incontrovertible truth-that love is necessarily imbued with loss, that the one doesn't exist without the other. German physicist Werner Heisenberg was fighting with the scientific establishment on the meaning of the quantum realm's absurdity when he had his own epiphany-that there is no such thing as a complete, perfect description of reality. Prussian philosopher Immanuel Kant pushed the assumptions of human reason to their mind-bending conclusions, but emerged with an idea that crowned a towering philosophical system-that the human mind has fundamental limits, and those limits undergird both our greatest achievements as well as our missteps. Through fiction, science, and philosophy, the work of these three thinkers coalesced around the powerful, haunting fact that there is an irreconcilable difference between reality "out there" and reality as we experience it. Clean copy.

Hardcover. NY, Random House , 2nd pr., 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 421 pages. Taylor offers a vivid account of the fledgling days of the National Basketball Association and the intense competition between two of its biggest early stars: Bill Russell (of the Boston Celtics) and Wilt Chamberlain (of the Philadelphia 76ers). While both players were dominant men who anchored their respective teams, their personalities differed greatly. The quiet, reflective Russell turned a serendipitous showing in front of a scout into a legendary career largely through willpower and hard work, while the outgoing Chamberlain was a much more naturally gifted athlete whose skills drew attention and offers while he was barely a teenager. Taylor highlights this distinction, asking, "[C]ould determination trump talent?" Along with examining the physical and psychological battles between the two, Taylor depicts the NBA's raucous nature in the 1950s and '60s, when fights between players were frequent, and the brash Celtics coach Red Auerbach was routinely pelted with rotten tomatoes, lit cigars and eggs. Looking at everything, from each player's private demons to the racially charged era in which they competed, Taylor's book is by turns an intimate profile and a spirited look at the foundation of modern professional basketball. Mild soiling to text block, no markings.

Hardcover. Ithaca NY, Cornell University Press, 2nd pr., 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 261 pages, previous owner's signature on front fly leaf. "Evil is the most serious of our moral problems. All over the world cruelty, greed, prejudice, and fanaticism ruin the lives of countless victims. Outrage provokes outrage. Millions nurture seething hatred of real or imagined enemies, revealing savage and destructive tendencies in human nature. Understanding this challenges our optimistic illusions about the effectiveness of reason and morality in bettering human lives. But abandoning these illusions is vitally important because they are obstacles to countering the threat of evil. The aim of this book is to explain why people act in these ways and what can be done about it." The first part of this book is a detailed discussion of six horrible cases of evil: the Albigensian Crusade of about 1210; Robespierre's Terror of 1793?94; Franz Stangl, who commanded a Nazi death camp in 1943?44; the 1969 murders committed by Charles Manson and his "family"; the "dirty war" conducted by the Argentinean military dictatorship of the late 1970s; and the activities of a psychopath named John Allen, who recorded reminiscences in 1975. John Kekes includes these examples not out of sensationalism, but rather to underline the need to hold vividly in our minds just what evil is. The second part shows why, in Kekes's view, explanations of evil inspired by Christianity and the Enlightenment fail to account for these cases and then provides an original explanation of evil in general and of these instances of it in particular.

Hardcover. NY, Macmillan, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, light tan cloth with green lettering and decoration. No dust jacket. INSCRIBED BY AUTHOR on title page. A memoir of a year in rural Pennsylvania. Clean copy.

Hardcover. Lanham MD, Lexington Books, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 143 pages. American nature writing characteristically embodies an appreciative, lyrical evocation of the natural world. But often, too, green-disposed authors have been moved to dramatize diverse, anthropogenic perils to environmental health. John Gatta freshly reveals how this dark yet graced and hopeful strain of environmental literature enlarges upon a jeremiad tradition of prophecy inherited from Puritan New England. Across successive historical periods, such expression has assumed a rich variety of American form--as creative nonfiction, poetry, fiction, or film documentary. In the spirit of ancient Hebrew prophecy, jeremiads--unlike diatribes--reach beyond effusions of doom and gloom toward the prospect of change through a conversion of heart. Accordingly, the new climate fiction and much other writing steeped in what Gatta terms this "Green Jeremiad" tradition not only warn of material threats to life's flourishing, but may also look to stir spiritual understanding and renewal. Clean copy.

Softcover. New Haven CT, Yale University Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 375 pages. In this pathbreaking and richly illustrated book, Martin Kemp examines the major optically oriented examples of artistic theory and practice from Brunelleschi's invention of perspective and its exploitation by Leonardo and Durer to the beginnings of photography. In a discussion of color theory, Kemp traces two main traditions of color science: the Aristotelian tradition of primary colors and Newton's prismatic theory that influenced Runge, Turner, and Seurat. His monumental book not only adds to our understanding of a large group of individual works of art but also provides valuable information for all those interested in the interaction between science and art. "This beautifully made volume . . . shows us the unity of the visual study of nature-the exalted mutual task of Renaissance science and art."-Scientific American. Clean copy. NOTE: Due to weight, DOMESTIC SHIPPING ONLY.

Softcover. Kenosha WI, privately printed, 1998, Book: Very Good, Dust Jacket: None, Softcover, 30 pages, almost 300 color photos of shells with a description underneath. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a unclipped dust jacket with fading to spine, 260 pages. This fascinating and unusual book tells the story of an arguably catastrophic German habit - that of valuing cultural achievement above all else and envisioning it as a noble substitute for politics. Lepenies examines how this tendency has affected German history from the late eighteenth century to today. He argues that the German preference for art over politics is essential to understanding the peculiar nature of Nazism, including its aesthetic appeal to many Germans (and others) and the fact that Hitler and many in his circle were failed artists and intellectuals who seem to have practiced their politics as a substitute form of art. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Dr. Piotr (Peter) Naskrecki is a Polish-born entomologist, photographer and author, currently at the Museum of Comparative Zoology, Harvard University (Cambridge, MA, USA.) His research focuses on the evolution of sound-producing insects, and the theory and practice of nature conservation. As a writer, Piotr strives to promote appreciation and conservation of invertebrate animals - insects, arachnids, and their kin - by capturing both their beauty and roles as vital, often critically important members of the Earth's ecosystems. Piotr Naskrecki is a master photographer and an enormously knowledgeable biologist and ecologist. In this beautifully printed book, he captures the finer details of the some of the unusual animal life and adaptations that you find in tropical rain forests, savannas, and deserts. He also provides well written, informative supporting text.

Hardcover. NY, Ecco, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 461 pages, b&w illustrations. In this remarkable memoir, the award-winning author shares the ways in which his relationship with his father, combined with his unique childhood, molded him into the scientist, and man, he is today. From Gerd's days as a soldier in Europe to the family's daring escape from the Red Army in 1945 to the rustic Maine farm they came to call home, Heinrich relates it all in his trademark style, making science accessible and awe-inspiring. Remainder line to bottom edge otherwise clean.

Hardcover. NY, Ecco, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. From Bernd Heinrich, the bestselling author of Winter World, comes the remarkable story of his father's life, his family's past, and how the forces of history and nature have shaped his own life. Although Bernd Heinrich's father, Gerd, a devoted naturalist, specialized in wasps, Bernd tried to distance himself from his "old-fashioned" father, becoming a hybrid: a modern, experimental biologist with a naturalist's sensibilities. In this remarkable memoir, the award-winning author shares the ways in which his relationship with his father, combined with his unique childhood, molded him into the scientist, and man, he is today. From Gerd's days as a soldier in Europe to the family's daring escape from the Red Army in 1945 to the rustic Maine farm they came to call home, Heinrich relates it all in his trademark style, making science accessible and awe-inspiring. Clean copy.

Hardcover. London, Faber and Faber, 1st, 1933, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, 235 pages, top edge gilt. A novel from English author Henry Williamson in which he uses the concept of the stars - a regular feature in his work - to explore the nature of good and evil, with the author describing it as a celestial fantasy. With full plate and vignette wood engravings from Charles Frederick Tunnicliffe, an internationally renowned naturalistic painter of British birds and other wildlife. Clean copy.