signed

Hardcover. London, Bantam Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY FYFIELD on title page. Sarah Fortune, first encountered in "Shadows on the Mirror", is sent to Merton-on-Sea in Norfolk to sort out the inheritance problems of the small town's premier family. But she discovers much more than just an ambiguously-worded will - and also has to confront the pain of her own past. Clean copy.

Hardcover. New York, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages, 110 illustrations in color. Like new in publishers shrink-wrap. Includes signed print by Gordon.

Hardcover. New York, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages, 110 illustrations in color. Like new in publishers shrink-wrap. Includes signed print by Gordon.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Illustrated with portraits. Top edge gilt. 412 pages + ads. INSCRIBED BY RANKIN to Livingston C. Lord, President of Eastern Illinois University in 1917. Rankin, who died at 90 in 1927, was an early colleague and friend of Lincoln's from his Springfield days. Small ink number on front fly leaf, otherwise clean.

Hardcover. New York , Golden Books, 1ST, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover. INSCRIBED BY WAHL on copyright page. Color illustrations by Erik Blegvad. Previous owner's name on front fly leaf. Glazed cardboard covers.

Hardcover. NY, Atheneum, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, color illustrations by Raschka. Sergei Prokofiev composed his Peter and the Wolf in 1936 with the hope of introducing children to the instruments of the orchestra. It happens that he also devised a wonderfully dramatic story. The characters - boy, bird, duck, cat, grandfather, wolf, hunters - and their doings have been beloved by young and old for decades. Writer, artist, musician, and Caldecott Medalist Chris Raschka has given the original story a new setting: a stage performance. Here you will relish language inspired music; enjoy mischief, suspense, and triumph in the theater; and delight in a surprise (and an additional character) Prokofiev's merry tale didn't provide. Please do not turn immediately to the last page. SIGNED BY RASCHKA.

Hardcover. Paris, Tchou, 1st, 1966, Book: Very Good, Dust Jacket: None, 253 pages, b&w cartoon drawings by Copi. White cloth covers with black design. A collection of quotes from writers of the Surrealist movement in France. Long preface by Corvin. INSCRIBED BY BOTH AUTHOR AND ILLUSTRATOR (HIS WITH A SKETCH OF A BIRD) to Roger Shattuck, author and chronicler of the period. Publishers complimentary card laid in. Small tan stain to cloth at top of front cover, otherwise very good.

Hardcover. New York, Henry Holt & Co,, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 199 pages. SIGNED BY AUTHOR on the title page. Very nice copy in brodart cover.

Hardcover. South Bend IN, Gateway Editions, 1st, 1978, Book: Very Good, Dust Jacket: Fair, Hardcover in an edgeworn, unclipped dust jacket. INSCRIBED BY EDITOR HARRISON on the title page. 628 pages, b&w illustrations. Thomas Cope was a wealthy merchant and ship owner, a force in city and state government, a philanthropist and--by no means least--a Quaker. He is best described in his own words about his writing and himself: "I have laid down no regular plan and I follow none. My diary is like myself, a chequered maze." He was committed to the service of others--the poor, the sick, the insane--and labored to improve the civic life of Philadelphia in far-sighted ways. He was a moving force behind the water system, a founder of the Mercantile Library, an advocate for the Penn. Railroad, and a supporter of poorhouses, among many other civic and philanthropic activities. He was also a deeply passionate man, whose fluent style at times seethes with emotion. Even into his eighties he struggled to control his temper. Perceptive and intelligently engaged, Cope comments on all the major historical events of his time, such as the yellow fever epidemics, the War of 1812, and the looming Civil War, as well as the more personal dramas of his own life. Some tape repairs ro dj, clean copy.

Hardcover. New York, Henry Holt, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. SIGNED ON TITLE PAGE BY AUTHOR. Light fading to top otherwise clean, tight copy.

Hardcover. NY, Aperture, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth covers with black lettering, 160 pages. American Mirror is award-winning photographer Philip Montgomery's dramatic chronicle of the United States at a time of profound change. Through his intimate and powerful reporting and a signature black-and-white style, Montgomery reveals the fault lines in American society, from police violence and the opioid addiction crisis to the Covid-19 pandemic and the demonstrations in support of Black lives. Yet in his unflinching images, we also see moments of grace and sacrifice, glimmers of solidarity and tireless advocates for democracy. Like Dorothea Lange and Walker Evans before him, Montgomery has made an unforgettable testament of a nation at a crossroads. SIGNED BY MONTGOMERY on the title page.

Softcover. US, Alpine Fine Arts Collection, 1st, 1983, Book: Good, Dust Jacket: None, Softcover, 275 pages, illustrated throughout in color and b&w. INSCRIBED BY ARTIST on front end paper. Edgewear, rubbing and scratching to wrappers. Faint foxing to top edge and end papers, otherwise a clean, tight copy.

ND, 8 X 10 b&w glossy photograph, light wear, creasing. Date unknown, probably early 1950s.

Hardcover. New York, Viking, 1st UK, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 236 pages, SIGNED BY AUTHOR on title page. Very clean and tight copy.

Hardcover. New York, Burns Archive Press, 1st Edition, 2005, Book: Very Good, Dust Jacket: None, Hardcopies. (SIGNED) Domestic shipping only. Slipcase still has original mylar wrap (See image).4 Volumes: Nonpagenated (SIGNED) In slipcase.The Face, 56 pagesThe Torso, 55 pagesThe Extremities, 57 pagesThe Back, 56 pagesLimited to 5000 copies. Color, b/w and sepia illustrations throughout. Black, decorated cover boards in like new condition. Pages clean, binding tight, spines straight. Slipcase fine.

Hardcover. Carmel CA, Friends of Photography/Matrix, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages, 61 duotone photographs by Morris, beautifully reproduced. Limited to 500 copies SIGNED BY MORRIS. Dust jacket with fading to spine, price-clipped. In a lightly worn, rubbed cardboard slipcase.

Hardcover. Baltimore, privately printed, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, Bound in black paper boards with titling in white and a photo reproduction on front cover. Photographs are reproduced on glossy white paper. SIGNED BY YOUNG on title page. Barbara Young is a psychiatrist and psychoanalyst who has been practicing in Baltimore for 65 years. Her second career as an art photographer began in 1979 and continues to this day. She is acknowledged as one of the earliest pioneers of color art photography. This book has come into being out of an intermingling of her two professions. The photographs are from her travels, Baltimore. friends and strangers, and more. Clean copy.

Softcover. Albuquerque, NM, Amador Publishers, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover. INSCRIBED by author to Roger Shattuck, literary critic and historian. Publisher's release laid in. 240 pages. "Childhood overseas. Trying to find oneself as an artist. Growing up Latino. Music, musicians, and an eccentric musicologist. A nightmarish piano recital. Abortive romances. Loneliness, silence. The problem of fascism. These are among the subjects evoked in this collection of 14 pieces. Atmospheres vary from wholesome to sinister. Settings include San Juan, Philadelphia, Cambridge, Manhattan, Tucson, Berkeley and an imaginary isle of silence. In the title piece, the Chicano jazz pianist falls in love with a sorority girl who believes in Ayn Rand. To get in her good graces, he reads all of Rand and ends up converted -- with strange consequences." Spine slightly cocked. Else a clean, tight copy.

Softcover. New York, Clarion, Ltd. Ed., 1996, Book: Very Good, Dust Jacket: None, Ltd to 244 signed (#176). SIGNED BY TREVOR AND ILLUSTRATOR HOGARTH. Color illustrations by Paul Hogarth. Cardboard covers. 20 pages. The story first appeared in the October 30, 1995 issue of The New Yorker.

Hardcover. NY, Harry N. Abrams, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in bright dust jacket. Light beige cloth with Picasso signature design in red and blue. 183 pages with 118 tipped-in color plates, and 2 lithographic prints. Previous owner's gift inscription on front fly leaf signed by 14 people. Otherwise clean, like new.

Hardcover. New York , Atheneum, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 32 pages illustrated in color. SIGNED BY BOTH BARRETTS. In this charming sequel to the classic Cloudy With a Chance of Meatballs, Kate and Henry eagerly await Grandpa's return from a vacation that his postcard says has been one of the best and most unusual ever. Thinking about that postcard Kate drifts off to sleep that night and... "With Henry as my co-pilot..." she visits the strange land of Chewandswallow -- a land characterized by massive amounts of food, immense carrots, leafy jungles of lettuce, and tuna fish sandwiches so gigantic they have to be moved by helicopter. What the people of Chewandswallow are doing with all that food is most intriguing of all. Fans of Cloudy With a Chance of Meatballs will applaud this return trip with its underlying message of generosity and a world community

Softcover. NY, Burns Archive Press, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 272 pages. SIGNED BY STANLEY BURNS on title page. Picturing Freedom chronicles and celebrates the photographic history of African Americans and their cars by focusing on personal images of the pride and joy of car ownership (1900-1980+). Owning a car was a significant life-changing achievement. It offered special freedoms--the freedom to travel, the freedom to work further from home, the freedom to visit family and friends, the freedom to avoid Jim Crow laws, and the freedom to migrate. The car was unequivocal evidence of Black success and an important symbol of status in a country that had long fought their advancement in every area. Car ownership was purposely and proudly photographed. All of the photographs were taken in Black communities by a family member or a friend and reveal how African Americans represented themselves. This 2022 IPPY award-winning compilation of over 450 unique photographs is an inspiring visual narrative of American life. Clean, bright copy.

Hardcover. New York, Dial Books, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 40 pages. Hardcover with dust jacket. INSCRIBED WITH ELF DRAWING BY "Steven and Helen" otherwise, clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, DialBooks, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 340 pages. Hardcover with dust jacket. SIGNED BY STEVEN KELLOGG WITH ILLUSTRATION ON FRONT FLY LEAF. Dust jacket shows light rubbing. Cover boards show light edgewear, tight copy.