photography portraits

hardcover. Boston, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 67 color, 68 duotone photos by Testino. Preface by Gwyneth Paltrow. In a bright, unclipped dust jacket.

Hardcover. Boston, Little Brown, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover, 129 pages. The 'upper class' in America might also be called the hidden class. To be born into wealth in America is to belong to a world apart, a world most of us never glimpse. This group -- whose wealth is several generations old -- has been envied, castigated, and mythologized, but rarely documented or photographed. Barbara Norfleet, photographer and sociologist, depicts this hidden world through a series of candid images at once fascinating and unsettling, combined with interviews. Norfleet captures her subjects in context: at social gatherings, athletic events, in their exclusive clubs and vast private estates. Dust jacket has some sun-fade along spine edge otherwise clean, very good.

Hardcover. NY, Random House, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket in publisher's slipcase. Illustrated with 127 b/w and full color plates, mostly full page some folding out. Essay by Edmund White. This is a very heavy/large book (12 x 13 inches approximately), DOMESTIC SHIPPING ONLY.

Hardcover. US, Edition Stemmle, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 208 pages, illustrated throughout in sepia. Light edgewear and tanning to dust jacket, else a clean, tight copy. Alvin Langdon Coburn (1882-1966) is remembered today as one of photography's early masters and great innovators. This monograph investigates the unconventional nature of his personal and artistic achievements. Coburn's landscapes, cityscapes, portraits, and Vortographs reflect his unprecedented steps towards the creation of a photography of symbol and abstraction.

Hardcover. New York, Bulfinch Press, First Edition, 2004, Book: Very Good, Dust Jacket: Very Good, 127 pages. Hardcover. Wine cloth boards with silver titles to spine. Full page, black & white photographs throughout. Clean, unmarked copy.

Hardcover. Giverney, France, Library of Congress/Musee d'Art Giverny, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Lovely copy. Minor wear to dust jacket, else like new. An exhibition held in Paris a century ago demonstrated the key role American women photographers played in the international pictorialist movement. Each of the 29 artists, including such well-known figures as Gertrude Kaesebier, Amelia van Buren and Zaida Ben-Yusuf, is represented in a selection of approximately 70 breathtaking color plates drawn from the Frances Benjamin Johnston Collection at the Library of Congress and the National Museum of American History. The photographs include landscapes, portraiture, genre scenes, and still-lifes, all of which are evocatively composed and delicately toned using a variety of photographic techniques.

Hardcover. US, Library of Congress/Musee d'Art Giverny, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 250 pages. An exhibition held in Paris a century ago demonstrated the key role American women photographers played in the international pictorialist movement. The accomplishment of these professional and amateur photographers clearly demonstrated a mastery of the medium and made a strong impression on those in attendance. Ambassadors of Progress explores this largely unknown event. Each of the 29 artists, including such well-known figures as Gertrude Kaesebier, Amelia van Buren and Zaida Ben-Yusuf, is represented in a selection of approximately 70 breathtaking color plates drawn from the Frances Benjamin Johnston Collection at the Library of Congress and the National Museum of American History. The photographs include landscapes, portraiture, genre scenes, and still-lifes, all of which are evocatively composed and delicately toned using a variety of photographic techniques.The book contains essays by Verna Curtis (Curator of Photography, Library of Congress -- on Frances Benjamin Johnston as photographer and curator), Michel Poivert (President, Societe Francaise de Photographie -- on the French critical reception), Derrick R. Cartwright (Director, Hood Museum of Art, Dartmouth College -- on the relationship of pictorialist photography to contemporary American painting), and Andrew Robb (Senior Photograph Conservator, Library of Congress -- on the conservation processes surrounding these works).

Softcover. NY, Harper & Row, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Warhol's career as an artist has been a love affair with the United States. Culled from his photographic archives, "America" is a lavishly illustrated selection of Warholian images of people and places and a photographic portrait of modern life from Warhol's camera's eye. 1st edition in paperback. Clean, bright copy, like new.

Hardcover. GR, Steidl, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. One of the most intriguing and little studied forms of nineteenth-century photography is the tintype. Introduced in 1856 as a low-cost alternative to the daguerreotype and the albumen print, the tintype was widely marketed from the 1860s through the first decades of the twentieth century as the most popular photographic medium. The picture-making preference of the people, it was almost never used for celebrity portraiture: It was affordable, portable, unique and available almost everywhere. Because of its ubiquity, the tintype provides a startlingly candid record of the political upheavals that rocked the four decades following the American Civil War-and the personal anxieties they induced. As this book's author, Steven Kasher, argues, the tintype studio became a kind of performance space in which sitters could act out their personal identities. Sitters brought to the tintype studio not just their family and friends but also the tools of their trade, costumes, toys, stuffed animals and other such props. Often they would enact stereotypes and fantasies that reflected or challenged conventional gender, race and class roles. Surprisingly, the tintype was almost exclusively an American phenomenon, rarely used in other countries, and this book demonstrates how this modest form of photography provides extraordinary insight into the development of national attitudes and characteristics in the formative years of the early Modern era. Featured in this book are more than 200 remarkable examples of tintypes, mostly drawn from the Permanent Collection of the International Center of Photography in New York.

NY, te Neues Publishing, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, illustrated with b&w portraits by Sandro, 76 pages. Clean copy.

Softcover. NY, Random House, 1st pbk, 1994, Book: Very Good, Dust Jacket: None, Softcover, 360 pages. profusely illustrated with b&w photos. Portraits and interviews with Nevada test site workers, veterans who trained at the site, and people living nearby who suffered health problems from the radiation. Minor shelf wear. Clean copy.

Hardcover. Bloomington, IN, Indiana University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, 272 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. A tight copy. Christopher Felver has collected over 240 photographs from tours and encounters with musicians over the past 25 years. From Doc Watson to John Cage and Mavis Staples to Sonny Rollins, this collection celebrates the tapestry and diversity of musical styles that make up the American sonic landscape.

Hardcover. NY, Random House, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages. color and b/w plates. Includes biographical sketches of all the musicians. Includes, but is not limited to: B.B. King, Willie Nelson, Bonnie Raitt, Bruce Springsteen, Beck, Bob Dylan, Mary J. Blige, Steve Earle, Miles Davis, Etta James, Pete Seeger, Emmylou Harris, Tom Waits, The Dixie Chicks, and more. Short essays by musicians Patti Smith, Rosanne Cash, Steve Earle, Mos Def, Ryan Adams, and Beck.

Hardcover. NY, Da Capo Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages. As well-known as Robert Frank the photographer is, few can say they really know Robert Frank the man. Born and raised in wartime Switzerland, Frank discovered the power and allure of photography at an early age and quickly learned that the art meant significantly more to him than the money, success, or fame. The art was all, and he intended to spend a lifetime pursuing it. American Witness is the first comprehensive look at the life of a man who's as mysterious and evasive as he is prolific and gifted. Leaving his rigid Switzerland for the more fluid United States in 1947, Frank found himself at the red-hot social center of bohemian New York in the '50s and '60s, becoming friends with everyone from Jack Kerouac, Allen Ginsberg, and Peter Orlovsky to photographer Walker Evans, actor Zero Mostel, painter Willem de Kooning, filmmaker Jonas Mekas, Bob Dylan, writer Rudy Wirlitzer, jazz musicians Ornette Coleman and Charles Mingus, and more. Frank roamed the country with his young family, taking roughly 27,000 photographs and collecting 83 of them into what is still his most famous work: The Americans. His was an America nobody had seen before, and if it was harshly criticized upon publication for its portrait of a divided country, the collection gradually grew to be recognized as a transformative American vision.

Hardcover. NY, Da Capo Press, 1st, 2017, Hardcover, 352 pages. As well-known as Robert Frank the photographer is, few can say they really know Robert Frank the man. Born and raised in wartime Switzerland, Frank discovered the power and allure of photography at an early age and quickly learned that the art meant significantly more to him than the money, success, or fame. The art was all, and he intended to spend a lifetime pursuing it.American Witness is the first comprehensive look at the life of a man who's as mysterious and evasive as he is prolific and gifted. Leaving his rigid Switzerland for the more fluid United States in 1947, Frank found himself at the red-hot social center of bohemian New York in the '50s and '60s, becoming friends with everyone from Jack Kerouac, Allen Ginsberg, and Peter Orlovsky to photographer Walker Evans, actor Zero Mostel, painter Willem de Kooning, filmmaker Jonas Mekas, Bob Dylan, writer Rudy Wirlitzer, jazz musicians Ornette Coleman and Charles Mingus, and more. Frank roamed the country with his young family, taking roughly 27,000 photographs and collecting 83 of them into what is still his most famous work: The Americans. His was an America nobody had seen before, and if it was harshly criticized upon publication for its portrait of a divided country, the collection gradually grew to be recognized as a transformative American vision.

Softcover. London, Illustrated London News , 1954, Original printed red card wrappers. Light rubbing of the covers, some thumbing of the leading edge; top spine worn, overall, this book is in good to very good condition. 68 pages. Gilt decorated red cover, color frontispiece portrait, gravure and color plates, photographs, illustrations, genealogical table. Contributors include Cyril Falls (Sir Winston Churchill in War), E.D. O'Brien (Sir Winston Churchill- the Man), Charles Petrie (Sir Winston Churchill's Place in History), Edward Winterton (Sir Winston Churchill in Parliament). Frontispiece by Yousuf Karsh.

Softcover. London, Illustrated London News , 1954, Original printed red card wrappers. Light rubbing of the covers, some thumbing of the leading edge; overall, this book is in good to very good condition. 68 pages. Gilt decorated red cover, color frontispiece portrait, gravure and color plates, photographs, illustrations, genealogical table. Contributors include Cyril Falls (Sir Winston Churchill in War), E.D. O'Brien (Sir Winston Churchill- the Man), Charles Petrie (Sir Winston Churchill's Place in History), Edward Winterton (Sir Winston Churchill in Parliament). Frontispiece by Yousuf Karsh.

Hardcover. Taschen, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages, color photos. The fashion photographer and former fiance of Marilyn Monroe details his entire relationship with the star, including many private moments shared only between the two in his secret memoirs, which were discovered after his death in 1988.

Softcover. Paris, Chene, 1979, Book: Very Good, Dust Jacket: None, Four softcover books in a cardboard slipcase. 64 pages each, all with 64 b&w plates by Kertesz. Books are clean and tight, very good. Slipcase has rubbing, edgewear.

Hardcover. Taschen, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 368 pages. To many, Andres Serrano is the man responsible for "Piss Christ" and a national debate over government funding of controversial art. For those who look deeper, he's a highly-accomplished, ever-evolving photographic artist. This collection reveals three years of work that produced over 100 portraits of cultural diversity in America, as filtered through the critical lens of one of America's most mythologized contemporary artists.

Hardcover. Bologna, Italy, Damiani, 1st, 2011, Book: Very Good, Dust Jacket: None, White cloth covers with gilt lettering and color picture on front. Like new in publisher's shrink-wrap. Holy Works is the culmination of Andres Serrano's vision of Christian iconography, reinterpreted photographically for the present. Serrano's intention with these works is not to recreate specific medieval or renaissance religious paintings, nor to invest them with the iconoclasm that made his name in the 1980s, but rather to renew the genre of sacred portraiture: "Rather than destroy sacred icons," says the artist, "I reinvent and reinforce them." Serrano's subjects for this series are selected from among his friends and acquaintances, emphasizing (like Caravaggio before him) the ordinariness of human features. The genres and themes are familiar, and Holy Works includes a "Last Supper" and a "Stations of the Cross" (rendered as a triptych panel), as well as bolder portrayals typical of Serrano--a "Blood Madonna" and a "Chinoise Madonna," for example. This volume is Serrano's major statement of his religious and artistic belief.

Paperback. London, Quartet Books, 1st, 1982, Book: Very Good, Dust Jacket: None, Unpaginated, paperback. Retrospective of noted English photographer. Text by Adrian Woodhouse. Light rubbing and edgewear to wraps. Mild foxing to top copy edge. Unmarked. Bright and clean; a tight copy. Angus McBean was a Welsh photographer, set designer and cult figure associated with surrealism.

Hardcover. NY, Welcome Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, no dust jacket. A collection of magical & clever animal portraits by Ledner. Cutouts of keyholes, doorways & windows provides teasing glimpses of what dwells beyond the next door or curtain- sheep, ostrich, raccoon, kangaroo, etc. A stunning volume for all ages. Small inscription on front fly leaf. Otherwise clean.

Hardcover. US, Angelika Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 304 pages. Like new in publisher's shrink-wrap. Anna Bauer's Backstage is a comprehensive portrait of the protagonists of fashion in the twenty-first century's first decade: not just the designers but the entire cast of PR agents, photographers, make-up artists, art directors, editors and, of course, the models. Photographing at shows in Paris, Milan, London and New York, using a large-format camera and black-and-white Polaroid, Bauer decided to portray the diversity of the talent at work behind the scenes. "I got totally addicted to the backstage," Bauer says in the preface to this volume. "I wanted to show how much is involved." Elegantly designed by Fabien Baron, Backstage is divided into eight themed sections.